East Asia is the eastern subregion of Asia, defined in either geographical or ethno-cultural terms. China, Japan and Vietnam belong to the East Asian cultural sphere. Geographically and geopolitically, the region includes China, Hong Kong, Taiwan, Mongolia, North Korea, South Korea; the region was the cradle of various ancient civilizations such as ancient China, ancient Japan, ancient Korea, the Mongol Empire. East Asia was one of the cradles of world civilization, with China, an ancient East Asian civilization being one of the earliest cradles of civilization in human history. For thousands of years, China influenced East Asia as it was principally the leading civilization in the region exerting its enormous prestige and influence on its neighbors. Societies in East Asia have been part of the Chinese cultural sphere, East Asian vocabulary and scripts are derived from Classical Chinese and Chinese script; the Chinese calendar preserves traditional East Asian culture and serves as the root to which many other East Asian calendars are derived from.
Major religions in East Asia include Buddhism and Neo-Confucianism, Ancestral worship, Chinese folk religion in Greater China and Shintoism in Japan, Christianity and Sindoism in Korea. Shamanism is prevalent among Mongols and other indigenous populations of northern East Asia such as the Manchus. East Asians comprise around 1.6 billion people, making up about 38% of the population in Continental Asia and 22% of the global population. The region is home to major world metropolises such as Beijing, Hong Kong, Shanghai and Tokyo. Although the coastal and riparian areas of the region form one of the world's most populated places, the population in Mongolia and Western China, both landlocked areas, is sparsely distributed, with Mongolia having the lowest population density of any sovereign state; the overall population density of the region is 133 inhabitants per square kilometre, about three times the world average of 45/km2. In comparison with the profound influence of the Ancient Greeks and Romans on Europe and the Western World, China would possess an advanced civilization nearly half a millennia before Japan and Korea.
As Chinese civilization existed for about 1500 years before other East Asian civilizations emerged into history, Imperial China would exert much of its cultural, economic and political muscle onto its neighbors. Succeeding Chinese dynasties exerted enormous influence across East Asia culturally, economically and militarily for over two millennia. Imperial China's cultural preeminence not only led the country to become East Asia's first literate nation in the entire region, it supplied Japan and Korea with Chinese loanwords and linguistic influences rooted in their writing systems. In addition, the Chinese Han dynasty hosted the largest unified population in East Asia, the most literate and urbanized as well as being the most technologically and culturally advanced civilization in the region. Cultural and religious interaction between the Chinese and other regional East Asian dynasties and kingdoms occurred. China's impact and influence on Korea began with the Han dynasty's northeastern expansion in 108 BC when the Han Chinese conquered the northern part of the Korean peninsula and established a province called Lelang.
Chinese influence would soon take root in Korea through the inclusion of the Chinese writing system, monetary system, rice culture, Confucian political institutions. Jōmon society in ancient Japan incorporated wet-rice cultivation and metallurgy through its contact with Korea. Vietnamese society was impacted by Chinese influence, the northern part of Vietnam was occupied by Chinese empires and states for all of the period from 111 BC to 938 AD. In addition to administration, making Chinese the language of administration, the long period of Chinese domination introduced Chinese techniques of dike construction, rice cultivation, animal husbandry. Chinese culture, having been established among the elite mandarin class, remained the dominant current among that elite for most of the next 1,000 years until the loss of independence under French Indochina; this cultural affiliation to China remained true when militarily defending Vietnam against attempted invasion, such as against the Mongol Kublai Khan.
The only significant exceptions to this were the 7 years of the anti-Chinese Hồ dynasty which banned the use of Chinese, but after the expulsion of the Ming the rise in vernacular chữ nôm literature. Although 1,000 years of Chinese rule left many traces, the collective memory of the period reinforced Vietnam's cultural and political independence; as full-fledged medieval East Asian states were established, Korea by the fourth century AD and Japan by the seventh century AD, Korea and Vietnam began to incorporate Chinese influences such as Confucianism, the use of written Han characters, Chinese style architecture, state institutions, political philosophies, urban planning, various scientific and technological methods into their culture and society through direct contacts with succeeding Chinese dynasties. For many centuries, most notably from the 7th to the 14th centuries, China stood as East Asia's most advanced civilization, commanding influence across the region up until the early modern period.
The Imperial Chinese tributary system shaped much of East Asia's history for over two millennia due to Imperial China's economic and cultural influence over the region, thus played a huge role in the history of East Asia in particular. The trans
Kokutai is a concept in the Japanese language translatable as "system of government", "sovereignty", "national identity and character", "national polity. The word is a short form of the name for the National Sports Festival of Japan. Kokutai originated; the Japanese compound word joins tai. According to the Hanyu Da Cidian, the oldest guoti usages are in two Chinese classic texts; the 2nd century BCE Guliang zhuan to the Spring and Autumn Annals glosses dafu as guoti metaphorically meaning "embodiment of the country". The 1st century CE Book of Han history of Emperor Cheng of Han used guoti to mean "laws and governance" of Confucianist officials; the historical origins of kokutai go back to pre-1868 periods the Edo period ruled by the Tokugawa shogunate. Aizawa Seishisai was an authority on Neo-Confucianism and leader of the Mitogaku that supported direct restoration of the Imperial House of Japan, he popularized the word kokutai in his 1825 Shinron, which introduced the term Sonnō jōi. Aizawa developed his ideas of kokutai using the scholarly arguments of Motoori Norinaga that the Japanese national myths in the Kojiki and Nihon Shoki were historical facts, believing that the Emperor was directly descended from the sun goddess Amaterasu-ōmikami.
Aizawa idealized this divinely-ruled ancient Japan as a form of saisei theocracy. For early Japanese Neo-Confucian scholars, linguist Roy Andrew Miller says, "kokutai meant something still rather vague and ill defined, it was more or less the Japanese "nation's body" or "national structure". Katō Hiroyuki and Fukuzawa Yukichi were Meiji period scholars who analyzed the dominance of Western civilization and urged progress for the Japanese nation. In 1874, Katō wrote the Kokutai Shinron, which criticized traditional Chinese and Japanese theories of government and, adopting Western theories of natural rights, proposed a constitutional monarchy for Japan, he contrasted between seitai. Brownlee explains; the Kokutai-seitai distinction enabled conservatives to identify as Kokutai, National Essence, the "native Japanese", immutable aspects of their polity, derived from history and custom, focused on the Emperor. The form of government, Seitai, a secondary concept consisted of the historical arrangements for the exercise of political authority.
Seitai, the form of government, was contingent and changed through time. Japan had experienced in succession direct rule by the Emperors in ancient times the rule of the Fujiwara Regents seven hundred years of rule by shōguns, followed by the direct rule of the Emperors again after the Meiji Restoration; each was a form of government. In this understanding, the modern system of government under the Meiji Constitution, derived this time from foreign sources, was nothing more than another form of Japanese government, a new seitai; the Constitution was nothing fundamental. Fukuzawa Yukichi was an influential author translator for the Japanese Embassy to the United States, his 1875 "Bunmeiron no Gairyaku" contradicted traditional ideas about kokutai. He reasoned that it was not unique to Japan and that every nation could be said to have a kokutai "national sovereignty". While Fukuzawa respected the Emperor of Japan, he believed kokutai did not depend upon myths of unbroken descent from Amaterasu; the Constitution of the Empire of Japan of 1889 created a form of constitutional monarchy with the kokutai sovereign emperor and seitai organs of government.
Article 4 declares that "the Emperor is the head of the Empire, combining in Himself the rights of sovereignty", uniting the executive and judicial branches of government, although subject to the "consent of the Imperial Diet". This system in practice was closer to an absolute monarchy; the legal scholar Josefa López notes that under the Meiji Constitution, kokutai acquired an additional meaning. The Government created a whole perfect new cultural system around the Tennou, the kokutai was the expression of it. Moreover, the kokutai was the basis of the sovereignty. According to Tatsukichi Minobe, kokutai is understood as the "shape of the Estate" in the sense of "Tenno as the organ of the Estate", while the authoritarians gave the kokutai a mystical power; the Tennou was a "god" among the incarnation of the national morals. This notion of kokutai was extra-juridical, more something cultural than positive; this stemmed from Itō Hirobumi's rejection of some European notions as unfit for Japan, as they stemmed from European constitutional practice and Christianity.
The references to the kokutai were the justification of the emperor's authority through his divine descent and the unbroken line of emperors, the unique relationship between subject and sovereign. The "family-state" element in it was given a great deal of prominence by political philosophy. Many conservatives supported these principles as central to Nihon shugi (Nihon gunkoku shugi, Japanese militaris
Remaster refers to changing the quality of the sound or of the image, or both, of created recordings, either audiophonic, cinematic, or videographic. A pyramid of copies would be made from a single original "master" recording, which might itself be based on previous recordings. For example, sound effects might have been added from copies of sound effect tapes similar to modern sampling to make a radio play for broadcast. A master is the recording which experts state will be the definitive copy, duplicated for the end user into other formats i.e. LP records, CDs, DVDs etc. Problematically, several different levels of masters exist for any one audio release; as an example, examine the way a typical music album from the 1960s was created. Musicians and vocalists were recorded on multi-track tape; this tape was mixed to create a mono master. A further master tape would be created from this original master recording consisting of equalization and other adjustments and improvements to the audio to make it sound better on record players for example.
More master recordings would be duplicated from the equalized master for regional copying purposes. Pressing masters for vinyl recordings would be created; these interim recordings were referred to as Mother Tapes. All vinyl records would derive from one of the master recordings. Thus, mastering refers to the process of creating a master; this might be as simple as copying a tape for further duplication purposes, or might include the actual equalization and processing steps used to fine-tune material for release. The latter example requires the work of mastering engineers. With the advent of digital recording in the late 1970s, many mastering ideas changed. Creating new masters meant incurring an analogue generational loss; this means how much of the original intended "good" information is recorded against faults added to the recording as a result of the technical limitations of the equipment used. Although noise reduction techniques exist, they increase other audio distortions such as azimuth shift and flutter, print-through and stereo image shift.
With digital recording, masters could be created and duplicated without incurring the usual generational loss. As CDs were a digital format, digital masters created from original analog recordings became a necessity. Remastering is the process of making a new master for film, or any other creation, it tends to refer to the process of porting a recording from an analogue medium to a digital one, but this is not always the case. For example, a vinyl LP -- pressed from a worn-out pressing master many tape generations removed from the "original" master recording -- could be remastered and re-pressed from a better-condition tape. All CDs created from analogue sources are technically digitally remastered; the process of creating a digital transfer of an analogue tape remasters the material in the digital domain if no equalization, compression, or other processing is done to the material. Ideally, because of their high resolution, a CD or DVD release should come from the best source possible, with the most care taken during its transfer.
Additionally, the earliest days of the CD era found digital technology in its infancy, which sometimes resulted in poor-sounding digital transfers. The earliest days of the DVD era were not much different, with early DVD copies of films being produced from worn prints, with low bitrates and muffled audio; when the first CD remasters turned out to be bestsellers, companies soon realized that new editions of back-catalogue items could compete with new releases as a source of revenue. Back-catalogue values skyrocketed, today it is not unusual to see expanded and remastered editions of modern albums. Master tapes, or something close to them, can be used to make CD releases. Better processing choices can be used. Better prints can be utilized, with sound elements remixed to 5.1 surround sound and obvious print flaws digitally corrected. The modern era gives publishers unlimited ways to touch up, "improve" their media, as each release promises improved sound, video and others, producers hope these upgrades will entice people into making a purchase.
Remastering music for CD or digital distribution first starts from locating the original analog version. The next step tracks so it can be edited using a computer; the track order is chosen. This is something engineers worry about because if the track order is not right, it may seem sonically unbalanced; when the remastering starts, engineers use software tools such as a limiter, an equaliser, a compressor. The compressor and limiters are ways of controlling the loudness of a track. However, this is not to be confused with the volume of a track, controlled by the listener during playback; the dynamic range of an audio track is measured by calculating the variation between the loudest and the quietest part of a track. In recording studios the loudness is measured with negative decibels, zero designates the loudest recordable sound. A limiter works by having a certain cap on the loudest parts and if that cap is exceeded, it is automatically lowered by a ratio preset by the engineer. Remastered audio has been the subject of criticism.
Many remastered CDs from the late 1990s onwards have been affected by the "loudness war", where the average volume of the recording is increased and dynamic range is compresse
The New York Times
The New York Times is an American newspaper based in New York City with worldwide influence and readership. Founded in 1851, the paper has won more than any other newspaper; the Times is ranked 17th in the world by circulation and 2nd in the U. S; the paper is owned by The New York Times Company, publicly traded and is controlled by the Sulzberger family through a dual-class share structure. It has been owned by the family since 1896. G. Sulzberger, the paper's publisher, his father, Arthur Ochs Sulzberger Jr. the company's chairman, are the fourth and fifth generation of the family to helm the paper. Nicknamed "The Gray Lady", the Times has long been regarded within the industry as a national "newspaper of record"; the paper's motto, "All the News That's Fit to Print", appears in the upper left-hand corner of the front page. Since the mid-1970s, The New York Times has expanded its layout and organization, adding special weekly sections on various topics supplementing the regular news, editorials and features.
Since 2008, the Times has been organized into the following sections: News, Editorials/Opinions-Columns/Op-Ed, New York, Sports of The Times, Science, Home and other features. On Sunday, the Times is supplemented by the Sunday Review, The New York Times Book Review, The New York Times Magazine and T: The New York Times Style Magazine; the Times stayed with the broadsheet full-page set-up and an eight-column format for several years after most papers switched to six, was one of the last newspapers to adopt color photography on the front page. The New York Times was founded as the New-York Daily Times on September 18, 1851. Founded by journalist and politician Henry Jarvis Raymond and former banker George Jones, the Times was published by Raymond, Jones & Company. Early investors in the company included Edwin B. Morgan, Christopher Morgan, Edward B. Wesley. Sold for a penny, the inaugural edition attempted to address various speculations on its purpose and positions that preceded its release: We shall be Conservative, in all cases where we think Conservatism essential to the public good.
We do not believe that everything in Society is either right or wrong. In 1852, the newspaper started a western division, The Times of California, which arrived whenever a mail boat from New York docked in California. However, the effort failed. On September 14, 1857, the newspaper shortened its name to The New-York Times. On April 21, 1861, The New York Times began publishing a Sunday edition to offer daily coverage of the Civil War. One of the earliest public controversies it was involved with was the Mortara Affair, the subject of twenty editorials in the Times alone; the main office of The New York Times was attacked during the New York City Draft Riots. The riots, sparked by the beginning of drafting for the Union Army, began on July 13, 1863. On "Newspaper Row", across from City Hall, Henry Raymond stopped the rioters with Gatling guns, early machine guns, one of which he manned himself; the mob diverted, instead attacking the headquarters of abolitionist publisher Horace Greeley's New York Tribune until being forced to flee by the Brooklyn City Police, who had crossed the East River to help the Manhattan authorities.
In 1869, Henry Raymond died, George Jones took over as publisher. The newspaper's influence grew in 1870 and 1871, when it published a series of exposés on William Tweed, leader of the city's Democratic Party—popularly known as "Tammany Hall" —that led to the end of the Tweed Ring's domination of New York's City Hall. Tweed had offered The New York Times five million dollars to not publish the story. In the 1880s, The New York Times transitioned from supporting Republican Party candidates in its editorials to becoming more politically independent and analytical. In 1884, the paper supported Democrat Grover Cleveland in his first presidential campaign. While this move cost The New York Times a portion of its readership among its more progressive and Republican readers, the paper regained most of its lost ground within a few years. After George Jones died in 1891, Charles Ransom Miller and other New York Times editors raised $1 million dollars to buy the Times, printing it under the New York Times Publishing Company.
However, the newspaper was financially crippled by the Panic of 1893, by 1896, the newspaper had a circulation of less than 9,000, was losing $1,000 a day. That year, Adolph Ochs, the publisher of the Chattanooga Times, gained a controlling interest in the company for $75,000. Shortly after assuming control of the paper, Ochs coined the paper's slogan, "All The News That's Fit To Print"; the slogan has appeared in the paper since September 1896, has been printed in a box in the upper left hand corner of the front page since early 1897. The slogan was a jab at competing papers, such as Joseph Pulitzer's New York World and William Randolph Hearst's New York Journal, which were known for a lurid and inaccurate reporting of facts and opinions, described by the end of the century as "yellow journalism". Under Ochs' guidance, aided by Carr
A journalist is a person who collects, writes, or distributes news or other current information to the public. A journalist's work is called journalism. A journalist can specialize in certain issues. However, most journalists tend to specialize, by cooperating with other journalists, produce journals that span many topics. For example, a sports journalist covers news within the world of sports, but this journalist may be a part of a newspaper that covers many different topics. A reporter is a type of journalist who researches and reports on information in order to present in sources, conduct interviews, engage in research, make reports; the information-gathering part of a journalist's job is sometimes called reporting, in contrast to the production part of the job such as writing articles. Reporters may split their time between working in a newsroom and going out to witness events or interviewing people. Reporters may be assigned a specific area of coverage. Depending on the context, the term journalist may include various types of editors, editorial writers and visual journalists, such as photojournalists.
Journalism has developed a variety of standards. While objectivity and a lack of bias are of primary concern and importance, more liberal types of journalism, such as advocacy journalism and activism, intentionally adopt a non-objective viewpoint; this has become more prevalent with the advent of social media and blogs, as well as other platforms that are used to manipulate or sway social and political opinions and policies. These platforms project extreme bias, as "sources" are not always held accountable or considered necessary in order to produce a written, televised, or otherwise "published" end product. Matthew C. Nisbet, who has written on science communication, has defined a "knowledge journalist" as a public intellectual who, like Walter Lippmann, David Brooks, Fareed Zakaria, Naomi Klein, Michael Pollan, Thomas Friedman, Andrew Revkin, sees their role as researching complicated issues of fact or science which most laymen would not have the time or access to information to research themselves communicating an accurate and understandable version to the public as a teacher and policy advisor.
In his best-known books, Public Opinion and The Phantom Public, Lippmann argued that most individuals lacked the capacity and motivation to follow and analyze news of the many complex policy questions that troubled society. Nor did they directly experience most social problems, or have direct access to expert insights; these limitations were made worse by a news media that tended to over-simplify issues and to reinforce stereotypes, partisan viewpoints, prejudices. As a consequence, Lippmann believed that the public needed journalists like himself who could serve as expert analysts, guiding “citizens to a deeper understanding of what was important.” In 2018, the United States Department of Labor's Occupational Outlook Handbook reported that employment for the category, "reporters and broadcast news analysts," will decline 9 percent between 2016 and 2026. Journalists sometimes expose themselves to danger when reporting in areas of armed conflict or in states that do not respect the freedom of the press.
Organizations such as the Committee to Protect Journalists and Reporters Without Borders publish reports on press freedom and advocate for journalistic freedom. As of November 2011, the Committee to Protect Journalists reports that 887 journalists have been killed worldwide since 1992 by murder, crossfire or combat, or on dangerous assignment; the "ten deadliest countries" for journalists since 1992 have been Iraq, Russia, Mexico, Pakistan, Somalia and Sri Lanka. The Committee to Protect Journalists reports that as of December 1, 2010, 145 journalists were jailed worldwide for journalistic activities. Current numbers are higher; the ten countries with the largest number of currently-imprisoned journalists are Turkey, Iran, Burma, Vietnam, Cuba and Sudan. Apart from the physical harm, journalists are harmed psychologically; this applies to war reporters, but their editorial offices at home do not know how to deal appropriately with the reporters they expose to danger. Hence, a systematic and sustainable way of psychological support for traumatized journalists is needed.
However, only little and fragmented support programs exist so far. The Newseum in Washington, D. C. is home to the Journalists Memorial, which lists the names of over 2,100 journalists from around the world who were killed in the line of duty. The relationship between a professional journalist and a source can be rather complex, a source can sometimes impact the direction of the article written by the journalist; the article'A Compromised Fourth Estate' uses Herbert Gans' metaphor to capture their relationship. He uses a dance metaphor'The Tango' to illustrate the co-operative nature of their interactions "It takes two to tango". Herbert suggests that the source leads but journalists object to this notion for two reasons: It signals source supremacy in news making, it offends journalists' professional culture, which emphasizes editorial autonomy. This dance metaphor helps showcase consensus within the relationship but the article describe the common relation between the two "A relationship with sources, too cozy is compromising of journalists’ integrity and risks becoming collusive.
Journalists have favored a
Tokyo Imperial Palace
The Tokyo Imperial Palace is the primary residence of the Emperor of Japan. It is a large park-like area located in the Chiyoda ward of Tokyo and contains buildings including the main palace, the private residences of the Imperial Family, an archive and administrative offices, it is built on the site of the old Edo Castle. The total area including the gardens is 1.15 square kilometres. During the height of the 1980s Japanese property bubble, the palace grounds were valued by some to be more than the value of all of the real estate in the state of California. After the capitulation of the shogunate and the Meiji Restoration, the inhabitants, including the Shōgun Tokugawa Yoshinobu, were required to vacate the premises of the Edo Castle. Leaving the Kyoto Imperial Palace on 26 November 1868, the Emperor arrived at the Edo Castle, made it to his new residence and renamed it to Tōkei Castle. At this time, Tōkyō had been called Tōkei, he left for Kyōto again, after coming back on 9 May 1869, it was renamed to Imperial Castle.
Previous fires had destroyed the Honmaru area containing the old donjon. On the night of 5 May 1873, a fire consumed the Nishinomaru Palace, the new imperial Palace Castle was constructed on the site in 1888. A non-profit "Rebuilding Edo-jo Association" was founded in 2004 with the aim of a correct reconstruction of at least the main donjon. In March 2013, Naotaka Kotake, head of the group, said that "the capital city needs a symbolic building", that the group planned to collect donations and signatures on a petition in support of rebuilding the tower. A reconstruction blueprint had been made based on old documents; the Imperial Household Agency at the time had not indicated. In the Meiji era, most structures from the Edo Castle disappeared; some were cleared to make way for other buildings while others were destroyed by earthquakes and fire. For example, the wooden double bridges over the moat were replaced with iron bridges; the buildings of the Imperial Palace constructed in the Meiji era were constructed of wood.
Their design employed traditional Japanese architecture in their exterior appearance while the interiors were an eclectic mixture of then-fashionable Japanese and European elements. The ceilings of the grand chambers were coffered with Japanese elements; the floors of the public rooms had parquets or carpets while the residential spaces used traditional tatami mats. The main audience hall was the central part of the palace, it was the largest building in the compound. Guests were received there for public events; the floor space was more than 223 tsubo or 737.25 m2. In the interior, the coffered ceiling was traditional Japanese-style; the roof was styled to the Kyoto Imperial Palace, but was covered with copper plates rather than Japanese cypress shingles. In the late Taishō and early Shōwa period, more concrete buildings were added, such as the headquarters of the Imperial Household Ministry and the Privy Council; these structures exhibited only token Japanese elements. From 1888 to 1948, the compound was called Palace Castle.
On the night of 25 May 1945, most structures of the Imperial Palace were destroyed in the Allied firebombing raid on Tokyo. According to the US bomber pilot Richard Lineberger, Emperor's Palace was the target of their special mission on July 29, 1945, was hit with 2000-pound bombs. In August 1945, in the closing days of World War II, Emperor Hirohito met with his Privy Council and made decisions culminating in the surrender of Japan at an underground air-raid shelter on the palace grounds referred to as His Majesty's Library. Due to the large-scale destruction of the Meiji-era palace, a new main palace hall and residences were constructed on the western portion of the site in the 1960s; the area was renamed Imperial Residence in 1948, while the eastern part was renamed East Garden and became a public park in 1968. Interior images of the old Meiji-era palace, destroyed during World War II The present Imperial Palace encompasses the retrenchments of the former Edo Castle; the modern palace Kyūden designed for various imperial court functions and receptions is located in the old Nishinomaru section of the palace grounds.
On a much more modest scale, the residence of the current Emperor and empress is located in the Fukiage Gardens. Designed by Japanese architect Shōzō Uchii the modern residence was completed in 1993. Except for Imperial Household Agency and the East Gardens, the palace is closed to the public, except for reserved guided tours from Tuesdays to Saturdays; each New Year and Emperor's Birthday, the public is permitted to enter through the Nakamon where they gather in the Kyuden Totei Plaza in front of the Chowaden Hall. The Imperial Family appears on the balcony before the crowd and the Emperor gives a short speech greeting and thanking the visitors and wishing them good health and blessings; every year a poetry convention called Utakai Hajime is held at the palace on January 1. The old Honmaru and Sannomaru compounds now comprise the East Gardens, an area with public access containing administrative and other public buildings; the Kitanomaru Park is the former northern enceinte of Edo Castle. It is the site of the Nippon Budokan.
To the south are the outer gardens of