1.
Chinese language
–
Chinese is a group of related, but in many cases mutually unintelligible, language varieties, forming a branch of the Sino-Tibetan language family. Chinese is spoken by the Han majority and many ethnic groups in China. Nearly 1.2 billion people speak some form of Chinese as their first language, the varieties of Chinese are usually described by native speakers as dialects of a single Chinese language, but linguists note that they are as diverse as a language family. The internal diversity of Chinese has been likened to that of the Romance languages, There are between 7 and 13 main regional groups of Chinese, of which the most spoken by far is Mandarin, followed by Wu, Min, and Yue. Most of these groups are mutually unintelligible, although some, like Xiang and certain Southwest Mandarin dialects, may share common terms, all varieties of Chinese are tonal and analytic. Standard Chinese is a form of spoken Chinese based on the Beijing dialect of Mandarin. It is the language of China and Taiwan, as well as one of four official languages of Singapore. It is one of the six languages of the United Nations. The written form of the language, based on the logograms known as Chinese characters, is shared by literate speakers of otherwise unintelligible dialects. Of the other varieties of Chinese, Cantonese is the spoken language and official in Hong Kong and Macau. It is also influential in Guangdong province and much of Guangxi, dialects of Southern Min, part of the Min group, are widely spoken in southern Fujian, with notable variants also spoken in neighboring Taiwan and in Southeast Asia. Hakka also has a diaspora in Taiwan and southeast Asia. Shanghainese and other Wu varieties are prominent in the lower Yangtze region of eastern China, Chinese can be traced back to a hypothetical Sino-Tibetan proto-language. The first written records appeared over 3,000 years ago during the Shang dynasty, as the language evolved over this period, the various local varieties became mutually unintelligible. In reaction, central governments have sought to promulgate a unified standard. Difficulties have included the great diversity of the languages, the lack of inflection in many of them, in addition, many of the smaller languages are spoken in mountainous areas that are difficult to reach, and are often also sensitive border zones. Without a secure reconstruction of proto-Sino-Tibetan, the structure of the family remains unclear. A top-level branching into Chinese and Tibeto-Burman languages is often assumed, the earliest examples of Chinese are divinatory inscriptions on oracle bones from around 1250 BCE in the late Shang dynasty
Chinese language
–
The
Tripitaka Koreana, a Korean collection of the
Chinese Buddhist canon
Chinese language
–
Hànyǔ (Chinese) written in
traditional (left) and
simplified (right) characters
Chinese language
–
"
Preface to the Poems Composed at the Orchid Pavilion " by
Wang Xizhi, written in
semi-cursive style
2.
Pinyin
–
Pinyin, or Hànyǔ Pīnyīn, is the official romanization system for Standard Chinese in mainland China, Malaysia, Singapore, and Taiwan. It is often used to teach Standard Chinese, which is written using Chinese characters. The system includes four diacritics denoting tones, Pinyin without tone marks is used to spell Chinese names and words in languages written with the Latin alphabet, and also in certain computer input methods to enter Chinese characters. The pinyin system was developed in the 1950s by many linguists, including Zhou Youguang and it was published by the Chinese government in 1958 and revised several times. The International Organization for Standardization adopted pinyin as a standard in 1982. The system was adopted as the standard in Taiwan in 2009. The word Hànyǔ means the language of the Han people. In 1605, the Jesuit missionary Matteo Ricci published Xizi Qiji in Beijing and this was the first book to use the Roman alphabet to write the Chinese language. Twenty years later, another Jesuit in China, Nicolas Trigault, neither book had much immediate impact on the way in which Chinese thought about their writing system, and the romanizations they described were intended more for Westerners than for the Chinese. One of the earliest Chinese thinkers to relate Western alphabets to Chinese was late Ming to early Qing Dynasty scholar-official, the first late Qing reformer to propose that China adopt a system of spelling was Song Shu. A student of the great scholars Yu Yue and Zhang Taiyan, Song had been to Japan and observed the effect of the kana syllabaries. This galvanized him into activity on a number of fronts, one of the most important being reform of the script, while Song did not himself actually create a system for spelling Sinitic languages, his discussion proved fertile and led to a proliferation of schemes for phonetic scripts. The Wade–Giles system was produced by Thomas Wade in 1859, and it was popular and used in English-language publications outside China until 1979. This Sin Wenz or New Writing was much more sophisticated than earlier alphabets. In 1940, several members attended a Border Region Sin Wenz Society convention. Mao Zedong and Zhu De, head of the army, both contributed their calligraphy for the masthead of the Sin Wenz Societys new journal. Outside the CCP, other prominent supporters included Sun Yat-sens son, Sun Fo, Cai Yuanpei, the countrys most prestigious educator, Tao Xingzhi, an educational reformer. Over thirty journals soon appeared written in Sin Wenz, plus large numbers of translations, biographies, some contemporary Chinese literature, and a spectrum of textbooks
Pinyin
–
A school slogan asking elementary students to speak
Putonghua is annotated with pinyin, but without tonal marks.
Pinyin
–
In
Yiling,
Yichang,
Hubei, text on road signs appears both in Chinese characters and in Hanyu Pinyin
3.
Double reed
–
A double reed is a type of reed used to produce sound in various wind instruments. The term double reed comes from the fact there are two pieces of cane vibrating against each other. A single reed consists of one piece of cane which vibrates against a mouthpiece made of metal, hardened rubber, resin, the term double reeds can also refer collectively to the class of instruments which use double reeds. There are several differences, the most obvious being size, between various types of reeds, for example between that for a bassoon and that for an oboe or a cor anglais. Typically, Arundo donax cane is used for the making of double reeds, for bassoon reeds, tubes of this cane are first split lengthwise then gouged to a certain thickness. The chosen piece of cane is cut to shape and the centre portion is thinned. The cane is folded end to end to form the two blades of the reed, the unprofiled end of the cane is shaped into a tube with the aid of a mandrel and bound with three strategically placed wires. A turban made out of thread is added on the third wire and it provides a hand hold for the reed that isnt a sharp wire. The folded tip is cut off to allow the blades to vibrate and final adjustments to the interior of the using a reamer. The reed is then ready to fit to the bocal of the bassoon, note that there are many schools of thought and processes for making reeds. However, because the oboe does not have a bocal, the cane must be fastened to a metal tube, the staple is then inserted into the farrow at the upper end of the oboe. There are many different methods of making reeds and many variations of design have been developed, players can buy reeds either ready-made, or in various stages of formation, such as part-scraped, reed blanks, or buy the staples and cane separately. Cane is sold in forms, as tubes, gouged, gouged and shaped. Bassoon cane has the option of being profiled before purchase. Cane from several different regions is used in reed making, traditionally from southern France, there are also many options with regard to staples, shaping equipment, and so forth, which all have a subtle effect on the tone quality a reed will produce. While cane is by far the most common material for double reeds, reeds made out of synthetic materials may be used, these reeds often last longer and are less sensitive to temperature and humidity flucutations. Most reeds produced from synthetic materials have a quality that is dissimilar to that of a cane reed and are not favored by musicians. However, some recent manufacturers produce synthetic reeds that are used in a professional setting, oboe double reeds are about 7 mm in width
Double reed
–
Bassoon reeds
Double reed
–
A bassoon reed
Double reed
–
An oboe reed
4.
North China
–
Northern China or North China is a geographical region of China. The heartland of North China is the North China Plain, or the Yellow River Plain, North China is usually restricted to the northern part of China proper (inner China and excludes Xinjiang and often Manchuria and the Northeast China. The vast region in China from the Yellow River Valley south to the Yangtze River was the centre of Chinese empires, in prehistory and early history, the plain is considered the origin of Chinese civilization in official Chinese history. The region cultivated wheat, and most speak Northern Chinese, which includes Beijing dialect, which is largely the basis of Standard Chinese, jin Chinese and Mongolian are also widely spoken. The region remains the political, military, and cultural center of the PRC, in prehistory, the region was home to the Yangshao and Longshan cultures. Peking man was found near modern-day Beijing, North China Plain Northeast China East China Northern and southern China
North China
–
Northern
People's Republic of China region.
5.
Bamboo
–
The bamboos /bæmˈbuː/ are evergreen perennial flowering plants in the subfamily Bambusoideae of the grass family Poaceae. The dicotyledonous woody xylem is also absent, the absence of secondary growth wood causes the stems of monocots, including the palms and large bamboos, to be columnar rather than tapering. Bamboos include some of the plants in the world, due to a unique rhizome-dependent system. Certain species of bamboo can grow 91 cm within a 24-hour period, giant bamboos are the largest members of the grass family. Bamboos are of economic and cultural significance in South Asia, Southeast Asia and East Asia, being used for building materials, as a food source. Bamboo has a higher compressive strength than wood, brick, or concrete. The word bamboo comes from the Kannada term bambu, which was introduced to English through Indonesian, the subfamily in its current sense belongs to the BOP clade of grasses, where it is sister to the Pooideae. The woody bamboos do not form a group, instead. Altogether, more than 1,400 species are placed in 115 genera, most bamboo are native to warm and moist tropical and warm temperate climates. However, many species are found in climates, from hot tropical regions to cool mountainous regions. In the Asia-Pacific region they occur across East Asia, from 50°N latitude in Sakhalin south to Northern Australia, and west to India, China, Japan, Korea, India, and Australia, all have several endemic populations. They also occur in numbers in sub-Saharan Africa, confined to tropical areas, from southern Senegal in the north to southern Mozambique. Bamboo is also native through Central America and Mexico, northward into the Southeastern United States, canada and continental Europe is not known to have any native species of bamboo. Recently, some attempts have been made to grow bamboo on a basis in the Great Lakes region of east-central Africa. In the United States, several companies are growing, harvesting, bamboos include some of the fastest-growing plants on Earth, with reported growth rates up to 91 cm in 24 hours. Primarily growing in regions of warmer climates during the late Cretaceous period, some of the largest timber bamboo can grow over 30 m tall, and be as large as 25–30 cm in diameter. However, the range for mature bamboo is species-dependent, with the smallest bamboos reaching only several inches high at maturity. A typical height range that would cover many of the common bamboos grown in the United States is 4. 6–12 m, depending on species
Bamboo
–
Bamboo
Bamboo
–
Bamboo forest in Taiwan
Bamboo
–
Bamboo forest in
Arashiyama
Bamboo
–
Bamboo forest in
Kwa-Zulu Natal
6.
Double-reed
–
A double reed is a type of reed used to produce sound in various wind instruments. The term double reed comes from the fact there are two pieces of cane vibrating against each other. A single reed consists of one piece of cane which vibrates against a mouthpiece made of metal, hardened rubber, resin, the term double reeds can also refer collectively to the class of instruments which use double reeds. There are several differences, the most obvious being size, between various types of reeds, for example between that for a bassoon and that for an oboe or a cor anglais. Typically, Arundo donax cane is used for the making of double reeds, for bassoon reeds, tubes of this cane are first split lengthwise then gouged to a certain thickness. The chosen piece of cane is cut to shape and the centre portion is thinned. The cane is folded end to end to form the two blades of the reed, the unprofiled end of the cane is shaped into a tube with the aid of a mandrel and bound with three strategically placed wires. A turban made out of thread is added on the third wire and it provides a hand hold for the reed that isnt a sharp wire. The folded tip is cut off to allow the blades to vibrate and final adjustments to the interior of the using a reamer. The reed is then ready to fit to the bocal of the bassoon, note that there are many schools of thought and processes for making reeds. However, because the oboe does not have a bocal, the cane must be fastened to a metal tube, the staple is then inserted into the farrow at the upper end of the oboe. There are many different methods of making reeds and many variations of design have been developed, players can buy reeds either ready-made, or in various stages of formation, such as part-scraped, reed blanks, or buy the staples and cane separately. Cane is sold in forms, as tubes, gouged, gouged and shaped. Bassoon cane has the option of being profiled before purchase. Cane from several different regions is used in reed making, traditionally from southern France, there are also many options with regard to staples, shaping equipment, and so forth, which all have a subtle effect on the tone quality a reed will produce. While cane is by far the most common material for double reeds, reeds made out of synthetic materials may be used, these reeds often last longer and are less sensitive to temperature and humidity flucutations. Most reeds produced from synthetic materials have a quality that is dissimilar to that of a cane reed and are not favored by musicians. However, some recent manufacturers produce synthetic reeds that are used in a professional setting, oboe double reeds are about 7 mm in width
Double-reed
–
Bassoon reeds
Double-reed
–
A bassoon reed
Double-reed
–
An oboe reed
7.
Woodwind instrument
–
Woodwind instruments are a family of musical instruments within the more general category of wind instruments. There are two types of woodwind instruments, flutes and reed instruments. What differentiates these instruments from other instruments is the way in which they produce their sound. Examples are a saxophone, a bassoon and a piccolo, flutes produce sound by directing a focused stream of air below the edge of a hole in a cylindrical tube. The flute family can be divided into two sub-families, open flutes and closed flutes, to produce a sound with an open flute, the player is required to blow a stream of air across a sharp edge that then splits the airstream. This split airstream then acts upon the air contained within the flutes hollow causing it to vibrate. Examples of open flutes are the flute, panpipes and shakuhachi. Ancient flutes of this variety were often made from sections of plants such as grasses, reeds. Later, flutes were made of such as tin, copper. Modern concert flutes are made of high-grade metal alloys, usually containing nickel, silver, copper. To produce a sound with a flute, the player is required to blow air into a duct. This duct acts as a channel bringing the air to a sharp edge, as with the open flutes, the air is then split, this causes the column of air within the closed flute to vibrate and produce sound. Examples of this type of include the recorder, ocarina. Reed instruments produce sound by focusing air into a mouthpiece which then causes a reed, or reeds, similar to flutes, Reed pipes are also further divided into two types, single reed and double reed. Single-reed woodwinds produce sound by placing a reed onto the opening of a mouthpiece, when air is forced between the reed and the mouthpiece, the reed causes the air column in the instrument to vibrate and produce its unique sound. Single reed instruments include the clarinet, saxophone, and others such as the chalumeau, double-reed instruments use two precisely cut, small pieces of cane bound together at the base. This form of production has been estimated to have originated in the middle to late Neolithic period. The finished, bound reed is inserted into the instrument and vibrates as air is forced between the two pieces and this family of reed pipes is subdivided further into another two sub-families, exposed double reed, and capped double reed instruments
Woodwind instrument
–
Alto and
tenor saxophone reeds
Woodwind instrument
–
A piper playing the
bagpipes
8.
Suona
–
The suona, also called laba or haidi, is a Chinese sorna. It has a loud and high-pitched sound, and is used frequently in Chinese traditional music ensembles. It is an important instrument in the music of northern China, particularly the provinces of Shandong and Henan. It is still used, in combination with sheng mouth organs, gongs, drums, such wind and percussion ensembles are called chuida or guchui. Stephen Jones has written extensively on its use in music of Shanxi province. It is also common in the music of Southeast China. In Taiwan, it forms an element of ritual music that accompanies Daoist performances of both auspicious and inauspicious rites, i. e. those for both the living and the dead. The double-reed gives the instrument a sound similar to that of the modern oboe, the instrument is made in several sizes. There is now a family of instruments, including the zhongyin suona, cizhongyin suona. It has been used in modern music arrangements as well, including in the works of Chinese rock musician Cui Jian, the highest varieties are not normally keyed. Other sources state the origins of the suona to be Arabia, the European Shawm is also derived from this ancient instrument. It was not mentioned in Chinese literature until the Ming Dynasty, in Korea, a similar instrument is called taepyeongso, and in Vietnam similar oboes are called kèn. In Japan, an instrument is called charumera. This instruments name is derived from charamela, the Portuguese word for shawm and its sound is well known throughout Japan, as it is often used by street vendors selling ramen. A similar instrument, the zurna, is played during occasions and folk music in the Balkans, India, Iran. The suona is also used as an instrument in Cuba. It is known there as trompeta china and is used in forms of son. The American jazz saxophonist Dewey Redman often played the suona in his performances, bassist and saxophonist, the late Mick Karn used the instrument crediting it as a dida
Suona
–
Suona
9.
Oboe
–
Oboes /ˈoʊboʊ/ OH-boh are a family of double reed woodwind musical instruments. The most common oboe plays in the treble or soprano range, oboes are usually made of wood, but there are also oboes made of synthetic materials. A soprano oboe measures roughly 65 cm long, with keys, a conical bore. Sound is produced by blowing into the reed and vibrating a column of air, the distinctive oboe tone is versatile, and has been described as bright. When the term oboe is used alone, it is taken to mean the standard treble instrument rather than other instruments of the family. In English, prior to 1770, the instrument was called a hautbois, hoboy. The spelling of oboe was adopted into English c.1770 from the Italian oboè, a musician who plays the oboe is called an oboist or simply an oboe player. In comparison to other woodwind instruments, the treble oboe is sometimes referred to as having a clear. The Sprightly Companion, a book published by Henry Playford in 1695, describes the oboe as Majestical and Stately. Humorously, the sound of the oboe is described in the play Angels in America as like that of a if the duck were a songbird. The rich timbre of the oboe is derived from its conical bore, as a result, oboes are readily audible over other instruments in large ensembles. The highest note of the oboe is a lower than the nominally highest note of the B♭ clarinet. Since the clarinet has a range of notes, the lowest note of the B♭ clarinet is significantly deeper than the lowest note of the oboe. Music for the oboe is written in concert pitch. Orchestras normally tune to a concert A played by the oboe, according to the League of American Orchestras, this is done because the pitch of the oboe is secure and its penetrating sound makes it ideal for tuning purposes. The pitch of the oboe is affected by the way in which the reed is made. The reed has a significant effect on the sound of the instrument, Variations in cane and other construction materials, the age of the reed, and differences in scrape and length all affect the pitch of the instrument. German and French reeds, for instance, differ in many ways, weather conditions such as temperature and humidity also affect the pitch
Oboe
–
A modern oboe with a reed
Oboe
–
Classical oboe, copy by Sand Dalton of an original by Johann Friedrich Floth, c. 1805
Oboe
–
The members of the oboe family from top:
heckelphone,
bass oboe,
cor anglais,
oboe d'amore, regular oboe, and
piccolo oboe
Oboe
–
Oboist
Albrecht Mayer preparing reeds for use. Most oboists scrape their own reeds to achieve the desired tone and response
10.
Timbre
–
The physical characteristics of sound that determine the perception of timbre include spectrum and envelope. Singers and instrumental musicians can change the timbre of the music they are singing/playing by using different singing or playing techniques, for example, a violinist can use different bowing styles or play on different parts of the string to obtain different timbres. On electric guitar and electric piano, performers can change the timbre using effects units, in simple terms, timbre is what makes a particular musical sound have a different sound from another, even when they have the same pitch and loudness. For instance, it is the difference in sound between a guitar and a playing the same note at the same volume. Experienced musicians are able to distinguish between different instruments of the type based on their varied timbres, even if those instruments are playing notes at the same pitch. Tone quality and tone color are synonyms for timbre, as well as the attributed to a single instrument. However, the texture can also refer to the type of music, such as multiple. The sound of an instrument may be described with words such as bright, dark, warm, harsh. There are also colors of noise, such as pink and white, in visual representations of sound, timbre corresponds to the shape of the image. The Acoustical Society of America Acoustical Terminology definition 12, Timbre has been called. the psychoacousticians multidimensional waste-basket category for everything that cannot be labeled pitch or loudness. Many commentators have attempted to decompose timbre into component attributes, the richness of a sound or note a musical instrument produces is sometimes described in terms of a sum of a number of distinct frequencies. The lowest frequency is called the frequency, and the pitch it produces is used to name the note. The dominant frequency is the frequency that is most heard, for example, the dominant frequency for the transverse flute is double the fundamental frequency. Other significant frequencies are called overtones of the frequency, which may include harmonics. Harmonics are whole number multiples of the frequency, such as ×2, ×3, ×4. There are also sometimes subharmonics at whole number divisions of the fundamental frequency, most instruments produce harmonic sounds, but many instruments produce partials and inharmonic tones, such as cymbals and other indefinite-pitched instruments. When the tuning note in an orchestra or concert band is played, each instrument in the orchestra or concert band produces a different combination of these frequencies, as well as harmonics and overtones. The sound waves of the different frequencies overlap and combine, the timbre of a sound is also greatly affected by the following aspects of its envelope, attack time and characteristics, decay, sustain, release and transients
Timbre
–
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11.
Song Dynasty
–
The Song dynasty was an era of Chinese history that began in 960 and continued until 1279. It succeeded the Five Dynasties and Ten Kingdoms period, coincided with the Liao and Western Xia dynasties and it was the first government in world history to issue banknotes or true paper money nationally and the first Chinese government to establish a permanent standing navy. This dynasty also saw the first known use of gunpowder, as well as the first discernment of true north using a compass, the Song dynasty is divided into two distinct periods, Northern and Southern. During the Northern Song, the Song capital was in the city of Bianjing. The Southern Song refers to the period after the Song lost control of its half to the Jurchen Jin dynasty in the Jin–Song Wars. During this time, the Song court retreated south of the Yangtze, the Southern Song dynasty considerably bolstered its naval strength to defend its waters and land borders and to conduct maritime missions abroad. To repel the Jin, and later the Mongols, the Song developed revolutionary new military technology augmented by the use of gunpowder, in 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire and his younger brother Kublai Khan was proclaimed the new Great Khan, though his claim was only partially recognized by the Mongols in the west. In 1271, Kublai Khan was proclaimed the Emperor of China, after two decades of sporadic warfare, Kublai Khans armies conquered the Song dynasty in 1279. The Mongol invasion led to a reunification under the Yuan dynasty, the population of China doubled in size during the 10th and 11th centuries. The Northern Song census recorded a population of roughly 50 million, much like the Han and this data is found in the Standard Histories. However, it is estimated that the Northern Song had a population of some 100 million people and this dramatic increase of population fomented an economic revolution in pre-modern China. The expansion of the population, growth of cities, and the emergence of a national economy led to the withdrawal of the central government from direct involvement in economic affairs. The lower gentry assumed a role in grassroots administration and local affairs. Appointed officials in county and provincial centers relied upon the gentry for their services, sponsorship. Social life during the Song was vibrant, citizens gathered to view and trade precious artworks, the populace intermingled at public festivals and private clubs, and cities had lively entertainment quarters. The spread of literature and knowledge was enhanced by the expansion of woodblock printing. Technology, science, philosophy, mathematics, and engineering flourished over the course of the Song, although the institution of the civil service examinations had existed since the Sui dynasty, it became much more prominent in the Song period
Song Dynasty
–
History of China
Song Dynasty
–
Northern Song in 1111
Song Dynasty
–
Emperor Taizu of Song (r. 960–976), a court portrait painting
Song Dynasty
–
Pillow, sandstone with white and brown slip black, incised decoration, Northern Song dynasty, 12th century
12.
Dizi (musical instrument)
–
The dizi, is a Chinese transverse flute. It is also known as the di or héngdi, and has varieties including the qǔdi and bāngdi. These names are likely to have multiple spellings, too, depending on the used to convert from Chinese names. Nonetheless, dizi seems to be the most common used in the West. The dizi is a major Chinese musical instrument, and is used in many genres of Chinese folk music, as well as Chinese opera. Traditionally, the dizi has also been popular among the Chinese common people, most dizi are made of bamboo, which explains why dizi are sometimes known by simple names such as Chinese bamboo flute. However, bamboo is perhaps more of a Chinese instrument classification like woodwind in the West, Northern Chinese dizi are made from purple or violet bamboo, while dizi made in Suzhou and Hangzhou are made from white bamboo. Dizi produced in southern Chinese regions such as Chaozhou are often made of slender, lightweight. Although bamboo is the material for the dizi, it is also possible to find dizi made from other kinds of wood. The dizi is not the only bamboo flute of China, although it is certainly distinctive, other Chinese bamboo wind instruments include the vertical end-blown xiao and the koudi. There are many suggestions for the source of dizi, while legend suggest it was the invention of the Yellow Emperor, who wanted to make the bamboo a musical instrument, others suggest that dizi was imported into China during the Han Dynasty. Recently, archaeologists have discovered evidence suggesting that the simple transverse flutes have been present in China for over 9,000 years, fragments of bone flutes from this period are still playable today, and are remarkably similar to modern versions in terms of hole placement, etc. The Jiahu neolithic site in central Henan province of China has yielded flutes dating back to 7,000 BC -5,000 BC that could represent the earliest playable instruments ever found. These flutes were carved with five to eight holes, and is capable of producing varied sounds in a nearly accurate octave. The dizi as we know it today dates to the 5th century BC. There are examples of bamboo dizi that date back to 2nd century BC that has been found and these flutes share common features of other simple flutes from cultures all around the world, including the ney, an end-blown cane flute which was depicted in Egyptian paintings and stone carvings. In fact, recent archeological discoveries in Africa suggest that the history of such flutes may date back a long way in human history indeed. Traditionally dizi is made by using a piece of bamboo
Dizi (musical instrument)
–
Dizi
Dizi (musical instrument)
–
Close-up of the
di mo on a dizi, as well as the metal joint of a dizi.
Dizi (musical instrument)
–
Dizi bamboo membrane, or
dimo
Dizi (musical instrument)
–
Detail of 12th century
Song Dynasty painting depicting two dizi players, with three
guan (ancient oboe-like instrument) players and one paiban (wooden clapper)
13.
Paiban
–
The paiban is a clapper made from several flat pieces of hardwood or bamboo, which is used in many different forms of Chinese music. There are many different types of paiban, and the instrument is referred to as bǎn, tánbǎn, mùbǎn. Typical materials used for the paiban include zitan, hongmu, or hualimu, or bamboo and it is held vertically by one hand and clapped together, producing a sharp clacking sound. When used together with a small drum the two instruments are referred to collectively as guban, somewhat confusingly, the clapper is sometimes also referred to, without the drum, as guban. When used as part of a guban, the paiban is used in genres of shuochang, as well as in Beijing opera, kunqu. It is also used in music, such as Jiangnan sizhu Chaozhou xianshi, Sunan chuida, nanguan, shifan luogu. A photo of paiban made from three different types of wood
Paiban
–
A paiban used in
Chaozhou music
14.
Li Houzhu
–
Li Yu, before 961 known as Li Congjia, also known as Li Houzhu, was the third ruler of the Southern Tang state during imperial Chinas Five Dynasties and Ten Kingdoms period. He reigned from 961 until 976, when he was captured by the invading Song Dynasty armies which annexed his kingdom and he died by poison on orders of Emperor Taizong of Song after 2 years essentially as an exiled prisoner. Although an incompetent ruler, he was a lyric poet during his era. In the same Chinese year Li Congjia was born, his grandfather Xu Zhigao, also known as Xu Gao founded the state Qi, when Li Congjia was 6, his father Li Jing became the next Southern Tang emperor. With Li Jing naming his younger brother Li Jingsui his heir apparent, Li Hongji, a withdrawn and troubled young man, resented his crown prince uncle, whom he saw as a political enemy standing in his way. He also disliked his younger brother Li Congjia, even though they shared the same biological mother, fearing the possible results of this family enmity, Li Congjia tried hard to be inconspicuous and focused on the arts, including poetry, painting and music. He loved reading, a passion encouraged by his father, also an acclaimed poet, at the age of 17, Li Congjia married Zhou Ehuang, chancellor Zhou Zongs daughter and a year his senior. Lady Zhou was not only highly educated but also multi-talented in music and the arts, in 955, a year after Li Congjias marriage, Southern Tang was invaded by Later Zhou. The resistance war did not end until spring 958, after Li Jing ceded all prefectures north of the Yangtze River to his northern neighbor. Li Jing also relinquished all imperial trappings, degrading his own title from emperor to king, not long after Li Hongjis death in 959, Li Congjia was given the post of royal secretary so that he could familiarize himself of governmental affairs. Li Jing found Zhongs suggestion offensive and demoted him, suffering from poor health, Li Jing decided to transfer all responsibilities to his successor. He named Li Congjia the crown prince in spring 961 to take over in the capital Jinling while he retired to the city of Hongzhou. A few months later he died, and Li Congjia officially succeeded the throne, by then Zhong Mo had also died, so Li Congshan asked chancellor Xu You to bring Li Jings last will to him. Xu refused and confided in Li Congjia of Li Congshans intentions, Li Congjia — changing his name to Li Yu — did not punish his younger brother other than a slight demotion. Things got to a start, during his accession to the throne Li Yu built a golden rooster, a symbol of imperial power. In the end, the Southern Tang ambassador in the Song capital of Bianliang had to give the explanation that the rooster was actually a weird bird to satisfy the Song emperor. Such an embarrassing relationship would define Lis entire reign, as tribute payments, essentially Li was ready to fulfill Emperor Taizu of Songs every demand except go to Bianliang himself. In 963, Li Congshan who accompanied a mission was held hostage in Bianliang and had to write letters on behalf of the Song emperor asking his elder brother also join him at the Song court
Li Houzhu
–
an illustration from
Sancai Tuhui (1609)
Li Houzhu
–
"Traveling on the River in First Snow" (江行初雪) by the Southern Tang painter Zhao Gan (趙幹),
National Palace Museum,
Taipei, Taiwan. The column of 11 characters on the right edge of the painting, which specified the artist and the title, was written by Li Yu.
15.
Zhou Dynasty
–
The Zhou dynasty was a Chinese dynasty that followed the Shang dynasty and preceded the Qin dynasty. This period of Chinese history produced what many consider the zenith of Chinese bronze-ware making, the dynasty also spans the period in which the written script evolved into its almost-modern form with the use of an archaic clerical script that emerged during the late Warring States period. He even received sacrifice as a harvest god, the term Hòujì was probably an hereditary title attached to a lineage. Jus son Liu, however, led his people to prosperity by restoring agriculture and settling them at a place called Bin, tai later led the clan from Bin to Zhou, an area in the Wei River valley of modern-day Qishan County. Taibo and Zhongyong had supposedly fled to the Yangtze delta. Jilis son Wen bribed his way out of imprisonment and moved the Zhou capital to Feng, the Zhou enfeoffed a member of the defeated Shang royal family as the Duke of Song, which was held by descendants of the Shang royal family until its end. This practice was referred to as Two Kings, Three Reverences, according to Nicholas Bodman, the Zhou appear to have spoken a language not basically different in vocabulary and syntax from that of the Shang. A recent study by David McCraw, using lexical statistics, reached the same conclusion, the Zhou emulated extensively Shang cultural practices, perhaps to legitimize their own rule, and became the successors to Shang culture. At the same time, the Zhou may also have connected to the Xirong, a broadly defined cultural group to the west of the Shang. According to the historian Li Feng, the term Rong during the Western Zhou period was used to designate political and military adversaries rather than cultural. The proto-Zhou were first located in the Shaanxi-Shanxi highland, where they absorbed elements from the Guangshe culture, King Liu moved his people to the lower Fen Valley and to the western bank of the Yellow River, where they resumed agriculture. His son Qing Jie, led the Zhou to the valley of the Jing River. They stayed there until Dan Fu moved again to the Wei Valley in order to avoid incursion by the Rongdi nomads. During this period, the Zhou mingled with the Qiang people, in all these stages, the advanced Shang bronze culture constantly imparted its influence on the Zhou. The Qi area was the region in all these influences would come to fruition. The contact among the proto-Zhou, the native Shaanxi Longshan, the Qiang, King Wu maintained the old capital for ceremonial purposes but constructed a new one for his palace and administration nearby at Hao. Although Wus early death left a young and inexperienced heir, the Duke of Zhou assisted his nephew King Cheng in consolidating royal power. Wary of the Duke of Zhous increasing power, the Three Guards, Zhou princes stationed on the eastern plain, to maintain Zhou authority over its greatly expanded territory and prevent other revolts, he set up the fengjian system
Zhou Dynasty
–
History of China
Zhou Dynasty
–
Population concentration and boundaries of the Western Zhou dynasty (1050–771 BC) in China
Zhou Dynasty
–
States of the Western Zhou dynasty
Zhou Dynasty
–
A Western Zhou bronze gui vessel, c. 1000 BC
16.
Xiao (flute)
–
The xiao is a Chinese vertical end-blown flute. It is generally made of bamboo and it is also sometimes called dòngxiāo, dòng meaning hole. An ancient name for the xiāo is shùzhúdí but the name xiāo in ancient times included the side-blown bamboo flute. The xiāo is a very ancient Chinese instrument usually thought to have developed from a simple end-blown flute used by the Qiang people of Southwest China in ancient period, Xiao are almost always made of bamboo, the best being purple bamboo or 紫竹. Sometimes, the xiao is made of wood that has been carved and hollowed out. They can either be plain, or have a horn inlay at the end and/or various inscriptions along the shaft. Usually, nylon wire bindings along the shaft are wrapped on which attempts to stabilize the bamboo, some players tie a tassel to dangle from one of the lower sound holes, purely for decorative purposes. Xiao are today most often pitched in the key of G, although xiao in other less common keys are also available, most commonly in the key of F. More traditional xiao have six finger holes, while most modern ones have eight, there are a further four sound holes situated at the bottom third of the length of the xiao. There may be a joint between the blow hole and the top finger hole for tuning purposes and sometimes also between the last finger hole and the end. The length of the ranges from around 45 cm to over 1.25 m but is usually around 75–85 cm. Usually, shorter xiaos are more difficult to play because of the need to control ones breath more accurately, the angle to play the xiao is around 45 degrees from the body. The narrowness of the qin xiao makes the tone softer, making it suitable to play with the qin which is a very quiet instrument. The nanxiao, Southern xiao), sometimes called chiba is a short xiao with open blowing end used in the Nanyin, typically, the end incorporates a part of the root of the bamboo. A separate instrument, the paixiao is a panpipe which was used in ancient China, the Japanese shakuhachi and hocchiku, Vietnamese tiêu, and the Korean tungso and danso, are descended from earlier forms of the Chinese xiao. Xiao page from Paul and Bernice Noll site Xiao video Chinese flutes End-blown flute Music of China Traditional Chinese musical instruments Shakuhachi Bamboo
Xiao (flute)
–
Xiao blowing hole (the hole faces away from the player, against the lower lip, making sure the top lip is not concealing the hole, when the instrument is played. Works on the same basics as blowing air over an empty bottle to create noise.)
Xiao (flute)
–
A ceramic xiao flute player excavated from an
Eastern Han Dynasty (25-220 AD) tomb in
Sichuan province
Xiao (flute)
–
Several dongxiao in the G-key.
Xiao (flute)
–
A Taiwanese xiao
17.
Paixiao
–
The paixiao is an ancient Chinese wind instrument, a form of Pan flute. This allows for bending the pitch in similar capacity to the dongxiao down a minor second and this allows Chinese paixiao to be fully chromatic without loss in timbre, even though the included pipes are tuned diatonically. In Korea, an instrument called the so was derived from the paixiao and used in ritual music
Paixiao
–
Example of paixiao
18.
Ethnic groups in Chinese history
–
Classical Chinese ethnography was often sketchy, leaving it unclear as to whether Chinese-depicted names referred to a true ethnic group or a possibly multiethnic political entity. Many of the ethnonyms were historically used in such a way as to invite comparison with the word barbarian, in some cases authors prefer to transliterate specific exonyms as proper nouns, and in other cases to translate generic ones as English barbarian. The American sinologist Marc S. Abramson explains why barbarian is the translation for general terms like fan 番 and hu 胡. However, its pejorative connotations make it inappropriate as a general translation, the following table summarizes the various ethnic groups and/or other social groups of known historical significance to the history of China, Abramson, Marc S. Ethnic Identity in Tang China. Empires of the Silk Road, A History of Central Eurasia from the Bronze Age to the Present
Ethnic groups in Chinese history
–
Map of the world as known to Han Dynasty China in 2 CE. Names of non-Chinese peoples and states have been purposely left with their Chinese names (e.g. Dayuan instead of Fergana; Gaogouli instead of Goguryeo) to reflect the fact that our knowledge of participants in the Han world order comes almost exclusively from Chinese sources.
Ethnic groups in Chinese history
–
Map of
Tang Dynasty China, showing some of the surrounding ethnic (and other) groups or the geographical areas these groups were located.
19.
China
–
China, officially the Peoples Republic of China, is a unitary sovereign state in East Asia and the worlds most populous country, with a population of over 1.381 billion. The state is governed by the Communist Party of China and its capital is Beijing, the countrys major urban areas include Shanghai, Guangzhou, Beijing, Chongqing, Shenzhen, Tianjin and Hong Kong. China is a power and a major regional power within Asia. Chinas landscape is vast and diverse, ranging from forest steppes, the Himalaya, Karakoram, Pamir and Tian Shan mountain ranges separate China from much of South and Central Asia. The Yangtze and Yellow Rivers, the third and sixth longest in the world, respectively, Chinas coastline along the Pacific Ocean is 14,500 kilometers long and is bounded by the Bohai, Yellow, East China and South China seas. China emerged as one of the worlds earliest civilizations in the basin of the Yellow River in the North China Plain. For millennia, Chinas political system was based on hereditary monarchies known as dynasties, in 1912, the Republic of China replaced the last dynasty and ruled the Chinese mainland until 1949, when it was defeated by the communist Peoples Liberation Army in the Chinese Civil War. The Communist Party established the Peoples Republic of China in Beijing on 1 October 1949, both the ROC and PRC continue to claim to be the legitimate government of all China, though the latter has more recognition in the world and controls more territory. China had the largest economy in the world for much of the last two years, during which it has seen cycles of prosperity and decline. Since the introduction of reforms in 1978, China has become one of the worlds fastest-growing major economies. As of 2016, it is the worlds second-largest economy by nominal GDP, China is also the worlds largest exporter and second-largest importer of goods. China is a nuclear weapons state and has the worlds largest standing army. The PRC is a member of the United Nations, as it replaced the ROC as a permanent member of the U. N. Security Council in 1971. China is also a member of numerous formal and informal multilateral organizations, including the WTO, APEC, BRICS, the Shanghai Cooperation Organization, the BCIM, the English name China is first attested in Richard Edens 1555 translation of the 1516 journal of the Portuguese explorer Duarte Barbosa. The demonym, that is, the name for the people, Portuguese China is thought to derive from Persian Chīn, and perhaps ultimately from Sanskrit Cīna. Cīna was first used in early Hindu scripture, including the Mahābhārata, there are, however, other suggestions for the derivation of China. The official name of the state is the Peoples Republic of China. The shorter form is China Zhōngguó, from zhōng and guó and it was then applied to the area around Luoyi during the Eastern Zhou and then to Chinas Central Plain before being used as an occasional synonym for the state under the Qing
China
–
Yinxu, ruins of an ancient
palace dating from the
Shang Dynasty (14th century BCE)
China
–
Flag
China
–
Some of the thousands of life-size
Terracotta Warriors of the
Qin Dynasty, c. 210 BCE
China
–
The
Great Wall of China was built by several dynasties over two thousand years to protect the sedentary agricultural regions of the
Chinese interior from incursions by
nomadic pastoralists of the northern
steppes.
20.
Poetry
–
Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
Poetry
–
Aristotle
Poetry
–
Literature
Poetry
–
John Keats
Poetry
–
Archibald MacLeish
21.
Tang Dynasty
–
The Tang dynasty was an imperial dynasty of China preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. It is generally regarded as a point in Chinese civilization. Its territory, acquired through the campaigns of its early rulers, rivaled that of the Han dynasty. The dynasty was founded by the Lǐ family, who seized power during the decline, the dynasty was briefly interrupted when Empress Wu Zetian seized the throne, proclaiming the Second Zhou dynasty and becoming the only Chinese empress regnant. In two censuses of the 7th and 8th centuries, the Tang records estimated the population by number of registered households at about 50 million people. Various kingdoms and states paid tribute to the Tang court, while the Tang also conquered or subdued several regions which it controlled through a protectorate system. Besides political hegemony, the Tang also exerted a powerful influence over neighboring states such as those in Korea, Japan. Like the previous Sui dynasty, the Tang dynasty maintained a service system by recruiting scholar-officials through standardized examinations and recommendations to office. This civil order was undermined by the rise of military governors known as jiedushi during the 9th century. Chinese culture flourished and further matured during the Tang era, it is considered the greatest age for Chinese poetry. Two of Chinas most famous poets, Li Bai and Du Fu, belonged to this age, as did many famous painters such as Han Gan, Zhang Xuan, there was a rich variety of historical literature compiled by scholars, as well as encyclopedias and geographical works. The adoption of the title Tängri Qaghan by the Tang Emperor Taizong in addition to his title as emperor was eastern Asias first simultaneous kingship, there were many notable innovations during the Tang, including the development of woodblock printing. Buddhism became an influence in Chinese culture, with native Chinese sects gaining prominence. However, Buddhism would later be persecuted by the state, subsequently declining in influence, although the dynasty and central government were in decline by the 9th century, art and culture continued to flourish. This family was known as the Longxi Li lineage, which includes the Tang poet Li Bai, the Tang Emperors also had Xianbei maternal ancestry, from Emperor Gaozu of Tangs Xianbei mother Duchess Dugu. He had prestige and military experience, and was a first cousin of Emperor Yang of Sui, Li Yuan rose in rebellion in 617, along with his son and his equally militant daughter Princess Pingyang, who raised and commanded her own troops. In winter 617, Li Yuan occupied Changan, relegated Emperor Yang to the position of Taishang Huang or retired emperor, and acted as regent to the puppet child-emperor, Emperor Gong of Sui. On the news of Emperor Yangs murder by General Yuwen Huaji on June 18,618, Li Yuan declared himself the emperor of a new dynasty, the Tang
Tang Dynasty
–
History of China
Tang Dynasty
–
Tang dynasty circa 700
Tang Dynasty
–
Portrait painting of
Emperor Yang of Sui, commissioned in 643 by
Taizong, painted by
Yan Liben (600–673)
Tang Dynasty
–
Emperor Taizong (r. 626–649) receives
Gar Tongtsen Yülsung, ambassador of
Tibet, at his court; painted in 641 AD by
Yan Liben (600–673)
22.
Silk road
–
While the term is of modern coinage, the Silk Road derives its name from the lucrative trade in silk carried out along its length, beginning during the Han dynasty. The Han dynasty expanded Central Asian sections of the routes around 114 BCE, largely through missions and explorations of the Chinese imperial envoy. The Chinese took great interest in the safety of their trade products, though silk was certainly the major trade item exported from China, many other goods were traded, as well as religions, syncretic philosophies, and various technologies. Diseases, most notably plague, also spread along the Silk Routes, in addition to economic trade, the Silk Road was a route for cultural trade among the civilizations along its network. The main traders during antiquity included the Chinese, Arabs, Turkmens, Indians, Persians, Somalis, Greeks, Syrians, Romans, Georgians, Armenians, Bactrians, in June 2014, UNESCO designated the Changan-Tianshan corridor of the Silk Road as a World Heritage Site. The Silk Road derives its name from the lucrative Eurasian silk and horse trade, the German terms Seidenstraße and Seidenstraßen were coined by Ferdinand von Richthofen, who made seven expeditions to China from 1868 to 1872. The term Silk Route is also used, although the term was coined in the 19th century, it did not gain widespread acceptance in academia or popularity among the public until the 20th century. The first book entitled The Silk Road was by Swedish geographer Sven Hedin in 1938, the fall of the Soviet Union and Iron Curtain in 1989 led to a surge of public and academic interest in Silk Road sites and studies in the former Soviet republics of Central Asia. Use of the term Silk Road is not without its detractors and he notes that traditional authors discussing East-West trade such as Marco Polo and Edward Gibbon never labelled any route as a silk one in particular. From the 2nd millennium BCE, nephrite jade was being traded from mines in the region of Yarkand, some remnants of what was probably Chinese silk dating from 1070 BCE have been found in Ancient Egypt. The Great Oasis cities of Central Asia played a role in the effective functioning of the Silk Road trade. This style is reflected in the rectangular belt plaques made of gold and bronze, with other versions in jade. The tomb of a Scythian prince near Stuttgart, Germany, dated to the 6th century BCE, was excavated and found to have not only Greek bronzes but also Chinese silks. Scythians accompanied the Assyrian Esarhaddon on his invasion of Egypt, soghdian Scythian merchants played a vital role in later periods in the development of the Silk Road. By the time of Herodotus, the Royal Road of the Persian Empire ran some 2,857 km from the city of Susa on the Karun to the port of Smyrna on the Aegean Sea. It was maintained and protected by the Achaemenid Empire and had postal stations, by having fresh horses and riders ready at each relay, royal couriers could carry messages the entire distance in nine days, while normal travellers took about three months. The next major step in the development of the Silk Road was the expansion of the Greek empire of Alexander the Great into Central Asia and this later became a major staging point on the northern Silk Route. They continued to expand eastward, especially during the reign of Euthydemus, there are indications that he may have led expeditions as far as Kashgar in Chinese Turkestan, leading to the first known contacts between [China and the West around 200 BCE
Silk road
–
Main routes of the Silk Road
Silk road
–
Woven
silk textile from Tomb No. 1 at
Mawangdui,
Changsha,
Hunan province, China,
dated to the Western Han Era, 2nd century BCE.
Silk road
–
A
Scythian horseman from the
Ili river,
Pazyryk, c. 300 BCE.
Silk road
–
Chinese
jade and
steatite plaques, in the
Scythian -style animal art of the steppes. 4th–3rd century BCE.
British Museum.
23.
Court
–
Similarly, the rights of those accused of a crime include the right to present a defense before a court. The system of courts that interprets and applies the law is known as the judiciary. The place where a court sits is known as a venue, the practical authority given to the court is known as its jurisdiction – the courts power to decide certain kinds of questions or petitions put to it. It is also usual in the courts to have barristers, and attorneys or counsel, as assistants, though, often, courts consist of additional barristers, bailiffs, reporters. The term the court is used to refer to the presiding officer or officials. The judge or panel of judges may also be referred to as the bench. In the United States, and other common law jurisdictions, the court by law is used to describe the judge himself or herself. In the United States, the authority of a court to take action is based on personal jurisdiction, subject-matter jurisdiction. The English word court is a cognate of the Latin word hortus, the verb to court, meaning to win favor, derives from the same source since people traveled to the sovereigns court to win his favor. The word jurisdiction comes from juris and dictio, jurisdiction is defined as the official authority to make legal decisions and judgements over an individual or materialistic item within a territory. Whether a given court has jurisdiction to preside over a case is a key question in any legal action. Three basic components of jurisdiction are jurisdiction over the person (personal jurisdiction, jurisdiction over the subject matter or thing. Other concepts of jurisdiction include general jurisdiction, exclusive jurisdiction, territorial jurisdiction, appellate jurisdiction, trial courts are courts that hold trials. Sometimes termed courts of first instance, trial courts have varying original jurisdiction, trial courts may conduct trials with juries as the finders of fact or trials in which judges act as both finders of fact and finders of law. Juries are less common in court systems outside the Anglo-American common law tradition, appellate courts are courts that hear appeals of lower courts and trial courts. Some courts, such as the Crown Court in England and Wales may have both trial and appellate jurisdictions, the two major legal traditions of the western world are the civil law courts and the common law courts. These two great legal traditions are similar, in that they are products of western culture although there are significant differences between the two traditions, civil law courts are profoundly based upon Roman Law, specifically a civil body of law entitled Corpus iuris civilis. Civil law is firmly ensconced in the French and German legal systems, Common law courts were established by English royal judges of the Kings Council after the Norman Invasion of Britain in 1066
Court
–
A trial at the
Old Bailey in
London as drawn by Thomas Rowlandson and Augustus Pugin for Ackermann's Microcosm of London (1808–11).
24.
Ritual
–
A ritual is a sequence of activities involving gestures, words, and objects, performed in a sequestered place, and performed according to set sequence. Rituals may be prescribed by the traditions of a community, including a religious community, Rituals are characterized but not defined by formalism, traditionalism, invariance, rule-governance, sacral symbolism, and performance. Rituals are a feature of all human societies. Even common actions like hand-shaking and saying hello may be termed rituals, the field of ritual studies has seen a number of conflicting definitions of the term. One given by Kyriakidis is that a ritual is an outsiders or etic category for a set activity that, to the outsider, seems irrational, non-contiguous, or illogical. The term can be used also by the insider or emic performer as an acknowledgement that this activity can be seen as such by the uninitiated onlooker, the English word ritual derives from the Latin ritualis, that which pertains to rite. In Roman juridical and religious usage, ritus was the way of doing something, or correct performance. The word ritual is first recorded in English in 1570, there are hardly any limits to the kind of actions that may be incorporated into a ritual. Catherine Bell argues that rituals can be characterized by formalism, traditionalism, invariance, rule-governance, sacral symbolism, Ritual utilizes a limited and rigidly organized set of expressions which anthropologists call a restricted code. Maurice Bloch argues that ritual obliges participants to use this formal oratorical style, which is limited in intonation, syntax, vocabulary, loudness, in adopting this style, ritual leaders speech becomes more style than content. Because this formal speech limits what can be said, it induces acceptance, compliance, Bloch argues that this form of ritual communication makes rebellion impossible and revolution the only feasible alternative. Ritual tends to support forms of social hierarchy and authority. Rituals appeal to tradition and are concerned to repeat historical precedents accurately. Traditionalism varies from formalism in that the ritual may not be yet still makes an appeal to historical. An example is the American Thanksgiving dinner, which may not be formal, thus, the appeal to history is important rather than accurate historical transmission. Catherine Bell states that ritual is also invariant, implying careful choreography and this is less an appeal to traditionalism than a striving for timeless repetition. The key to invariance is bodily discipline, as in prayer and meditation meant to mold dispositions. This bodily discipline is frequently performed in unison, by groups, Rituals tend to be governed by rules, a feature somewhat like formalism
Ritual
–
A priest elevates the Host during a
Catholic Mass, one of the most widely performed rituals in the world.
Ritual
–
The use of Latin in a Tridentine Catholic Mass is an example of a "restricted code".
Ritual
–
The First Thanksgiving 1621, oil on canvas by
Jean Leon Gerome Ferris (1863–1930). The painting shows common misconceptions about the event that persist to modern times: Pilgrims did not wear such outfits, and the Wampanoag are dressed in the style of
Plains Indians.
Ritual
–
Masquerade at the
Carnival of Venice.
25.
Korea
–
Korea is a historical state in East Asia, since 1945 divided into two distinct sovereign states, North Korea and South Korea. Located on the Korean Peninsula, Korea is bordered by China to the northwest and it is separated from Japan to the east by the Korea Strait and the Sea of Japan. Korea emerged as a political entity after centuries of conflict among the Three Kingdoms of Korea. Later Silla divided into three states during the Later Three Kingdoms period. Goryeo, which had succeeded Goguryeo, defeated the two states and united the Korean Peninsula. Around the same time, Balhae collapsed and its last crown prince fled south to Goryeo, Goryeo, whose name developed into the modern exonym Korea, was a highly cultured state that created the worlds first metal movable type in 1234. However, multiple invasions by the Mongol Yuan Dynasty during the 13th century greatly weakened the nation, following the Yuan Dynastys collapse, severe political strife followed, and Goryeo eventually fell to a coup led by General Yi Seong-gye, who established Joseon in 1388. The first 200 years of Joseon were marked by peace and saw the creation of the Korean alphabet by Sejong the Great in the 14th century. During the later part of the dynasty, however, Koreas isolationist policy earned it the Western nickname of the Hermit Kingdom, by the late 19th century, the country became the object of imperial design by the Empire of Japan. Despite attempts at modernization by the Korean Empire, in 1910 Korea was annexed by Japan and these circumstances soon became the basis for the division of Korea by the two superpowers, exacerbated by their incapability to agree on the terms of Korean independence. To date, both continue to compete with each other as the sole legitimate government of all of Korea. Korea is the spelling of Corea, a name attested in English as early as 1614. It is a derived from Cauli, Marco Polos transcription of the Chinese 高麗. This was the Hanja for the Korean kingdom of Goryeo or Koryŏ, Goryeos name was a continuation of the earlier Goguryeo or Koguryŏ, the northernmost of the Samguk, which was officially known by the shortened form Goryeo after the 5th-century reign of King Jangsu. The original name was a combination of the go with the name of a local Yemaek tribe. The name Korea is now used in English contexts by both North and South Korea. In South Korea, Korea as a whole is referred to as Hanguk, the name references the Samhan—Ma, Jin, and Byeon—who preceded the Three Kingdoms in the southern and central end of the peninsula during the 1st centuries BC and AD. It has been linked with the title khan used by the nomads of Manchuria
Korea
Korea
–
Anapji (Anap Pond) in
Gyeongju Historic Areas.
Korea
–
The
Gyeongbokgung Palace
26.
Hichiriki
–
The hichiriki is a double reed Japanese fue used as one of two main melodic instruments in Japanese gagaku music, the other being the ryūteki. The hichiriki is difficult to play, due in part to its double reed configuration, although a double reed instrument like the oboe, the hichiriki has a cylindrical bore and thus its sound is similar to that of a clarinet. Pitch and ornamentation are controlled largely with the embouchure, the hichiriki is one of the sacred instruments and is often heard being played at Shinto weddings in Japan. Its sound is described as haunting. The hichiriki is the most widely used of all instruments in gagaku, the hichiriki is derived from the Chinese guan or bili, and is also related to the Korean piri. Notable Japanese musicians who play the hichiriki include Hideki Togi and Hitomi Nakamura, notable non-Japanese musicians who have learned to play the hichiriki include Alan Hovhaness, Richard Teitelbaum, Thomas Piercy and Joseph Celli
Hichiriki
–
Hichiriki
27.
Japan
–
Japan is a sovereign island nation in Eastern Asia. Located in the Pacific Ocean, it lies off the eastern coast of the Asia Mainland and stretches from the Sea of Okhotsk in the north to the East China Sea, the kanji that make up Japans name mean sun origin. 日 can be read as ni and means sun while 本 can be read as hon, or pon, Japan is often referred to by the famous epithet Land of the Rising Sun in reference to its Japanese name. Japan is an archipelago consisting of about 6,852 islands. The four largest are Honshu, Hokkaido, Kyushu and Shikoku, the country is divided into 47 prefectures in eight regions. Hokkaido being the northernmost prefecture and Okinawa being the southernmost one, the population of 127 million is the worlds tenth largest. Japanese people make up 98. 5% of Japans total population, approximately 9.1 million people live in the city of Tokyo, the capital of Japan. Archaeological research indicates that Japan was inhabited as early as the Upper Paleolithic period, the first written mention of Japan is in Chinese history texts from the 1st century AD. Influence from other regions, mainly China, followed by periods of isolation, from the 12th century until 1868, Japan was ruled by successive feudal military shoguns who ruled in the name of the Emperor. Japan entered into a period of isolation in the early 17th century. The Second Sino-Japanese War of 1937 expanded into part of World War II in 1941, which came to an end in 1945 following the bombings of Hiroshima and Nagasaki. Japan is a member of the UN, the OECD, the G7, the G8, the country has the worlds third-largest economy by nominal GDP and the worlds fourth-largest economy by purchasing power parity. It is also the worlds fourth-largest exporter and fourth-largest importer, although Japan has officially renounced its right to declare war, it maintains a modern military with the worlds eighth-largest military budget, used for self-defense and peacekeeping roles. Japan is a country with a very high standard of living. Its population enjoys the highest life expectancy and the third lowest infant mortality rate in the world, in ancient China, Japan was called Wo 倭. It was mentioned in the third century Chinese historical text Records of the Three Kingdoms in the section for the Wei kingdom, Wa became disliked because it has the connotation of the character 矮, meaning dwarf. The 倭 kanji has been replaced with the homophone Wa, meaning harmony, the Japanese word for Japan is 日本, which is pronounced Nippon or Nihon and literally means the origin of the sun. The earliest record of the name Nihon appears in the Chinese historical records of the Tang dynasty, at the start of the seventh century, a delegation from Japan introduced their country as Nihon
Japan
–
The
Golden Hall and
five-storey pagoda of
Hōryū-ji, among the oldest wooden buildings in the world,
National Treasures, and a
UNESCO World Heritage Site
Japan
Japan
–
Samurai warriors face Mongols, during the
Mongol invasions of Japan. The
Kamikaze, two storms, are said to have saved Japan from Mongol fleets.
Japan
–
Samurai could
kill a commoner for the slightest insult and were widely feared by the Japanese population.
Edo period, 1798
28.
Music
–
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch, rhythm, dynamics, different styles or types of music may emphasize, de-emphasize or omit some of these elements. The word derives from Greek μουσική, Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as the harmony of the spheres and it is music to my ears point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, There is no noise, the creation, performance, significance, and even the definition of music vary according to culture and social context. There are many types of music, including music, traditional music, art music, music written for religious ceremonies. For example, it can be hard to draw the line between some early 1980s hard rock and heavy metal, within the arts, music may be classified as a performing art, a fine art or as an auditory art. People may make music as a hobby, like a teen playing cello in a youth orchestra, the word derives from Greek μουσική. According to the Online Etymological Dictionary, the music is derived from mid-13c. Musike, from Old French musique and directly from Latin musica the art of music and this is derived from the. Greek mousike of the Muses, from fem. of mousikos pertaining to the Muses, from Mousa Muse. In classical Greece, any art in which the Muses presided, Music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. With the advent of recording, records of popular songs. Some music lovers create mix tapes of their songs, which serve as a self-portrait. An environment consisting solely of what is most ardently loved, amateur musicians can compose or perform music for their own pleasure, and derive their income elsewhere. Professional musicians sometimes work as freelancers or session musicians, seeking contracts and engagements in a variety of settings, There are often many links between amateur and professional musicians. Beginning amateur musicians take lessons with professional musicians, in community settings, advanced amateur musicians perform with professional musicians in a variety of ensembles such as community concert bands and community orchestras. However, there are many cases where a live performance in front of an audience is also recorded and distributed. Live concert recordings are popular in classical music and in popular music forms such as rock, where illegally taped live concerts are prized by music lovers
Music
–
A painting on an Ancient Greek vase depicts a music lesson (c. 510 BC).
Music
–
Jean-Gabriel Ferlan performing at a 2008 concert at the collège-lycée Saint-François Xavier
Music
–
The composer
Michel Richard Delalande, pen in hand.
Music
–
Funk places most of its emphasis on rhythm and
groove, with entire songs based around a
vamp on a single chord. Pictured are the influential funk musicians
George Clinton and
Parliament Funkadelic in 2006.
29.
Folk music
–
Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. The term originated in the 19th century, but is applied to music older than that. Some types of music are also called world music. Traditional folk music has been defined in several ways, as music transmitted orally, music with unknown composers and it has been contrasted with commercial and classical styles. Starting in the century, a new form of popular folk music evolved from traditional folk music. This process and period is called the revival and reached a zenith in the 1960s. This form of music is called contemporary folk music or folk revival music to distinguish it from earlier folk forms. Smaller, similar revivals have occurred elsewhere in the world at other times and this type of folk music also includes fusion genres such as folk rock, folk metal, electric folk, and others. Even individual songs may be a blend of the two, a consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions and they are extensions of the term folklore, which was coined in 1846 by the English antiquarian William Thoms to describe the traditions, customs, and superstitions of the uncultured classes. Traditional folk music also includes most indigenous music, however, despite the assembly of an enormous body of work over some two centuries, there is still no certain definition of what folk music is. Some do not even agree that the term Folk Music should be used, Folk music may tend to have certain characteristics but it cannot clearly be differentiated in purely musical terms. One meaning often given is that of old songs, with no known composers, the fashioning and re-fashioning of the music by the community that give it its folk character. Such definitions depend upon processes rather than abstract musical types, one widely used definition is simply Folk music is what the people sing. For Scholes, as well as for Cecil Sharp and Béla Bartók, Folk music was already. seen as the authentic expression of a way of life now past or about to disappear, particularly in a community uninfluenced by art music and by commercial and printed song. In these terms folk music may be seen as part of a schema comprising four types, primitive or tribal, elite or art, folk. Music in this genre is often called traditional music. Although the term is only descriptive, in some cases people use it as the name of a genre
Folk music
–
Béla Bartók recording Slovak peasant singers in 1908
Folk music
–
Indians always distinguished between classical and folk music, though in the past even classical Indian music used to rely on the unwritten transmission of repertoire.
Folk music
–
Armenian traditional musicians
Folk music
–
Assyrians playing
zurna and
Davul, the typically used instruments for their folk music.
