Système universitaire de documentation
The système universitaire de documentation or SUDOC is a system used by the libraries of French universities and higher education establishments to identify and manage the documents in their possession. The catalog, which contains more than 10 million references, allows students and researcher to search for bibliographical and location information in over 3,400 documentation centers, it is maintained by the Bibliographic Agency for Higher Education. Official website
Young adult fiction
Young adult fiction is a category of fiction written for readers from 12 to 18 years of age. While the genre is targeted to teenagers half of YA readers are adults; the subject matter and genres of YA correlate with the experience of the protagonist. The genres available in YA include most of those found in adult fiction. Common themes related to YA include: friendship, first love and identity. Stories that focus on the specific challenges of youth are sometimes referred to as problem novels or coming-of-age novels. Young adult fiction was developed to soften the transition between children's novels and adult literature; the history of young adult literature is tied to the history of how childhood and young adulthood has been perceived. One early writer to recognize young adults as a distinct group was Sarah Trimmer, who, in 1802, described "young adulthood" as lasting from ages 14 to 21. In her children's literature periodical, The Guardian of Education, Trimmer introduced the terms "Books for Children" and "Books for Young Persons", establishing terms of reference for young adult literature that still remains in use.
Nineteenth century literature presents several early works, that appealed to young readers, though not written for them, including The Swiss Family Robinson, Walter Scott's Waverley, Charles Dickens' Oliver Twist, Alexandre Dumas' The Count of Monte Cristo, Tom Brown's Schooldays, Dickens' Great Expectations, Alice in Wonderland, Mark Twain's The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, Robert Louis Stevenson's Kidnapped, Rudyard Kipling's The Jungle Book, Moonfleet by J. Meade Falkner. In the 1950s, two influential adult novels, The Catcher in the Rye and Lord of the Flies, which were not marketed to adolescents, still attracted the attention of the adolescent demographic; the modern classification of young-adult fiction originated during the 1950s and 1960s after the publication of S. E. Hinton's The Outsiders; the novel features a truer, darker side of adolescent life, not represented in works of fiction of the time, was the first novel published marketed for young adults as Hinton was one when she wrote it.
Written during high-school and published when Hinton was only 17, The Outsiders lacked the nostalgic tone common in books about adolescents written by adults. The Outsiders remains one of the best-selling young adult novels of all time; the 1960s became the era "when the'under 30' generation became a subject of popular concern, research on adolescence began to emerge. It was the decade when literature for adolescents could be said to have come into its own"; this increased the new idea of adolescent authors. In the late 1960s and early 1970s, what has come to be known as the "fab five" were published: I Know Why the Caged Bird Sings, an autobiography of the early years of American poet Maya Angelou; the works of Angelou and Plath were not written for young readers. As publishers began to focus on the emerging adolescent market and libraries began creating young adult sections distinct from children's literature and novels written for adults; the 1970s to the mid-1980s have been described as the golden age of young-adult fiction, when challenging novels began speaking directly to the interests of the identified adolescent market.
In the 1980s, young adult literature began pushing the envelope in terms of the subject matter, considered appropriate for their audience: Books dealing with topics such as rape, parental death, murder, deemed taboo, saw significant critical and commercial success. A flip-side of this trend was a strong revived interest in the romance novel, including young adult romance. With an increase in number of teenagers the genre "matured and came into its own, with the better written, more serious, more varied young adult books published during the last two decades"; the first novel in J. K. Rowling's seven-book Harry Potter series, Harry Potter and the Philosopher's Stone, was published in 1997; the series was praised for its complexity and maturity, attracted a wide adult audience. While not technically YA, its success led many to see Harry Potter and its author, J. K. Rowling, as responsible for a resurgence of young adult literature, re-established the pre-eminent role of speculative fiction in the field, a trend further solidified by The Hunger Games trilogy by Suzanne Collins.
The end of the decade saw a number of awards appear such as the Michael L. Printz Award and Alex Awards, designed to recognize excellence in writing for young adult audiences; the category of young adult fiction continues to expand into other media and genres: graphic novels/manga, light novels, mystery fiction, romance novels, subcategories such as cyberpunk, techno-thrillers, contemporary Christian fiction. Many young adult novels feature coming-of-age stories; these feature adolescents beginning to transform into adults, working through personal problems, learning to take responsibility for their actions. YA serves many literary purposes, it provides a pleasurable reading experience for young people, emphasizing real life experiences and
Argosy titled The Argosy and Argosy All-Story Weekly, was an American pulp magazine from 1882 through 1978, published by Frank Munsey. It is the first American pulp magazine; the magazine began as a children's weekly story–paper entitled The Golden Argosy. In the era before the Second World War, Argosy was regarded as one of the "Big Four" pulp magazines, - the most prestigious publications in the pulp market, that many pulp magazine writers aspired to publish in. John Clute, discussing the American pulp magazines in the first two decades of the twentieth century, has described The Argosy and its companion All-Story as "the most important pulps of their era." In late September 1882, Frank Munsey had moved to New York City to start Argosy, having arranged a partnership with a friend in New York and working in the publishing industry, with a stockbroker from Augusta, Munsey's previous home. Munsey put most of his money, into purchasing stories for the magazine. Once he was in New York, the stockbroker backed out, Munsey decided to release his New York friend from involvement, since they were now hopelessly underfunded.
Munsey pitched the magazine to a New York publisher, managed to convince him to publish the magazine and hire Munsey as editor. The first issue was published on December 2, 1882, came out weekly; the first issue was eight pages, cost five cents, included the first installments of serialized stories by Horatio Alger, Jr. and Edward S. Ellis. Other authors associated with Argosy's early days include Annie Ashmoore, W. H. W. Campbell, Harry Castlemon, Frank H. Converse, George H. Coomer, Mary A. Denison, Malcolm Douglas, Colonel A. B. Ellis, J. L. Harbour, D. O. S. Lowell, Oliver Optic, Richard Handfield Titherington, Edgar L. Warren and Matthew White, Jr. White would become the Argosy's editor from 1886 to 1928. Five months after the first issue, the publisher entered receivership. By placing a claim for his unpaid salary, Munsey managed to assume control of the magazine, it was a unlikely financial proposition. Munsey borrowed $300 from a friend in Maine, managed to scrape along as he learned the fundamentals of the publishing industry.
Munsey found that targeting children had been a mistake, as they did not stay subscribed for any length of time, since they grew out of reading the magazine. Additionally, children did not have much money to spend, which limited the number of advertisers interested in reaching them. In December 1888 the title was changed to The Argosy. Publication switched from weekly to monthly in April 1894, at which time the magazine began its shift towards pulp fiction, it published its first all-fiction issue in 1896. The all-fiction Argosy launched a new genre of magazines, is considered the pioneer among pulp magazines. During the period 1906-1907, The Argosy was selling 500,000 copies per issue; the magazine switched back to a weekly publication schedule in October 1917. In January 1919, The Argosy merged with Railroad Man's Magazine, was known as Argosy and Railroad Man's Magazine. Prior to World War One, The Argosy had several notable writers, including Upton Sinclair, Zane Grey, Albert Payson Terhune, Gertrude Barrows Bennett, former dime novelist William Wallace Cook.
The All-Story Magazine magazine was another Munsey pulp. Debuting in January 1905, this pulp was published monthly until March 1914. Effective March 7, 1914, it changed to the title All-Story Weekly. In May 1914, All-Story Weekly was merged with another story pulp, The Cavalier, used the title All-Story Cavalier Weekly for one year. Editors of All-Story included Robert H. Davis; the All-Story is the magazine that first published Edgar Rice Burroughs, beginning with "Under the Moons of Mars", a serialized novel published in book form as A Princess of Mars, The Gods of Mars. Other All-Story writers included Rex Stout a famed mystery writer, mystery writer Mary Roberts Rinehart, Western writers Max Brand and Raymond S. Spears, horror and fantasy writers Tod Robbins, Abraham Merritt, Perley Poore Sheehan and Charles B. Stilson. All-Story published poetry. One notable writer who published poems in the All-Story was Djuna Barnes. In 2006, a copy of the October 1912 issue of All-Story Magazine, featuring the first appearance of the character Tarzan in any medium, sold for $59,750 in an auction held by Heritage Auctions of Dallas.
In 1920, All-Story Weekly was merged into The Argosy, resulting in a new title, Argosy All-Story Weekly, which published works in a number of literary genres, including science fiction and Westerns. Edgar Rice Burroughs published John Carter of Mars stories in the magazine. In 1922 Argosy missed a chance to launch the career of E. E. Smith. Bob Davis editor of Argosy, rejected the manuscript of The Skylark of Space, writing to Smith that he liked the novel but that it was "too far out" for his readers; this "encouraging rejection letter" did encourage Smith to try further getting his novel published in Amazing Stories. Argosy published a number of adventure stories by Johnston McCulley, C. S. Forester, Theodore Roscoe, L. Patrick Greene, (who specialized in narratives about
Big Red (film)
Big Red is a 1962 American family-oriented adventure film from Walt Disney Productions. Based on a 1945 novel by American author Jim Kjelgaard and adapted to the screen by American screenwriter Louis Pelletier, the film starred Walter Pidgeon. Filmed in the province of Quebec, "Big Red" is an Irish Setter that would rather run through the woods than be the trained and groomed show dog his sportsman owner wants. A ten-year-old orphan boy helps look after the dog and rebels against his owner's strict discipline of "Big Red." Big Red is a Champion Irish Setter. Rene, an orphaned boy hired to take care of the dogs, gains the respect of Big Red; when Mr. Haggin realizes that Big Red now sees Rene as his true master, he separates them and forbids Rene to see Red. Rene asks Emile, the other dog handler, why he has separated him from Red, Emile tells him that Red has to obey his master or he will not win at the show, if he does not win Mr. Haggin will sell him...just like that. Rene asks Emile; when Emile will not let him he waits until it is dark goes to the window, tells Red good-bye and walks away.
Red tries to get out of the house and jumps through a window, but he is cut by the glass. They bandage him up but Mr. Haggin tells Emile to put him to sleep, When Emile comes back the dog is gone. Rene nurses Red back to health returns him to his master, who offers to give Rene his job back, but Rene refuses; when Mr. Haggin sees that Red has scars and will not be able to be a show dog, he says that he can use him to breed with, but changes his mind and decides to sell Red and the she-dog he had bought to go with him, but on the train, the two dogs escape. When Rene hears about this he sets out to find them, Mr. Haiggn goes looking for Rene but has an entanglement with a mountain lion. And, after Rene and the dogs save him, Mr. Haggin makes a deal with Rene, to come and live with him and keep the dogs. Rene agrees and they go home. Walter Pidgeon as James Haggin Gilles Payant as Rene Dumont Emile Genest as Emile Fornet Janette Bertrand as Therese Fornet Georges Bouvier as Baggageman Doris Lussier as Farmer Mariot Rolland Bedard as Conductor Teddy Burns Goulet as Engineer Official website Big Red on IMDb New York Times review
Children's literature or juvenile literature includes stories, books and poems that are enjoyed by children. Modern children's literature is classified in two different ways: genre or the intended age of the reader. Children's literature can be traced to stories and songs, part of a wider oral tradition, that adults shared with children before publishing existed; the development of early children's literature, before printing was invented, is difficult to trace. After printing became widespread, many classic "children's" tales were created for adults and adapted for a younger audience. Since the fifteenth century much literature has been aimed at children with a moral or religious message; the late nineteenth and early twentieth centuries is known as the "Golden Age of Children's Literature", because many classic children's books were published then. There is no single or used definition of children's literature, it can be broadly defined as anything that children read or more defined as fiction, non-fiction, poetry, or drama intended for and used by children and young people.
One writer on children's literature defines it as "all books written for children, excluding works such as comic books, joke books, cartoon books, non-fiction works that are not intended to be read from front to back, such as dictionaries and other reference materials". However, others would argue that comics should be included: "Children's Literature studies has traditionally treated comics fitfully and superficially despite the importance of comics as a global phenomenon associated with children"; the International Companion Encyclopedia of Children's Literature notes that "the boundaries of genre... are not fixed but blurred". Sometimes, no agreement can be reached about whether a given work is best categorized as literature for adults or children; some works defy easy categorization. J. K. Rowling's Harry Potter series was written and marketed for young adults, but it is popular among adults; the series' extreme popularity led The New York Times to create a separate best-seller list for children's books.
Despite the widespread association of children's literature with picture books, spoken narratives existed before printing, the root of many children's tales go back to ancient storytellers. Seth Lerer, in the opening of Children's Literature: A Reader's History from Aesop to Harry Potter, says, "This book presents a history of what children have heard and read... The history I write of is a history of reception." Early children's literature consisted of spoken stories and poems that were used to educate and entertain children. It was only in the eighteenth century, with the development of the concept of childhood, that a separate genre of children's literature began to emerge, with its own divisions and canon; the earliest of these books were educational books, books on conduct, simple ABCs—often decorated with animals and anthropomorphic letters. In 1962, French historian Philippe Ariès argues in his book Centuries of Childhood that the modern concept of childhood only emerged in recent times.
He explains that children were in the past not considered as different from adults and were not given different treatment. As evidence for this position, he notes that, apart from instructional and didactic texts for children written by clerics like the Venerable Bede and Ælfric of Eynsham, there was a lack of any genuine literature aimed at children before the 18th century. Other scholars have qualified this viewpoint by noting that there was a literature designed to convey the values and information necessary for children within their cultures, such as the Play of Daniel from the 12th century. Pre-modern children's literature, tended to be of a didactic and moralistic nature, with the purpose of conveying conduct-related and religious lessons. During the 17th century, the concept of childhood began to emerge in Europe. Adults saw children as separate beings, innocent and in need of protection and training by the adults around them; the English philosopher John Locke developed his theory of the tabula rasa in his 1690 An Essay Concerning Human Understanding.
In Locke's philosophy, tabula rasa was the theory that the mind is at birth a "blank slate" without rules for processing data, that data is added and rules for processing are formed by one's sensory experiences. A corollary of this doctrine was that the mind of the child was born blank and that it was the duty of the parents to imbue the child with correct notions. Locke himself emphasized the importance of providing children with "easy pleasant books" to develop their minds rather than using force to compel them, he suggested that picture books be created for children. In the nineteenth century, a few children's titles became famous as classroom reading texts. Among these were the fables of Aesop and Jean de la Fontaine and Charles Perraults's 1697 Tales of Mother Goose; the popularity of these texts led to the creation of a number of nineteenth-century fantasy and fairy tales for children which featured magic objects and talking animals. Another influence on this shift in attitudes came from Puritanism, which stressed the importance of individual salvation.
Puritans were concerned with the spiritual welfare of their children, there was a large growth in the publication of "good godly books" aimed squarely at children. Some of the most popular works were by James Janeway, but the most enduring book from this movement, still read toda
Find a Grave
Find A Grave is a website that allows the public to search and add to an online database of cemetery records. It is owned by Ancestry.com. It receives and uploads digital photographs of headstones from burial sites, taken by unpaid volunteers at cemeteries. Find A Grave posts the photo on its website; the site was created in 1995 by Salt Lake City resident Jim Tipton to support his hobby of visiting the burial sites of famous celebrities. He added an online forum. Find A Grave was launched as a commercial entity in 1998, first as a trade name and incorporated in 2000; the site expanded to include graves of non-celebrities, in order to allow online visitors to pay respect to their deceased relatives or friends. In 2013, Tipton sold Find A Grave to Ancestry.com, saying that the genealogy company had "been linking and driving traffic to the site for several years. Burial information is a wonderful source for people researching their family history." In a September 30, 2013, press release, Ancestry.com officials said they would "launch a new mobile app, improve customer support, introduce an enhanced edit system for submitting updates to memorials, foreign-language support, other site improvements."As of October 2017, Find A Grave contained over 165 million burial records and 75 million photos.
In March 2017, a beta website for a redesigned Find A Grave was launched at gravestage.com. Public feedback was mixed. Sometime between May 29 and July 10 of that year, the beta website was migrated to new.findagrave.com, a new front end for it was deployed at beta.findagrave.com. In November 2017, the new site became the old site was deprecated. On August 20, 2018, the original Find; the website contains listings of graves from around the world. American cemeteries are organized by state and county, many cemetery records contain Google Maps and photographs of the cemeteries and gravesites. Individual grave records may contain dates and places of birth and death, biographical information and plot information and contributor information. Interment listings are added by individuals, genealogical societies, other institutions such as the International Wargraves Photography Project. Contributors must register as members to submit listings, called memorials, on the site; the submitter may transfer management.
Only the current manager of a listing may edit it, although any member may use the site's features to send correction requests to the listing's manager. Managers may add links to other listings of deceased spouses and siblings for genealogical purposes. Any member may add photographs and notations to individual listings. Members may post requests for photos of a specific grave. Although it does not ask permission from immediate family members before uploading the photos, it will remove and take down photos or a URL for a deceased loved one at the request of an immediate family member. Find A Grave maintains lists of memorials of famous persons by their "claim to fame", such as Medal of Honor recipients, religious figures, educators. Find A Grave exercises editorial control over these listings. Canadian Headstones Interment.net United States National Cemetery System's nationwide gravesite locator Random Acts of Genealogical Kindness Tombstone tourist Official website
New York City
The City of New York called either New York City or New York, is the most populous city in the United States. With an estimated 2017 population of 8,622,698 distributed over a land area of about 302.6 square miles, New York is the most densely populated major city in the United States. Located at the southern tip of the state of New York, the city is the center of the New York metropolitan area, the largest metropolitan area in the world by urban landmass and one of the world's most populous megacities, with an estimated 20,320,876 people in its 2017 Metropolitan Statistical Area and 23,876,155 residents in its Combined Statistical Area. A global power city, New York City has been described as the cultural and media capital of the world, exerts a significant impact upon commerce, research, education, tourism, art and sports; the city's fast pace has inspired the term New York minute. Home to the headquarters of the United Nations, New York is an important center for international diplomacy.
Situated on one of the world's largest natural harbors, New York City consists of five boroughs, each of, a separate county of the State of New York. The five boroughs – Brooklyn, Manhattan, The Bronx, Staten Island – were consolidated into a single city in 1898; the city and its metropolitan area constitute the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York, making it the most linguistically diverse city in the world. New York City is home to more than 3.2 million residents born outside the United States, the largest foreign-born population of any city in the world. In 2017, the New York metropolitan area produced a gross metropolitan product of US$1.73 trillion. If greater New York City were a sovereign state, it would have the 12th highest GDP in the world. New York is home to the highest number of billionaires of any city in the world. New York City traces its origins to a trading post founded by colonists from the Dutch Republic in 1624 on Lower Manhattan.
The city and its surroundings came under English control in 1664 and were renamed New York after King Charles II of England granted the lands to his brother, the Duke of York. New York served as the capital of the United States from 1785 until 1790, it has been the country's largest city since 1790. The Statue of Liberty greeted millions of immigrants as they came to the U. S. by ship in the late 19th and early 20th centuries and is an international symbol of the U. S. and its ideals of liberty and peace. In the 21st century, New York has emerged as a global node of creativity and entrepreneurship, social tolerance, environmental sustainability, as a symbol of freedom and cultural diversity. Many districts and landmarks in New York City are well known, with the city having three of the world's ten most visited tourist attractions in 2013 and receiving a record 62.8 million tourists in 2017. Several sources have ranked New York the most photographed city in the world. Times Square, iconic as the world's "heart" and its "Crossroads", is the brightly illuminated hub of the Broadway Theater District, one of the world's busiest pedestrian intersections, a major center of the world's entertainment industry.
The names of many of the city's landmarks and parks are known around the world. Manhattan's real estate market is among the most expensive in the world. New York is home to the largest ethnic Chinese population outside of Asia, with multiple signature Chinatowns developing across the city. Providing continuous 24/7 service, the New York City Subway is the largest single-operator rapid transit system worldwide, with 472 rail stations. Over 120 colleges and universities are located in New York City, including Columbia University, New York University, Rockefeller University, which have been ranked among the top universities in the world. Anchored by Wall Street in the Financial District of Lower Manhattan, New York has been called both the most economically powerful city and the leading financial center of the world, the city is home to the world's two largest stock exchanges by total market capitalization, the New York Stock Exchange and NASDAQ. In 1664, the city was named in honor of the Duke of York.
James's older brother, King Charles II, had appointed the Duke proprietor of the former territory of New Netherland, including the city of New Amsterdam, which England had seized from the Dutch. During the Wisconsinan glaciation, 75,000 to 11,000 years ago, the New York City region was situated at the edge of a large ice sheet over 1,000 feet in depth; the erosive forward movement of the ice contributed to the separation of what is now Long Island and Staten Island. That action left bedrock at a shallow depth, providing a solid foundation for most of Manhattan's skyscrapers. In the precolonial era, the area of present-day New York City was inhabited by Algonquian Native Americans, including the Lenape, whose homeland, known as Lenapehoking, included Staten Island; the first documented visit into New York Harbor by a European was in 1524 by Giovanni da Verrazzano, a Florentine explorer in the service of the French crown. He named it Nouvelle Angoulême. A Spanish expedition led by captain Estêvão Gomes, a Portuguese sailing for Emperor Charles V, arrived in New York Harbor in January 1525 and charted the mouth of the Hudson River, which he named Río de San Antonio.
The Padrón Rea