Italian Game

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Italian Game
abcdefgh
8
Chessboard480.svg
a8 black rook
c8 black bishop
d8 black queen
e8 black king
f8 black bishop
g8 black knight
h8 black rook
a7 black pawn
b7 black pawn
c7 black pawn
d7 black pawn
f7 black pawn
g7 black pawn
h7 black pawn
c6 black knight
e5 black pawn
c4 white bishop
e4 white pawn
f3 white knight
a2 white pawn
b2 white pawn
c2 white pawn
d2 white pawn
f2 white pawn
g2 white pawn
h2 white pawn
a1 white rook
b1 white knight
c1 white bishop
d1 white queen
e1 white king
h1 white rook
8
77
66
55
44
33
22
11
abcdefgh
Moves 1.e4 e5 2.Nf3 Nc6 3.Bc4
ECO C50–C59
Origin 15th or 16th century
Parent King's Knight Opening

The Italian Game is a family of chess openings beginning with the moves:

1. e4 e5
2. Nf3 Nc6
3. Bc4

The Italian Game is part of the large family of Open Games or Double King's Pawn Games. It is one of the oldest recorded chess openings; it occurs in the Göttingen manuscript and was developed by players such as Damiano and Polerio in the 16th century, and later by Greco in 1620, who gave the game its main line. It has been extensively analysed for more than 300 years.

The term Italian Game is sometimes used interchangeably with Giuoco Piano, although the latter also refers particularly to play after 3...Bc5.[1]

The opening's defining move is the white bishop to c4 (the so-called "Italian bishop") in preparation for an early attack on Black's vulnerable f7-square. As such the game is typified by aggressive play, where Black's best chances are often vigorous counterattacks. Most grandmasters have largely abandoned the Italian Game in favour of the Ruy Lopez (3.Bb5) and Scotch Game (3.d4), considering those two openings better tries for a long-term advantage, but the Italian Game is still popular in correspondence chess, where players are allowed access to published theory, and in games between amateurs.


Main variations[edit]

Black's two main options are 3...Bc5, the Giuoco Piano, and 3...Nf6, the Two Knights Defense. They are about equally popular[2] but the resulting positions usually have a very different character.

3...Bc5[edit]

Until the 19th century, this line was the main line of the Italian Game. Dubbed the Giuoco Piano ("Quiet Game") in contra-distinction to the more aggressive lines then being developed, this continues 4.d3, the positional Giuoco Pianissimo ("Very Quiet Game"), or the main line 4.c3 (the original Giuoco Piano) leading to positions first analysed by Greco in the 17th century, and revitalised at the turn of the 20th by the Moller Attack. 4.0-0 will usually tranpose into the Giuoco Pianissimo after 4...Nf6 5.d3, while 4.Nc3 Nf6 is a transposition into the Four Knights Game.

Another option for White is the aggressive Evans Gambit (4.b4), a popular opening in the 19th century which is still occasionally played. The Italian Gambit (4.d4) may transpose into the Scotch Gambit after 4...exd4; however, this move order allows Black the option of 4...Bxd4, so if White wants a Scotch Gambit, 3.d4 is usually preferred. The Jerome Gambit (4.Bxf7+) is unsound.

3...Nf6[edit]

3...Nf6 is the more aggressive Two Knights Defense. This is more in the nature of a counterattack, and some (e.g. Chigorin) have proposed it be renamed so.

If White attempts to exploit the weakness of Black's f7-pawn with 4.Ng5, Black may try the knife-edged Traxler/Wilkes-Barre Variation (4...Bc5!?). After the more common 4...d5 5.exd5, Black generally avoids 5...Nxd5 allowing 6.Nxf7, the Fegatello or Fried Liver Attack, or 6.d4, the Lolli Variation, both of which are difficult to defend under practical conditions. Most common is 5...Na5, sacrificing a pawn for an active position. The very sharp Fritz Variation (5...Nd4) and the closely related Ulvestad Variation (5...b5) lead to wild positions with little margin for error for either side.

A quieter option for White is 4.d3, when Black's main options are 4...Bc5, transposing into the Giuoco Pianissimo, and the solid 4...Be7, which is likely to lead to similar positions to the Bishop's Opening.

Alternatively, White can play 4.d4, which may lead to the Max Lange Attack after the usual reply 4...exd4.

Uncommon 3rd moves for Black[edit]

  • 3... Be7 (Hungarian Defence). A solid, drawish defence which is occasionally seen in tournament play to avoid the complexities and risks of the other lines.
  • 3... d6 (Semi-Italian Opening). Another solid positional line, popular in the late 19th and early 20th centuries, but rarely seen today.
  • 3... h6. Neglects Black's development and is generally considered a waste of time;[3] however, the move has no immediate refutation and has been tried by Czech grandmaster Pavel Blatny.[4]
  • 3... g6. Allows White to attack with 4.d4 (4.d3 has also been tried) 4...exd4 5.c3! (5.Nxd4 and 5.Bg5 are also possible) 5...dxc3 6.Nxc3 Bg7 and now 7.Qb3 (Unzicker) or 7.Bg5 (O'Kelly).
  • 3... Nd4 (Blackburne Shilling Gambit). This ostensibly weak third move is a false gambit expectant upon White falling into the trap of capturing Black's undefended pawn (4.Nxe5?! Qg5). While generally considered time-wasting against more experienced players due to 4.Nxd4! exd4 5.c3, it has ensnared many chess novices and can provide a quick and easy mate against players unfamiliar with the line.
  • 3... f5 (Rousseau Gambit). White does best to avoid the pawn offer with 4.d3.
  • 3... Qf6. After 3...Qf6?! 4.Nc3 Nge7 5.Nb5 White has a clear advantage (Unzicker).

See also[edit]

References[edit]

  1. ^ Harding & Botterill (1977), p. Preface: "In Europe this complex [1. e4 e5 2. Nf3 Nc6 3. Bc4] is known as the Italian Game, but Anglo-Saxon readers may be more familiar with the term Giuoco Piano for the lines where Black replies 3...Bc5."
  2. ^ Chessgames opening explorer, 1.e4 e5 2.Nf3 Nc6 3.Bc4
  3. ^ Tim Harding, Better Chess for Average Players, p 156, Courier 2012, ISBN 9780486133690
  4. ^ Svidler-Blatny, Gausdal 1992

Bibliography

Further reading[edit]