Queen Victoria Diamond Jubilee Medal
The Diamond Jubilee Medal was instituted in 1897 by Royal Warrant as a British decoration. The medal was awarded to members of the Royal Family and the court and dignitaries present at the celebrations of Queen Victoria's diamond jubilee and to selected soldiers and sailors who formed the jubilee parade in London; the Medal followed the Golden Jubilee Medal, issued ten years both in terms of design and award criteria, with those qualifying for both medals receiving a ribbon clasp in lieu of a second medal. The medal was awarded to those involved in the official celebrations of Queen Victoria's diamond jubilee, including members of the Royal Family, Royal Household and government officials, as well as Envoys, Foreign Ambassadors and Colonial Prime Ministers. Military recipients included selected officers and soldiers of the Royal Navy and Army, the Indian and colonial contingents, that participated in jubilee activities, including the London procession in which the Queen took part. Three types of medal were awarded: Queen Victoria's Diamond Jubilee Medal.
Awarded in gold to members of the Royal Family, silver to officers and those of similar status, bronze to selected other ranks who took part in the jubilee parade. A special diamond shaped medal for mayors and provosts, presented in gold to lord mayors and lord provosts and silver to mayors and provosts from across the United Kingdom. A Police Diamond Jubilee Medal of a different design was awarded to those on duty during the jubilee celebrations. Please see separate article. Other members of the Commonwealth struck their own versions of the medal, albeit not sanctioned for wear; the Government of Ceylon in particular is notable for the medals they struck in 14-carat gold and silver, awarded to senior members of government and local officials. The Diamond Jubilee Medal followed the design of Golden Jubilee Medal, it measures 30 millimetres in diameter. On the obverse Queen Victoria is depicted crowned and wearing a veil which falls over the back of the head and neck, with the text VICTORIA D. G.
REGINA ET IMPERATRIX F. D.. The reverse bears the words IN COMMEMORATION OF THE 60TH YEAR OF THE REIGN OF QUEEN VICTORIA · 20 JUNE 1897 within a garland of roses and thistles; the medal was designed by Clemens Emptmayer, with the portrait of Queen Victoria based on a design by Sir Joseph Edgar Boehm. The ribbon is garter blue with wide white stripes towards each edge. Holders of the 1887 medal who qualified were awarded a bar inscribed'1897' and surmounted by a crown, to be attached to the ribbon of the existing medal; the medal for mayors and provosts is a lozenge, 40 by 48 millimetres, bearing a trefoil pattern, with a circular centre that depicts the portrait of the older Queen on the obverse, with the young Queen on the reverse. The ribbon follows that of the standard medal; the medal of Admiral of the Fleet, Earl David Beatty in the National Maritime Museum, Greenwich on collections.rmg.co.uk The medal of Richard Seddon, premier of New Zealand in the Museum of New Zealand on collections.tepapa.govt.nz
Wedding dress of Queen Victoria
The wedding dress of Queen Victoria was worn by Victoria, Queen of the United Kingdom, at her wedding to Prince Albert of Saxe-Coburg and Gotha on 10 February 1840. She selected a white dress, considered an unusual choice at a time when colours were more usual, made from heavy silk satin; the Honiton lace used for her wedding dress proved an important boost to Devon lace-making. Queen Victoria has been credited with starting the tradition of white weddings and white bridal gowns, although she was not the first royal to be married in white; the lace was designed by William Dyce, head of the Government School of Design, mounted on a white satin dress made by Mary Bettans. The plain, cream-coloured satin gown was made from fabric woven in Spitalfields, east London, trimmed with a deep flounce and trimmings of lace hand-made in Honiton and Beer, in Devon; this demonstrated support for English industry the cottage industry for lace. The handmade lace motifs were appliquéd onto cotton machine-made net.
Orange flower blossoms, a symbol of fertility trimmed the dress and made up a wreath, which Victoria wore instead of a tiara over her veil. The veil, which matched the flounce of the dress, was four yards in length and 0.75 yards wide. Victoria's jewellery consisted of a necklace and earrings made up of diamonds presented to her by the Sultan of Turkey, a sapphire cluster brooch given to her by Albert a day earlier; the slippers she wore matched the white colour of the dress. The train of the dress, carried by her bridesmaids, measured 18 feet in length. Queen Victoria described her choice of dress in her journal thus: "I wore a white satin dress, with a deep flounce of Honiton lace, an imitation of an old design. My jewels were my Turkish diamond necklace & earrings & dear Albert's beautiful sapphire brooch." While photography existed in 1840, the techniques were not yet developed. A series of photographs taken by Roger Fenton on 11 May 1854 of Victoria and Albert are described as wedding or reenactment photographs, with the dress identified as her wedding dress.
The Royal Collection has refuted these interpretations, stating that the images are the first photographs to show Victoria as a queen, rather than as a wife or mother, that she and Albert are wearing court dress. In 1847, Victoria commissioned Franz Xaver Winterhalter to paint a portrait of her wearing her wedding clothes as an anniversary present for Prince Albert; the portrait was copied as an enamel miniature by John Haslem. Victoria revisited the lace-makers to create the christening gown worn by her children, including Albert Edward, the future Edward VII; this gown was worn for the christening of all subsequent Royal babies until the baptism of James, Viscount Severn in 2008, when a replica was used for the first time. As a mark of support for the Honiton industry, in addition to wearing their lace on her and her children's clothes, Victoria insisted her daughters order Honiton lace for their wedding dresses. Victoria wore her wedding lace mounted on the dresses she wore to the christenings of her nine children.
She wore it to the weddings of two of her children, her eldest daughter, Victoria, in 1858, her youngest son, Leopold, in 1882. Her youngest daughter, Princess Beatrice, was permitted to wear it as part of her wedding gown in 1885. Victoria wore the lace to the wedding of her grandson George to Mary of Teck in 1893, for her Diamond Jubilee official photograph in 1897; when Victoria died, she was buried with her wedding veil over her face. In 2012 it was reported that while the dress itself had been conserved and displayed at Kensington Palace that year, the lace was now too fragile to move from storage. Wearing white was adopted by wealthy, fashionable brides. Less than a decade Godey's Lady's Book would incorrectly claim that white wedding gowns were an ancient custom reflecting a bride's virginity, writing "Custom has decided, from the earliest ages, that white is the most fitting hue, whatever may be the material, it is an emblem of the purity and innocence of girlhood, the unsullied heart she now yields to the chosen one" though white had been a distinctly uncommon choice for bridal gowns before Victoria's wedding and was not chosen by a majority of brides until decades later.
Following the 2011 wedding of Prince William and Catherine Middleton, comparisons were drawn between the bride's white wedding dress and Queen Victoria's own. BBC audio slideshow featuring her wedding dress
Broadway theatre known as Broadway, refers to the theatrical performances presented in the 41 professional theatres, each with 500 or more seats located in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Along with London's West End theatre, Broadway theatre is considered to represent the highest level of commercial theatre in the English-speaking world; the Theater District is a popular tourist attraction in New York City. According to The Broadway League, for the 2017–2018 season total attendance was 13,792,614 and Broadway shows had US$1,697,458,795 in grosses, with attendance up 3.9%, grosses up 17.1%, playing weeks up 2.8%. The majority of Broadway shows are musicals. Historian Martin Shefter argues that "'Broadway musicals', culminating in the productions of Richard Rodgers and Oscar Hammerstein, became enormously influential forms of American popular culture" and contributed to making New York City the cultural capital of the Western Hemisphere.
New York did not have a significant theatre presence until about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 people. They presented Shakespeare ballad operas such as The Beggar's Opera. In 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager, they established a theatre in Williamsburg and opened with The Merchant of Venice and The Anatomist. The company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida; the Revolutionary War suspended theatre in New York, but thereafter theatre resumed in 1798, the year the 2,000-seat Park Theatre was built on Chatham Street. The Bowery Theatre opened followed by others. By the 1840s, P. T. Barnum was operating an entertainment complex in Lower Manhattan. In 1829, at Broadway and Prince Street, Niblo's Garden opened and soon became one of New York's premiere nightspots.
The 3,000-seat theatre presented all sorts of non-musical entertainments. In 1844, Palmo's Opera House opened and presented opera for only four seasons before bankruptcy led to its rebranding as a venue for plays under the name Burton's Theatre; the Astor Opera House opened in 1847. A riot broke out in 1849 when the lower-class patrons of the Bowery objected to what they perceived as snobbery by the upper class audiences at Astor Place: "After the Astor Place Riot of 1849, entertainment in New York City was divided along class lines: opera was chiefly for the upper middle and upper classes, minstrel shows and melodramas for the middle class, variety shows in concert saloons for men of the working class and the slumming middle class."The plays of William Shakespeare were performed on the Broadway stage during the period, most notably by American actor Edwin Booth, internationally known for his performance as Hamlet. Booth played the role for a famous 100 consecutive performances at the Winter Garden Theatre in 1865, would revive the role at his own Booth's Theatre.
Other renowned Shakespeareans who appeared in New York in this era were Henry Irving, Tommaso Salvini, Fanny Davenport, Charles Fechter. Theatre in New York moved from downtown to midtown beginning around 1850, seeking less expensive real estate. In the beginning of the 19th century, the area that now comprises the Theater District was owned by a handful of families and comprised a few farms. In 1836, Mayor Cornelius Lawrence opened 42nd Street and invited Manhattanites to "enjoy the pure clean air." Close to 60 years theatrical entrepreneur Oscar Hammerstein I built the iconic Victoria Theater on West 42nd Street. Broadway's first "long-run" musical was a 50-performance hit called The Elves in 1857. In 1870, the heart of Broadway was in Union Square, by the end of the century, many theatres were near Madison Square. Theatres did not arrive in the Times Square area until the early 1900s, the Broadway theatres did not consolidate there until a large number of theatres were built around the square in the 1920s and 1930s.
New York runs continued to lag far behind those in London, but Laura Keene's "musical burletta" The Seven Sisters shattered previous New York records with a run of 253 performances. It was at a performance by Keene's troupe of Our American Cousin in Washington, D. C. that Abraham Lincoln was shot. The first theatre piece that conforms to the modern conception of a musical, adding dance and original music that helped to tell the story, is considered to be The Black Crook, which premiered in New York on September 12, 1866; the production was five-and-a-half hours long, but despite its length, it ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and the Post was the first show to call itself a "musical comedy". Tony Pastor opened the first vaudeville theatre one block east of Union Square in 1881, where Lillian Russell performed. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 and 1890, with book and lyrics by Harrigan and music by his father-in-law David Braham.
These musical comedies featured characters and situations taken from the everyday life of New York's lower classes and represented a significant step forward from vaudeville and burlesque, towards a more literate form. They starred high quality singers, instead of the women of questionable repute who had starred in earlier m
Charlotte's Web (musical)
Charlotte's Web is a stage musical with music and lyrics by Charles Strouse, a book by Joseph Robinette based on the book by E. B. White. Charlotte's Web is licensed by Dramatic Publishing to middle schools, high schools and community theaters worldwide. Strouse noted that the musical's film rights were held by others and that no New York producer would invest in the show without the film rights, so the musical was produced in regional theaters. Thomas S. Hischak mentioned that the musical has not played in New York City, but has had many productions in schools and other theatre organizations. Joseph Robinette, a retired professor of speech and theatre at Rowan University, wrote an authorized stage play with E. B. White; the Strouse/Robinette musical Charlotte's Web premiered at Opera Delaware in 1989. Actors' Playhouse Musical Theatre for Young Audiences presented the piece in 2006–2007 at the Miracle Theatre in Coral Gables, Florida; the musical was presented at the Derby Theatre in January 2013.
The production relocated, "for no clear reason", from White's rural Maine to the West Country. The musical was produced at the Gordon Craig Theatre, Stevenage in April 2015. Doc and Lurvy marvel at the beautiful morning. Breakfast is underway at the Arable house, but when Fern and Avery ask why Pa was up late last night, discover the newborn pigs, that he is planning to kill one, Fern runs to save it, he gives in and lets her keep the pig, Ma goes in the house to find a baby bottle while Pa and Avery follow. Ma asks Fern what she plans to name the pig, she decides to name it Wilbur, she goes inside for breakfast. Pa decides Wilbur needs to be sold, he is bought by the Zuckermans, he is welcomed to the barn by all the animals. That night he hears a voice claiming to be his friend, she says. The next day he is shocked to find his new friend is a spider named Charlotte. Edith and Homer Zuckerman are going over'Honey Do Lists' when they decide to put the work off until fall; the barnyard animals soon begin talking to Wilbur, he learns his fate.
Charlotte vows to save him. The next day he sees an opportunity to run away, the animals advise him to do so, but Charlotte warns. After the chase, everyone takes notice of the words'Some Pig' in her web; the animals are thinking of a new word to put in the web and they come up with'Terrific'. Charlotte works on it; the next day, Ma and Fern come down to see it, have a heart to heart. The reporters and townspeople notice and pressure Homer to take Wilbur to the County Fair, he gives in. The townspeople are at the fair. Fern and Avery soon want to go off by themselves. After they leave and Avery mock them. Charlotte and Wilbur are now comfortable in his stall, but when he sees the pig next door, he is worried. Charlotte reassures him, she writes another word in her web to get him more attention. When she is finished, she has written the word'Humble'; the next day everyone is sad to find. But their spirits are lifted; when it is time to leave, Charlotte can not leave. Wilbur takes her egg sack to hatch them.
When they do, the animals are overjoyed. * Excluded from Some Productions Charlotte's Web at the Dramatic Publishing website
Albert, Prince Consort
Prince Albert of Saxe-Coburg and Gotha was the husband of Queen Victoria. He was born in the Saxon duchy of Saxe-Coburg-Saalfeld, to a family connected to many of Europe's ruling monarchs. At the age of 20, he married Queen Victoria, he felt constrained by his role of prince consort, which did not afford him power or responsibilities. He developed a reputation for supporting public causes, such as educational reform and the abolition of slavery worldwide, was entrusted with running the Queen's household and estates, he was involved with the organisation of the Great Exhibition of 1851, a resounding success. Victoria came to depend more on his support and guidance, he aided the development of Britain's constitutional monarchy by persuading his wife to be less partisan in her dealings with Parliament—although he disagreed with the interventionist foreign policy pursued during Lord Palmerston's tenure as Foreign Secretary. Albert died at the young age of 42. Victoria was so devastated at the loss of her husband that she entered into a deep state of mourning and wore black for the rest of her life.
On her death in 1901, their eldest son succeeded as Edward VII, the first British monarch of the House of Saxe-Coburg and Gotha, named after the ducal house to which Albert belonged. Albert was born at Schloss Rosenau, near Coburg, the second son of Ernest III, Duke of Saxe-Coburg-Saalfeld, his first wife, Louise of Saxe-Gotha-Altenburg. Albert's future wife, was born earlier in the same year with the assistance of the same midwife, Charlotte von Siebold. Albert was baptised into the Lutheran Evangelical Church on 19 September 1819 in the Marble Hall at Schloss Rosenau with water taken from the local river, the Itz, his godparents were the Dowager Duchess of Saxe-Coburg-Saalfeld. In 1825, Albert's great-uncle, Frederick IV, Duke of Saxe-Gotha-Altenburg, died, his death led to a realignment of Saxon duchies the following year and Albert's father became the first reigning duke of Saxe-Coburg and Gotha. Albert and his elder brother, spent their youth in a close companionship marred by their parents' turbulent marriage and eventual separation and divorce.
After their mother was exiled from court in 1824, she married her lover, Alexander von Hanstein, Count of Polzig and Beiersdorf. She never saw her children again, died of cancer at the age of 30 in 1831; the following year, their father married his sons' cousin Princess Marie of Württemberg. The brothers were educated at home by Christoph Florschütz and studied in Brussels, where Adolphe Quetelet was one of their tutors. Like many other German princes, Albert attended the University of Bonn, where he studied law, political economy and the history of art, he played music and excelled at sport fencing and riding. His tutors at Bonn included the poet Schlegel; the idea of marriage between Albert and his cousin, was first documented in an 1821 letter from his paternal grandmother, the Dowager Duchess of Saxe-Coburg-Saalfeld, who said that he was "the pendant to the pretty cousin". By 1836, this idea had arisen in the mind of their ambitious uncle Leopold, King of the Belgians since 1831. At this time, Victoria was the heir presumptive to the British throne.
Her father, Prince Edward, Duke of Kent and Strathearn, the fourth son of King George III, had died when she was a baby, her elderly uncle, King William IV, had no legitimate children. Her mother, the Duchess of Kent, was the sister of both Albert's father—the Duke of Saxe-Coburg and Gotha—and King Leopold. Leopold arranged for his sister, Victoria's mother, to invite the Duke of Saxe-Coburg and Gotha and his two sons to visit her in May 1836, with the purpose of meeting Victoria. William IV, disapproved of any match with the Coburgs, instead favoured the suit of Prince Alexander, second son of the Prince of Orange. Victoria was well aware of the various matrimonial plans and critically appraised a parade of eligible princes, she wrote, " is handsome. Alexander, on the other hand, she described as "very plain". Victoria wrote to her uncle Leopold to thank him "for the prospect of great happiness you have contributed to give me, in the person of dear Albert... He possesses every quality that could be desired to render me happy."
Although the parties did not undertake a formal engagement, both the family and their retainers assumed that the match would take place. Victoria came to the throne aged eighteen on 20 June 1837, her letters of the time show interest in Albert's education for the role he would have to play, although she resisted attempts to rush her into marriage. In the winter of 1838–39, the prince visited Italy, accompanied by the Coburg family's confidential adviser, Baron Stockmar. Albert returned to the United Kingdom with Ernest in October 1839 to visit the Queen, with the objective of settling the marriage. Albert and Victoria felt mutual affection and the Queen proposed to him on 15 October 1839. Victoria's intention to marry was declared formally to the Privy Council on 23 November, the couple married on
Victoria was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death. On 1 May 1876, she adopted the additional title of Empress of India. Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn, the fourth son of King George III. Both the Duke and the King died in 1820, Victoria was raised under close supervision by her mother, Princess Victoria of Saxe-Coburg-Saalfeld, she inherited the throne at the age of 18, after her father's three elder brothers had all died, leaving no surviving legitimate children. The United Kingdom was an established constitutional monarchy, in which the sovereign held little direct political power. Victoria attempted to influence government policy and ministerial appointments. Victoria married her first cousin Prince Albert of Saxe-Coburg and Gotha in 1840, their nine children married into royal and noble families across the continent, tying them together and earning her the sobriquet "the grandmother of Europe". After Albert's death in 1861, Victoria avoided public appearances.
As a result of her seclusion, republicanism temporarily gained strength, but in the latter half of her reign, her popularity recovered. Her Golden and Diamond Jubilees were times of public celebration, her reign of 63 years and seven months was longer than that of any of her predecessors and is known as the Victorian era. It was a period of industrial, political and military change within the United Kingdom, was marked by a great expansion of the British Empire, she was the last British monarch of the House of Hanover. Her son and successor, Edward VII, initiated the House of Saxe-Coburg and Gotha, the line of his father. Victoria's father was Prince Edward, Duke of Kent and Strathearn, the fourth son of the reigning King of the United Kingdom, George III; until 1817, Edward's niece, Princess Charlotte of Wales, was the only legitimate grandchild of George III. Her death in 1817 precipitated a succession crisis that brought pressure on the Duke of Kent and his unmarried brothers to marry and have children.
In 1818 he married Princess Victoria of Saxe-Coburg-Saalfeld, a widowed German princess with two children—Carl and Feodora —by her first marriage to the Prince of Leiningen. Her brother Leopold was Princess Charlotte's widower; the Duke and Duchess of Kent's only child, was born at 4.15 a.m. on 24 May 1819 at Kensington Palace in London. Victoria was christened by the Archbishop of Canterbury, Charles Manners-Sutton, on 24 June 1819 in the Cupola Room at Kensington Palace, she was baptised Alexandrina after one of her godparents, Emperor Alexander I of Russia, Victoria, after her mother. Additional names proposed by her parents—Georgina and Augusta—were dropped on the instructions of Kent's eldest brother, the Prince Regent. At birth, Victoria was fifth in the line of succession after the four eldest sons of George III: George, the Prince Regent; the Prince Regent had no surviving children, the Duke of York had no children. The Duke of Clarence and the Duke of Kent married on the same day in 1818, but both of Clarence's legitimate daughters died as infants.
The first of these was Princess Charlotte, born and died on 27 March 1819, two months before Victoria was born. Victoria's father died in January 1820. A week her grandfather died and was succeeded by his eldest son as George IV. Victoria was third in line to the throne after York and Clarence. Clarence's second daughter was Princess Elizabeth of Clarence who lived for twelve weeks from 10 December 1820 to 4 March 1821 and, while Elizabeth lived, Victoria was fourth in line; the Duke of York died in 1827. When George IV died in 1830, he was succeeded by his next surviving brother, Clarence, as William IV, Victoria became heir presumptive; the Regency Act 1830 made special provision for Victoria's mother to act as regent in case William died while Victoria was still a minor. King William distrusted the Duchess's capacity to be regent, in 1836 he declared in her presence that he wanted to live until Victoria's 18th birthday, so that a regency could be avoided. Victoria described her childhood as "rather melancholy".
Her mother was protective, Victoria was raised isolated from other children under the so-called "Kensington System", an elaborate set of rules and protocols devised by the Duchess and her ambitious and domineering comptroller, Sir John Conroy, rumoured to be the Duchess's lover. The system prevented the princess from meeting people whom her mother and Conroy deemed undesirable, was designed to render her weak and dependent upon them; the Duchess avoided the court because she was scandalised by the presence of King William's illegitimate children. Victoria shared a bedroom with her mother every night, studied with private tutors to a regular timetable, spent her play-hours with her dolls and her King Charles Spaniel, Dash, her lessons included French, German and Latin, but she spoke only English at home. In 1830, the Duchess of Kent and Conroy took Victoria across the centre of England to visit the Malvern Hills, stopping at towns and great country houses along the way. Similar journeys to oth
It's a Bird... It's a Plane... It's Superman
It's a Bird... It's a Plane... It's Superman is a musical composed by Charles Strouse, with lyrics by Lee Adams and book by David Newman and Robert Benton, it is based on the comic book character Superman created by Jerry Siegel and Joe Shuster and published by DC Comics. The plot revolves around Superman's efforts to defeat Dr. Abner Sedgwick, a ten-time Nobel Prize-losing scientist who seeks to avenge the scientific world's dismissal of his brilliance by attempting to destroy the world's symbol of good. Additionally, Superman comes into romantic conflict with Max Mencken, a columnist for the Daily Planet newspaper, who resents Lois Lane's attraction to Superman, teams up with Sedgwick to destroy Superman; the musical opened on Broadway at the Alvin Theatre on March 29, 1966. Directed by Harold Prince with choreography by Ernest Flatt, it starred Bob Holiday as Clark Kent and Superman, Patricia Marand as Lois Lane, Jack Cassidy as Max Mencken, Linda Lavin as Sydney; the production received positive reviews, but it failed to catch on with the theater-going public and closed on July 17, 1966 after 129 performances.
The musical received three Tony Award nominations, for Best Actor in a Musical, Best Featured Actor in a Musical, Best Featured Actress in a Musical. One of the songs from the score, "You've Got Possibilities", had some success outside the show as a nightclub and cabaret standard. Two productions were staged the next year. Both the St. Louis Municipal Opera and the Kansas City Starlight Theatre re-staged the show, Bob Holiday played Superman in both productions; each was an open-air venue. Other cast members in these two productions were Karen Morrow as Sydney and Charles Nelson Reilly as Dr. Sedgwick; the show was produced at the Goodspeed Opera House, East Haddam, from June through July 3, 1992, with Gary Jackson, Jamie Ross, Veanne Cox and Gabriel Barre. On May 14, 2007, the Reprise! Marvelous Musical Mondays program in Los Angeles presented a concert version of the musical; the cast featured Cheyenne Jackson as Superman, Jean Louisa Kelly as Lois Lane, Richard Kind as Dr. Sedgwick, Patrick Cassidy in his father's old role of Max Mencken, composer Charles Strouse in a special appearance as Perry White.
From June 15–17, 2007, the musical was presented in concert by the York Theatre's Musicals at MUFTI series in New York City, with Jackson and Strouse reprising their roles from the Los Angeles concert. Others in the cast included Lea DeLaria as Dr. Sedgwick, Shoshana Bean as Sydney, David Rasche as Max Mencken. Bob Holiday, the original Broadway Superman, attended the June 16 matinee. From June 18 to July 25, 2010, the Dallas Theater Center presented a revised version of It's a Bird... starring Matt Cavenaugh in the dual role of Superman/Clark Kent, Zakiya Young as Lois Lane, Patrick Cassidy as Max Mencken, Cavenaugh's real life wife Jenny Powers as Sydney Sharp. The new book for the show was written by playwright and comic book writer Roberto Aguirre-Sacasa. Kevin Moriarty, the Dallas Theater's artistic director, believed that the show's campy, pop art-inflected book had "not dated well," and approached Charles Strouse in 2008 for permission to revise the musical. Strouse acquiesced, Moriarty hired Aguirre-Sacasa, a "lifelong fan" of the musical.
Aguirre-Sacasa moved the musical's setting to 1939, made the show's primary focus the "love triangle" between Clark Kent, Lois Lane, Superman. Songs were cut, new songs commissioned, the order of songs changed, In November 2009, Moriarty and Aguirre-Sacasa held a private reading of the revised book with the show's surviving creators, Strouse and Benton. A staged concert production took place as part of New York City Center's Encores! Series from March 20–24, 2013; the cast included Edward Watts as Superman and Will Swenson as Max Mencken, with Jenny Powers playing Lois Lane. Powers had played Sydney Sharp in the 2010 Dallas revival. On March 23, Bob Holiday, who originated the role of Superman on Broadway, attended the show and met with the cast; the show's UK premiere was played in London in March 2014 at Ye Olde Rose and Crown Theatre and was produced by All Star Productions. After positive reviews, "the real star of the show is Charles Strouse and Lee Adams’ delightful score..." wrote the musicaltheatrereview.com, the show transferred to the Leicester Square Theatre in the West End for a limited run in February 2015.
In September 2016, there was the first production in the German language in Germany. The OnStage - school of musical is producing the German Premiere at the Brunsviga. Still photos from the original Broadway production can be seen in the documentary Look, Up in the Sky: The Amazing Story of Superman, as well as footage from the TV version. Book authors Robert Benton and David Newman went on co-author the screenplay for the 1978 film Superman. It's a Bird... It's a Plane... It's Superman was made into a TV special on February 1, 1975. Filmed on video over the course of 3 days, the show was shortened, the script changed, the ethnicity of a troupe of evildoers was changed from Chinese acrobats to Mafia-style gangsters; the musical numbers "Doing Good", "It's Super Nice", "So Long, Big Guy" and "We Don't Matter at All" were all dropped from this production, while the sound of the remaining musical numbers was updated to a more contemporary 1970s sensibility. In addition to these, a new musical number was made for the TV special: "It's a Great Country."
The show was broadcast