The Wall Street Journal
The Wall Street Journal is a U. S. business-focused, English-language international daily newspaper based in New York City. The Journal, along with its Asian and European editions, is published six days a week by Dow Jones & Company, a division of News Corp; the newspaper is published in online. The Journal has been printed continuously since its inception on July 8, 1889, by Charles Dow, Edward Jones, Charles Bergstresser; the Wall Street Journal is one of the largest newspapers in the United States by circulation, with a circulation of about 2.475 million copies as of June 2018, compared with USA Today's 1.7 million. The Journal publishes the luxury news and lifestyle magazine WSJ, launched as a quarterly but expanded to 12 issues as of 2014. An online version was launched in 1996, accessible only to subscribers since it began; the newspaper is notable for its award-winning news coverage, has won 37 Pulitzer Prizes. The editorial pages of the Journal are conservative in their position. The"Journal" editorial board has promoted fringe views on the science of climate change, acid rain, ozone depletion, as well as on the health harms of second-hand smoke and asbestos.
The first products of Dow Jones & Company, the publisher of the Journal, were brief news bulletins, nicknamed "flimsies", hand-delivered throughout the day to traders at the stock exchange in the early 1880s. They were aggregated in a printed daily summary called the Customers' Afternoon Letter. Reporters Charles Dow, Edward Jones, Charles Bergstresser converted this into The Wall Street Journal, published for the first time on July 8, 1889, began delivery of the Dow Jones News Service via telegraph. In 1896, The "Dow Jones Industrial Average" was launched, it was the first of several indices of bond prices on the New York Stock Exchange. In 1899, the Journal's Review & Outlook column, which still runs today, appeared for the first time written by Charles Dow. Journalist Clarence Barron purchased control of the company for US$130,000 in 1902. Barron and his predecessors were credited with creating an atmosphere of fearless, independent financial reporting—a novelty in the early days of business journalism.
In 1921, Barron's, the United States's premier financial weekly, was founded. Barron died in 1928, a year before Black Tuesday, the stock market crash that affected the Great Depression in the United States. Barron's descendants, the Bancroft family, would continue to control the company until 2007; the Journal took its modern shape and prominence in the 1940s, a time of industrial expansion for the United States and its financial institutions in New York. Bernard Kilgore was named managing editor of the paper in 1941, company CEO in 1945 compiling a 25-year career as the head of the Journal. Kilgore was the architect of the paper's iconic front-page design, with its "What's News" digest, its national distribution strategy, which brought the paper's circulation from 33,000 in 1941 to 1.1 million at the time of Kilgore's death in 1967. Under Kilgore, in 1947, the paper won its first Pulitzer Prize for William Henry Grimes's editorials. In 1967, Dow Jones Newswires began a major expansion outside of the United States that put journalists in every major financial center in Europe, Latin America and Africa.
In 1970, Dow Jones bought the Ottaway newspaper chain, which at the time comprised nine dailies and three Sunday newspapers. The name was changed to "Dow Jones Local Media Group".1971 to 1997 brought about a series of launches and joint ventures, including "Factiva", The Wall Street Journal Asia, The Wall Street Journal Europe, the WSJ.com website, Dow Jones Indexes, MarketWatch, "WSJ Weekend Edition". In 2007, News Corp. acquired Dow Jones. WSJ. A luxury lifestyle magazine, was launched in 2008. A complement to the print newspaper, The Wall Street Journal Online, was launched in 1996 and has allowed access only by subscription from the beginning. In 2003, Dow Jones began to integrate reporting of the Journal's print and online subscribers together in Audit Bureau of Circulations statements. In 2007, it was believed to be the largest paid-subscription news site on the Web, with 980,000 paid subscribers. Since online subscribership has fallen, due in part to rising subscription costs, was reported at 400,000 in March 2010.
In May 2008, an annual subscription to the online edition of The Wall Street Journal cost $119 for those who do not have subscriptions to the print edition. By June 2013, the monthly cost for a subscription to the online edition was $22.99, or $275.88 annually, excluding introductory offers. On November 30, 2004, Oasys Mobile and The Wall Street Journal released an app that would allow users to access content from the Wall Street Journal Online via their mobile phones. Many of The Wall Street Journal news stories are available through free online newspapers that subscribe to the Dow Jones syndicate. Pulitzer Prize–winning stories from 1995 are available free on the Pulitzer web site. In September 2005, the Journal launched a weekend edition, delivered to all subscribers, which marked a return to Saturday publication after a lapse of some 50 years; the move was designed in part to attract more consumer advertising. In 2005, the Journal reported a readership profile of about 60 percent top management, an average income of $191,000, an average household net worth of $2.1 million, an average age of 55.
In 2007, the Journal launched a worldwide expansion of its website to include major foreign-language editions. The p
Virtual International Authority File
The Virtual International Authority File is an international authority file. It is a joint project of several national libraries and operated by the Online Computer Library Center. Discussion about having a common international authority started in the late 1990s. After a series of failed attempts to come up with a unique common authority file, the new idea was to link existing national authorities; this would present all the benefits of a common file without requiring a large investment of time and expense in the process. The project was initiated by the US Library of Congress, the German National Library and the OCLC on August 6, 2003; the Bibliothèque nationale de France joined the project on October 5, 2007. The project transitioned to being a service of the OCLC on April 4, 2012; the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together. A VIAF record receives a standard data number, contains the primary "see" and "see also" records from the original records, refers to the original authority records.
The data are available for research and data exchange and sharing. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol; the file numbers are being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAF's clustering algorithm is run every month; as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records. Authority control Faceted Application of Subject Terminology Integrated Authority File International Standard Authority Data Number International Standard Name Identifier Wikipedia's authority control template for articles Official website VIAF at OCLC
A telenovela is a type of limited-run television serial drama or soap opera produced in Latin America. The word combines tele, short for televisión or televisão, novela, a Spanish and Portuguese word for "novel". Similar genres around the world include teleserye, téléroman, or dramas. In Spain, they are called culebrones because of the convoluted plots. Described using the American colloquialism Spanish soap opera, many telenovelas share some stylistic and thematic similarities to the soap opera familiar to the English-speaking world; the significant difference is their series run length. This makes them shorter than most other television series, but still much longer than a miniseries; this planned run results in a faster-paced, more concise style of melodrama compared to a typical soap opera. Episodes of telenovelas last between 30 and 45 minutes, more than an hour, except for final episodes; the telenovela combines drama with the 19th-century feuilleton, evolved from the Latin American radionovela, according to Blanca de Lizaur.
The medium has been used by authorities in various countries to transmit sociocultural messages by incorporating them into storylines, which has decreased their credibility and audiences in the long run. By the 1970s and 1980s, Mexico became a world pioneer in using telenovelas to shape behavior successful in introducing the idea of family planning. Mexico and Brazil in the 1990s, played a key role in the international export of telenovelas, while Asia overtook the role in the 21st century, thus the so-called'Telenovela Craze' that spread in many regions in the world until today. Over time telenovelas evolved in the themes that they address. Couples who kiss each other in the first minutes of the first episode sometimes stay together for many episodes before the scriptwriter splits them up. Moreover taboo themes such as urban violence and homosexuality were incorporated into telenovelas. In the 2000s, Latin America and Asia altogether emerged as the biggest producers of telenovelas, which evolved out from soap operas to form another category of television drama, were one of the most common forms of popular entertainment in the world.
By 2018 some signs of fading popularity emerged. Telenovelas, which are sometimes called "tassels" or "comedias," are produced in Spanish- and Portuguese-speaking countries and are shown during prime time; the first telenovelas were produced in Brazil and Mexico: Sua vida me pertence was shown twice a week, Senderos de amor and Ángeles de la calle were shown once a week. Between 1957 and 1958 Mexico produced its first drama serial in the modern telenovela format of Monday to Friday slots, Senda prohibida, written by Fernanda Villeli; the first global telenovela was Los ricos también lloran, exported to Russia, the United States and other countries. Countries that produce well-known telenovelas are Brazil, Colombia, Chile, Germany, the Philippines, Spain and the USA. Telenovelas tend to fall within these seven categories: Working-class melodrama, the most popular to date, easy to understand and contains less explicit content; this is reliant of the common rags-to-riches plot featuring a poor woman who falls in love with a rich man whose family spurns her, such as the Las Tres Marias.
Historical romance is set in the past, such as the colonial period, the restoration of the Republic, the late 19th Century the Mexican Revolution, the 20th-century military dictatorships Teen drama, which portrays the lives of high school teenagers and their issues with sex and other coming-of-age topics. This genre started with Quinceañera in 1987. Mystery/thriller is a category of telenovela, more cold-hearted than the other subgenres, it may portray a mysterious death or disappearance, which may tear couples families apart, such as Cuna de Lobos, La Casa al Final de la Calle, La Mujer de Judas, ¿Dónde está Elisa?, El Rostro de la Venganza or La Casa de al Lado. Chile has produced this genre. Romantic comedy, which portrays love stories with some or lots of comedy such as Las tontas no van al cielo "Fools Don't Go to Heaven" or Yo soy Betty, la fea. Pop band story portrays the lives of aspiring popstars such as in Alcanzar una estrella and its sequel Alcanzar una estrella II, as well as Rebelde, which spawned a multi-platinum pop group, RBD.
Some, though not all, of these type of telenovelas are geared towards a teenage and/or pre-teen audience. Narcotraffic Recently narcotrafficer telenovelas have become presented. Besides these, another category of serial that has become popular in recent
Grupo Televisa, S. A. B. is a Mexican multimedia mass media company and the largest in Hispanic America and the Spanish-speaking world. It is a major international entertainment business, with much of its programming airing in the United States on Univision, with which it has an exclusive contract. Since its beginning the company has been owned by the Azcárraga family; the company has been owned by three generations of Azcárraga. Grupo Televisa was founded in 1955 as Telesistema Mexicano, linking Mexico's first three television stations: XHTV-TV, XEW-TV and XHGC-TV. Along Emilio Azcárraga Vidaurreta, the O'Farril family and Ernesto Barrientos Reyes, who had signed on Mexico's first radio station, XEW-AM, in 1930, its headquarters, known as Televicentro, were located on Avenida Chapultepec in downtown Mexico City. The building opened on February 10, 1952; the channel was the first national network to be broadcast in color in 1963. Before the launch, Telesistema began airing in color in the late 1950s in select cities along the U.
S.-Mexico border, given the fact that color signals were present since the start of US color television in the decade starting from 1954. In 1968, Telesistema's main competitor, Televisión Independiente de México, entered Mexico City with XHTM-TV Canal 8. At the time, both Telesistema and TIM competed with another new station, XHDF-TV channel 13, which started transmissions in 1968. Over the next four years, both networks competed in content and image until they merged, taking on the name Televisa in 1973. In the merger deal, the owners of Telesistema had 75 percent of the stocks, while the owners of Televisión Independiente had the rest, which were sold to Telesistema because of financial problems. On September 7, 1970, 24 Horas became one of Mexico's most watched news programs; the host, journalist Jacobo Zabludovsky, anchored the program for three decades. On August 17, 1972, Emilio Azcárraga Vidaurreta died, Emilio Azcárraga Milmo succeeded him as company president and owner. On January 8, 1973, both Telesistema Mexicano and Televisión Independiente de México merged, taking on the name Televisa, an acronym for Televisión Via Satélite in Spanish.
In 1975, brothers Emilio Diez Barroso and Fernando Diez Barroso began working in the presidency offices of Televisa. Televisa started to transmit several programs produced by the Universidad Nacional Autónoma de México in 1977. On March 3, 1983, Canal 8 was reformatted to become a cultural channel, offering informative programs and cultural shows. In 1985, a frequency swap moved the station from channel 8 to 9, Televisa decided to swap its callsign for that of XEQ-TV, on channel 9 and broadcast from Altzomoni. Canal 9 became Galavisión, now known as Gala TV. On September 19, 1985, an earthquake measuring 8.1 on the Richter scale caused widespread damage in Mexico City and destroyed the south tower of Televisa's main building. Nonetheless, Televisa's transmissions were not affected. However, several dubbed TV shows were lost. In 1991, with help from Japanese public television network NHK, began its first broadcast in HDTV, using the Japanese MUSE system. Between 1993 and 1994 Televisa was about to buy Italian local TV station GBR, based in Rome, planning to import in Italy his mixed sport-telenovelas formula, but the transaction was aborted.
In April 1997, Milmo died and Emilio Azcárraga Jean succeeded him as the president of the company. In December 1997, Televisa joined with other Mexican media companies to create a marathon known as Teletón, whose mission is to provide knowledge about physical disabilities, giving a strong message about respect and support to people in these conditions; this movement from media and Mexicans is reflected in the buildings created with the money from this Marathon, named Centros de Rehabilitación Infantil. It is said that sponsors use it as a way to deduce taxes as the Teletón takes place at the end of the fiscal year and therefore allows companies to deduce their donations before declaring their incomes. Televisa is the largest mass media company in Latin America, it is owned by the Azcárraga family. Televisa controls 66% of the 465 television concessions. Televisa owns television programing and broadcasting, programing pay television, publishing distribution, cable television, radio production and broadcasting, football teams, Televisa editorial, paging services, professional sports and business promotion, film production and distribution, operation of horizontal internet portal, DVD distribution, EMI Televisa music, Playcity casino, etc.
Televisa is capable of creating, destroying or changing what audience believe or think about something or someone due to the high influence that it has over the society. In México, 6 of every 10 Mexicans get informed of what is happening in the country via television few people read newspapers, the access to internet and the programing pay television are limited to the middle and high classes; this is the reason of why Televisa has a great influence over the decisions in the Union Congress and over the politicians in México. Televisa determines who becomes a hero, who the villain. There is complicity between Mexican media and government. Media and political power in México have a symbiotic relationship where the economic elites that control
Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, a variety of vocal techniques. A person who sings is called a vocalist. Singers perform music that can be sung without accompaniment by musical instruments. Singing is done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists. Singers may perform as soloists or accompanied by anything from a single instrument up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music and religious music styles such as gospel, traditional music styles, world music, blues and popular music styles such as pop, electronic dance music and filmi. Singing arranged or improvised, it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort or ritual, as part of music education or as a profession. Excellence in singing requires time, dedication and regular practice.
If practice is done on a regular basis the sounds can become more clear and strong. Professional singers build their careers around one specific musical genre, such as classical or rock, although there are singers with crossover success, they take voice training provided by voice teachers or vocal coaches throughout their careers. In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort. Exhalation may be aided by lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals and sternocleidomastoid muscles; the pitch is altered with the vocal cords. With the lips closed, this is called humming; the sound of each individual's singing voice is unique not only because of the actual shape and size of an individual's vocal cords but due to the size and shape of the rest of that person's body.
Humans have vocal folds which can loosen, tighten, or change their thickness, over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, the tightness of otherwise unrelated muscles can be altered. Any one of these actions results in a change in pitch, timbre, or tone of the sound produced. Sound resonates within different parts of the body and an individual's size and bone structure can affect the sound produced by an individual. Singers can learn to project sound in certain ways so that it resonates better within their vocal tract; this is known as vocal resonation. Another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds; these different kinds of laryngeal function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singer's Formant, it has been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa.
The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds. Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds, possessing the same quality. Registers originate in laryngeal function, they occur. Each of these vibratory patterns appears within a particular range of pitches and produces certain characteristic sounds; the occurrence of registers has been attributed to effects of the acoustic interaction between the vocal fold oscillation and the vocal tract. The term "register" can be somewhat confusing; the term register can be used to refer to any of the following: A particular part of the vocal range such as the upper, middle, or lower registers. A resonance area such as chest voice or head voice. A phonatory process A certain vocal timbre or vocal "color" A region of the voice, defined or delimited by vocal breaks.
In linguistics, a register language is a language which combines tone and vowel phonation into a single phonological system. Within speech pathology, the term vocal register has three constituent elements: a certain vibratory pattern of the vocal folds, a certain series of pitches, a certain type of sound. Speech pathologists identify four vocal registers based on the physiology of laryngeal function: the vocal fry register, the modal register, the falsetto register, the whistle register; this view is adopted by many vocal pedagogues. Vocal resonation is the process by which the basic product of phonation is en
Latin America is a group of countries and dependencies in the Western Hemisphere where Romance languages such as Spanish and French are predominantly spoken. The term "Latin America" was first used in an 1856 conference with the title "Initiative of the America. Idea for a Federal Congress of the Republics", by the Chilean politician Francisco Bilbao; the term was used by Napoleon III's French government in the 1860s as Amérique latine to consider French-speaking territories in the Americas, along with the larger group of countries where Spanish and Portuguese languages prevailed, including the Spanish-speaking portions of the United States Today, areas of Canada and the United States where Spanish and French are predominant are not included in definitions of Latin America. Latin America consists of 13 dependencies and 20 countries which cover an area that stretches from the northern border of Mexico to the southern tip of South America, including the Caribbean, it has an area of 19,197,000 km2 13% of the Earth's land surface area.
As of 2016, its population was estimated at more than 639 million and in 2014, Latin America had a combined nominal GDP of US$5,573,397 million and a GDP PPP of 7,531,585 million USD. The idea that a part of the Americas has a linguistic affinity with the Romance cultures as a whole can be traced back to the 1830s, in the writing of the French Saint-Simonian Michel Chevalier, who postulated that this part of the Americas was inhabited by people of a "Latin race", that it could, ally itself with "Latin Europe" overlapping the Latin Church, in a struggle with "Teutonic Europe", "Anglo-Saxon America" and "Slavic Europe". Further investigations of the concept of Latin America are by Michel Gobat in the American Historical Review, the studies of Leslie Bethell, the monograph by Mauricio Tenorio-Trillo, Latin America: The Allure and Power of an Idea. Historian John Leddy Phelan (located the origins of “Latin America” in the French occupation of Mexico, his argument is that French imperialists used the concept of "Latin" America as a way to counter British imperialism, as well as to challenge the German threat to France.
The idea of a "Latin race" was taken up by Latin American intellectuals and political leaders of the mid- and late-nineteenth century, who no longer looked to Spain or Portugal as cultural models, but rather to France. French ruler Napoleon III had a strong interest in extending French commercial and political power in the region he and his business promoter Felix Belly called “Latin America” to emphasize the shared Latin background of France with the former colonies of Spain and Portugal; this led to Napoleon's failed attempt to take military control of Mexico in the 1860s. However, though Phelan thesis is still mentioned in the U. S. academy, two Latin American historians, the Uruguayan Arturo Ardao and the Chilean Miguel Rojas Mix proved decades ago that the term "Latin America" was used earlier than Phelan claimed, the first use of the term was opposite to support imperialist projects in the Americas. Ardao wrote about this subject in his book Génesis de la idea y el nombre de América latina, Miguel Rojas Mix in his article "Bilbao y el hallazgo de América latina: Unión continental, socialista y libertaria".
As Michel Gobat reminds in his article "The Invention of Latin America: A Transnational History of Anti-Imperialism and Race", "Arturo Ardao, Miguel Rojas Mix, Aims McGuinness have revealed the term'Latin America' had been used in 1856 by Central and South Americans protesting U. S. expansion into the Southern Hemisphere". Edward Shawcross summarizes Ardao's and Rojas Mix's findings in the following way: "Ardao identified the term in a poem by a Colombian diplomat and intellectual resident in France, José María Torres Caicedo, published on 15 February 1857 in a French based Spanish-language newspaper, while Rojas Mix located it in a speech delivered in France by the radical liberal Chilean politician Francisco Bilbao in June 1856". So, regarding when the words "Latin" and "America" were combined for the first time in a printed work, the term "Latin America" was first used in 1856 in a conference by the Chilean politician Francisco Bilbao in Paris; the conference had the title "Initiative of the America.
Idea for a Federal Congress of Republics." The following year the Colombian writer José María Torres Caicedo used the term in his poem "The Two Americas". Two events related with the U. S. played a central role in both works. The first event happened less than a decade before the publication of Bilbao's and Torres Caicedo works: the Mexican–American War, after which Mexico lost a third of its territory; the second event, the Walker affair, happened the same year both works were written: the decision by U. S. president Franklin Pierce to recognize the regime established in Nicaragua by American William Walker and his band of filibusters who ruled Nicaragua for nearly a year and attempted to reinstate slavery there, where it had been abolished for three decades In both Bilbao's and Torres Caicedo's works, the Mexican-American War and Walker's expedition to Nicaragua are explicitly mentioned as examples of dangers for the region. For Bilbao, "Latin America" w
YouTube is an American video-sharing website headquartered in San Bruno, California. Three former PayPal employees—Chad Hurley, Steve Chen, Jawed Karim—created the service in February 2005. Google bought the site in November 2006 for US$1.65 billion. YouTube allows users to upload, rate, add to playlists, comment on videos, subscribe to other users, it offers a wide variety of corporate media videos. Available content includes video clips, TV show clips, music videos and documentary films, audio recordings, movie trailers, live streams, other content such as video blogging, short original videos, educational videos. Most of the content on YouTube is uploaded by individuals, but media corporations including CBS, the BBC, Hulu offer some of their material via YouTube as part of the YouTube partnership program. Unregistered users can only watch videos on the site, while registered users are permitted to upload an unlimited number of videos and add comments to videos. Videos deemed inappropriate are available only to registered users affirming themselves to be at least 18 years old.
YouTube and its creators earn advertising revenue from Google AdSense, a program which targets ads according to site content and audience. The vast majority of its videos are free to view, but there are exceptions, including subscription-based premium channels, film rentals, as well as YouTube Music and YouTube Premium, subscription services offering premium and ad-free music streaming, ad-free access to all content, including exclusive content commissioned from notable personalities; as of February 2017, there were more than 400 hours of content uploaded to YouTube each minute, one billion hours of content being watched on YouTube every day. As of August 2018, the website is ranked as the second-most popular site in the world, according to Alexa Internet. YouTube has faced criticism over aspects of its operations, including its handling of copyrighted content contained within uploaded videos, its recommendation algorithms perpetuating videos that promote conspiracy theories and falsehoods, hosting videos ostensibly targeting children but containing violent and/or sexually suggestive content involving popular characters, videos of minors attracting pedophilic activities in their comment sections, fluctuating policies on the types of content, eligible to be monetized with advertising.
YouTube was founded by Chad Hurley, Steve Chen, Jawed Karim, who were all early employees of PayPal. Hurley had studied design at Indiana University of Pennsylvania, Chen and Karim studied computer science together at the University of Illinois at Urbana–Champaign. According to a story, repeated in the media and Chen developed the idea for YouTube during the early months of 2005, after they had experienced difficulty sharing videos, shot at a dinner party at Chen's apartment in San Francisco. Karim did not attend the party and denied that it had occurred, but Chen commented that the idea that YouTube was founded after a dinner party "was very strengthened by marketing ideas around creating a story, digestible". Karim said the inspiration for YouTube first came from Janet Jackson's role in the 2004 Super Bowl incident, when her breast was exposed during her performance, from the 2004 Indian Ocean tsunami. Karim could not find video clips of either event online, which led to the idea of a video sharing site.
Hurley and Chen said that the original idea for YouTube was a video version of an online dating service, had been influenced by the website Hot or Not. Difficulty in finding enough dating videos led to a change of plans, with the site's founders deciding to accept uploads of any type of video. YouTube began as a venture capital-funded technology startup from an $11.5 million investment by Sequoia Capital and an $8 million investment from Artis Capital Management between November 2005 and April 2006. YouTube's early headquarters were situated above a pizzeria and Japanese restaurant in San Mateo, California; the domain name www.youtube.com was activated on February 14, 2005, the website was developed over the subsequent months. The first YouTube video, titled Me at the zoo, shows co-founder Jawed Karim at the San Diego Zoo; the video was uploaded on April 23, 2005, can still be viewed on the site. YouTube offered the public a beta test of the site in May 2005; the first video to reach one million views was a Nike advertisement featuring Ronaldinho in November 2005.
Following a $3.5 million investment from Sequoia Capital in November, the site launched on December 15, 2005, by which time the site was receiving 8 million views a day. The site grew and, in July 2006, the company announced that more than 65,000 new videos were being uploaded every day, that the site was receiving 100 million video views per day. According to data published by market research company comScore, YouTube is the dominant provider of online video in the United States, with a market share of around 43% and more than 14 billion views of videos in May 2010. In May 2011, 48 hours of new videos were uploaded to the site every minute, which increased to 60 hours every minute in January 2012, 100 hours every minute in May 2013, 300 hours every minute in November 2014, 400 hours every minute in February 2017; as of January 2012, the site had 800 million unique users a month. It is estimated that in 2007 YouTube consumed as much bandwidth as the entire Internet in 2000. According to third-party web analytics providers and SimilarWeb, YouTube is the second-most visited website in the world, as of December 2016.