1960–61 Primeira Divisão
The 1960–61 Primeira Divisão was the 27th season of top-tier football in Portugal. The competition was contested by 14 teams with S. L. Benfica winning the 1960–61 Primeira Divisão championship, it was the eleventh championship title for the club. Benfica won the 1961–62 European Cup and qualified for the 1961–62 competition; this enabled second placed Sporting CP to qualify for the European Cup. Leixões S. C. qualified for the Cup Winners' Cup and C. F. Os Belenenses for the Inter-Cities Fairs Cup; the two lowest placed teams of the competition, S. C. Braga and F. C. Barreirense were relegated to the Segunda Divisão. Details of the 14 participants are provided below: José Águas was the top scorer of the season with 27 goals. Relegation to Segunda DivisãoBraga BarreirensePromotion to Primeira DivisãoOlhanense Beira Mar Portugal 1960-61 - RSSSF Portuguese League 1960/61 - footballzz.co.uk Portugal - Table of Honor - Soccer Library
Lisbon is the capital and the largest city of Portugal, with an estimated population of 505,526 within its administrative limits in an area of 100.05 km2. Its urban area extends beyond the city's administrative limits with a population of around 2.8 million people, being the 11th-most populous urban area in the European Union. About 3 million people live including the Portuguese Riviera, it is the only one along the Atlantic coast. Lisbon lies in the western Iberian Peninsula on the River Tagus; the westernmost areas of its metro area form the westernmost point of Continental Europe, known as Cabo da Roca, located in the Sintra Mountains. Lisbon is recognised as an alpha-level global city by the Globalization and World Cities Study Group because of its importance in finance, media, arts, international trade and tourism. Lisbon is the only Portuguese city besides Porto to be recognised as a global city, it is one of the major economic centres on the continent, with a growing financial sector and one of the largest container ports on Europe's Atlantic coast.
Additionally, Humberto Delgado Airport served 26.7 million passengers in 2017, being the busiest airport in Portugal, the 3rd busiest in the Iberian Peninsula and the 20th busiest in Europe, the motorway network and the high-speed rail system of Alfa Pendular links the main cities of Portugal to Lisbon. The city is the 9th-most-visited city in Southern Europe, after Rome, Barcelona, Venice, Madrid and Athens, with 3,320,300 tourists in 2017; the Lisbon region contributes with a higher GDP PPP per capita than any other region in Portugal. Its GDP amounts to thus $32,434 per capita; the city occupies the 40th place of highest gross earnings in the world. Most of the headquarters of multinational corporations in Portugal are located in the Lisbon area, it is the political centre of the country, as its seat of Government and residence of the Head of State. Lisbon is one of the oldest cities in the world, one of the oldest in Western Europe, predating other modern European capitals such as London and Rome by centuries.
Julius Caesar made it. Ruled by a series of Germanic tribes from the 5th century, it was captured by the Moors in the 8th century. In 1147, the Crusaders under Afonso Henriques reconquered the city and since it has been a major political and cultural centre of Portugal. Unlike most capital cities, Lisbon's status as the capital of Portugal has never been granted or confirmed – by statute or in written form, its position as the capital has formed through constitutional convention, making its position as de facto capital a part of the Constitution of Portugal. One claim repeated in non-academic literature is that the name of Lisbon can be traced back to Phoenician times, referring to a Phoenician term Alis-Ubo, meaning "safe harbour". Roman authors of the first century AD referred to popular legends that the city of Lisbon was founded by the mythical hero Odysseus on his journey home from Troy. Although modern archaeological excavations show a Phoenician presence at this location since 1200 BC, neither of these folk etymologies has any historical credibility.
Lisbon's origin may in fact derive from Proto-Celtic or Celtic Olisippo, Lissoppo, or a similar name which other visiting peoples like the Ancient Phoenicians and Romans adapted accordingly. The name of the settlement may be derived from the pre-Roman appellation for the Tagus River, Lisso or Lucio. Lisbon's name was written Ulyssippo in Latin by a native of Hispania, it was referred to as "Olisippo" by Pliny the Elder and by the Greeks as Olissipo or Olissipona. Lisbon's name is abbreviated to'LX' or'Lx', originating in an antiquated spelling of Lisbon as ‘’Lixbõa’’. While the old spelling has since been dropped from usage and goes against modern language standards, the abbreviation is still used. During the Neolithic period, the region was inhabited by Pre-Celtic tribes, who built religious and funerary monuments, megaliths and menhirs, which still survive in areas on the periphery of Lisbon; the Indo-European Celts invaded in the 1st millennium BC, mixing with the Pre-Indo-European population, thus giving rise to Celtic-speaking local tribes such as the Cempsi.
Although the first fortifications on Lisbon's Castelo hill are known to be no older than the 2nd century BC, recent archaeological finds have shown that Iron Age people occupied the site from the 8th to 6th centuries BC. This indigenous settlement maintained commercial relations with the Phoenicians, which would account for the recent findings of Phoenician pottery and other material objects. Archaeological excavations made near the Castle of São Jorge and Lisbon Cathedral indicate a Phoenician presence at this location since 1200 BC, it can be stated with confidence that a Phoenician trading post stood on a site now the centre of the present city, on the southern slope of the Castle hill; the sheltered harbour in the Tagus River estuary was an ideal spot for an Iberian settlement and would have provided a secure harbour for unloading and provisioning Phoenician ships. The Tagus settlement was an important centre of commercial trade with the inland tribes, providing an outlet for the valuable metals and salted-fish they collected, for the sale of the Lusitanian horses renowned in antiquity.
Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid-1950s. The terms "popular music" and "pop music" are used interchangeably, although the former describes all music, popular and includes many diverse styles. "Pop" and "rock" were synonymous terms until the late 1960s, when they became differentiated from each other. Although much of the music that appears on record charts is seen as pop music, the genre is distinguished from chart music. Pop music is eclectic, borrows elements from other styles such as urban, rock and country. Identifying factors include short to medium-length songs written in a basic format, as well as common use of repeated choruses, melodic tunes, hooks. David Hatch and Stephen Millward define pop music as "a body of music, distinguishable from popular and folk musics". According to Pete Seeger, pop music is "professional music which draws upon both folk music and fine arts music". Although pop music is seen as just the singles charts, it is not the sum of all chart music.
The music charts contain songs from a variety of sources, including classical, jazz and novelty songs. As a genre, pop music is seen to develop separately. Therefore, the term "pop music" may be used to describe a distinct genre, designed to appeal to all characterized as "instant singles-based music aimed at teenagers" in contrast to rock music as "album-based music for adults". Pop music continuously evolves along with the term's definition. According to music writer Bill Lamb, popular music is defined as "the music since industrialization in the 1800s, most in line with the tastes and interests of the urban middle class." The term "pop song" was first used in 1926, in the sense of a piece of music "having popular appeal". Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country and hillbilly music. According to the website of The New Grove Dictionary of Music and Musicians, the term "pop music" "originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced".
The Oxford Dictionary of Music states that while pop's "earlier meaning meant concerts appealing to a wide audience since the late 1950s, pop has had the special meaning of non-classical mus in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc." Grove Music Online states that " in the early 1960s,'pop music' competed terminologically with beat music, while in the US its coverage overlapped with that of'rock and roll'". From about 1967, the term “pop music” was used in opposition to the term rock music, a division that gave generic significance to both terms. While rock aspired to authenticity and an expansion of the possibilities of popular music, pop was more commercial and accessible. According to British musicologist Simon Frith, pop music is produced "as a matter of enterprise not art", is "designed to appeal to everyone" but "doesn't come from any particular place or mark off any particular taste". Frith adds that it is "not driven by any significant ambition except profit and commercial reward and, in musical terms, it is conservative".
It is, "provided from on high rather than being made from below... Pop is not a do-it-yourself music but is professionally produced and packaged". According to Frith, characteristics of pop music include an aim of appealing to a general audience, rather than to a particular sub-culture or ideology, an emphasis on craftsmanship rather than formal "artistic" qualities. Music scholar Timothy Warner said it has an emphasis on recording and technology, rather than live performance; the main medium of pop music is the song between two and a half and three and a half minutes in length marked by a consistent and noticeable rhythmic element, a mainstream style and a simple traditional structure. Common variants include the verse-chorus form and the thirty-two-bar form, with a focus on melodies and catchy hooks, a chorus that contrasts melodically and harmonically with the verse; the beat and the melodies tend to be simple, with limited harmonic accompaniment. The lyrics of modern pop songs focus on simple themes – love and romantic relationships – although there are notable exceptions.
Harmony and chord progressions in pop music are "that of classical European tonality, only more simple-minded." Clichés include the barbershop quartet-style blues scale-influenced harmony. There was a lessening of the influence of traditional views of the circle of fifths between the mid-1950s and the late 1970s, including less predominance for the dominant function. Throughout its development, pop music has absorbed influences from other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, spoken passages from rap. In the 1960s, the majority of mainstream pop music fell in two categories: guitar and bass groups or singers
Forward (association football)
Forwards are the players on an association football team who play nearest to the opposing team's goal, are therefore most responsible for scoring goals. Their advanced position and limited defensive responsibilities mean forwards score more goals on behalf of their team than other players. Modern team formations include one to three forwards. Unconventional formations may include none; the traditional role of a centre-forward is to score the majority of goals on behalf of the team. The player may be used to win long balls or receive passes and retain possession of the ball with their back to goal as teammates advance, in order to provide depth for their team or help teammates score by providing a pass. Most modern centre-forwards operate in front of the second strikers or central attacking midfielders, do the majority of the ball handling outside the box; the present role of centre-forward is sometimes interchangeable with that of an attacking midfielder in the 4–3–1–2 or 4–1–2–1–2 formations.
The term "target man" is used to describe a particular type of striker whose main role is to win high balls in the air and create chances for other members of the team. These players are tall and physically strong, being adept at heading the ball; the term centre-forward is taken from the early football playing formation in which there were five forward players: two outside forwards, two inside forwards, one centre-forward. When numbers were introduced in the 1933 English FA Cup final, one of the two centre-forwards that day wore the number nine – Everton's Dixie Dean a strong, powerful forward who had set the record for the most goals scored in a season in English football during the 1927–28 season; the number would become synonymous with the centre-forward position. The role of a striker is rather different from that of a traditional centre-forward, although the terms centre-forward and striker are used interchangeably at times, as both play further up the field than other players, while tall and technical players, like Zlatan Ibrahimović, have qualities which are suited to both positions.
Like the centre-forward, the traditional role of a striker is to score goals. They are fast players with good ball control and dribbling abilities. More agile strikers like Michael Owen have an advantage over taller defenders due to their short bursts of speed. A good striker should be able to shoot confidently with either foot, possess great power and accuracy, have the ability to link-up with teammates and pass the ball under pressure in breakaway situations. While many strikers wear the number 9 shirt, the position, to a lesser degree, is associated with the number 10, worn by more creative deep-lying forwards such as Pelé, with numbers 7 and 11, which are associated with wingers. Deep-lying forwards have a long history in the game, but the terminology to describe their playing activity has varied over the years; such players were termed inside forwards, creative or deep-lying centre-forwards. More two more variations of this old type of player have developed: the second, or shadow, or support, or auxiliary striker and, in what is in fact a distinct position unto its own, the number 10, exemplified by Dennis Bergkamp.
Other number 10s who play further back, such as Diego Maradona and Zinedine Zidane, are described as an attacking midfielder or the playmaker. The second striker position is a loosely defined and most misapplied description of a player positioned somewhere between the out-and-out striker, whether he is a "target-man" or more of a "poacher", the Number 10 or attacking midfielder, while showing some of the characteristics of both. In fact, a term coined by French advanced playmaker Michel Platini, the "nine-and-a-half", which he used to describe Roberto Baggio's playing role, has been an attempt to become a standard in defining the position. Conceivably, a Number 10 can alternate as a second-striker provided that he is a prolific goalscorer. Second or support strikers do not tend to get as involved in the orchestration of attacks as the Number 10, nor do they bring as many other players into play, since they do not share the burden of responsibility, functioning predominantly as assist providers.
In Italy, this role is known as a "rifinitore" or "seconda punta", whereas in Brazil, it is known as "segundo atacante" or "ponta-de-lança". The position of inside forward was popularly used in the late nineteenth and first half of the twentieth centuries; the inside forwards would support the centre-forward and making space in the opposition defence, and, as the passing game developed, supporting him or her with passes. The role is broadly analogous to the "hole" or second striker position in the modern game, although here there were two such players, known as inside right and inside left. In early 2–3–5 formations the inside-forwards would flank the centre-forward on both sides. With the advent of
In sport, a cap is a metaphorical term for a player's appearance in a game at international level. The term dates from the practice in the United Kingdom of awarding a cap to every player in an international match of association football. In the early days of football, the concept of each team wearing a set of matching shirts had not been universally adopted, so each side would distinguish itself from the other by wearing a specific sort of cap. An early illustration of the first international football match between Scotland and England in 1872 shows the Scottish players wearing cowls, the English wearing a variety of school caps; the practice was first approved on 10 May 1886 for association football after a proposal made by N. Lane Jackson, founder of the Corinthians: That all players taking part for England in future international matches be presented with a white silk cap with red rose embroidered on the front; these to be termed International Caps. The act of awarding a cap is applied to other sports.
Although in some sports physical caps may not now always be given the term "cap" for an international or other appearance has been retained as an indicator of the number of occasions on which a sportsperson has represented a team in a particular sport. Thus, a "cap" is awarded for each game played and so a player who has played x games, for the team, is said to have been capped x times or have won x caps; the practice of awarding a physical cap varies from sport to sport. It may be awarded prior to a player's debut or for national teams, a commemorative cap may be awarded after a player reaches the 100th cap; as an example, the England men's association football teams still awards physical caps. Players are awarded one cap for every match they play — unless they play in a World Cup or European Championship finals tournament, they are given a single cap for the competition — with the names of all their opponents stitched into the fabric of the cap itself. For example, when David Beckham made his one hundredth appearance for England, because a number of his appearances had been at World Cup and European Championship final tournaments for which he received only one cap, he received only his 85th physical cap.
The world record holder for the highest number of international caps as of 5 November 2010 is retired American player Kristine Lilly, who has 354 caps. In men's association football, the record belongs to former player Ahmed Hassan of Egypt; the first footballer to win 100 international caps was Billy Wright of England's Wolverhampton Wanderers. Wright went on to appear 105 times for England, 90 of them. FIFA rules state that any club that refuses to release a player for national team duty is barred from using the player for two matches, a rule, intended to discourage clubs from pretending that the player is injured. However, it is a player's choice to refuse to retire from his or her national team; some current leading holders of association football caps are: 184 – Ahmed Hassan, Egypt 178 – Hossam Hassan, Egypt 178 – Mohamed Al-Deayea, Saudi Arabia 177 – Claudio Suárez, Mexico 178 in Mexican records 169 – Gianluigi Buffon, Italy 168 – Iván Hurtado, Ecuador 167 – Iker Casillas, Spain 166 – Vitālijs Astafjevs, Latvia 164 – Cobi Jones, United States 163 - Sergio Ramos, Spain 163 – Mohammed Al-Khilaiwi, Saudi Arabia 161 – Adnan Al-Talyani, United Arab Emirates 158 – Bader Al-Mutawa, Kuwait 157 – Landon Donovan, United States 354 – Kristine Lilly, United States World record holder 311 – Christie Rampone, United States 275 – Mia Hamm, United States 272 – Julie Foudy, United States 259 - Christine Sinclair, Canada 256 – Abby Wambach, United States 239 – Joy Fawcett, United States 231 – Heather O'Reilly, United States 214 – Birgit Prinz, Germany 214 – Therese Sjögran, SwedenBold denotes players active in international football.
In cricket, there are two types of caps. Firstly, there is the international type; some countries award a domestic type known as a "county cap". The latter system is most applied in English county cricket. Most counties do not automatically award caps to players on their first appearance. Indeed, one can play at the highest domestic level for several years, have a quite significant career in first-class cricket, without winning a cap; the world record for the number of caps in Test cricket is held by Sachin Tendulkar of India, who has, over the course of a 22-year career, collected 200. Tendulkar holds the record for One Day Internationals, with 463 caps. In rugby union, 35 players have reached 100 international caps as of 5 June 2012. Players from England, Scotland and Ireland are eligible for selection to the British and Irish Lions touring squad. Lions matches are classed as full international tests, caps are awarded; the Pacific Islanders team, composed of players from Fiji, Tonga and Cook Islands have a similar arrangement, although no players involved have so far reached 100 caps.
Players still active at Test level are in bold type. Richie McCaw, New Zealand — 148 Brian O'Driscoll, Ireland — 141 George Gregan, Australia — 139 Gethin Jenkins, Wales, 131 — Ronan O'Gara, Ireland — 130 Keven Mealamu, New Zealand — 125 Victor
An exhibition game is a sporting event whose prize money and impact on the player's or the team's rankings is either zero or otherwise reduced. In team sports, matches of this type are used to help coaches and managers select and condition players for the competitive matches of a league season or tournament. If the players play in different teams in other leagues, exhibition games offer an opportunity for the players to learn to work with each other; the games can be held between parts of the same team. An exhibition game may be used to settle a challenge, to provide professional entertainment, to promote the sport, to commemorate an anniversary or a famous player, or to raise money for charities. Several sports leagues hold all-star games to showcase their best players against each other, while other exhibitions games may pit participants from two different leagues or countries to unofficially determine who would be the best in the world. International competitions like the Olympic Games may hold exhibition games as part of a demonstration sport.
In the early days of football, friendlies were the most common type of match. However, since the development of The Football League in England in 1888, league tournaments became established, in addition to lengthy derby and cup tournaments. By the year 2000, national leagues were established in every country throughout the world, as well as local or regional leagues for lower level teams. Since the introduction of league football, most club sides play a number of friendlies before the start of each season. Friendly football matches are considered to be non-competitive and are only used to "warm up" players for a new season/competitive match. There is nothing competitive at stake and some rules may be changed or experimented with; such games take place between a large club and small clubs that play nearby, such as those between Newcastle United and Gateshead. Although most friendlies are one-off matches arranged by the clubs themselves, in which a certain amount is paid by the challenger club to the incumbent club, some teams do compete in short tournaments, such as the Community Shield, Emirates Cup, Teresa Herrera Trophy, International Champions Cup and the Amsterdam Tournament.
Although these events may involve sponsorship deals and the awarding of a trophy and may be broadcast on television, there is little prestige attached to them. International teams play friendlies in preparation for the qualifying or final stages of major tournaments; this is essential, since national squads have much less time together in which to prepare. The biggest difference between friendlies at the club and international levels is that international friendlies take place during club league seasons, not between them; this has on occasion led to disagreement between national associations and clubs as to the availability of players, who could become injured or fatigued in a friendly. International friendlies give team managers the opportunity to experiment with team selection and tactics before the tournament proper, allow them to assess the abilities of players they may select for the tournament squad. Players can be booked in international friendlies, can be suspended from future international matches based on red cards or accumulated yellows in a specified period.
Caps and goals scored count towards a player's career records. In 2004, FIFA ruled that substitutions by a team be limited to six per match in international friendlies in response to criticism that such matches were becoming farcical with managers making as many as 11 substitutions per match. Matches in multinational football tournaments such as the King's Cup, the Kirin Cup, the China Cup are considered international friendlies by FIFA. In the UK and Ireland, "exhibition match" and "friendly match" refer to two different types of games; the types described above as friendlies are not termed exhibition matches, while annual all-star matches such as those held in the US Major League Soccer or Japan's Japanese League are called exhibition matches rather than friendly matches. A one-off match for charitable fundraising involving one or two all-star teams, or a match held in honor of a player for contribution to his/her club, may be described as exhibition matches but they are referred to as charity matches and testimonial matches respectively.
A bounce game is a non-competitive football match played between two sides as part of a training exercise or to give players match practice. Managers may use bounce games as an opportunity to observe a player in action before offering a contract; these games are played on a training ground rather than in a stadium with no spectators in attendance. Exhibition fights were once common in boxing. Jack Dempsey fought many exhibition bouts after retiring. Joe Louis fought a charity fight on his rematch with Buddy Baer, but this was not considered an exhibition as it was for Louis' world Heavyweight title. Muhammad Ali fought many exhibitions, including one with Lyle Alzado. In more modern times, Mike Tyson, Julio Cesar Chavez Sr. Jorge Castro, Óscar de la Hoya and Floyd Mayweather Jr. have been involved in exhibition fights. Although not fought for profit, amateur bouts and sparring sessions are not considered to be exhibition fights. Prior to the
1962 European Cup Final
The 1962 European Cup Final was a football match held at the Olympisch Stadion, Amsterdam, on 2 May 1962, that saw Benfica play against Real Madrid. Benfica defeated their opponents 5 -- 3. S. L. Benfica in European football Real Madrid CF in international football competitions 1961–62 season at the UEFA website European Cup History 1962