Serbia and Montenegro
Serbia and Montenegro the State Union of Serbia and Montenegro known as the Federal Republic of Yugoslavia from 1992 - 2003, was a country in Southeast Europe, created from the two remaining federal republics of Yugoslavia after its breakup in 1992. The republics of Serbia and Montenegro together established a federation in 1992 as the Federal Republic of Yugoslavia. For the first several years of its existence, the state aspired to be recognized as the sole legal successor to Yugoslavia, but those claims were opposed by other former constituent republics; the United Nations denied its request to take up Yugoslavia's membership. After the overthrow of Slobodan Milošević from power as president of the federation in 2000, the country rescinded those aspirations and accepted the opinion of the Badinter Arbitration Committee about shared succession, it re-applied for UN membership on 27 October and was admitted on 1 November 2000. The FRY was dominated by Slobodan Milošević as President of Serbia and President of Yugoslavia.
Milošević forced the removal of several federal presidents and prime ministers. However, the Montenegrin government enthusiastic supporters of Milošević, started distancing themselves from his policies; that culminated in regime change in 1996, when his former ally Milo Đukanović reversed his policies, became leader of Montenegro's ruling party and subsequently dismissed former Montenegrin leader Momir Bulatović, who remained loyal to the Milošević government. As Bulatović was given central positions in Belgrade from that time, Đukanović continued to govern Montenegro and further isolated it from Serbia, thus from 1996 to 2006 Montenegro and Serbia were only nominally one country—governance at every feasible level was conducted locally, in Belgrade for Serbia and in Podgorica for Montenegro. As a loose union or confederacy and Montenegro were united only in certain realms, such as defence; the two constituent republics functioned separately throughout the period of the Federal Republic, continued to operate under separate economic policies, as well as using separate currencies.
On 21 May 2006, the Montenegrin independence referendum was held, 55.5% of voters voted in favour of independence. The last remnants of the former Yugoslavia, after 88 years since its creation, came to an end upon Montenegro's formal declaration of independence on 3 June 2006, Serbia's formal declaration of independence on 5 June. After the dissolution, Serbia became the legal successor of the union, while the newly independent Montenegro re-applied for membership in international organizations; the country was known as the "Federal Republic of Yugoslavia" from 1992 to 2003. The name Yugoslavia, an Anglicised transcription of Jugoslavija, is a composite word made up of jug and slavija; the Slavic word jug means'south', while slavija denotes a'land of the Slavs'. Thus, a translation of "Jugoslavija" would be'South-Slavia' or'Land of the South Slavs'; when Serbia and Montenegro was known as the Federal Republic of Yugoslavia or Yugoslavia for short, some nations, such as the United States, had referred to it as Serbia and Montenegro as their governments viewed its claim to Yugoslavia's successorship as illegitimate.
With the collapse of Yugoslavia during the 1990s, only the republics of Serbia and Montenegro agreed to maintain the Yugoslav state, established a new constitution for a new Yugoslavia in 1992. With the collapse of communism across Eastern Europe, the new state followed the wave of free market change, it abandoned communist symbolism: the red star was removed from the national flag, the communist coat of arms was replaced by a white double-headed eagle with the arms of both Serbia and Montenegro within it. The new state established the office of the president, held by a single person appointed with the consent of the republics of Serbia and Montenegro until 1997 after which the president was democratically elected. With the collapse of Yugoslavia and its institutions from 1991 to 1992, the issue of unity of the two republics remaining in the collapsing federation, Montenegro, as well as Serb-majority territories in Croatia and Bosnia that wished to remain united, became an issue. In 1991 diplomatic talks chaired by Lord Carrington with the leaders of the six republics of the collapsing federation, resulted in all the republics except for Serbia agreeing that Yugoslavia had collapsed and that each republic should become an independent state.
The Serbian government was surprised and outraged by Montenegro's decision in favour of terminating Yugoslavia, as the Bulatovic government had been allied with Milosevic's government in Serbia. Yugoslavia's collapse began in 1991 when Slovenia and the Republic of Macedonia declared independence. On 26 December 1991, Serbia and the Serb rebel-held territories in Croatia agreed that they would form a new "third Yugoslavia". Efforts were made in 1991 to include SR Bosnia and Herzegovina within the federation, with negotiations between Miloševic, Bosnia's Serbian Democratic Party, the Bosniak proponent of union – Bosnia's Vice-President Adil Zulfikarpašić taking place on this matter. Zulfikarpašić believed that Bosnia could benefit from a union
Serbia the Republic of Serbia, is a country situated at the crossroads of Central and Southeast Europe in the southern Pannonian Plain and the central Balkans. The sovereign state borders Hungary to the north, Romania to the northeast, Bulgaria to the southeast, North Macedonia to the south and Bosnia and Herzegovina to the west, Montenegro to the southwest; the country claims a border with Albania through the disputed territory of Kosovo. Serbia's population is about seven million, its capital, ranks among the oldest and largest citiеs in southeastern Europe. Inhabited since the Paleolithic Age, the territory of modern-day Serbia faced Slavic migrations to the Balkans in the 6th century, establishing several sovereign states in the early Middle Ages at times recognized as tributaries to the Byzantine and Hungarian kingdoms; the Serbian Kingdom obtained recognition by the Vatican and Constantinople in 1217, reaching its territorial apex in 1346 as the short-lived Serbian Empire. By the mid-16th century, the entirety of modern-day Serbia was annexed by the Ottomans, their rule was at times interrupted by the Habsburg Empire, which started expanding towards Central Serbia from the end of the 17th century while maintaining a foothold in the north of the country.
In the early 19th century, the Serbian Revolution established the nation-state as the region's first constitutional monarchy, which subsequently expanded its territory. Following disastrous casualties in World War I, the subsequent unification of the former Habsburg crownland of Vojvodina with Serbia, the country co-founded Yugoslavia with other South Slavic peoples, which would exist in various political formations until the Yugoslav Wars of the 1990s. During the breakup of Yugoslavia, Serbia formed a union with Montenegro, peacefully dissolved in 2006. In 2008, the parliament of the province of Kosovo unilaterally declared independence, with mixed responses from the international community. Serbia is a member of the UN, CoE, CERN, OSCE, PfP, BSEC, CEFTA, is acceding to the WTO. Since 2014 the country has been negotiating its EU accession with perspective of joining the European Union by 2025. Serbia dropped in ranking from Free to Partly Free in the 2019 Freedom House report. Since 2007, Serbia formally adheres to the policy of military neutrality.
An upper-middle income economy with a dominant service sector followed by the industrial sector and agriculture, the country ranks high on the Human Development Index, Social Progress Index as well as the Global Peace Index. The origin of the name, "Serbia" is unclear. Various authors mentioned names of Serbs and Sorbs in different variants: Surbii, Serbloi, Sorabi, Sarbi, Serboi, Surbi, etc; these authors used these names to refer to Serbs and Sorbs in areas where their historical presence was/is not disputed, but there are sources that mention same or similar names in other parts of the World. Theoretically, the root *sъrbъ has been variously connected with Russian paserb, Ukrainian pryserbytysia, Old Indic sarbh-, Latin sero, Greek siro. However, Polish linguist Stanisław Rospond derived the denomination of Srb from srbati. Sorbian scholar H. Schuster-Šewc suggested a connection with the Proto-Slavic verb for "to slurp" *sьrb-, with cognates such as сёрбать, сьорбати, сёрбаць, srbati, сърбам and серебати.
From 1945 to 1963, the official name for Serbia was the People's Republic of Serbia, which became the Socialist Republic of Serbia from 1963 to 1990. Since 1990, the official name of the country is the "Republic of Serbia". However, between the period from 1992 to 2006, the official names of the country were the Federal Republic of Yugoslavia and the State Union of Serbia and Montenegro. Archeological evidence of Paleolithic settlements on the territory of present-day Serbia are scarce. A fragment of a human jaw was believed to be up to 525,000 -- 397,000 years old. Around 6,500 years BC, during the Neolithic, the Starčevo and Vinča cultures existed in or near modern-day Belgrade and dominated much of Southeastern Europe. Two important local archeological sites from this era, Lepenski Vir and Vinča-Belo Brdo, still exist near the banks of the Danube. During the Iron Age, Thracians and Illyrians were encountered by the Ancient Greeks during their expansion into the south of modern Serbia in the 4th century BC.
The Celtic tribe of Scordisci settled throughout the area in the 3rd century BC and formed a tribal state, building several fortifications, including their capital at Singidunum and Naissos. The Romans conquered much of the territory in the 2nd century BC. In 167 BC the Roman province of Illyricum was established; as a result of this, contemporary Serbia extends or over several former Roman provinces, including Moesia, Praevalitana, Dalmatia and Macedoni
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Academics have argued that categorizing music by genre is inaccurate and outdated. Music can be divided into different genres in many different ways; the artistic nature of music means that these classifications are subjective and controversial, some genres may overlap. There are varying academic definitions of the term genre itself. In his book Form in Tonal Music, Douglass M. Green distinguishes between form, he lists madrigal, canzona and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre, Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, the Agnus Dei from his Mass, K. 317 are quite different in genre but happen to be similar in form."
Some, like Peter van der Merwe, treat the terms genre and style as the same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that genre and style are two separate terms, that secondary characteristics such as subject matter can differentiate between genres. A music genre or subgenre may be defined by the musical techniques, the style, the cultural context, the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an ubiquitous framework for constituting and evaluating musical research objects". Among the criteria used to classify musical genres are the trichotomy of art and traditional musics. Alternatively, music can be divided on three variables: arousal and depth.
Arousal reflects the energy level of the music. These three variables help explain why many people like similar songs from different traditionally segregated genres. Musicologists have sometimes classified music according to a trichotomic distinction such as Philip Tagg's "axiomatic triangle consisting of'folk','art' and'popular' musics", he explains that each of these three is distinguishable from the others according to certain criteria. The term art music refers to classical traditions, including both contemporary and historical classical music forms. Art music exists in many parts of the world, it emphasizes formal styles that invite technical and detailed deconstruction and criticism, demand focused attention from the listener. In Western practice, art music is considered a written musical tradition, preserved in some form of music notation rather than being transmitted orally, by rote, or in recordings, as popular and traditional music are. Most western art music has been written down using the standard forms of music notation that evolved in Europe, beginning well before the Renaissance and reaching its maturity in the Romantic period.
The identity of a "work" or "piece" of art music is defined by the notated version rather than by a particular performance, is associated with the composer rather than the performer. This is so in the case of western classical music. Art music may include certain forms of jazz, though some feel that jazz is a form of popular music. Sacred Christian music forms an important part of the classical music tradition and repertoire, but can be considered to have an identity of its own; the term popular music refers to any musical style accessible to the general public and disseminated by the mass media. Musicologist and popular music specialist Philip Tagg defined the notion in the light of sociocultural and economical aspects: Popular music, unlike art music, is conceived for mass distribution to large and socioculturally heterogeneous groups of listeners and distributed in non-written form, only possible in an industrial monetary economy where it becomes a commodity and in capitalist societies, subject to the laws of'free' enterprise... it should ideally sell as much as possible.
Popular music is found on most commercial and public service radio stations, in most commercial music retailers and department stores, in movie and television soundtracks. It is noted on the Billboard charts and, in addition to singer-songwriters and composers, it involves music producers more than other genres do; the distinction between classical and popular music has sometimes been blurred in marginal areas such as minimalist music and light classics. Background music for films/movies draws on both traditions. In this respect, music is like fiction, which draws a distinction between literary fiction and popular fiction, not always precise. Country music known as country and western, hillbilly music, is a genre of popular music that originated in the southern United States in the early 1920s; the polka is a Czech dance and genre of dance music familiar throughout Europe and the Americas. Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particular
An extended play record referred to as an EP, is a musical recording that contains more tracks than a single, but is unqualified as an album or LP. Contemporary EPs contain a minimum of three tracks and maximum of six tracks, are considered "less expensive and time-consuming" for an artist to produce than an album. An EP referred to specific types of vinyl records other than 78 rpm standard play and LP, but it is now applied to mid-length CDs and downloads as well. Ricardo Baca of The Denver Post said, "EPs—originally extended-play'single' releases that are shorter than traditional albums—have long been popular with punk and indie bands." In the United Kingdom, the Official Chart Company defines a boundary between EP and album classification at 25 minutes of maximum length and no more than four tracks. EPs were released in various sizes in different eras; the earliest multi-track records, issued around 1919 by Grey Gull Records, were vertically cut 78 rpm discs known as "2-in-1" records. These had finer than usual grooves, like Edison Disc Records.
By 1949, when the 45 rpm single and 331⁄3 rpm LP were competing formats, seven-inch 45 rpm singles had a maximum playing time of only about four minutes per side. As an attempt to compete with the LP introduced in 1948 by rival Columbia, RCA Victor introduced "Extended Play" 45s during 1952, their narrower grooves, achieved by lowering the cutting levels and sound compression optionally, enabled them to hold up to 7.5 minutes per side—but still be played by a standard 45 rpm phonograph. These were 10-inch LPs split onto two seven-inch EPs or 12-inch LPs split onto three seven-inch EPs, either sold separately or together in gatefold covers; this practice became much less common with the advent of triple-speed-available phonographs. Some classical music albums released at the beginning of the LP era were distributed as EP albums—notably, the seven operas that Arturo Toscanini conducted on radio between 1944 and 1954; these opera EPs broadcast on the NBC Radio network and manufactured by RCA, which owned the NBC network were made available both in 45 rpm and 331⁄3 rpm.
In the 1990s, they began appearing on compact discs. RCA had success in the format with their top money earner, Elvis Presley, issuing 28 Elvis EPs between 1956 and 1967, many of which topped the separate Billboard EP chart during its brief existence. During the 1950s, RCA published several EP albums of Walt Disney movies, containing both the story and the songs; these featured the original casts of actors and actresses. Each album contained two seven-inch records, plus a illustrated booklet containing the text of the recording so that children could follow along by reading; some of the titles included Snow White and the Seven Dwarfs and what was a recent release, the movie version of 20,000 Leagues Under the Sea, presented in 1954. The recording and publishing of 20,000 was unusual: it did not employ the movie's cast, years a 12 in 33⅓ rpm album, with a nearly identical script, but another different cast, was sold by Disneyland Records in conjunction with the re-release of the movie in 1963.
Because of the popularity of 7" and other formats, SP records became less popular and the production of SPs in Japan was suspended in 1963. In the 1950s and 1960s, EPs were compilations of singles or album samplers and were played at 45 rpm on seven-inch discs, with two songs on each side. Other than those published by RCA, EPs were uncommon in the United States and Canada, but they were sold in the United Kingdom, in some other European countries, during the 1950s and 1960s. Record Retailer printed the first EP chart in 1960; the New Musical Express, Melody Maker and Music Echo and the Record Mirror continued to list EPs on their respective singles charts. The Beatles' Twist and Shout outsold most singles for some weeks in 1963; when the BBC and Record Retailer commissioned the British Market Research Bureau to compile a chart it was restricted to singles and EPs disappeared from the listings. In the Philippines, seven-inch EPs marketed as "mini-LPs" were introduced in 1970, with tracks selected from an album and packaging resembling the album they were taken from.
This mini-LP format became popular in America in the early 1970s for promotional releases, for use in jukeboxes. Stevie Wonder included a bonus four-song EP with his double LP Songs in the Key of Life in 1976. During the 1970s and 1980s, there was less standardization and EPs were made on seven-inch, 10-inch or 12-inch discs running either 331⁄3 or 45 rpm; some novelty EPs used odd shapes and colors, a few of them were picture discs. Alice in Chains was the first band to have an EP reach number one on the Billboard album chart, its EP, Jar of Flies, was released on January 25, 1994. In 2004, Linkin Park and Jay-Z's collaboration EP, Collision Course, was the next to reach the number one spot after Alice in Chains. In 2010, the cast of the television series Glee became the first artist to have two EPs reach number one, with Glee: The Music, The Power of Madonna on the week of May 8, 2010, Glee: The Music, Journey to Regionals on the week of June 26, 2010. In 2010, Warner Bros. Records revived the format with their "Six-Pak" offering of six songs on a compact disc.
The first EPs were seven-inch vinyl records with more tracks than a normal single. Although they shared size and speed with singles, they were a recognizably different format than the seven-inch single. Alth