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Triumph of the Name of Jesus, by Giovanni Battista Gaulli, on the ceiling of the Church of the Gesu. The decorations of the vault over the nave date b
Triumph of the Name of Jesus, by Giovanni Battista Gaulli, on the ceiling of the Church of the Gesu. The decorations of the vault over the nave date back to the 17th century. The fresco is the work of Giovanni Battista Gaulli, known as Baciccia. The stucco reliefs were executed by Ercole Antonio Raggi and Leonardo Reti, following the drawings of Baciccia who wanted to effect a real continuity between painting and sculpture.
Lord Leighton's Cimabue's Madonna Carried in Procession of 1853-1855 is at the end of a long tradition of illusionism in painting, but is not Realist
Lord Leighton's Cimabue's Madonna Carried in Procession of 1853-1855 is at the end of a long tradition of illusionism in painting, but is not Realist in the sense of Courbet's work of the same period.
Andrea Mantegna's late-Quattrocento ceiling fresco in the Camera degli Sposi (commissioned by Ludovico III Gonzaga for Mantua's Ducal Palace) is an ea
Andrea Mantegna's late-Quattrocento ceiling fresco in the Camera degli Sposi (commissioned by Ludovico III Gonzaga for Mantua's Ducal Palace) is an early example of illusionistic ceiling painting.
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Bonjour, Monsieur Courbet (1854) – a Realist painting by Gustave Courbet
Bonjour, Monsieur Courbet (1854) – a Realist painting by Gustave Courbet
Francisco Goya, Charles IV of Spain and His Family, 1800–01
Francisco Goya, Charles IV of Spain and His Family, 1800–01
Eilif Peterssen, The Salmon Fisher, 1889
Eilif Peterssen, The Salmon Fisher, 1889
Henri Biva, c. 1905–06, Matin à Villeneuve (From Waters Edge), oil on canvas, 151.1 x 125.1 cm
Henri Biva, c. 1905–06, Matin à Villeneuve (From Waters Edge), oil on canvas, 151.1 x 125.1 cm