1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Samantha Fox
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Samantha Karen Fox is an English dance-pop singer, songwriter, actress, and former glamour model. In 1983, at age 16, she began appearing as a model on Page 3 of British tabloid The Sun. During this time, she became the most popular girl of her era. She later came out as a lesbian, in 1986, she launched her pop-music career with her debut single Touch Me, which hit number one in 17 countries. In 1988, Fox received a Brit Award nomination for Best British Female Artist and she has also appeared in a number of films and reality television shows, and has occasionally worked as a television presenter. Fox was born in Mile End, East London, the eldest daughter of actress Carole Ann Wilken and she has a younger sister, Vanessa, and two half-siblings from her fathers second marriage, Frederica and Frankie. Fox comes from a family of market traders, Fox attended St Thomas More Catholic School, Wood Green and took an interest in the theatre from an early age. She first appeared on a stage at age three, and was enrolled in the Anna Scher Theatre School from age 15. The next year she got her first record deal, with Lamborghini Records, in 1983, when Fox was 16, her mother submitted several photographs that she had taken of her daughter in lingerie to The Sunday People newspapers Girl of the Year amateur modelling contest. She came in out of 20,000 entrants and the photographs drew her to the attention of the newspaper The Sun. Her parents gave their consent for her to pose topless, and she signed a four-year Page 3 modelling contract with the Sun, and won its Page 3 Girl of the Year award for three consecutive years between 1984 and 1986. She is recognized today as the most popular girl of her era. In 1986, Fox retired from Page 3 modelling, at the age of 20, in 1995, aged 29, she made a one-off appearance in The Sun to promote Page 3s 25th anniversary. After receiving an overwhelmingly positive reader response, she appeared in the every day of that week. The following year, she appeared in the October issue of Playboy magazine, in 2008, Fox was voted the top Page 3 girl of all time. In December 2009, her latest compilation was issued, Greatest Hits, in 2012 her first 4 albums were-re-issued as double deluxe CDs by Cherry Red. In the late 1980s, Fox appeared in advertisements for Leicestershire-based car dealership network with the slogan Follow the Fox to Swithland Motors. Around the same time, she appeared in television adverts for bingo in The Sun newspaper
3.
Dance-pop
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Dance-pop is a pop and dance subgenre that originated in the early 1980s. It is generally up-tempo music intended for nightclubs with the intention of being danceable, the genre, on the whole, tends to be producer-driven, despite some notable exceptions. Dance-pop borrowed influences from other genres, which varied by producer, artist, such include contemporary R&B, house, trance, techno, new jack swing, funk, synthpop, electropop and some forms of europop. Dance-pop is a mainstream style of music and there have been numerous pop artists. As the term started to go out of fashion by the late 1970s to early 1980s, other terms were commonly used to describe disco-based music, such as post-disco, club. Dance-pop music emerged in the 1980s as a combination of dance and pop, or post-disco, Dance-pop music was usually created, composed and produced by record producers who would then hire singers to perform the songs. In the beginning of the 80s disco was an anathema to the mainstream pop, according to prominent Allmusic critic Stephen Thomas Erlewine, Madonna had a huge role in popularizing dance music as mainstream music, utilizing her charisma, chutzpah and sex appeal. Erlewine claimed that Madonna launched dance-pop and set the standard for the genre for the two decades. The staff of Vice magazine stated that her debut album drew the blueprint for future dance-pop, in the 1980s dance-pop was closely aligned to other up-tempo electronic genres, such as Hi-NRG. Prominent producers in the 1980s included Stock, Aitken and Waterman, during the decade, dance-pop borrowed influences from funk, new jack swing, and contemporary R&B. Other prominent dance-pop artists and groups of the 1980s included the Pet Shop Boys, Mel and Kim, Samantha Fox, Debbie Gibson, by the 1990s, dance-pop had become a major genre in popular music. Several dance-pop groups and artists emerged during the 1990s, such as the Spice Girls, Britney Spears, Christina Aguilera, Jessica Simpson, Backstreet Boys, during the early 1990s, dance-pop borrowed influences from house music, as well as contemporary R&B and new jack swing. Additionally, also in 1998, Cher released a song called Believe which made usage of a technological innovation of the time. An audio processor and a form of pitch modification software, Auto-Tune is commonly used as a way to correct pitch, since the late 1990s, the use of Auto-Tune processing has become a common feature of dance-pop music. Celine Dion also released a dance-pop song Thats the Way It Is by the end of 1999 and it has a moderately slow tempo but an up-beat song. At the beginning of the 2000s, dance-pop music was still prominent, nonetheless, as R&B and hip hop became extremely popular from the early part of the decade onwards, dance-pop often borrowed a lot of its influences from urban music. Dance-pop stars from the 1980s and 1990s such as Britney Spears, Christina Aguilera, Madonna, Janet Jackson, in Madonnas case, her album Music contained elements of Euro disco, especially the successful eponymous lead single. Britney Spears album Blackout contained influences of Euro disco, the mid-to-late 2000s saw the arrival of several new dance-pop artists, including Rihanna, Kesha, Lady Gaga and Katy Perry
4.
Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions
5.
Rock music
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It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of genres such as electric blues and folk. Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Punk was an influence into the 1980s on the subsequent development of subgenres, including new wave, post-punk. From the 1990s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. A group of musicians performing rock music is termed a rock band or rock group, Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late 1940s and early 1950s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis
6.
Jive Records
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Jive Records was an American record label under the RCA Music Group formed in 1981 by Zomba Records. Formerly headquartered in New York City, the label was best known for a string of successes with hip hop artists in the 1980s, and also in teen pop and boy bands during the 1990s, jIVEs best-selling artists worldwide were the Backstreet Boys, *NSYNC, and Britney Spears. Today, the Jive brand is being used under the Sony Music France division under the name JIVE Epic France. In 1971, South African musicians Clive Calder and Ralph Simon began a publishing and it was named Zomba Records and relocated to London, England, four years later, their first client was a young Robert Mutt Lange. Zomba originally wanted to record labels, choosing instead to focus on their songwriters and producers while allowing other established labels to release the material. Later that decade, the opened offices in the US. In 1981, Zomba formed JIVE Records, whose operations began with the release of British dance and pop music such as Q-Feel, A Flock of Seagulls and its name was inspired by township JIVE, a type of music that originated in South Africa. Davis had hoped that Zombas connection with Mutt Lange would help alleviate the difficulties Arista was having finding potentially successful rock acts. By 1982, Calder was introduced to Barry Weiss, a college graduate who took Calder out to hip-hop clubs in New York City for his job interview with Zomba. He was immediately impressed, Together, they began grooming musicians for what would eventually become Whodini, after two days, the group created and recorded its hit single Magics Wand. While the group would eventually leave JIVE, the success allowed the label to focus on hip-hop artists throughout the 1980s. In 1987, JIVE cut distribution ties with Arista, effectively separating them from Daviss authority, who eschewed hip-hop. As the 1980s drew to a close, the label entered a deal with RCA Records, by the late 1990s, JIVE began signing pop acts Backstreet Boys, NSYNC, and Britney Spears. All three achieved massive success as the 2000s dawned, becoming the three best-selling acts in the labels history, in 1991, Barry Weiss became CEO and president of JIVE Records. After two decades, he left JIVE in March 2011 for Universal Music Group, the company was later reorganized with some artists moving to a restructured Epic Records, while others stayed with JIVE as it moved under the RCA Music Group. In April 2011, it was reported that Jay-Z had outbid executives at JIVE to acquire independent record label Block Starz Music. On October 7,2011, it was announced that JIVE, along with Arista and J Records would be shut down to refresh, all artists on those labels were moved to RCA Records. JIVE Records remains active in France as JIVE Epic, serving as the label for international pop
7.
I Wanna Have Some Fun
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I Wanna Have Some Fun is the third album by Samantha Fox, released in November 1988 by Jive Records. The album is a mixture of dance pop, R&B and bubblegum, replete with drum machines. The album was produced by various producers covering the Euro-pop sound, the first single released from the album in the UK was Love House, released November 1988, it reached #32. In the United States the first single release I Wanna Have Some Fun fared even better, produced by Full-Force, it reached #8 in the US Top Ten, though when released as the third single in the UK, in June 1989, only managed #63. The second single released in the UK in January 1989, I Only Wanna Be with You, was her biggest UK hit in over a year and this was also the second single in the US where it peaked inside the Billboard top 40 at #31. Love House, on its release as the single in the US. No further singles were released from the album, although Your House Or My House was reported by the fan club to be in the running for a Canadian single release
