When the Saints Go Marching In
"When the Saints Go Marching In" referred to as "The Saints", is a Black spiritual. Though it originated as a Christian hymn, it is played by jazz bands; this song was famously recorded on May 1938, by Louis Armstrong and his orchestra. The song is sometimes confused with a titled composition "When the Saints Are Marching In" from 1896 by Katharine Purvis and James Milton Black; the origins of this song are unclear. It evolved in the early 1900s from a number of titled gospel songs, including "When the Saints Are Marching In" and "When the Saints March In for Crowning"; the first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is "When All the Saints Come Marching In", the group sings the modern lyrics beginning with "When the saints go marching in". No author is shown on the label. Several other gospel versions were recorded in the 1920s, with varying titles but using the same lyrics, including versions by The Four Harmony Kings, Elkins-Payne Jubilee Singers, Wheat Street Female Quartet, Bo Weavil Jackson, Deaconess Alexander, Rev. E. D. Campbell, Robert Hicks, Blind Willie Davis, the Pace Jubilee Singers.
The earliest versions were slow and stately, but as time passed the recordings became more rhythmic, including a distinctly uptempo version by the Sanctified Singers on British Parlophone in 1931. Though the song had folk roots, a number of composers claimed copyright in it in years, including Luther G. Presley and Virgil Oliver Stamps, R. E. Winsett, Frank and Jim McCravy. Although the song is still heard as a slow spiritual number, since the mid-20th century it has been more performed as a "hot" number; the tune is associated with the city of New Orleans. A jazz standard, it has been recorded by a great many pop artists. Both vocal and instrumental renditions of the song abound. Louis Armstrong was one of the first to make the tune into a nationally known pop melody in the late 1930s. Armstrong wrote that his sister told him she thought the secular performance style of the traditional church tune was inappropriate and irreligious. Armstrong was in a New Orleans tradition of turning church numbers into brass dance.
As with many numbers with long traditional folk use, there is no one "official" version of the song or its lyrics. This extends so far as confusion as to its name, with it being mistakenly called "When the Saints Come Marching In"; as for the lyrics themselves, their simplicity makes it easy to generate new verses. Since the first and second lines of a verse are the same, the third and fourth are standard throughout, the creation of one suitable line in iambic tetrameter generates an entire verse, it is impossible to list every version of the song, but a common standard version runs: Oh, when the saints go marching in Oh, when the saints go marching in Oh Lord I want to be in that number When the saints go marching inOh, when the drums begin to bang Oh, when the drums begin to bang Oh Lord I want to be in that number When the saints go marching inOh, when the stars fall from the sky Oh, when the stars fall from the sky Oh Lord I want to be in that number When the saints go marching inOh, when the moon turns red with blood Oh, when the moon turns red with blood Oh Lord I want to be in that number When the saints go marching inOh, when the trumpet sounds its call Oh, when the trumpet sounds its call Oh Lord I want to be in that number When the saints go marching inOh, when the horsemen begin to ride Oh, when the horsemen begin to ride Oh Lord I want to be in that number When the saints go marching inOh, when the fire begins to blaze Oh, when the fire begins to blaze Oh Lord I want to be in that number When the saints go marching inOh, brother Charles you are my friend Oh, brother Charles you are my friend Yea, you gonna be in that number When the saints go marching in.
Oh, when the saints go marching in Oh, when the saints go marching in Oh Lord I want to be in that number When the saints go marching in. The first two words of the common third verse line are sung as either "Oh how", "Oh, Lord" or "Lord, Lord" as cue notes to the simple melody at each 3rd line. Arrangements vary considerably; the simplest is just an endless repetition of the chorus. Verses may be alternated with choruses, or put in the third of 4 repetitions to create an AABA form with the verse as the bridge. One common verse in "hot" New Orleans versions runs like thus: I used to have a playmate Who would walk and talk with me But since she got religion She has turned her back on me; some traditional arrangements have ensemble rather than individual vocals. It is common as an audience sing-along number. Versions using call and response are heard, e.g.: Call: Oh when the Saints Response: Oh when the Saints! The response verses can echo the same melody or form a counterpoint melody syncopated opposite the rhythm of the main verses, a solo singer might sing another counterpoint melody as a 3rd part in more complex arrangements.
The song is apocalyptic, taking much of its imagery from the Book of Revelation, but excluding its more horrific depictions of the Last Judgment. The verses about the Sun and Moon refer to Lunar eclipses; as the hymn expresses the wish to go to Heaven, picturing the saints going in, it is appropriate for funerals. First recorded by the Paramount Jubilee Singers on Paramo
Methodist Episcopal Church
The Methodist Episcopal Church was the oldest and largest Methodist denomination in the United States from its founding in 1784 until 1939. It was the first religious denomination in the US to organize itself on a national basis. In 1939, the MEC reunited with two breakaway Methodist denominations to form the Methodist Church. In 1968, the Methodist Church merged with the Evangelical United Brethren Church to form the United Methodist Church; the MEC's origins lie in the First Great Awakening when Methodism emerged as an evangelical revival movement within the Church of England that stressed the necessity of being born again and the possibility of attaining Christian perfection. By the 1760s, Methodism had spread to the Thirteen Colonies, Methodist societies were formed under the oversight of John Wesley; as in England, American Methodists remained affiliated with the Church of England, but this state of affairs became untenable after the American Revolution. In response, Wesley ordained the first Methodist elders for America in 1784.
Under the leadership of its first bishops, Thomas Coke and Francis Asbury, the Methodist Episcopal Church adopted episcopal polity and an itinerant model of ministry that saw circuit riders provide for the religious needs of a widespread and mobile population. Early Methodism was countercultural in that it was anti-elitist and anti-slavery, appealing to African Americans and women. While critics derided Methodists as fanatics, the Methodist Episcopal Church continued to grow during the Second Great Awakening in which Methodist revivalism and camp meetings left its imprint on American culture. In the early 19th century, the MEC became the largest and most influential religious denomination in the United States. With growth came greater institutionalization and respectability, this led some within the church to complain that Methodism was losing its vitality and commitment to Wesleyan teachings, such as the belief in Christian perfection and opposition to slavery; as Methodism took hold in the Southern United States, church leaders became less willing to condemn the practice of slavery or to grant African American preachers and congregations the same privileges as their white counterparts.
A number of black churches were formed as African Americans withdrew from the MEC, including the African Methodist Episcopal Church and the African Methodist Episcopal Zion Church. By the 1830s, however, a renewed abolitionist movement within the MEC made keeping a neutral position on slavery impossible; the church divided along regional lines in 1844 when pro-slavery Methodists in the South formed their own Methodist Episcopal Church, South. Around the same time, the holiness movement took shape as a renewal movement within the MEC focused on the experience of Christian perfection, but it led a number of splinter groups to break away from the church. Due to large-scale immigration of Catholics, the Catholic Church displaced the MEC as the largest US denomination by the end of the 19th century; the Methodist Episcopal Church originated from the spread of Methodism outside of England to the Thirteen Colonies in the 1760s. Earlier, Methodism had grown out of the ministry of John Wesley, a priest in the Church of England who preached an evangelical message centered on justification by faith, the possibility of having assurance of salvation, the doctrine of Christian perfection.
Wesley was loyal to the Anglican Church, he organized his followers into parachurch societies and classes with the goal of promoting spiritual revival within the Church of England. Members of Methodist societies were expected to attend and receive Holy Communion in their local parish church, but Wesley recruited and supervised lay preachers for itinerant or traveling ministry. Around fifteen or twenty societies formed a circuit. Anywhere from two to four itinerant preachers would be assigned to a circuit on a yearly basis to preach and supervise the societies within their circuit. One itinerant preacher in each circuit would be made the "assistant", he would direct the activities of the other itinerant preachers in the circuit, who were called "helpers". Wesley gave out preaching assignments at an annual conference. In 1769, Wesley sent itinerants Robert Williams, Richard Boardman, Joseph Pilmore to oversee Methodists in America after learning that societies had been organized there as early as 1766 by Philip Embury, Robert Strawbridge, Thomas Webb.
In 1773, Wesley appointed Thomas Rankin general assistant, placing him in charge of all the Methodist preachers and societies in America. On July 4, 1773, Rankin presided over the first annual conference on American soil at Philadelphia. At that time there were 1,160 Methodists in America led by ten lay preachers. Itinerant Methodist preachers would become known as circuit riders. Methodist societies in America operated within the Church of England. There were several Anglican priests who supported the work of the Methodists, attending Methodist meetings and administering the sacraments to Methodists; these included Charles Pettigrew of North Carolina, Samuel Magaw of Dover and Philadelphia, Uzel Ogden of New Jersey. Anglican clergyman Devereux Jarratt was a active supporter, founding Methodist societies in Virginia and North Carolina; the American Revolution left America's Anglican Church in disarray. Due to the scarcity of Anglican ministers, Methodists in the United States were unable to receive the sacraments of baptism and Holy Communion.
On September 1, 1784, Wesley responded to this situation by ordaining two Methodists a
Google Books is a service from Google Inc. that searches the full text of books and magazines that Google has scanned, converted to text using optical character recognition, stored in its digital database. Books are provided either by publishers and authors, through the Google Books Partner Program, or by Google's library partners, through the Library Project. Additionally, Google has partnered with a number of magazine publishers to digitize their archives; the Publisher Program was first known as Google Print when it was introduced at the Frankfurt Book Fair in October 2004. The Google Books Library Project, which scans works in the collections of library partners and adds them to the digital inventory, was announced in December 2004; the Google Books initiative has been hailed for its potential to offer unprecedented access to what may become the largest online body of human knowledge and promoting the democratization of knowledge. However, it has been criticized for potential copyright violations, lack of editing to correct the many errors introduced into the scanned texts by the OCR process.
As of October 2015, the number of scanned book titles was over 25 million, but the scanning process has slowed down in American academic libraries. Google estimated in 2010 that there were about 130 million distinct titles in the world, stated that it intended to scan all of them. Results from Google Books show up in both the universal Google Search and in the dedicated Google Books search website. In response to search queries, Google Books allows users to view full pages from books in which the search terms appear if the book is out of copyright or if the copyright owner has given permission. If Google believes the book is still under copyright, a user sees "snippets" of text around the queried search terms. All instances of the search terms in the book text appear with a yellow highlight; the four access levels used on Google Books are: Full view: Books in the public domain are available for "full view" and can be downloaded for free. In-print books acquired through the Partner Program are available for full view if the publisher has given permission, although this is rare.
Preview: For in-print books where permission has been granted, the number of viewable pages is limited to a "preview" set by a variety of access restrictions and security measures, some based on user-tracking. The publisher can set the percentage of the book available for preview. Users are restricted from downloading or printing book previews. A watermark reading "Copyrighted material" appears at the bottom of pages. All books acquired through the Partner Program are available for preview. Snippet view: A'snippet view' – two to three lines of text surrounding the queried search term – is displayed in cases where Google does not have permission of the copyright owner to display a preview; this could be because Google can not identify the owner declined permission. If a search term appears many times in a book, Google displays no more than three snippets, thus preventing the user from viewing too much of the book. Google does not display any snippets for certain reference books, such as dictionaries, where the display of snippets can harm the market for the work.
Google maintains. No preview: Google displays search results for books that have not been digitized; as these books have not been scanned, their text is not searchable and only the metadata such as the title, publisher, number of pages, ISBN, subject and copyright information, in some cases, a table of contents and book summary is available. In effect, this is similar to an online library card catalog. In response to criticism from groups such as the American Association of Publishers and the Authors Guild, Google announced an opt-out policy in August 2005, through which copyright owners could provide a list of titles that it did not want scanned, Google would respect the request. Google stated that it would not scan any in-copyright books between August and 1 November 2005, to provide the owners with the opportunity to decide which books to exclude from the Project. Thus, Google provides a copyright owner with three choices with respect to any work: It can participate in the Partner Program to make a book available for preview or full view, in which case it would share revenue derived from the display of pages from the work in response to user queries.
It can let Google scan the book under the Library Project and display snippets in response to user queries. It can opt out of the Library Project. If the book has been scanned, Google will reset its access level as'No preview'. Most scanned works are commercially available. In addition to procuring books from libraries, Google obtains books from its publisher partners, through the "Partner Program" – designed to help publishers and authors promote their books. Publishers and authors submit either a digital copy of their book in EPUB or PDF format, or a print copy to Google, made available on Google Books for preview; the publisher can control the percentage of the book available for preview, with the minimum being 20%. They can choose to make the book viewable, allow users to download a PDF copy. Books can be made available for sale on Google Play. Unlike the Library Project, this does not raise any copyright concerns as it is conducted pursuant to an agreement with the publisher; the publisher can choose to withdraw from the agreement at any time.
For many books, Google Books displays the original page numbers. However, Tim Pa
MusicBrainz is a project that aims to create an open data music database, similar to the freedb project. MusicBrainz was founded in response to the restrictions placed on the Compact Disc Database, a database for software applications to look up audio CD information on the Internet. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become a structured open online database for music. MusicBrainz captures information about artists, their recorded works, the relationships between them. Recorded works entries capture at a minimum the album title, track titles, the length of each track; these entries are maintained by volunteer editors. Recorded works can store information about the release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text and other metadata; as of 21 September 2018, MusicBrainz contained information about 1.4 million artists, 2 million releases, 19 million recordings. End-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as FLAC, MP3, Ogg Vorbis or AAC.
MusicBrainz allows contributors to upload cover art images of releases to the database. Internet Archive provides the bandwidth and legal protection for hosting the images, while MusicBrainz stores metadata and provides public access through the web and via an API for third parties to use; as with other contributions, the MusicBrainz community is in charge of maintaining and reviewing the data. Cover art is provided for items on sale at Amazon.com and some other online resources, but CAA is now preferred because it gives the community more control and flexibility for managing the images. Besides collecting metadata about music, MusicBrainz allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this. In 2000, MusicBrainz started using Relatable's patented TRM for acoustic fingerprint matching; this feature allowed the database to grow quickly. However, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions.
This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, replacing TRM with MusicDNS. TRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND; some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free identification service was uncertain, a replacement for it was sought; the Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský. While AcoustID and Chromaprint are not MusicBrainz projects, they are tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second. Additional post-processing is applied to compress this fingerprint while retaining patterns; the AcoustID search server searches from the database of fingerprints by similarity and returns the AcoustID identifier along with MusicBrainz recording identifiers if known.
Since 2003, MusicBrainz's core data are in the public domain, additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL; the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, which allows use of the code by proprietary software products. In December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye. On 20 January 2006, the first commercial venture to use MusicBrainz data was the Barcelona, Spain-based Linkara in their Linkara Música service. On 28 June 2007, BBC announced that it has licensed MusicBrainz's live data feed to augment their music Web pages; the BBC online music editors will join the MusicBrainz community to contribute their knowledge to the database. On 28 July 2008, the beta of the new BBC Music site was launched, which publishes a page for each MusicBrainz artist.
Amarok – KDE audio player Banshee – multi-platform audio player Beets – automatic CLI music tagger/organiser for Unix-like systems Clementine – multi-platform audio player CDex – Microsoft Windows CD ripper Demlo – a dynamic and extensible music manager using a CLI iEatBrainz – Mac OS X deprecated foo_musicbrainz component for foobar2000 – Music Library/Audio Player Jaikoz – Java mass tag editor Max – Mac OS X CD ripper and audio transcoder Mp3tag – Windows metadata editor and music organizer MusicBrainz Picard – cross-platform album-oriented tag editor MusicBrainz Tagger – deprecated Microsoft Windows tag editor puddletag – a tag editor for PyQt under the GPLv3 Rhythmbox music player – an audio player for Unix-like systems Sound Juicer – GNOME CD ripper Zortam Mp3 Media Studio – Windows music organizer and ID3 Tag Editor. Freedb clients can access MusicBrainz data through the freedb protocol by using the MusicBrainz to FreeDB gateway service, mb2freedb. List of online music databases Making Metadata: The Case of Mus
Virtual International Authority File
The Virtual International Authority File is an international authority file. It is a joint project of several national libraries and operated by the Online Computer Library Center. Discussion about having a common international authority started in the late 1990s. After a series of failed attempts to come up with a unique common authority file, the new idea was to link existing national authorities; this would present all the benefits of a common file without requiring a large investment of time and expense in the process. The project was initiated by the US Library of Congress, the German National Library and the OCLC on August 6, 2003; the Bibliothèque nationale de France joined the project on October 5, 2007. The project transitioned to being a service of the OCLC on April 4, 2012; the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together. A VIAF record receives a standard data number, contains the primary "see" and "see also" records from the original records, refers to the original authority records.
The data are available for research and data exchange and sharing. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol; the file numbers are being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAF's clustering algorithm is run every month; as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records. Authority control Faceted Application of Subject Terminology Integrated Authority File International Standard Authority Data Number International Standard Name Identifier Wikipedia's authority control template for articles Official website VIAF at OCLC
Williamsport is a city in, the county seat of, Lycoming County, United States. In 2017, the population was estimated at 28,462, it is the principal city of the Williamsport, Pennsylvania Metropolitan Statistical Area, which has a population of about 114,000. The city is the cultural and commercial center of Central Pennsylvania, it is 131 miles from Philadelphia, 166 miles from Pittsburgh and 85 miles from state capital Harrisburg. The city is renowned for arts scene and food. Williamsport was settled by Americans late in the 18th century, the town began to prosper due to its lumber industry. By the early 20th century, the town reached the height of its prosperity and the population has since declined by about a third from its peak of around 45,000 in 1950. Williamsport is the birthplace of Little League Baseball. South Williamsport, a town nearby, is the headquarters of Little League Baseball and annually hosts the Little League World Series in late summer. Colonial settlement in what is today Williamsport dates back to 1786 but the area was inhabited by the Iroquois.
Williamsport was incorporated as a borough on March 1, 1806, as a city on January 15, 1866. In the late 19th century, Williamsport was known as "The Lumber Capital of the World" because of its thriving lumber industry; the city is the original home of Little League Baseball, founded in 1939 as a three-team league. Following World War II the city's population and economic prosperity have declined. In 1763 the Battle of Muncy Hills took place during the French and Indian War, it was a clash between the Native Americans and colonists seeking homestead sites in Native American territory. In 1768, at the Treaty of Fort Stanwix, the British purchased the land that became Lycoming County from the Iroquois Nation who controlled the lands. In 1786 the first house was built in Williamsport. James Russell built his inn on what is now the northeast corner of East Third and Mulberry Streets in downtown. On April 13, 1795 Lycoming County was formed from Northumberland County, it encompassed all the lands of Northumberland County situated west of Muncy Hills and was a domain of 12,500 square miles, comprising most of north central Pennsylvania.
In 1796 the first recorded childbirth in Williamsport was James Russell the son of Mr. and Mrs. William Russell and grandson of James Russell of the Russell Inn and the first school was built as a one-room log addition to the building that would become the first Lycoming County Courthouse. In 1798 the first brick house in Williamsport was erected on Front Street, between Market and Mulberry, by Andrew Tulloh, a lawyer; the bricks were made on the banks of Grafius Run. In 1799, a post office opened at the corner of Third and State Streets in what is now downtown, the following year, a jail was constructed at the northeast corner of William and Third Streets; the post office was converted to a saloon,In 1801 the town's first store was opened by William Winter on Third Street. In 1831 Jacob L. Mussina established the Repasz Band, the oldest brass band in America still in existence. On Oct. 15 1834 The West Branch Canal opened and the first boat to pass through the canal en route to Jersey Shore was that of George Aughenbaugh.
The first freight carried into town was iron for the foundry of John B. Hall; the same year the enactment of the common school law by Pennsylvania Legislature led to public education here. In May 1835, the first public schools opened in Williamsport and the town's first bank, the West Branch National Bank; the Underground Railroad, used by enslaved African-Americans to obtain their freedom in the 30 years before the Civil War included routes from states in the South, which supported slavery, to "free" states in the North and Canada. From 1830 until 1865, the underground railroad, a system of safe houses and routes for slaves escaping to freedom, operated in Lycoming County. Based on the oral history of Mamie Sweeting Diggs, fourth generation descent and great-granddaughter, was a river raftsman on the Susquehanna river who had migrated from Oswego, New York, he lived on the Muncy Indian Reservation. During his trips transporting logs to Maryland, he brought escaped slaves back on foot from Baltimore, over Bald Eagle Mountain and hid them at his home and in the caves on Freedom Road.
Mamie's grandfather, helped his father, Daniel Hughes, hide escaped slaves in the caves behind their home on Freedom Road. They fed them, nursed the sick back to health and delivered them safely to the next "station", The Apker House in Trout Run; the Apker House was the home of Robert Fairies and president of the Williamsport-Elmira Railroad. The railroad ran through his property where escaped slaves were hidden in the barn and house and loaded into railway baggage cars for the trip to Elmira, NY, the next "station."Mamie's grandfather, Robert passed the stories to his children, including Mamie's mother, Marion. Marion tended the family homestead, maintained Freedom Road Cemetery and passed Daniel's stories down to her children. In 1849 the Market Street Bridge was built over the West Branch Susquehanna River, it was opened as a toll bridge to cover the state's costs of $23,797. In 1854 a brewery opened; the brewery was sold to Henry Flock in 1865. This brewery was run by the Flock family until the 1940s.
The Flock's business survived Prohibition by converting to a dairy. In 1875, the first tower clock in the United States to sound the Cambridge Quarters was installed at Trinity Episcopal Chur