Illusionism in art history means either the tradition of art that appears to share the physical space with the viewer or more broadly the attempt to represent physical appearances precisely – also cal
Triumph of the Name of Jesus, by Giovanni Battista Gaulli, on the ceiling of the Church of the Gesu. The decorations of the vault over the nave date back to the 17th century. The fresco is the work of Giovanni Battista Gaulli, known as Baciccia. The stucco reliefs were executed by Ercole Antonio Raggi and Leonardo Reti, following the drawings of Baciccia who wanted to effect a real continuity between painting and sculpture.
Lord Leighton's Cimabue's Madonna Carried in Procession of 1853–1855 is at the end of a long tradition of illusionism in painting, but is not Realist in the sense of Courbet's work of the same period.
Andrea Mantegna's late-Quattrocento ceiling fresco in the Camera degli Sposi (commissioned by Ludovico III Gonzaga for Mantua's Ducal Palace) is an early example of illusionistic ceiling painting.
In art, realism is generally the attempt to represent subject-matter truthfully, without artificiality, exaggeration, or speculative or supernatural elements. The term is often used interchangeably wi
Illusionism (art)
…space with the viewer or more broadly the attempt to represent physical appearances precisely – also called mimesis. The latter can also be called realism, but the term can also mean the use of everyday subject-matter, or the avoidance of idealizing subjects. Illusionism encompasses a long history, from…
Eilif Peterssen, Summer Night (1886)
Francisco Goya, Charles IV of Spain and His Family, 1800–01
Henri Biva, Matin à Villeneuve, c. 1905–06
Late Gothic Pietà from Lubiąż in Lower Silesia, Poland, now in the National Museum in Warsaw