1.
Aeneas
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In Greco-Roman mythology, Aeneas was a Trojan hero, the son of the prince Anchises and the goddess Venus. His father was a first cousin of King Priam of Troy and he is a character in Greek mythology and is mentioned in Homers Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgils Aeneid and he became the first true hero of Rome. Snorri Sturluson identifies him with the Norse Æsir Vidarr, Aeneas is the Latin spelling of Greek Αἰνείας. In the Homeric Hymn to Aphrodite, Aeneas is first introduced with Aphrodite naming him Αἰνείας for the αὶνóν ἄχος he caused her and it is a popular etymology for the name, apparently exploited by Homer in the Iliad. Later in the Medieval period there were writers who held that, as such, in the natural order, the meaning of Aeneas name combines Greek ennos and demas, which becomes ennaios, meaning in-dweller. However, there is no certainty regarding the origin of his name, in imitation of the Iliad, Virgil borrows epithets of Homer, including, Anchisiades, magnanimum, magnus, heros, and bonus. Though he borrows many, Virgil gives Aeneas two epithets of his own in the Aeneid, pater and pius. The epithets applied by Virgil are an example of a different from that of Homer, for whilst Odysseus is poikilios, Aeneas is described as pius. Likewise, Aeneas is called pater when acting in the interest of his men, the story of the birth of Aeneas is told in the Hymn to Aphrodite, one of the major Homeric Hymns. Aphrodite has caused the other gods Zeus, to fall in love with mortal women, in retaliation, Zeus puts desire in her heart for Anchises, who is tending his cattle among the hills near Mount Ida. When Aphrodite sees him she is smitten and she adorns herself as if for a wedding among the gods and appears before him. He is overcome by her beauty, believing that she is a goddess, after they make love, Aphrodite reveals her true identity to him and Anchises fears what might happen to him as a result of their liaison. Aphrodite assures him that he will be protected, and tells him that she bear him a son to be called Aeneas. However, she warns him that he must never tell anyone that he has lain with a goddess, when Aeneas is born, Aphrodite takes him to the nymphs of Mount Ida. She directs them to raise the child to age five, then take him to Anchises, according to other sources, Anchises later brags about his encounter with Aphrodite, and as a result is struck in the foot with a thunderbolt by Zeus. Thereafter he is lame in that foot, so that Aeneas has to carry him from the flames of Troy. Aeneas is a character in the Iliad, where he is twice saved from death by the gods as if for an as-yet-unknown destiny
2.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
3.
Roman mythology
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Roman mythology is the body of traditional stories pertaining to ancient Romes legendary origins and religious system, as represented in the literature and visual arts of the Romans. Roman mythology may also refer to the study of these representations. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements, the stories are often concerned with politics and morality, and how an individuals personal integrity relates to his or her responsibility to the community or Roman state. When the stories illuminate Roman religious practices, they are concerned with ritual, augury. Romes early myths and legends also have a relationship with Etruscan religion. In particular, the versions of Greek myths in Ovids Metamorphoses, written during the reign of Augustus, because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the scholarship of the 19th century. From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting, the Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities, in Romes earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes, The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600, what does it take to be a free citizen. Can a superpower still be a republic, how does well-meaning authority turn into murderous tyranny. Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livys history as well as Dionysius s Roman Antiquities. Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs. The Aeneid and Livys early history are the best extant sources for Romes founding myths, material from Greek heroic legend was grafted onto this native stock at an early date. By extension, the Trojans were adopted as the ancestors of the Roman people. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Romes legal and religious institutions. Servius Tullius, the king of Rome, whose mysterious origins were freely mythologized. The Tarpeian Rock, and why it was used for the execution of traitors, lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic
4.
Apollo
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Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros, Apollo has been recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry. Apollo is the son of Zeus and Leto, and has a twin sister, Apollo is known in Greek-influenced Etruscan mythology as Apulu. As the patron of Delphi, Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the gods custodial charges, Apollo became associated with dominion over colonists, as the leader of the Muses and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became an attribute of Apollo. Hymns sung to Apollo were called paeans, Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE. The name Apollo—unlike the related older name Paean—is generally not found in the Linear B texts, the etymology of the name is uncertain. The spelling Ἀπόλλων had almost superseded all other forms by the beginning of the common era and it probably is a cognate to the Doric month Apellaios, and the offerings apellaia at the initiation of the young men during the family-festival apellai. According to some scholars the words are derived from the Doric word apella, apella is the name of the popular assembly in Sparta, corresponding to the ecclesia. R. S. P. Beekes rejected the connection of the theonym with the noun apellai, several instances of popular etymology are attested from ancient authors. Thus, the Greeks most often associated Apollos name with the Greek verb ἀπόλλυμι, in the ancient Macedonian language πέλλα means stone, and some toponyms may be derived from this word, Πέλλα and Πελλήνη. The role of Apollo as god of plague is evident in the invocation of Apollo Smintheus by Chryses, the Hittite testimony reflects an early form *Apeljōn, which may also be surmised from comparison of Cypriot Ἀπείλων with Doric Ἀπέλλων. A Luwian etymology suggested for Apaliunas makes Apollo The One of Entrapment, Apollos chief epithet was Phoebus, literally bright. It was very commonly used by both the Greeks and Romans for Apollos role as the god of light, like other Greek deities, he had a number of others applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a number of appellations in Greek myth. Aegletes, from αἴγλη, light of the sun Helius, literally sun Lyceus light, the meaning of the epithet Lyceus later became associated with Apollos mother Leto, who was the patron goddess of Lycia and who was identified with the wolf
5.
Virgil
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Publius Vergilius Maro, usually called Virgil or Vergil /ˈvɜːrdʒᵻl/ in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature, the Eclogues, the Georgics, a number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him. Virgil is traditionally ranked as one of Romes greatest poets and his Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Virgils work has had wide and deep influence on Western literature, most notably Dantes Divine Comedy, in which Virgil appears as Dantes guide through Hell, the tradition holds that Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul. Analysis of his name has led to beliefs that he descended from earlier Roman colonists, modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Macrobius says that Virgils father was of a background, however. He attended schools in Cremona, Mediolanum, Rome and Naples, after considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry. From Virgils admiring references to the neoteric writers Pollio and Cinna, it has been inferred that he was, for a time, according to Servius, schoolmates considered Virgil extremely shy and reserved, and he was nicknamed Parthenias or maiden because of his social aloofness. Virgil also seems to have suffered bad health throughout his life, according to the Catalepton, he began to write poetry while in the Epicurean school of Siro the Epicurean at Naples. A group of works attributed to the youthful Virgil by the commentators survive collected under the title Appendix Vergiliana. One, the Catalepton, consists of fourteen poems, some of which may be Virgils, and another. The biographical tradition asserts that Virgil began the hexameter Eclogues in 42 BC and it is thought that the collection was published around 39–38 BC, the Eclogues are a group of ten poems roughly modeled on the bucolic hexameter poetry of the Hellenistic poet Theocritus. The loss of his farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgils motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues, the ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside,2 and 3 are pastoral and erotic, discussing both homosexual love and attraction toward people of any gender. Eclogue 4, addressed to Asinius Pollio, the so-called Messianic Eclogue uses the imagery of the age in connection with the birth of a child. Virgil came to many of the other leading literary figures of the time, including Horace, in whose poetry he is often mentioned, and Varius Rufus. At Maecenas insistence Virgil spent the years on the long didactic hexameter poem called the Georgics which he dedicated to Maecenas
6.
Trojan War
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In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
7.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
8.
Apulia
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Apulia is a region of Italy in Southern Italy bordering the Adriatic Sea in the east, the Ionian Sea to the southeast, and the Strait of Òtranto and Gulf of Taranto in the south. Its southernmost portion, known as the Salento peninsula, forms a stiletto on the boot of Italy, the region comprises 19,345 square kilometers, and its population is about 4 million. It is bordered by the other Italian regions of Molise to the north, Campania to the west, across the Adriatic and Ionian Seas, it faces Albania, Bosnia-Herzegovina, Croatia, Greece, and Montenegro, The Apulia region extends as far north as Monte Gargano. Puglias coastline is longer than any other mainland Italian region, in the north, the Gargano promontory extends out into the Adriatic, while in the south, the flat and dry Salento peninsula forms the heel of Italys boot. It is home to the Alta Murgia and Gargano National Parks, see also, History of Apulia Apulia is one of the richest archaeological regions in Italy. It was first colonized by Mycenaean Greeks, a number of castles were built in the area by Holy Roman Emperor Frederick II, including Castel del Monte, sometimes called the Crown of Apulia. After 1282, when the island of Sicily was lost, Apulia was part of the Kingdom of Naples, as a result of the French–Spanish war of 1501–1504, Naples again came under the rule of Aragon and the Spanish Empire from 1504 to 1714. When Barbary pirates of North Africa sacked Vieste in 1554, they took an estimated 7,000 slaves, in 1861 the region became part of the Kingdom of Italy, with the new capital city at Turin. In the words of one historian, Turin was so far away that Otranto is today closer to seventeen foreign capitals than it is to Turin, the regions contribution to Italys gross value added was around 4. 6% in 2000, while its population was 7% of the total. The per capita GDP is low compared to the national average, in comparison with the country as a whole, the economy of Apulia is characterised by a greater emphasis on agriculture and services and a smaller part played by industry. In the last 20 years the base of the regions economy has changed radically. The majority of firms are financed by local capital. In certain of these sectors – especially textiles, clothing, footwear, vehicles, the region has a good network of roads but the railway network is somewhat inadequate, particularly in the south. Apulias 800 kilometers of coastline is studded with ports, which make this region an important terminal for transport and tourism to Greece, between 2007 and 2013 the economy of Apulia expanded more than that of the rest of southern Italy. Such growth, over decades, is a severe challenge to the hydrogeological system. Emigration from the depressed areas to northern Italy and the rest of Europe was very intense in the years between 1956 and 1971. Subsequently, the trend declined as economic conditions improved, to the point where there was net immigration in the years between 1982 and 1985, since 1986 the stagnation in employment has led to a new inversion of the trend, caused by a decrease in immigration. Since 1 June 2015, former judge and mayor of Bari Michele Emiliano of the Democratic Party has served as President, Apulia is divided into five administrative provinces and one metropolitan city, Cuisine plays an important role throughout Apulia
9.
Icarus
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In Greek mythology, Icarus is the son of the master craftsman Daedalus, the creator of the Labyrinth. Often depicted in art, Icarus and his attempt to escape from Crete by means of wings that his father constructed from feathers. Icarus father warns him first of complacency and then of hubris, asking that he fly neither too low nor too high, Icarus ignored his fathers instructions not to fly too close to the sun, when the wax in his wings melted and he fell into the sea. This tragic theme of failure at the hands of hubris contains similarities to that of Phaëthon. Minos imprisoned Daedalus himself in the labyrinth because he gave Minoss daughter, Ariadne, a clew in order to help Theseus, Daedalus fashioned two pairs of wings out of wax and feathers for himself and his son. Daedalus tried his wings first, but before trying to escape the island, he warned his son not to fly too close to the sun, nor too close to the sea, but to follow his path of flight. Overcome by the giddiness that flying lent him, Icarus soared into the sky, but in the process he came too close to the sun, heracles erected a tomb for him. Icarus flight was often alluded to by Greek poets in passing, in the literature of ancient Rome, the myth was of interest to Augustan writers. Hyginus narrates it in Fabula 40, beginning with the love affair of Pasiphaë, daughter of the Sun. Ovid narrates the story of Icarus at some length in the Metamorphoses, auden and Landscape with the Fall of Icarus by William Carlos Williams. Literary interpretation has found in the myth the structure and consequence of personal over-ambition, an Icarus-related study of the Daedalus myth was published by the French hellenist Françoise Frontisi-Ducroux. In psychology there have been studies of the Icarus complex with respect to the alleged relationship between fascination for fire, enuresis, high ambition, and ascensionism. In the psychiatric mind features of disease were perceived in the shape of the pendulous emotional ecstatic-high, the Greek Myths, section 92 passim Smith, William, ed. A Dictionary of Greek and Roman Biography and Mythology Pinsent, J. Greek Mythology
10.
Anemoi
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The Spartans were reported to sacrifice a horse to the winds on Mount Taygetus. Astraeus, the deity, and Eos/Aurora, the goddess of the dawn, were the parents of the Anemoi. The daughters of the Anemoi are the Aurae, the deities equivalent to the Anemoi in Roman mythology were the Venti. These gods had different names, but were very similar to their Greek counterparts, borrowing their attributes. Boreas was the Greek god of the north wind and the bringer of winter. Although normally taken as the wind, the Roman writers Aulus Gellius. Boreas is depicted as being strong, with a violent temper to match. He was frequently shown as an old man with shaggy hair and beard, holding a conch shell. Pausanias wrote that Boreas had snakes instead of feet, though in art he was depicted with winged human feet. Boreas two sons Calaïs and Zetes, known as Boreads, were in the crew of the Argo as Argonauts, Boreas was closely associated with horses. He was said to have fathered twelve colts after taking the form of a stallion, to the mares of Erichthonius and these were said to be able to run across a field of grain without trampling the plants. Pliny the Elder thought that mares might stand with their hindquarters to the North Wind and he is said to have fathered three giant Hyperborean priests of Apollo by Chione. Boreas was also said to have kidnapped Orithyia, an Athenian princess, Boreas had taken a fancy to Orithyia and had initially pleaded for her favours, hoping to persuade her. When this failed, he reverted to his temper and abducted her as she danced on the banks of the Ilisos. Boreas wrapped Orithyia up in a cloud, raped her, and with her, from then on, the Athenians saw Boreas as a relative by marriage. When Athens was threatened by Xerxes, the people prayed to Boreas, and when they went home they built the god a shrine by the River Ilissus. The abduction of Orithyia was popular in Athens before and after the Persian War, in these paintings, Boreas was portrayed as a bearded man in a tunic, with shaggy hair that is sometimes frosted and spiked. The abduction was also dramatized in Aeschyluss lost play Oreithyia, in other accounts, Boreas was the father of Butes and the lover of the nymph Pitys
11.
Cleopatra
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Cleopatra VII Philopator, known to history simply as Cleopatra, was the last active ruler of Ptolemaic Egypt, briefly survived as pharaoh by her son Caesarion. After her reign, Egypt became a province of the recently established Roman Empire, Cleopatra was a member of the Ptolemaic dynasty, a Greek family of Macedonian origin that ruled Egypt after Alexander the Greats death during the Hellenistic period. By contrast, Cleopatra did learn to speak Egyptian and represented herself as the reincarnation of the Egyptian goddess Isis, as queen, she consummated a liaison with Julius Caesar that solidified her grip on the throne. She later elevated Caesarion, her son with Caesar, to co-ruler in name, after Caesars assassination in 44 BC, she aligned with Mark Antony in opposition to Caesars legal heir Gaius Julius Caesar Octavianus. With Antony, she bore the twins Cleopatra Selene II and Alexander Helios, Antony committed suicide after losing the Battle of Actium to Octavians forces, and Cleopatra followed suit. According to tradition, she killed herself by means of an asp bite on August 12,30 BC and she was outlived by Caesarion, who was declared pharaoh by his supporters, but he was soon killed on Octavians orders. Egypt then became the Roman province of Aegyptus, Cleopatras father Auletes was a direct descendant of Alexander the Greats general Ptolemy I Soter, son of Arsinoe and Lagus, both of Macedon. Centralization of power and corruption led to uprisings in and the losses of Cyprus and Cyrenaica, Ptolemy went to Rome with Cleopatra, Cleopatra VI Tryphaena seized the crown but died shortly afterwards in suspicious circumstances. It is believed that Berenice IV poisoned her so that she could assume sole rulership, regardless of the cause, she ruled until Ptolemy Auletes returned in 55 BC with Roman support, capturing Alexandria aided by Roman general Aulus Gabinius. Berenice was imprisoned and executed afterwards, her head allegedly being sent to the royal court on the decree of her father. Cleopatra now became joint regent and deputy to her father at age 14, Ptolemy XII died in March 51 BC. His will made 18-year-old Cleopatra and her 10-year-old brother Ptolemy XIII joint monarchs, the first three years of their reign were difficult due to economic failures, famine, deficient floods of the Nile, and political conflicts. Cleopatra was married to her brother, but she quickly made it clear that she had no intention of sharing power with him. In August 51 BC, relations broke down between Cleopatra and Ptolemy. Cleopatra dropped Ptolemys name from official documents and her face appeared on coins. The Gabiniani killed the sons of the Roman governor of Syria Marcus Calpurnius Bibulus when they came to ask the Gabiniani to assist their father against the Parthians, Cleopatra handed the murderers over to Bibulus in chains, whereupon the Gabiniani became bitter enemies of the queen. This conflict was one of the causes of Cleopatras fall from power shortly afterward. The sole reign of Cleopatra was finally ended by a cabal of courtiers led by the eunuch Pothinus, in connection with half-Greek general Achillas, circa 48 BC, Cleopatras younger brother Ptolemy XIII became sole ruler
12.
Egypt
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Egypt, officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia by a land bridge formed by the Sinai Peninsula. Egypt is a Mediterranean country bordered by the Gaza Strip and Israel to the northeast, the Gulf of Aqaba to the east, the Red Sea to the east and south, Sudan to the south, and Libya to the west. Across the Gulf of Aqaba lies Jordan, and across from the Sinai Peninsula lies Saudi Arabia, although Jordan and it is the worlds only contiguous Afrasian nation. Egypt has among the longest histories of any country, emerging as one of the worlds first nation states in the tenth millennium BC. Considered a cradle of civilisation, Ancient Egypt experienced some of the earliest developments of writing, agriculture, urbanisation, organised religion and central government. One of the earliest centres of Christianity, Egypt was Islamised in the century and remains a predominantly Muslim country. With over 92 million inhabitants, Egypt is the most populous country in North Africa and the Arab world, the third-most populous in Africa, and the fifteenth-most populous in the world. The great majority of its people live near the banks of the Nile River, an area of about 40,000 square kilometres, the large regions of the Sahara desert, which constitute most of Egypts territory, are sparsely inhabited. About half of Egypts residents live in areas, with most spread across the densely populated centres of greater Cairo, Alexandria. Modern Egypt is considered to be a regional and middle power, with significant cultural, political, and military influence in North Africa, the Middle East and the Muslim world. Egypts economy is one of the largest and most diversified in the Middle East, Egypt is a member of the United Nations, Non-Aligned Movement, Arab League, African Union, and Organisation of Islamic Cooperation. Miṣr is the Classical Quranic Arabic and modern name of Egypt. The name is of Semitic origin, directly cognate with other Semitic words for Egypt such as the Hebrew מִצְרַיִם, the oldest attestation of this name for Egypt is the Akkadian
This article incorporates text from a publication now in the public domain: Leonhard Schmitz, Leonhard (1870). "Iapis". In Smith, William. Dictionary of Greek and Roman Biography and Mythology. 2. p. 550.
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