1.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
2.
Anthropomorphism
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Anthropomorphism is the attribution of human traits, emotions, and intentions to non-human entities and is considered to be an innate tendency of human psychology. Personification is the attribution of human form and characteristics to abstract concepts such as nations, emotions and natural forces like seasons. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters, people have also routinely attributed human emotions and behavioural traits to wild as well as domestic animals. Anthropomorphism derives from its verb form anthropomorphize, itself derived from the Greek ánthrōpos and it is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God. One of the oldest known is a sculpture, the Löwenmensch figurine, Germany. It is not possible to say what these prehistoric artworks represent, in either case there is an element of anthropomorphism. This anthropomorphic art has been linked by archaeologist Steven Mithen with the emergence of more systematic hunting practices in the Upper Palaeolithic. In religion and mythology, anthropomorphism refers to the perception of a divine being or beings in human form, ancient mythologies frequently represented the divine as deities with human forms and qualities. They resemble human beings not only in appearance and personality, they exhibited many human behaviors that were used to explain phenomena, creation. The deities fell in love, married, had children, fought battles, wielded weapons and they feasted on special foods, and sometimes required sacrifices of food, beverage, and sacred objects to be made by human beings. Some anthropomorphic deities represented specific concepts, such as love, war, fertility, beauty. Anthropomorphic deities exhibited human qualities such as beauty, wisdom, and power, and sometimes human weaknesses such as greed, hatred, jealousy, Greek deities such as Zeus and Apollo often were depicted in human form exhibiting both commendable and despicable human traits. Anthropomorphism in this case is referred to as anthropotheism, from the perspective of adherents to religions in which humans were created in the form of the divine, the phenomenon may be considered theomorphism, or the giving of divine qualities to humans. Anthropomorphism has cropped up as a Christian heresy, particularly prominently with the Audians in third century Syria, but also in fourth century Egypt and tenth century Italy. This often was based on an interpretation of Genesis 1,27, So God created man in His own image, in the image of God created He him. Some religions, scholars, and philosophers objected to anthropomorphic deities. Ethiopians say that their gods are snub–nosed and blackThracians that they are pale and he said that the greatest god resembles man neither in form nor in mind. Both Judaism and Islam reject an anthropomorphic deity, believing that God is beyond human comprehension, judaisms rejection of an anthropomorphic deity grew during the Hasmonean period, when Jewish belief incorporated some Greek philosophy. Judaisms rejection grew further after the Islamic Golden Age in the tenth century, hindus do not reject the concept of a deity in the abstract unmanifested, but note practical problems
3.
Magic (paranormal)
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Magic or sorcery is the use of rituals, symbols, actions, gestures, and language with the aim of exploiting supernatural forces. The term magic has a variety of meanings, and there is no agreed upon definition of what it is or how it can be used. Religious scholars have defined magic in many different ways, one approach, associated with the anthropologists Edward Tylor and James G. Frazer, has magic and science be opposites. Many scholars of religion have rejected the utility of the term magic, the term magic comes from the Old Persian magu, a word that applied to a form of religious functionary about which little is known. This meaning of the term was adopted by Latin in the first century BCE. The concept was incorporated into Christian theology during the first century CE. This concept was pervasive throughout the Middle Ages, although in the modern period Italian humanists reinterpreted the term in a positive sense to establish the idea of natural magic. Both negative and positive understandings of the term were retained in Western culture over the following centuries, throughout Western history, there have been examples of individuals claiming to be practitioners of magic and referring to themselves as magicians. This trend has proliferated in the period, with a growing number of magicians appearing within the esoteric milieu. Scholars of religion have failed to agree on a definition of magic is. The subject has one of intense dispute, with some scholars criticizing the validity of the term in the first place. Even among those throughout history who have described themselves as magicians, there has been some debate among scholars as to whether to use the term magic at all. The scholar of religion Jonathan Z. Smith for example argued that it had no utility as a term that scholars should use. Religious historian Wouter Hanegraaff agreed, stating that the magic is an important object of historical research. Since the 1990s its usage among scholars has declined, within Western culture, magic has been linked to the idea of the Other. Using the term magic when discussing non-Western cultures or pre-modern forms of Western society raises problems, alternately, this term implies that all categories of magic are ethnocentric and that such Western preconceptions are an unavoidable component of scholarly research. Magic is one of the most heavily theorized concepts in the study of religion, the intellectualist approach to defining magic is associated with two prominent British anthropologists, Edward Tylor and James G. Frazer. This was an approach that viewed magic as being the theoretical opposite of science, in his 1871 book Primitive Culture, Tylor characterized magic as beliefs based on the error of mistaking ideal analogy for real analogy
4.
Ancient Egypt
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Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
5.
Solar deity
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A solar deity is a sky deity who represents the Sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms, the Sun is sometimes referred to by its Latin name Sol or by its Greek name Helios. The English word sun stems from Proto-Germanic *sunnǭ, the Neolithic concept of a solar barge is found in the later myths of ancient Egypt, with Ra and Horus. Predynasty Egyptian beliefs attribute Atum as the sun-god and Horus as a god of the sky, as the Old Kingdom theocracy gained power, early beliefs were incorporated with the expanding popularity of Ra and the Osiris-Horus mythology. Atum became Ra-Atum, the rays of the setting sun, Osiris became the divine heir to Atums power on Earth and passes his divine authority to his son Horus. Early Egyptian myths imply the sun is within the lioness, Sekhmet, at night and is reflected in her eyes, or that it is within the cow, Hathor, during the night, being reborn each morning as her son. Mesopotamian Shamash plays an important role during the Bronze Age, similarly, South American cultures have a tradition of Sun worship, as with the Incan Inti. Proto-Indo-European religion has a chariot, the sun as traversing the sky in a chariot. In Germanic mythology this is Sol, in Vedic Surya, and in Greek Helios, svarog is the Slavic solar deity, represented as a spirit of fire. During the Roman Empire, a festival of the birth of the Unconquered Sun was celebrated on the winter solstice—the rebirth of the sun—which occurred on December 25 of the Julian calendar. In late antiquity, the centrality of the sun in some Imperial religious systems suggest a form of a solar monotheism. The religious commemorations on December 25 were replaced under Christian domination of the Empire with the birthday of Christ, the Tiv people consider the Sun to be the son of the supreme being Awondo and the Moon Awondos daughter. The Barotse tribe believes that the Sun is inhabited by the sky god Nyambi, some Sara people also worship the sun. Even where the sun god is equated with the supreme being, the Ancient Egyptian god of creation, Amun is also believed to reside inside the sun. So is the Akan creator deity, Nyame and the Dogon deity of creation, also in Egypt, there was a religion that worshiped the sun directly, and was among the first monotheistic religions, Atenism. Sun worship was prevalent in ancient Egyptian religion, the earliest deities associated with the sun are all goddesses, Wadjet, Sekhmet, Hathor, Nut, Bast, Bat, and Menhit. First Hathor, and then Isis, give birth to and nurse Horus, Hathor the horned-cow is one of the 12 daughters of Ra, gifted with joy and is a wet-nurse to Horus. From at least the 4th Dynasty of Ancient Egypt, the sun was worshipped as the deity Re, and portrayed as a falcon headed god surmounted by the solar disk, and surrounded by a serpent
6.
Ptolemaic dynasty
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Their rule lasted for 275 years, from 305 to 30 BC. They were the last dynasty of ancient Egypt, Ptolemy, one of the seven somatophylakes who served as Alexander the Greats generals and deputies, was appointed satrap of Egypt after Alexanders death in 323 BC. In 305 BC, he declared himself Ptolemy I, later known as Sōter Saviour, the Egyptians soon accepted the Ptolemies as the successors to the pharaohs of independent Egypt. Ptolemys family ruled Egypt until the Roman conquest of 30 BC, all the male rulers of the dynasty took the name Ptolemy. Ptolemaic queens regnant, some of whom were the sisters of their husbands, were usually called Cleopatra, Arsinoe or Berenice. The most famous member of the line was the last queen, Cleopatra VII and her apparent suicide at the conquest by Rome marked the end of Ptolemaic rule in Egypt. Dates in brackets represent the dates of the Ptolemaic pharaohs. They frequently ruled jointly with their wives, who were also their sisters. Of these, one of the last and most famous was Cleopatra, several systems exist for numbering the later rulers, the one used here is the one most widely used by modern scholars. Arsinoe IV, in opposition to Cleopatra Ptolemy Keraunos - eldest son of Ptolemy I Soter, Ptolemy Apion - son of Ptolemy VIII Physcon. Ptolemy Philadelphus - son of Mark Antony and Cleopatra VII, Ptolemy of Mauretania - son of King Juba II of Numidia and Mauretania and Cleopatra Selene II, daughter of Cleopatra VII and Mark Antony. Contemporaries describe a number of the Ptolemaic dynasty members as extremely obese, whilst sculptures and coins reveal prominent eyes, familial Graves disease could explain the swollen necks and eye prominence, although this is unlikely to occur in the presence of morbid obesity. A. Lampela, Rome and the Ptolemies of Egypt, the development of their political relations 273-80 B. C. J. G. Manning, The Last Pharaohs, Egypt Under the Ptolemies, 305-30 BC. Livius. org, Ptolemies — by Jona Lendering
7.
Esna
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Esna, known to the ancient Egyptians as Egyptian, Iunyt or Ta-senet, Coptic, ⲥⲛⲏ, which derives from Ta-senet, Greek, Λατόπολις or πόλις Λάτων or Λάττων, Latin, Lato, is a city in Egypt. It is located on the west bank of the River Nile, the town was formerly part of the modern Qena Governorate, but as of 9/12/2009, has been incorporated into the new Luxor Governorate. This city of Latopolis in the Thebaid region of Upper Egypt should not be confused with the more northerly city of Letopolis, ancient Khem, modern Ausim, held sacred, the Lates niloticus was buried in a cemetery west of the town. The tutelary deities of Latopolis seem to have been the triad – Khnum and Neith, the temple of Esna, dedicated to this triad, was remarkable for the beauty of its site and the magnificence of its architecture. It was built of red sandstone, and its portico consisted of six rows of four each, with lotus-leaf capitals. Another temple of the period has been identified at Kom Mer, about 12 km to the south. There was a temple, dedicated to the triad of Latopolis. Here, too, is a small Zodiac of the age of Ptolemy III Euergetes and this latter building was destroyed in the 19th century, as it stood in the way of a new canal. The temple of Esna was cleared of the soil and rubbish which filled its area when Denon visited it, and served as a cotton warehouse in the mid-19th century. With the exception of the jamb of a gateway – now converted into a door-sill – of the reign of Thutmose II, the name of Ptolemy V Epiphanes is found also inscribed upon a doorway. Although the scale of the ruins are impressive, their sculptures, the west wall features reliefs of Ptolemy VI Philometor and Ptolemy VIII Physcon. On the ceiling of the pronaos is the larger Latopolitan Zodiac, the name of the emperor Geta, the last ruler that can be read in hieroglyphics, although partially erased by his brother and murderer Caracalla, is still legible on the walls of Latopolis. Before raising their own edifice, the Romans seem to have destroyed even the basements of the earlier Egyptian temple, the ceremonial way, which probably linked the quay to the temple, has disappeared. The quay bears cartouches of Marcus Aurelius, the cemetery west of the town, where the Lates niloticus was buried, also contains human burials dating of the Middle Kingdom to the Late Period. The Temple of Esna conveys a sense of the importance which the Ancient Egyptians placed upon their places of worship, all Egyptians who entered the confines of an Egyptian temple were required to comply with the strict rules regarding ritual purity. Two barrage bridges straddle the Nile at this point, one built by the British in 1906, navigation, particularly, Nile cruisers ferrying tourists from Luxor to Aswan 155 km further upstream, can be held up for hours while vessels negotiate their way through the lock system. The two main points of interest in Esna are its lively tourist-oriented market, which fills a couple of streets leading inland from the corniche, the other is the temple of Esna. The temple, which has only partially excavated, is about 200 meters from the river
8.
Hathor
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Hathor is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood. She was one of the most important and popular throughout the history of Ancient Egypt. Hathor was worshipped by royalty and common people alike, in tomb paintings, she is often depicted as Mistress of the West, welcoming the dead into the next life. In other roles, she was a goddess of music, dance, foreign lands and she was believed to assist women in childbirth. She was also believed to be the goddess of miners. Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus, twin feathers are also sometimes shown in later periods as well as a menat necklace. The Ancient Egyptians viewed reality as multi-layered in which deities who merge for various reasons, while retaining divergent attributes and myths, were not seen as contradictory but complementary. In a complicated relationship Hathor is at times the mother, daughter and wife of Ra and, like Isis, is at times described as the mother of Horus, the cult of Osiris promised eternal life to those deemed morally worthy. Originally the justified dead, male or female, became an Osiris but by early Roman times females became identified with Hathor, the Ancient Greeks sometimes identified Hathor with the goddess Aphrodite. Hathor is ambiguously depicted until the fourth dynasty, in the historical era Hathor is shown using the imagery of a cow deity. At times they are regarded as one and the goddess, though likely having separate origins. The evidence pointing to the deity being Hathor in particular is based on a passage from the Pyramid texts which states that the Kings apron comes from Hathor, from the Old Kingdom she was also called Lady of the Sycamore in her capacity as a tree deity. Hathor had a relationship with Ra. At times she is the eye of Ra and considered his daughter and she absorbed this role from another cow goddess Mehet-Weret who was the mother of Ra in a creation myth and carried him between her horns. As a mother she gave birth to Ra each morning on the eastern horizon, the Milky Way was seen as a waterway in the heavens, sailed upon by both the sun deity and the moon, leading the ancient Egyptians to describe it as The Nile in the Sky. Hathor also was favoured as a protector in desert regions, as Serabit el-Khadim was where turquoise was mined, Hathors titles included Lady of Turquoise, Mistress of Turquoise, and Lady of Turquoise Country. Hathors identity as a cow, perhaps depicted as such on the Narmer Palette, meant that she identified with another ancient cow-goddess of fertility. The assimilation of Bat, who was associated with the sistrum, in this later form, Hathors cult became centred in Dendera in Upper Egypt and it was led by priestesses and priests who also were dancers, singers and other entertainers
9.
Neith
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Neith was an early goddess in the Egyptian pantheon. She was the deity of Sais, where her cult was centered in the Western Nile Delta of Egypt. The Ancient Egyptian name of city was Zau. Neith was a goddess of war and of hunting and had as her symbol, however, she is a far more complex goddess than is generally known, and of whom ancient texts only hint of her true nature. In her usual representations, she is portrayed as a fierce deity and her symbol also identified the city of Sais. This symbol was displayed on top of her head in Egyptian art, in her form as a goddess of war, she was said to make the weapons of warriors and to guard their bodies when they died. As a deity, Neith is normally shown carrying the was scepter and she is also called such cosmic epithets as the Cow of Heaven, a sky-goddess similar to Nut, and as the Great Flood, Mehet-Weret, as a cow who gives birth to the sun daily. In these forms, she is associated with creation of both the time and daily re-creation. She is identified as a mother goddess in this role as a creator. As a female deity and personification of the waters, Neith encompasses masculine elements. She is a version of Ptah-Nun, with her feminine nature complemented with masculine attributes symbolized with her association with the bow and arrow. In the same manner, her personification as the waters is Mehetweret. Neith is one of the most ancient deities associated with ancient Egyptian culture and her first anthropomorphic representations occur in the early dynastic period, on a diorite vase of King Ny-Netjer of the Second Dynasty, found in the Step Pyramid of Djoser at Saqqara. That her worship predominated the early dynastic periods is shown by a preponderance of theophoric names within which Neith appears as an element. It has been suggested the hunt/war features of Neith’s imagery may indicate her origin from Libya, located west and southwest of Egypt, while Neith is generally regarded as a deity of Lower Egypt, her worship was not consistently located in that region. Her cult reached its height in Saïs and apparently in Memphis in the Old Kingdom, however, the cult regained political and religious prominence during the 26th Dynasties when worship at Saïs flourished again, as well as at Esna in Upper Egypt. Neiths symbol and part of her hieroglyph also bore a resemblance to a loom, at this time her role as a creator conflated with that of Athena, as a deity who wove all of the world and existence into being on her loom. As mother of Ra, in her Mehet-Weret form, she was described as the Great Cow who gave birth to Ra
10.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
11.
Osiris myth
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The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a king of Egypt. Osiriss murderer, his brother Set, usurps his throne, meanwhile, Osiriss wife Isis restores her husbands body, allowing him to posthumously conceive a son with her. The remainder of the focuses on Horus, the product of the union of Isis and Osiris. Their often violent conflict ends with Horuss triumph, which order to Egypt after Sets unrighteous reign. The myth, with its symbolism, is integral to the Egyptian conceptions of kingship and succession. It also expresses the character of each of the four deities at its center. The Osiris myth reached its basic form in or before the 24th century BCE, many of its elements originated in religious ideas, but the struggle between Horus and Set may have been partly inspired by a regional conflict in Egypts early history or prehistory. Scholars have tried to discern the nature of the events that gave rise to the story. Parts of the myth appear in a variety of Egyptian texts, from funerary texts. The story is, therefore, more detailed and more cohesive than any other ancient Egyptian myth, yet no Egyptian source gives a full account of the myth, and the sources vary widely in their versions of events. Greek and Roman writings, particularly De Iside et Osiride by Plutarch, provide more information, through these writings, the Osiris myth persisted after knowledge of most ancient Egyptian beliefs was lost, and it is still well known today. The myth of Osiris was deeply influential in ancient Egyptian religion and was popular among ordinary people, one reason for this popularity is the myths primary religious meaning, which implies that any dead person can reach a pleasant afterlife. Another reason is that the characters and their emotions are more reminiscent of the lives of people than those in most Egyptian myths. In particular, the myth conveys a sense of family loyalty and devotion, as the Egyptologist J. Gwyn Griffiths put it. With this widespread appeal, the myth appears in ancient texts than any other myth. These sources also provide an amount of detail. Ancient Egyptian myths are fragmentary and vague, the metaphors contained within the myths were more important than coherent narration
12.
Canopic jar
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Canopic jars were used by the ancient Egyptians during the mummificaton process to store and preserve the viscera of their owner for the afterlife. They were commonly carved from limestone or were made of pottery. The viscera were not kept in a canopic jar, each jar was reserved for specific organs. The name canopic reflects the association by early Egyptologists with the Greek legend of Canopus. Canopic jars of the Old Kingdom were rarely inscribed, and had a plain lid, in the Middle Kingdom inscriptions became more usual, and the lids were often in the form of human heads. By the Nineteenth dynasty each of the four lids depicted one of the four sons of Horus, as guardians of the organs. The canopic jars were four in number, each for the safekeeping of particular human organs, the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. There was no jar for the heart, the Egyptians believed it to be the seat of the soul, the design of canopic jars changed over time. The oldest date from the Eleventh or the Twelfth dynasty, and are made of stone or wood, the last jars date from the New Kingdom. In the Old Kingdom the jars had plain lids, though by the First Intermediate Period jars with human heads began to appear, sometimes the covers of the jars were modeled after the head of Anubis, the god of death and embalming. By the late Eighteenth dynasty canopic jars had come to feature the four sons of Horus, many sets of jars survive from this period, in alabaster, aragonite, calcareous stone, and blue or green glazed porcelain. The sons of Horus were also the gods of the compass points. Each god was responsible for protecting a particular organ, and was protected by a companion goddess. Early canopic jars were placed inside a canopic chest and buried in tombs together with the sarcophagus of the dead, later, they were sometimes arranged in rows beneath the bier, or at the four corners of the chamber. After the early periods there were inscriptions on the outsides of the jars, sometimes quite long. The scholar Sir Ernest Budge quoted an inscription from the Saïte or Ptolemaic period that begins, thou livest upon that on which Ra lives. Other inscriptions tell of purification in the afterlife, in the Third Intermediate Period and later, dummy canopic jars were introduced. Improved embalming techniques allowed the viscera to remain in the body, the traditional jars remained a feature of tombs, copious numbers of the jars were produced, and surviving examples of them can be seen in museums around the world
