1.
Jacques Brel
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He was widely considered a master of the modern chanson. In French-speaking countries, Brel was also an actor, appearing in ten films. He also directed two films, one of which, Le Far West, was nominated for the Palme dOr at the Cannes Film Festival in 1973, having sold over 25 million records worldwide, Brel is the third best-selling Belgian recording artist of all time. Brel married Thérèse Miche Michielsen in 1950 and the couple had three children and he also had a romantic relationship with actress and dancer Maddly Bamy from 1972 until his death in 1978. Jacques Romain Georges Brel was born on 8 April 1929 in Schaerbeek, Brussels, to Élisabeth Lisette and he came from a family of Flemish descent, who had adopted the French language, part of his family originated in Zandvoorde, near Ypres. His father worked for Cominex, a firm, and later became co-director of a company that manufactured cardboard. Jacques and his older brother Pierre grew up in an austere household, in Brussels, the family lived at 138 Avenue du Diamant in Schaerbeek, then moved to 26 Boulevard Belgica–Belgicalaan in Sint-Jans-Molenbeek, and finally settled at 7 Rue Jacques-Manne in Anderlecht. Jacques was close to his mother, fascinated by her generosity and sense of humour, in September 1941, his parents enrolled Jacques at the Institut Saint-Louis at rue du Marais near the Botanical Garden of Brussels. Although he did poorly in many subjects, he did well in history and French and he helped set up the schools drama club, taking on his first stage roles with great enthusiasm. He wrote short stories, poems, and essays, in 1944, at the age of 15, Jacques began playing the guitar. The following year he formed his own group with friends. In the spring of 1947, during his year at Saint-Louis. Published pseudonymously, the story is about a man on his death bed who encourages his grandson to run away while the rest of the family makes arrangements for his funeral. Despite his growing talent for writing, Jacques was never a good student, with an academic career not in his future, the 18-year-old Jacques went to work at his fathers cardboard factory in August 1947. His job at Vanneste and Brel was predictable and uninspiring—a routine that involved fixing prices, apart from joining the company football team, he showed little interest in the companys social activities and events. Perhaps to offset the boredom of his office routine, he joined a local Catholic youth organisation La Franche Cordée. Dedicated to philanthropic work, the group organised religious retreats, fundraising events, Jacques supported these activities with great enthusiasm and believed strongly in FCs mission. His parents were pleased with their sons dedication, and provided him with the company van and family car to support his FC activities
2.
Chanson
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A chanson is in general any lyric-driven French song, usually polyphonic and secular. A singer specializing in chansons is known as a chanteur or chanteuse, the earliest chansons were the epic poems performed to simple monophonic melodies by a professional class of jongleurs or ménestrels. These usually recounted the deeds of past heroes, legendary. The Song of Roland is the most famous of these, the chanson courtoise or grand chant was an early form of monophonic chanson, the chief lyric poetic genre of the trouvères. It was an adaptation to Old French of the Occitan canso and it was practised in the twelfth and thirteenth centuries. Thematically, as its name implies, it was a song of courtly love, some later chansons were polyphonic and some had refrains and were called chansons avec des refrains. A Crusade song was known as a chanson de croisade, in its typical specialized usage, the word chanson refers to a polyphonic French song of the late Middle Ages and Renaissance. Early chansons tended to be in one of the formes fixes—ballade, the earliest chansons were for two, three or four voices, with first three becoming the norm, expanding to four voices by the sixteenth century. Sometimes, the singers were accompanied by instruments, the first important composer of chansons was Guillaume de Machaut, who composed three-voice works in the formes fixes during the 14th century. Guillaume Dufay and Gilles Binchois, who wrote so-called Burgundian chansons, were the most important chanson composers of the next generation and their chansons, while somewhat simple in style, are also generally in three voices with a structural tenor. Musicologist David Fallows includes the Burgundian repertoire in A Catalogue of Polyphonic Songs 1415-1480 and these works are typically still 3 voices, with an active upper voice pitched above two lower voices usually sharing the same range. The first book of music printed from movable type was Harmonice Musices Odhecaton and this genre sometimes featured music that was meant to be evocative of certain imagery such as birds or the marketplace. Many of these Parisian works were published by Pierre Attaingnant, composers of their generation, as well as later composers, such as Orlando de Lassus, were influenced by the Italian madrigal. Many early instrumental works were ornamented variations on chansons, with this becoming the canzone. French solo song developed in the late 16th century, probably from the aforementioned Parisian works, louis Niedermeyer, under the particular spell of Schubert, was a pivotal figure in this movement, followed by Édouard Lalo, Felicien David and many others. Another offshoot of chanson, called chanson réaliste, was a musical genre in France. Among the better-known performers of the genre are Damia, Fréhel, chanson can be distinguished from the rest of French pop music by following the rhythms of French language, rather than those of English, and a higher standard for lyrics. Canzone Russian chanson French historical chanson panorama Brown, Howard Mayer, in The Oxford Companion to Music, edited by Alison Latham
3.
Barclay Records
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Barclay Records is a French record company and label founded by Eddie Barclay in 1953. Barclay was a bandleader, pianist, producer, and nightclub owner, with his wife, Nicole, who was the vocalist in his band, he started Barclay. The catalogue included the work of Stéphane Grappelli, Lionel Hampton, in 1978 the label was sold to Polygram Records. Barclay also had operations outside France, most notably in the U. S. Barclay Records is currently owned and distributed by Universal Music Group
4.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
5.
Belgium
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Belgium, officially the Kingdom of Belgium, is a sovereign state in Western Europe bordered by France, the Netherlands, Germany, Luxembourg, and the North Sea. It is a small, densely populated country which covers an area of 30,528 square kilometres and has a population of about 11 million people. Additionally, there is a group of German-speakers who live in the East Cantons located around the High Fens area. Historically, Belgium, the Netherlands and Luxembourg were known as the Low Countries, the region was called Belgica in Latin, after the Roman province of Gallia Belgica. From the end of the Middle Ages until the 17th century, today, Belgium is a federal constitutional monarchy with a parliamentary system of governance. It is divided into three regions and three communities, that exist next to each other and its two largest regions are the Dutch-speaking region of Flanders in the north and the French-speaking southern region of Wallonia. The Brussels-Capital Region is a bilingual enclave within the Flemish Region. A German-speaking Community exists in eastern Wallonia, Belgiums linguistic diversity and related political conflicts are reflected in its political history and complex system of governance, made up of six different governments. Upon its independence, declared in 1830, Belgium participated in the Industrial Revolution and, during the course of the 20th century, possessed a number of colonies in Africa. This continuing antagonism has led to several far-reaching reforms, resulting in a transition from a unitary to a federal arrangement during the period from 1970 to 1993. Belgium is also a member of the Eurozone, NATO, OECD and WTO. Its capital, Brussels, hosts several of the EUs official seats as well as the headquarters of major international organizations such as NATO. Belgium is also a part of the Schengen Area, Belgium is a developed country, with an advanced high-income economy and is categorized as very high in the Human Development Index. A gradual immigration by Germanic Frankish tribes during the 5th century brought the area under the rule of the Merovingian kings, a gradual shift of power during the 8th century led the kingdom of the Franks to evolve into the Carolingian Empire. Many of these fiefdoms were united in the Burgundian Netherlands of the 14th and 15th centuries, the Eighty Years War divided the Low Countries into the northern United Provinces and the Southern Netherlands. The latter were ruled successively by the Spanish and the Austrian Habsburgs and this was the theatre of most Franco-Spanish and Franco-Austrian wars during the 17th and 18th centuries. The reunification of the Low Countries as the United Kingdom of the Netherlands occurred at the dissolution of the First French Empire in 1815, although the franchise was initially restricted, universal suffrage for men was introduced after the general strike of 1893 and for women in 1949. The main political parties of the 19th century were the Catholic Party, French was originally the single official language adopted by the nobility and the bourgeoisie
6.
Singer-songwriter
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Singer-songwriters are musicians who write, compose, and perform their own musical material, including lyrics and melodies. The genre began with the folk-acoustic tradition, singer-songwriters often provide the sole accompaniment to an entire composition or song, typically using a guitar or piano. Singer-songwriter is used to define popular music artists who write and perform their own material, such an artist performs the roles of composer, lyricist, vocalist, instrumentalist, and often self-manager. Most records by artists have a similarly straightforward and spare sound that placed emphasis on the song itself. The term has also used to describe songwriters in the rock, folk, and pop music genres including Henry Russell, Aristide Bruant, Hank Williams. Song topics include political protest, as in the case of the Almanac Singers, Pete Seeger, the concept of a singer-songwriter can be traced to ancient bardic oral tradition, which has existed in various forms throughout the world. Poems would be performed as chant or song, sometimes accompanied by a harp or other similar instrument, after the invention of printing, songs would be written and performed by ballad sellers. Usually these would be versions of existing tunes and lyrics, which were constantly evolving and this developed into the singer-songwriting traditions of folk culture. The term singer-songwriter in North America can be traced back to singers who developed works in the blues and folk music style. Early to mid-20th century American singer-songwriters include Lead Belly, Jimmie Rodgers, Blind Lemon Jefferson, T-Bone Walker, Blind Willie McTell, Lightnin Hopkins, Son House, the tradition of writing topical songs was established by this group of musicians. This focus on social issues has greatly influenced the singer-songwriter genre, artists who had been primarily songwriters, notably Carole King, Townes Van Zandt, and Neil Diamond, also began releasing work as performers. In contrast to the approach of most prior country and folk music. The adjectives confessional and sensitive were often used singer-songwriter style, in the rock band era, members were not technically singer-songwriters as solo acts. However, many were singer-songwriters who created songs with band members. Many others like Eric Clapton found success as singer-songwriters in their later careers, there were hints of cross-pollination, but rock and folk music had remained largely separate genres, often with different audiences. An early attempt at fusing elements of folk and rock was highlighted in the Animals House of the Rising Sun, dylan plugged an entire generation into the milieu of the singer-songwriter. In the mid- to late 1960s, bands and singer-songwriters began to proliferate the underground New York art/music scene. Lotti Golden, in her Atlantic debut album Motor-Cycle, chronicled her life in NYCs East Village in the late 60s counterculture, visiting subjects such as gender identity, kate Bush remained distinctive throughout with her idiosyncratic style
7.
Revue
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A revue is a type of multi-act popular theatrical entertainment that combines music, dance and sketches. The revue has its roots in 19th century popular entertainment and melodrama, though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the art form brings together music, dance. In contrast to these, however, revue does not have an overarching storyline, rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. George Lederers The Passing Show is usually held to be the first successful American review, the English spelling was used until 1907 when Florenz Ziegfeld popularized the French spelling. Follies is now employed as an analog for revue, though the term was proprietary to Ziegfeld until his death in 1932. Other popular proprietary revue names included George Whites Scandals and Earl Carrolls Vanities, Revues are most properly understood as having amalgamated several theatrical traditions within the corpus of a single entertainment. Minstrelsys olio section provided a map of popular variety presentation. Theatrical extravaganzas, in particular, moving panoramas, demonstrated a vocabulary of the spectacular, burlesque, itself a bawdy hybrid of various theatrical forms, lent to classic revue an open interest in female sexuality and the masculine gaze. Revues enjoyed great success on Broadway from the World War I years until the Great Depression, the high ticket prices of many revues helped ensure audiences distinct from other live popular entertainments during their height of popularity. In 1914, the Follies charged $5.00 for an opening night ticket, at time, many cinema houses charged from $0.10 to 0.25. Among the many producers of revues, Florenz Ziegfeld played the greatest role in developing the classical revue through his glorification of a new theatrical type. Revues took advantage of their revenue stream to lure away performers from other media. Performers such as Eddie Cantor, Anna Held, W. C, fields, Bert Williams, the Marx Brothers and the Fairbanks Twins found great success on the revue stage. One of Cole Porters early shows was Raymond Hitchcocks revue Hitchy-Koo, composers or lyricists such as Richard Rodgers, Lorenz Hart, Irving Berlin, and George M. Cohan also enjoyed a tremendous reception on the part of audiences. Sometimes, an appearance in a revue provided a key early entry into entertainment, largely due to their centralization in New York City and adroit use of publicity, revues proved particularly adept at introducing new talents to the American theatre. Rodgers and Hart, one of the great composer/lyricist teams of the American musical theatre, comedian Fanny Brice, following a brief period in burlesque and amateur variety, bowed to revue audiences in Ziegfelds Follies of 1910. Specialist writers and composers of revues have included Sandy Wilson, Noël Coward, John Stromberg, George Gershwin, Earl Carroll, in Britain predominantly, Tom Arnold also specialised in promoting series of revues and his acts extended to the European continent and South Africa
8.
Jacques Brel is Alive and Well and Living in Paris
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Jacques Brel Is Alive and Well and Living in Paris is a musical revue of the songs of Jacques Brel. Brels songs were translated into English by Eric Blau and Mort Shuman, the original 1968 Off-Broadway production ran for four years and spawned international and regional productions, as well as a West End production and Off-Broadway revival, among others. A film adaptation was released in 1975, in 2013, David Bowie included the cast recording in a list of 25 of his favourite albums, Confessions of a Vinyl Junkie. The revue debuted Off-Broadway on January 22,1968 at The Village Gate Theater in Greenwich Village and its original performers were Elly Stone, Mort Shuman, Shawn Elliott, and Alice Whitfield. The production was directed by Moni Yakim, the revue, consisting of around 25 songs, is performed by four vocalists, two male and two female. Brel contributed most of the music and French lyrics, English translations were provided by Eric Blau, Stones husband, and Mort Shuman, on January 25,1972, a gala entitled Hommage à Jacques was celebrated at Carnegie Hall with Brel in attendance. His songs were interpreted by twenty-two artists, the show enjoyed considerable international success. In 1968 Yakim directed a Canadian production in Toronto featuring Robert Jeffrey, Judy Lander, Arlene Meadows, in the 1970s, a production by Taubie Kushlick in Johannesburg, South Africa became the longest-running musical production in that countrys theatrical history. A cast recording was released and is regarded as containing the definitive English-language versions of some of the songs, during that decade the show also enjoyed successful runs in Sydney, Paris, Dublin, Amsterdam, and Copenhagen. In 1973, Jacques Brel was produced by Ray Shepardson in the lobby of Cleveland and it was intended to play for two weeks, but continued through 1975, with a 522-performance run that became the longest theatrical run in the citys history to that point. The production is credited as a factor in the rescue and restoration of the theater and its adjacent venues. In 1974, the revue was revived at the Astor Place Theatre for a limited run, in 1975, a film adaptation of the original production was released as part of the American Film Theatre series. The film included a few new songs, despite Brels death in 1978, and his last years spent sailing around the world and living in Polynesia, the name of the show has remained unchanged. A1988 revival served as the 20th anniversary production of the show at The Town Hall in Manhattan and it was produced by Blau and Reuben Hoppenstein and was directed by Stone, starring Karen Akers, Shelley Ackerman, Elmore James and Kenny Morris. In 1994 the show was performed in Dublins Andrews Lane Theatre and featured Irish actress and singer, in 1995 the show was revived in the West End, starring Michael Cahill, Alison Egan, Liz Greenaway, and Stuart Pendred. A cast recording of this production was released on August 12,1997 with Jay Records, in 2006, a production opened Off-Broadway at the Zipper Theater in New York City. The revival also included expanded staging and choreography, the production ran for more than a year. It was nominated for awards including the Drama Desk, Drama League
9.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
10.
Scott 2
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Scott 2 is the second solo album by Scott Walker. Scott 2 follows the formula of Walkers début release, with a mixture of contemporary covers Jacques Brel interpretations, film songs and his own original compositions. According to Jonathan King writing in the notes to Scott 2, not long after the album had been completed, Walker described it as the work of a lazy. He added, Now the nonsense must stop, and the business must begin. The album, released on Philips Records in May 1968, reached #1 for one week, the album was preceded by the single Jackie in late 1967. The single met with controversy in the UK because of lyrics like authentic queers and phony virgins, the song was banned by the BBC and was not performed on BBC TV or played on the mainstream radio channels. The song eventually charted at #22, a record about real stuff with quite disturbing imagery, remarked Neil Hannon, frontman of The Divine Comedy. Wally Stott - arrangements and conductor Reg Guest - arrangements and conductor Peter Knight - arrangements and conductor Peter Olliff - engineer
11.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
12.
Baroque pop
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Baroque pop is a pop music subgenre that fuses classical music, orchestral pop, rock, and Baroque music. It is identifiable for its use of melodies, functional harmony patterns. The genre emerged in the 1960s after pop musicians and record producers began placing the harpsichord in the foreground of their arrangements, other typical baroque pop instrumentation includes string sections, French horns, and oboes. Baroque pops mainstream popularity faded by the 1970s, partially because punk rock, disco and hard rock took over, nonetheless, music was still produced within the genres tradition. Philadelphia soul in the 1970s and chamber pop in the 1990s both incorporated the spirit of baroque pop while the latter contested much of the low fidelity musical aesthetic. Baroque pop, stylistically, fuses elements of rock with classical music, often incorporating layered harmonies, strings and its prominent characteristics are the use of contrapuntal melodies and functional harmony patterns. It was intended to be a serious and mature outgrowth of rock music. English baroque is used by journalist Bob Stanley to describe a subset that existed between 1968 and 1973, starting in the 1960s, pop musicians and record producers like Phil Spector and the Beach Boys Brian Wilson began placing the harpsichord in the foreground of their arrangements. Harpsichords were widely available in recording studios, and had used in popular music since as early as the 1940s. One of the first pop hits to use a harpsichord was the Jamies Summertime, Summertime. Later examples range from the Beach Boys I Get Around and When I Grow Up to the Righteous Brothers Youve Lost That Lovin Feelin and the Mamas & the Papas Monday, Monday. The Boston Globes Matthew Guerriri speculates that the harpsichord may have been desirable for its buzzing, stinging timbre, slates Forrest Wickman credits Wilson and the Beatles producer, George Martin, as some of the men most responsible for the move into baroque pop. Along with Burt Bacharach, Spector had melded pop music with classical elements before they were melded with rock, writer Andrew Jackson suggests that the era of baroque pop in which rock melded with classical elements was prefaced by the Rolling Stones and Brian Wilson. The Beatles benefited from the music skills of Martin, who played a baroque harpsichord solo on the song In My Life. Author Joe Harrington noted that after its release, many baroque-rock works would soon appear, producer Tommy LiPuma believed, Once the Beatles featured that harpsichord sound on In My Life, pop producers began working it in. The genre is traced to the United States and the United Kingdom, by early 1966, various groups began using baroque and classical instrumentation, described as a baroque rock movement by Gendron. The Zombies single Shes Not There marked a point for British baroque pop. Stanley explains that the song didnt feature any oboes but stuck out rather dramatically in 1964, Shes Not There would inspire New York musician Michael Brown to form the Left Banke, whose song Walk Away Renée is considered by Stanley to be the first recognizable baroque pop single
13.
Philips Records
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Not to be confused with Phillips International Records. Philips Records is a label that was founded by the Dutch electronics company Philips. In 1946 Philips acquired the company which pressed records for British Deccas Dutch outlet in Amsterdam, the record label was started by Philips Phonographische Industrie in June 1950 when it began issuing classical recordings. Recordings were also made with artists of various nationalities and with classical artists from Germany, France. Launched under the slogan Records of the Century, the first releases in Britain appeared at the beginning of January 1953 on 1078 rpm discs, Philips also distributed recordings made by the Columbia Records in the UK and on the European continent. After the separation of the English Columbia label and American Columbia, the first single on the label to chart was Frankie Laines I Believe, which reached the No.1 chart position in the UK that April. Many of the first British recordings on the label were produced by Norman Newell until John Franz was appointed artists, in 1958 Philips created a subsidiary label, Fontana Records, which meant that American-Columbia recordings were being issued on both the Philips and Fontana labels. This arrangement lasted until April 1962 when, under pressure from Columbia in America, Philips then created a label for them. In late 1964, under the stewardship of U. S. President of Columbia Records Goddard Lieberson, CBS Records formed its own international operations, CBS Records set up their UK operation in Theobalds Road in Holborn. Singles and albums on the Philips and Fontana labels by Columbia-owned product were subsequently withdrawn, in 1962, Philips Records and Deutsche Grammophon formed the Grammophon-Philips Group joint venture, which later became PolyGram in 1972. UK pressings were manufactured at the large factory based at Walthamstow in N. E. In 1961, after Philips lost its North American distribution deal with Columbia Records, a year later, Philips US affiliate Consolidated Electronics Industries Corp. bought Mercury and its subsidiary labels, such as Smash. Philips classical, jazz and pop records were marketed by Mercury in the US under the Philips label, the Mercury Living Presence team also made classical recordings for Philips, in July 1961. 69 for cello and piano by Richter and Rostropovich, classical groups that Philips heavily recorded included the Royal Concertgebouw Orchestra, the Beaux Arts Trio, and the Quartetto Italiano. Violinist Arthur Grumiaux and the pianist Claudio Arrau were under contract to Philips, symphony orchestras under contract, including the LSO, were under the command of prestigious young conductors such as Colin Davis and Bernard Haitink. From 1961 until the late 1980s, Philips Records issued many classical titles in US-specific packaging, the records were pressed at Mercurys plant in Richmond, Indiana, and mastered in New York by George Piros at Fine Recording, using 2-track and mono master tapes provided by Philips. These releases were the PHS900 xxx series for stereo and the 500 xxx series for mono, clair Van Ausdal in Mercurys New York office oversaw the Philips classical US releases through the mid-1960s. These records were made through Mercurys existing jazz operations and produced by Jack Tracy, in addition to jazz and classical music, Philips also became a major player in the world of rock and pop music in the late 1950s till late 1970s
14.
Mort Shuman
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Mort Shuman was an American singer, pianist and songwriter, best known as co-writer of many 1960s rock and roll hits, including Viva Las Vegas. He also wrote and sang songs in French, such as Le Lac Majeur, Allo Papa Tango Charlie, Sha Mi Sha, Un Eté de Porcelaine. Shuman was born in Brooklyn, New York City, of Polish Jewish immigrants and went to Abraham Lincoln High School, subsequently studying music at the New York Conservatory. He became a fan of R&B music and after he met Doc Pomus the two teamed up to compose for Aldon Music at offices in New York Citys Brill Building and their songwriting collaboration saw Pomus write the lyrics and Shuman the melody, although occasionally each worked on both. Their compositions would be recorded by such as Dion, The Flamingos, Andy Williams, Bobby Darin, Fabian, Ajda Pekkan The Drifters. Pomus often drew on life events inspired his creativity. It was after a break-up with his girlfriend that Pomus, who had been driving in his car, was struck in awe by the sounds of the car horns blaring amidst his thoughts. Arriving at the studio, Pomus attempted to assimilate the sound of the horns, later, the work progressed with Shuman, who helped finalize the draft. A chorus was added and the name of the song was changed to Cant Get Used to Losing You, with the advent of the British invasion, they moved to London where they penned songs for a number of British musicians. After the partnership with Doc Pomus ended in 1965, Shuman moved to Paris, France, one of his hits in the early 1970s was Le Lac Majeur. He also wrote a couple of hits in the UK, as well as a musical, with the Welsh songwriter Clive Westlake, he wrote Here I Go Again, which was recorded by The Hollies. Billy J. Kramer enjoyed success with another Shuman song, Little Children, some of the songs from the show were subsequently recorded by Scott Walker, including Jackie and Mathilde. Shuman appeared in both the stage revue and the 1975 film adaptation and this was followed the next year with work on the soundtrack of the film Sex OClock U. S. A. He also did collaborations with the Hebrew singer Mike Brant. Shuman was elected to the Songwriters Hall of Fame in 1992 and he also worked occasionally as an actor, notably appearing with Jodie Foster in The Little Girl Who Lives Down the Lane. He died of cancer on November 2,1991, leaving his wife, Maria-Pia and their four daughters, Maria-Cella, Barbara, Doc Pomus had died in March of the same year. Shuman was named one of the 2010 recipients of the Ahmet Ertegun Award from the Rock and he joined his early collaborator Doc Pomus, who was inducted in 1992. - Sales, Gold = Gold Record, written E. L. Moro, M. Shuman,1976
15.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
16.
Joanna (Scott Walker song)
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Joanna is a song written by the English husband and wife song-writing team Tony Hatch and Jackie Trent which was first a song for the American singer-songwriter Scott Walker in 1968. The song was Walkers second solo single in the UK, the accompaniment was directed by Peter Knight. While credited to Hatch and Trent journalist Joe Jackson writes in his article The Fugitive Kind that Walker wrote a significant proportion of the lyric. Jackson quotes Walker as follows, that whole verse about lived in your eyes completely is mine and I wrote the last line in the song, you may remember me and change your mind. Joanna was a hit and is one of Walkers most popular recordings spending eleven weeks on the UK Singles Chart. An instrumental arrangement on the song was used as the theme for Walkers BBC TV series, the single was backed with the 1967 Scott album track Always Coming Back to You. The accompaniment of the b-side was directed by Reg Guest, japanese editions are backed with The Plague, which was previously released as the b-side to Jackie in 1967
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United States
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Forty-eight of the fifty states and the federal district are contiguous and located in North America between Canada and Mexico. The state of Alaska is in the northwest corner of North America, bordered by Canada to the east, the state of Hawaii is an archipelago in the mid-Pacific Ocean. The U. S. territories are scattered about the Pacific Ocean, the geography, climate and wildlife of the country are extremely diverse. At 3.8 million square miles and with over 324 million people, the United States is the worlds third- or fourth-largest country by area, third-largest by land area. It is one of the worlds most ethnically diverse and multicultural nations, paleo-Indians migrated from Asia to the North American mainland at least 15,000 years ago. European colonization began in the 16th century, the United States emerged from 13 British colonies along the East Coast. Numerous disputes between Great Britain and the following the Seven Years War led to the American Revolution. On July 4,1776, during the course of the American Revolutionary War, the war ended in 1783 with recognition of the independence of the United States by Great Britain, representing the first successful war of independence against a European power. The current constitution was adopted in 1788, after the Articles of Confederation, the first ten amendments, collectively named the Bill of Rights, were ratified in 1791 and designed to guarantee many fundamental civil liberties. During the second half of the 19th century, the American Civil War led to the end of slavery in the country. By the end of century, the United States extended into the Pacific Ocean. The Spanish–American War and World War I confirmed the status as a global military power. The end of the Cold War and the dissolution of the Soviet Union in 1991 left the United States as the sole superpower. The U. S. is a member of the United Nations, World Bank, International Monetary Fund, Organization of American States. The United States is a developed country, with the worlds largest economy by nominal GDP. It ranks highly in several measures of performance, including average wage, human development, per capita GDP. While the U. S. economy is considered post-industrial, characterized by the dominance of services and knowledge economy, the United States is a prominent political and cultural force internationally, and a leader in scientific research and technological innovations. In 1507, the German cartographer Martin Waldseemüller produced a map on which he named the lands of the Western Hemisphere America after the Italian explorer and cartographer Amerigo Vespucci
