Stuff.co.nz
Stuff.co.nz is a New Zealand news website published by Stuff Limited, a subsidiary of Australian company Fairfax Media Ltd. Stuff hosts the websites for Fairfax's New Zealand newspapers, including the country's second- and third-highest circulation daily newspapers, The Dominion Post and The Press, the highest circulation weekly, The Sunday Star-Times, it is a web portal to other Fairfax websites. As of March 2019, the website had an Alexa rank in New Zealand of 7; the former New Zealand media company Independent Newspapers Ltd, owned by News Corp Australia, launched Stuff on 27 June 2000 at a cybercafe in Auckland, after announcing its intention to go online more than a year earlier. The development of Stuff was supported and governed by, the INL Board, Mike Robson, INL CEO, Don Higgins, Corporate Development Manager. Mark Wierzbicki, founding Internet Business Manager, lead development and ongoing management of the Stuff site and team. Advertising agency Saatchi & Saatchi conceived the name "Stuff", INL had to buy the domain name from a cyber squatter.
In its first month, the site had 120,000 unique visitors. At the time, Mark Wierzbicki, described the name as a copywriter's dream, although he conceded that "it's not without risk if we stuff up." The start up website was built by a group of tech companies in Wellington led by project manager Bill Alp and founding CTO & engineering manager Will Everitt and used a software platform from News Corp Australia's news.com.au. On 30 June 2003, INL sold its publishing assets including The Dominion Post, The Press, the Stuff website to Fairfax Media. Fairfax upgraded the website in December 2006, again on 4 March 2009, adding the ability for visitors to personalise the homepage; the first mobile phone news service from Stuff began in 2003, in a partnership with Vodafone New Zealand. On 21 April 2009, Stuff launched a dedicated mobile site, m.stuff.co.nz. For larger news events, the site creates a dedicated section, such as for the Bain family murders retrial and the February 2011 Christchurch earthquake.
During the trial of Clayton Weatherston, press.co.nz, a subsidiary section on Stuff accidentally ran the headline "Guilty of Murder" the day before the jury delivered the verdict. The article was withdrawn, Fairfax executive editor Paul Thompson said it was a mistake "we take seriously."The site has won numerous awards including the Newspaper Publishers' Association awards "Best News Website" for 2010 and 2011. On 17 April 2013, to celebrate the passing of same-sex marriage in New Zealand, the colour of the Stuff logo was changed from black to the colours associated with the pride flag. On 1 February 2018 the parent company of Stuff.co.nz changed its name from Fairfax New Zealand Limited to Stuff Limited. Media of New Zealand Official website Archivestuff
Nîmes
Nîmes is a city in the Occitanie region of southern France. It is the capital of the Gard department. Nîmes is located between the Cévennes mountains; the estimated population of Nîmes is 151,001. Dubbed the most Roman city outside Italy, Nîmes has a rich history dating back to the Roman Empire when the city was a regional capital, home to 50,000–60,000 people. Several famous monuments are in Nîmes, such as the Maison Carrée; because of this, Nîmes is referred to as the French Rome. The city derives its name from that of a spring in the Roman village; the contemporary coat of arms of the city of Nîmes includes a crocodile chained to a palm tree with the inscription COL NEM, for Colonia Nemausus, meaning the "colony" or "settlement" of Nemausus, the local Celtic god of the Volcae Arecomici. Veterans of the Roman legions who had served Julius Caesar in his Nile campaigns, at the end of fifteen years of soldiering, were given plots of land to cultivate on the plain of Nîmes; the city was located on the Via Domitia, a Roman road constructed in 118 BC which connected Italy with Spain.
Its name appears in inscriptions in Gaulish as dede matrebo Namausikabo = "he has given to the mothers of Nîmes" and "toutios Namausatis" = "citizen of Nîmes". The site on which the built-up area of Nîmes has become established in the course of centuries is part of the edge of the alluvial plain of the Vistrenque River which butts up against low hills: to the northeast, Mont Duplan; the Neolithic site of Serre Paradis reveals the presence of semi-nomadic cultivators in the period 4000 to 3500 BC on the future site of Nîmes. The population of the site increased during the thousand-year period of the Bronze Age; the menhir of Courbessac stands near the airstrip. This limestone monolith of over two metres in height dates to about 2500 BC, must be considered the oldest monument of Nîmes; the Bronze Age has left traces of villages that were made out of huts and branches The Warrior of Grezan is considered to be the most ancient indigenous sculpture in southern Gaul. The hill named. During the third and 2nd centuries BC a surrounding wall was built, closed at the summit by a dry-stone tower, incorporated into the masonry of the Tour Magne.
The Wars of Gaul and the fall of Marseille allowed Nîmes to regain its autonomy under Rome. Nîmes became a Roman colony sometime before 28 BC, as witnessed by the earliest coins, which bear the abbreviation NEM. COL, "Colony of Nemausus"; some years a sanctuary and other constructions connected with the fountain were raised on the site. Nîmes was under Roman influence, though it was Augustus who made the city the capital of Narbonne province, gave it all its glory, it was known as the birthplace of the family of Roman Emperor Antoninus Pius. The city had an estimated population of 60,000 in the time of Augustus. Augustus gave the town a ring of ramparts reinforced by fourteen towers. An aqueduct was built to bring water from the hills to the north. Where this crossed the River Gard between Uzes and Remoulins, the spectacular Pont du Gard was built; this is 20 kilometres north east of the city. The Maison Carrée is one of the best preserved temples to be found anywhere in the territory of the former Roman Empire.
Nothing remains of some other monuments, the existence of, known from inscriptions or architectural fragments found in the course of excavations. It is known that the town had a civil basilica, a curia, a gymnasium and a circus; the amphitheatre dates from the end of the 2nd century AD and was one of the largest amphitheatres in the Empire. Emperor Constantine endowed the city with baths, it became the seat of the chief administrative officer of southern Gaul. The town was prosperous until the end of the 3rd century – during the 4th and 5th centuries, the nearby town of Arles enjoyed more prosperity. In the early 5th century the Praetorian Prefecture was moved from Trier in northeast Gaul to Arles; the Visigoths captured the city from the Romans in 473 AD. After the Roman period, in the days of invasion and decadence, the Christian Church established in Gaul since the 1st century AD, appeared to be the last refuge of classical civilization – it was remarkably organized and directed by a series of Gallo-Roman aristocrats.
However, when the Visigoths were accepted into the Roman Empire, Nîmes was included in their territory after the Frankish victory at the Battle of Vouillé. The urban landscape went through transformation with the Goths, but much of the heritage of the Roman era remained intact. By 725, the Muslim Umayyads had conquered the whole Visigothic territory of Septimania including Nîmes. In 736-737, Charles Martel and his brother led an expedition to Septimania and Provence, destroyed the city, including the amphitheatre, thereafter heading back north; the Muslim government came to an end in 752. In 754, an uprising took place against the Carolingian king, but was put down, count Radulf, a Frank, appointed as master of the city. After the events connected with the war, Nîmes was now only a shadow of the opulent Roman city it had once been; the local authorities installed themselves in the remains of the amphitheatre. Car
Biblioteca Nacional de España
The Biblioteca Nacional de España is a major public library, the largest in Spain, one of the largest in the world. It is located on the Paseo de Recoletos; the library was founded by King Philip V in 1712 as the Palace Public Library. The Royal Letters Patent that he granted, the predecessor of the current legal deposit requirement, made it mandatory for printers to submit a copy of every book printed in Spain to the library. In 1836, the library's status as Crown property was revoked and ownership was transferred to the Ministry of Governance. At the same time, it was renamed the Biblioteca Nacional. During the 19th century, confiscations and donations enabled the Biblioteca Nacional to acquire the majority of the antique and valuable books that it holds. In 1892 the building was used to host the Historical American Exposition. On March 16, 1896, the Biblioteca Nacional opened to the public in the same building in which it is housed and included a vast Reading Room on the main floor designed to hold 320 readers.
In 1931 the Reading Room was reorganised, providing it with a major collection of reference works, the General Reading Room was created to cater for students and general readers. During the Spanish Civil War close to 500,000 volumes were collected by the Confiscation Committee and stored in the Biblioteca Nacional to safeguard works of art and books held until in religious establishments and private houses. During the 20th century numerous modifications were made to the building to adapt its rooms and repositories to its expanding collections, to the growing volume of material received following the modification to the Legal Deposit requirement in 1958, to the numerous works purchased by the library. Among this building work, some of the most noteworthy changes were the alterations made in 1955 to triple the capacity of the library's repositories, those started in 1986 and completed in 2000, which led to the creation of the new building in Alcalá de Henares and complete remodelling of the building on Paseo de Recoletos, Madrid.
In 1986, when Spain's main bibliographic institutions - the National Newspaper Library, the Spanish Bibliographic Institute and the Centre for Documentary and Bibliographic Treasures - were incorporated into the Biblioteca Nacional, the library was established as the State Repository of Spain's Cultural Memory, making all of Spain's bibliographic output on any media available to the Spanish Library System and national and international researchers and cultural and educational institutions. In 1990 it was made an Autonomous Entity attached to the Ministry of Culture; the Madrid premises are shared with the National Archaeological Museum. The Biblioteca Nacional is Spain's highest library institution and is head of the Spanish Library System; as the country's national library, it is the centre responsible for identifying, preserving and disseminating information about Spain's documentary heritage, it aspires to be an essential point of reference for research into Spanish culture. In accordance with its Articles of Association, passed by Royal Decree 1581/1991 of October 31, 1991, its principal functions are to: Compile and conserve bibliographic archives produced in any language of the Spanish state, or any other language, for the purposes of research and information.
Promote research through the study and reproduction of its bibliographic archive. Disseminate information on Spain's bibliographic output based on the entries received through the legal deposit requirement; the library's collection consists of more than 26,000,000 items, including 15,000,000 books and other printed materials, 4,500,000 graphic materials, 600,000 sound recordings, 510,000 music scores, more than 500,000 microforms, 500,000 maps, 143,000 newspapers and serials, 90,000 audiovisuals, 90,000 electronic documents, 30,000 manuscripts. The current director of the Biblioteca Nacional is Ana Santos Aramburo, appointed in 2013. Former directors include her predecessors Glòria Pérez-Salmerón and Milagros del Corral as well as historian Juan Pablo Fusi and author Rosa Regàs. Given its role as the legal deposit for the whole of Spain, since 1991 it has kept most of the overflowing collection at a secondary site in Alcalá de Henares, near Madrid; the Biblioteca Nacional provides access to its collections through the following library services: Guidance and general information on the institution and other libraries.
Bibliographic information about its collection and those held by other libraries or library systems. Access to its automated catalogue, which contains close to 3,000,000 bibliographic records encompassing all of its collections. Archive consultation in the library's reading rooms. Interlibrary loans. Archive reproduction. Biblioteca Digital Hispánica, digital library launched in 2008 by the Biblioteca Nacional de España List of libraries in Spain Media related to Biblioteca Nacional de España at Wikimedia Commons Official site Official web catalog
Bullfighter
A bullfighter is a performer in the art of bullfighting. "Torero" or "toureiro" are the Spanish and Portuguese words for bullfighter and describe all the performers in the sport of bullfighting as practised in Spain, Mexico, France, Ecuador and other countries influenced by Portuguese and Spanish culture. The main performer and leader of the entourage in a bullfight, who kills the bull, is addressed as maestro, or with the formal title matador de toros; the other bullfighters in the entourage are called subalternos and their suits are embroidered in silver as opposed to the matador's more-theatrical gold. They include the picadores and banderilleros. In English, a torero is sometimes referred to by the term toreador, popularized by Georges Bizet in his opera Carmen. In Spanish, the word designates bullfighters on horseback, but is little used today, having been entirely displaced by rejoneador. A small number of women have been bullfighters on foot or on horseback. Female matadors have experienced considerable resistance and public hostility from some aficionados and other matadors.
Toreros start fighting younger bulls, are called novilleros. Fighting of mature bulls commences only after a special match, called "the Alternative". At this same bullfight, the novillero is presented to the crowd; the act of bullfighting is not called or considered a stand-alone sport but rather a performance art. There is any formal classification. Further still, bullfighting started more with nobles upon horseback, all lancing bulls with accompanying commoners on foot doing helper jobs; as time went by, the work of the commoners on foot gained in importance up to the point whereupon they became the main and only act. Bullfighting on horseback became a separate and distinct act called "rejoneo", still performed today, although less often. Bullfighting on foot became a means for poor, able-bodied men to achieve fame and fortune, similar to the role of boxing in many countries; when asked why he risked his life, one famous torero answered, Más cornadas da el hambre. Today, it is common for a bullfighter to be born into a family of bullfighters.
The established term, Maletilla or espontáneo, is attributed to those who illegally jump into the ring and attempt to bullfight for their sake and glory. While the practice itself is despised by many spectators and fans alike, such as El Cordobés, started their careers this way. A matador de toros is considered to be both an artist and an athlete, possessing great agility, co-ordination. One of the most famous matadors was Juan Belmonte, whose technique in the ring revolutionized bullfighting and remains an established standard by which a great deal of bullfighters are judged; the style and bravery of the matador is regarded as being, at least important as to whether or not he kills the bull. The most successful matadores used to be treated like pop stars, with matching financial incomes, cult followings and accompanied by lurid tabloid stories about their romantic conquests with women; however today's top matadors earn less, in real terms, than their peers did in the 1960s—and much of mass media coverage is only limited to a handful of matadors known as the "mediáticos", the sum of which do not include any of the nation's prized bullfighters in Spain.
The great personal danger of bullfighting adds to the performing matador's mystique. One of the most famous bullfighters in history, died this way in 1947; the most recent bullfighter to die this way was the matador Iván Fandiño on 17 June 2017 in Aire-sur-l'Adour, France. This hazard is said to be central to the appeal of bullfighting; the American writer Ernest Hemingway was a bullfighting aficionado. Within his fictional works, The Sun Also Rises features a matador and scenes of bullfighting, as do his short stories The Capital of the World and The Undefeated. Outside of fiction, he wrote at length on the subject in Death in the Afternoon and The Dangerous Summer. In 1962, Hollywood producer David Wolper produced "The Story Of A Matador", documenting what it's like to be a matador. In this case, it was the late Matador Jaime Bravo. A picador is a bullfighter who uses a special lance called pica while on horseback to test the bull's strength and to provide clues to the matador on which side the bull is favoring.
They perform in the tercio de varas, the first of the three stages in a Spanish bullfight. The shape of the lance or pica is regulated by Spanish law to prevent serious injury to the bull, viewed as unfair cheating in the past; the bull will charge the horses in the ring and, at the moments prior to contact, the picador lances the bull in a large muscle at the back of the neck. The picador continues to stab at the bull's neck leading to the animal's first major loss of blood. During this time, the bull's injured nape will fatigue—however, as a result of the enraged bull charging, the picador's horse will tussle with avoiding the bull throes
Texcoco, State of Mexico
Texcoco is a city and municipality located in the State of Mexico, 25 km northeast of Mexico City. In the pre-Hispanic era, this was a major Aztec city on the shores of Lake Texcoco. After the Conquest, the city was the second most important after Mexico City, but its importance faded over time, becoming more rural in character. Over the colonial and post-independence periods, most of Lake Texcoco was drained and the city is no longer on the shore and much of the municipality is on lakebed. Numerous Aztec archeological finds have been discovered here, including the 125 tonne stone statue of Tlaloc, which now resides at the Museum of Anthropology in Mexico City. Much of Texcoco's recent history involves the clash of the populace with local and federal authorities; the most serious of these is the continued attempts to develop an airport here, which despite the saturation of the current Mexico City airport, is opposed by local residents. The city and municipality is home to a number of archeological sites, such as the palace of Nezahualcoyotl and Huexotla.
Other important sites include the Cathedral, the Juanino Monastery, Chapingo Autonomous University. The most important annual festival is the Feria Internacional del Caballo, which showcases the area’s agricultural economic base; the official name of the municipality is Texcoco and the official name of the city is Texcoco de Mora, in honor of Dr. José María Luis Mora. However, both are called Texcoco; the name has been spelled a number of other ways over the city’s history including Tetzcuco and Tezcuco. The name is derived from Nahuatl and most means “among the jarilla which grow in crags”. However, there are a number of glyph representations for the place that have appeared the Codex Azcatitlán, the Codex Cruz, the Quinantzin Map and other early colonial documents and this translation cannot be verified 100%; the Paleontological Museum in Tocuila displays part of one of the richest deposits of Late Pleistocene fauna in the Americas, found in an ancient river mouth that used to flow into Lake Texcoco.
While there is no exact date for the first human settlements in Texcoco, it is that the first people here were Toltec or from Teotihuacan. The Xototl and Quinatzin Codices indicate that the first people here were ethnically Chichimeca; this tribe is credited for founding a province known in pre-Hispanic Valley of Mexico as Acolhuacan. The most notable rulers of Acolhuacan, who resided in Texcoco were Nopaltzin, Tlotzin Pochotl, Techotlalatzin, Ixtlixochitl El Viejo, Nezahualcoyotl and Cacamatzin. All of these rulers were considered to be great warriors and priests who influenced the history of this valley; the most prominent of these rulers was Nezahualcoyotl, one of the founders of the Aztec Triple Alliance. During his forty-year reign, the arts and architecture flourished in the dominion. Hernán Cortés arrived to Texcoco in 1519, while Cacamatzin was leader. Here the brigantines to attack Tenochtitlan were constructed in 1521. On Juárez Street there is an obelisk. After the Spanish conquest of the Aztec Empire, Franciscan friars came to Texcoco to evangelize, principally Juan de Tecto, Juan de Ayora and Pedro de Gante.
Gante founded the first primary school in Mesoamerica, teaching Latin, sewing and knitting. He wrote the first catechism in Nahuatl. In the north of the Texcoco cathedral, there is a chapel named after him. In 1551, indigenous leader Fernando Pimentel y Alvarado petitioned to have Texcoco recognized as a city by the Spanish Crown; this petition was granted and it received a coat of arms. While the overall style of the coat of arms is Spanish, the emblems inside, such as a coyote and a warrior with headdress are Aztec. In the early colonial period, Texcoco was the second most important city in New Spain. Despite its initial importance, Texcoco did not develop as a major city like some of its neighbors during the colonial period and for much of the post-independence period, it was important for fishing and agriculture. From 1827 to 1830, Texcoco was the second capital of the State of Mexico, until it was moved to San Agustín de las Cuevas, today Tlalpan. Texcoco became the head of one of the districts of Mexico State in 1837.
The appendage of “de Mora” was added in 1861. In 1919, it became a modern municipality. Leopoldo Flores found a massive 125 tonne Tlaloc statue at Texcoco in 1903. Today, the statue stands in front of the National Museum of Anthropology in Mexico City. There has been a proposal to install a 1:1 replica at the original site, with artists studying over 1,500 photographs of the original. In 2003, archeologists sponsored by the National Geographic, University of Michigan and the Universidad Autónoma de Chapingo discovered a number of pre-Hispanic artifacts in an area, proposed for building an airport; the finds are at areas that are or were the shores of Lake Texcoco and sheds light on water tables over the centuries. Some of the pieces found include ceramics and ceremonial objects. In 2005, traditional crafts vendors blocked the main roads of the historic center of Texcoco to demand that they not be relocated away from the city cathedral, they state that the area is an important meeting point on holidays.
It is estimated that 1,500 people depend on sales made here during festivals such as Day of the Dead, Candelaria and Independence Day. In 2006, there were outbreaks of violence among merchants and farmers versus police in Texcoco an
Bullfighting
Bullfighting is a physical contest that involves humans and animals attempting to publicly subdue, immobilise, or kill a bull according to a set of rules, guidelines, or cultural expectations. There are many different varieties in various locations around the world; some forms involve dancing around or over a cow or bull, or attempting to grasp an object from the animal. The best-known form of bullfighting is Spanish-style bullfighting, a traditional spectacle in countries including Spain, parts of southern France, some Latin American countries. While some forms are sometimes considered to be a blood sport, in some countries, for example Spain, it is defined as an art form or cultural event and relevant regulatory frameworks liken it to other cultural events and heritage. In Spain, toreros are as popular as football stars supported by sponsors and appearing in press. A particular breed of cattle, the Spanish Fighting Bull, is used for this type of bullfighting; these bulls must be bred in large ranches, in conditions as similar as possible to the way they would live in the wild.
There are many historic fighting venues in the Iberian Peninsula and Latin America. The largest venue of its kind is the Plaza México in central Mexico City, which seats 48,000 people, the oldest are the Plazas of Béjar and Ronda, in the Spanish provinces of Salamanca and Málaga. All the bullrings have a complex pricing system, main factors being the sun and shadow, proximity to the action, experience levels of torero; the practice of bullfighting is controversial because of a range of concerns including animal welfare and religion. Bullfighting is illegal in most countries, but remains legal in most areas of Spain and Portugal, as well as in some Hispanic American countries and some parts of southern France. Bullfighting traces its roots to prehistoric bull worship and sacrifice in Mesopotamia and the Mediterranean region; the first recorded bullfight may be the Epic of Gilgamesh, which describes a scene in which Gilgamesh and Enkidu fought and killed the Bull of Heaven. Bull leaping was portrayed in Crete, myths related to bulls throughout Greece.
The killing of the sacred bull is the essential central iconic act of Mithras, commemorated in the mithraeum wherever Roman soldiers were stationed. The oldest representation of what seems to be a man facing a bull is on the Celtiberian tombstone from Clunia and the cave painting El toro de hachos, both found in Spain. Bullfighting is linked to Rome, where many human-versus-animal events were held as competition and entertainment, the Venationes; these hunting games spread to Africa and Asia during Roman times. There are theories that it was introduced into Hispania by the Emperor Claudius, as a substitute for gladiators, when he instituted a short-lived ban on gladiatorial combat; the latter theory was supported by Robert Graves Spanish colonists took the practice of breeding cattle and bullfighting to the American colonies, the Pacific and Asia. In the 19th century, areas of southern and southwestern France adopted bullfighting, developing their own distinctive form. Religious festivities and royal weddings were celebrated by fights in the local plaza, where noblemen would ride competing for royal favor, the populace enjoyed the excitement.
In the Middle Ages across Europe, knights would joust in competitions on horseback. In Spain, they began to fight bulls. In medieval Spain bullfighting was considered a noble sport and reserved to the rich, who could afford to supply and train their animals; the bull was released into a closed arena where a single fighter on horseback was armed with a lance. This spectacle was said to be enjoyed by Charlemagne, Alfonso X the Wise and the Almohad caliphs, among others; the greatest Spanish performer of this art is said to have been the knight El Cid. According to a chronicle of the time, in 1128 "... when Alfonso VII of León and Castile married Berengaria of Barcelona daughter of Ramon Berenguer III, Count of Barcelona at Saldaña among other celebrations, there were bullfights."In the time of Emperor Charles V, Pedro Ponce de Leon was the most famous bullfighter in Spain and a renovator of the technique of killing the bull on a horse with blindfolded eyes. Juan de Quirós, the best Sevillian poet of that time, dedicated to him a poem in Latin, of which Benito Arias Montano transmits some verses.
Francisco Romero, from Ronda, Spain, is regarded as having been the first to introduce the practice of fighting bulls on foot around 1726, using the muleta in the last stage of the fight and an estoc to kill the bull. This type of fighting drew more attention from the crowds, thus the modern corrida, or fight, began to take form, as riding noblemen were replaced by commoners on foot. This new style prompted the construction of dedicated bullrings square, like the Plaza de Armas, round, to discourage the cornering of the action; the modern style of Spanish bullfighting is credited to Juan Belmonte considered the greatest matador of all time. Belmonte introduced a daring and revolutionary style, in which he stayed within a few centimetres of the bull throughout the fight. Although dangerous, his style is still seen by most matadors as the ideal to be emulated. At least five di
Integrated Authority File
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used for documentation in libraries and also by archives and museums; the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero licence; the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, an approach to unambiguous identification of single elements. It comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format; the Integrated Authority File became operational in April 2012 and integrates the content of the following authority files, which have since been discontinued: Name Authority File Corporate Bodies Authority File Subject Headings Authority File Uniform Title File of the Deutsches Musikarchiv At the time of its introduction on 5 April 2012, the GND held 9,493,860 files, including 2,650,000 personalised names.
There are seven main types of GND entities: LIBRIS Virtual International Authority File Information pages about the GND from the German National Library Search via OGND Bereitstellung des ersten GND-Grundbestandes DNB, 19 April 2012 From Authority Control to Linked Authority Data Presentation given by Reinhold Heuvelmann to the ALA MARC Formats Interest Group, June 2012
