Folk rock is a hybrid music genre combining elements of folk music and rock music, which arose in the United States and the United Kingdom in the mid-1960s. In the U. S. folk rock emerged from the folk music revival and the influence that the Beatles and other British Invasion bands had on members of that movement. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their preexisting folk repertoire, adopting the use of electric instrumentation and drums in a way discouraged in the U. S. folk community. The term "folk rock" was used in the U. S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums Bringing It All Back Home, Highway 61 Revisited, Blonde on Blonde —encouraged other folk acts, such as Simon & Garfunkel, to use electric backing on their records and new groups, such as Buffalo Springfield, to form.
Dylan's controversial appearance at the Newport Folk Festival on 25 July 1965, where he was backed by an electric band, was a pivotal moment in the development of the genre. During the late 1960s in Britain and Europe, a distinct, eclectic British folk rock style was created by Pentangle, Fairport Convention and Alan Stivell. Inspired by British psychedelic folk and the North American style of folk rock, British folk rock bands began to incorporate elements of traditional British folk music into their repertoire, leading to other variants, including the overtly English folk rock of the Albion Band and Celtic rock. In its earliest and narrowest sense, the term "folk rock" refers to the blending of elements of folk music and rock music, which arose in the U. S. and UK in the mid-1960s. The genre was pioneered by the Byrds, who began playing traditional folk music and songs by Bob Dylan with rock instrumentation, in a style influenced by the Beatles and other British Invasion bands; the term "folk rock" was coined by the U.
S. music press to describe the Byrds' music in June 1965, the month in which the band's debut album was issued. Dylan contributed to the creation of the genre, with his recordings utilizing rock instrumentation on the albums Bringing It All Back Home, Highway 61 Revisited, Blonde on Blonde. In a broader sense, folk rock encompasses inspired musical genres and movements in different regions of the world. Folk rock may lean more towards either folk or rock in instrumentation and vocal style, choice of material. While the original genre draws on music of Europe and North America, there is no clear delineation of which other culture's music might be included as influences; the term is not associated with blues-based rock music, African American music, Cajun-based rock music, nor music with non-European folk roots. There are some exceptions; the American folk-music revival began during the 1940s. In 1948, Seeger formed the Weavers, whose mainstream popularity set the stage for the folk revival of the 1950s and early 1960s and served to bridge the gap between folk, popular music, topical song.
The Weavers' sound and repertoire of traditional folk material and topical songs directly inspired the Kingston Trio, a three-piece folk group who came to prominence in 1958 with their hit recording of "Tom Dooley". The Kingston Trio provided the template for a flood of "collegiate folk" groups between 1958 and 1962. At the same time as these "collegiate folk" vocal groups came to national prominence, a second group of urban folk revivalists, influenced by the music and guitar picking styles of folk and blues artist such as Woody Guthrie, Lead Belly, Brownie McGhee, Josh White came to the fore. Many of these urban revivalists were influenced by recordings of traditional American music from the 1920s and 1930s, reissued by Folkways Records. While this urban folk revival flourished in many cities, New York City, with its burgeoning Greenwich Village coffeehouse scene and population of topical folk singers, was regarded as the centre of the movement. Out of this fertile environment came such folk-protest luminaries as Bob Dylan, Tom Paxton, Phil Ochs, Peter and Mary, many of whom would transition into folk rock performers as the 1960s progressed.
The vast majority of the urban folk revivalists shared a disdain for the values of mainstream American mass culture and led many folk singers to begin composing their own "protest" material. The influence of this folk-protest movement would manifest itself in the sociopolitical lyrics and mildly anti-establishment sentiments of many folk rock songs, including hit singles such as "Eve of Destruction", "Like a Rolling Stone", "For What It's Worth", "Let's Live for Today". During the 1950s and early 1960s in the UK, a parallel folk revival referred to as the second British folk revival, was led by folk singers Ewan MacColl and Bert Lloyd. Both viewed British folk music as a vehicle for leftist political concepts and an antidote to the American-dominated popular music of the time. However, it wasn't until 1956 and the advent of the skiffle craze that the British folk revival crossed over into the mainstream and connected with British youth culture. Skiffle renewed popularity of folk music forms in Britain and led directly to the progressive folk movement and the attendant B
Rock and roll
Rock and roll is a genre of popular music that originated and evolved in the United States during the late 1940s and early 1950s from musical styles such as gospel, jump blues, boogie woogie, rhythm and blues, along with country music. While elements of what was to become rock and roll can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954. According to Greg Kot, "rock and roll" refers to a style of popular music originating in the U. S. in the 1950s prior to its development by the mid-1960s into "the more encompassing international style known as rock music, though the latter continued to be known as rock and roll." For the purpose of differentiation, this article deals with the first definition. In the earliest rock and roll styles, either the piano or saxophone was the lead instrument, but these instruments were replaced or supplemented by guitar in the middle to late 1950s; the beat is a dance rhythm with an accentuated backbeat, always provided by a snare drum.
Classic rock and roll is played with one or two electric guitars, a double bass or string bass or an electric bass guitar, a drum kit. Beyond a musical style and roll, as seen in movies, in fan magazines, on television, influenced lifestyles, fashion and language. In addition and roll may have contributed to the civil rights movement because both African-American and white American teenagers enjoyed the music, it went on to spawn various genres without the characteristic backbeat, that are now more called "rock music" or "rock". The term "rock and roll" now has at least two different meanings, both in common usage; the American Heritage Dictionary and the Merriam-Webster Dictionary both define rock and roll as synonymous with rock music. Encyclopædia Britannica, on the other hand, regards it as the music that originated in the mid-1950s and developed "into the more encompassing international style known as rock music"; the phrase "rocking and rolling" described the movement of a ship on the ocean, but was used by the early twentieth century, both to describe the spiritual fervor of black church rituals and as a sexual analogy.
Various gospel and swing recordings used the phrase before it became used more – but still intermittently – in the 1940s, on recordings and in reviews of what became known as "rhythm and blues" music aimed at a black audience. In 1934, the song "Rock and Roll" by the Boswell Sisters appeared in the film Transatlantic Merry-Go-Round. In 1942, Billboard magazine columnist Maurie Orodenker started to use the term "rock-and-roll" to describe upbeat recordings such as "Rock Me" by Sister Rosetta Tharpe. By 1943, the "Rock and Roll Inn" in South Merchantville, New Jersey, was established as a music venue. In 1951, Ohio, disc jockey Alan Freed began playing this music style while popularizing the phrase to describe it; the origins of rock and roll have been fiercely debated by historians of music. There is general agreement that it arose in the Southern United States – a region that would produce most of the major early rock and roll acts – through the meeting of various influences that embodied a merging of the African musical tradition with European instrumentation.
The migration of many former slaves and their descendants to major urban centers such as St. Louis, New York City, Chicago and Buffalo meant that black and white residents were living in close proximity in larger numbers than before, as a result heard each other's music and began to emulate each other's fashions. Radio stations that made white and black forms of music available to both groups, the development and spread of the gramophone record, African-American musical styles such as jazz and swing which were taken up by white musicians, aided this process of "cultural collision"; the immediate roots of rock and roll lay in the rhythm and blues called "race music", country music of the 1940s and 1950s. Significant influences were jazz, gospel and folk. Commentators differ in their views of which of these forms were most important and the degree to which the new music was a re-branding of African-American rhythm and blues for a white market, or a new hybrid of black and white forms. In the 1930s, swing, both in urban-based dance bands and blues-influenced country swing, were among the first music to present African-American sounds for a predominantly white audience.
One noteworthy example of a jazz song with recognizably rock and roll elements is Big Joe Turner with pianist Pete Johnson's 1939 single Roll'Em Pete, regarded as an important precursor of rock and roll. The 1940s saw the increased use of blaring horns, shouted lyrics and boogie woogie beats in jazz-based music. During and after World War II, with shortages of fuel and limitations on audiences and available personnel, large jazz bands were less economical and tended to be replaced by smaller combos, using guitars and drums. In the same period on the West Coast and in the Midwest, the development of jump blues, with its guitar riffs, prominent beats and shouted lyrics, prefigured many developments. In the documentary film Hail! Hail! Rock'n' Roll, Keith Richards proposes that Chuck Berry developed his brand of rock and roll by transposing the familiar two-note lead line of jump blues piano directly to the electric guitar, creatin
A documentary film is a nonfictional motion picture intended to document some aspect of reality for the purposes of instruction, education, or maintaining a historical record. "Documentary" has been described as a "filmmaking practice, a cinematic tradition, mode of audience reception", continually evolving and is without clear boundaries. Documentary films were called'actuality' films and were only a minute or less in length. Over time documentaries have evolved to be longer in length and to include more categories, such as educational and even'docufiction'. Documentaries are educational and used in schools to teach various principles. Social media platforms such as YouTube, have allowed documentary films to improve the ways the films are distributed and able to educate and broaden the reach of people who receive the information. Polish writer and filmmaker Bolesław Matuszewski was among those who identified the mode of documentary film, he wrote two of the earliest texts on cinema Une nouvelle source de l'histoire and La photographie animée.
Both were published in 1898 in French and among the early written works to consider the historical and documentary value of the film. Matuszewski is among the first filmmakers to propose the creation of a Film Archive to collect and keep safe visual materials. In popular myth, the word documentary was coined by Scottish documentary filmmaker John Grierson in his review of Robert Flaherty's film Moana, published in the New York Sun on 8 February 1926, written by "The Moviegoer". Grierson's principles of documentary were that cinema's potential for observing life could be exploited in a new art form. In this regard, Grierson's definition of documentary as "creative treatment of actuality" has gained some acceptance, with this position at variance with Soviet film-maker Dziga Vertov's provocation to present "life as it is" and "life caught unawares"; the American film critic Pare Lorentz defines a documentary film as "a factual film, dramatic." Others further state that a documentary stands out from the other types of non-fiction films for providing an opinion, a specific message, along with the facts it presents.
Documentary practice is the complex process of creating documentary projects. It refers to what people do with media devices, content and production strategies in order to address the creative and conceptual problems and choices that arise as they make documentaries. Documentary filmmaking can be used as a form of advocacy, or personal expression. Early film was dominated by the novelty of showing an event, they were single-shot moments captured on film: a train entering a station, a boat docking, or factory workers leaving work. These short films were called "actuality" films. Many of the first films, such as those made by Auguste and Louis Lumière, were a minute or less in length, due to technological limitations. Films showing many people were made for commercial reasons: the people being filmed were eager to see, for payment, the film showing them. One notable film clocked in at over an hour and The Corbett-Fitzsimmons Fight. Using pioneering film-looping technology, Enoch J. Rector presented the entirety of a famous 1897 prize-fight on cinema screens across the United States.
In May 1896, Bolesław Matuszewski recorded on film few surigical operations in Warsaw and Saint Petersburg hospitals. In 1898, French surgeon Eugène-Louis Doyen invited Bolesław Matuszewski and Clément Maurice and proposed them to recorded his surigical operations, they started in Paris a series of surgical films sometime before July 1898. Until 1906, the year of his last film, Doyen recorded more than 60 operations. Doyen said that his first films taught him how to correct professional errors he had been unaware of. For scientific purposes, after 1906, Doyen combined 15 of his films into three compilations, two of which survive, the six-film series Extirpation des tumeurs encapsulées, the four-film Les Opérations sur la cavité crânienne; these and five other of Doyen's films survive. Between July 1898 and 1901, the Romanian professor Gheorghe Marinescu made several science films in his neurology clinic in Bucharest: Walking Troubles of Organic Hemiplegy, The Walking Troubles of Organic Paraplegies, A Case of Hysteric Hemiplegy Healed Through Hypnosis, The Walking Troubles of Progressive Locomotion Ataxy, Illnesses of the Muscles.
All these short films have been preserved. The professor called his works "studies with the help of the cinematograph," and published the results, along with several consecutive frames, in issues of "La Semaine Médicale" magazine from Paris, between 1899 and 1902. In 1924, Auguste Lumiere recognized the merits of Marinescu's science films: "I've seen your scientific reports about the usage of the cinematograph in studies of nervous illnesses, when I was still receiving "La Semaine Médicale," but back I had other concerns, which left me no spare time to begin biological studies. I must say I am thankful to you that you reminded them to me. Not many scientists have followed your way." Travelogue films were popular in the early part of the 20th century. They were referred to by distributors as "scenics." Scenics were among the most popu
The Ojibwe, Chippewa, or Saulteaux are an Anishinaabe people of Canada and the United States. They are one of the most numerous indigenous peoples north of the Rio Grande. In Canada, they are the second-largest First Nations population, surpassed only by the Cree. In the United States, they have the fifth-largest population among Native American peoples, surpassed in number only by the Navajo, Cherokee and Sioux; the Ojibwe people traditionally speak the Ojibwe language, a branch of the Algonquian language family. They are part of the Council of Three Fires and the Anishinaabeg, which include the Algonquin, Oji-Cree and the Potawatomi. Through the Saulteaux branch, they were a part of the Iron Confederacy, joining the Cree and Metis; the majority of the Ojibwe people live in Canada. There are 77,940 mainline Ojibwe, they live from western Quebec to eastern British Columbia. As of 2010, Ojibwe in the US census population is 170,742; the Ojibwe are known for their birch bark canoes, birch bark scrolls and trade in copper, as well as their cultivation of wild rice and Maple syrup.
Their Midewiwin Society is well respected as the keeper of detailed and complex scrolls of events, oral history, maps, stories and mathematics. The Ojibwe people underwent colonization by Settler-Canadians, they signed treaties with settler leaders, many European settlers soon inhabited the Ojibwe ancestral lands. The exonym for this Anishinaabe group is Ojibwe; this name is anglicized as "Ojibwa" or "Ojibway". The name "Chippewa" is an alternative anglicization. Although many variations exist in literature, "Chippewa" is more common in the United States, "Ojibway" predominates in Canada, but both terms are used in each country. In many Ojibwe communities throughout Canada and the U. S. since the late 20th century, more members have been using the generalized name Anishinaabe. The exact meaning of the name Ojibwe is not known; some 19th century sources say this name described a method of ritual torture that the Ojibwe applied to enemies. Ozhibii'iwe, meaning "those who keep records ", referring to their form of pictorial writing, pictographs used in Midewiwin sacred rites.
Because many Ojibwe were located around the outlet of Lake Superior, which the French colonists called Sault Ste. Marie for its rapids, the early Canadian settlers referred to the Ojibwe as Saulteurs. Ojibwe who subsequently moved to the prairie provinces of Canada have retained the name Saulteaux; this is disputed. Ojibwe who were located along the Mississagi River and made their way to southern Ontario are known as the Mississaugas; the Ojibwe language is known as Anishinaabemowin or Ojibwemowin, is still spoken, although the number of fluent speakers has declined sharply. Today, most of the language's fluent speakers are elders. Since the early 21st century, there is a growing movement to revitalize the language, restore its strength as a central part of Ojibwe culture; the language belongs to the Algonquian linguistic group, is descended from Proto-Algonquian. Its sister languages include Blackfoot, Cree, Menominee and Shawnee among the northern Plains tribes. Anishinaabemowin is referred to as a "Central Algonquian" language.
Ojibwemowin is the fourth-most spoken Native language in North America after Navajo and Inuktitut. Many decades of fur trading with the French established the language as one of the key trade languages of the Great Lakes and the northern Great Plains; the popularity of the epic poem The Song of Hiawatha, written by Henry Wadsworth Longfellow in 1855, publicized the Ojibwe culture. The epic contains many toponyms. According to Ojibwe oral history and from recordings in birch bark scrolls, the Ojibwe originated from the mouth of the St. Lawrence River on the Atlantic coast of what is now Quebec, they traded across the continent for thousands of years as they migrated, knew of the canoe routes to move north, west to east, south in the Americas. The identification of the Ojibwe as a culture or people may have occurred in response to contact with Europeans; the Europeans tried to identify those they encountered. According to Ojibwe oral history, seven great miigis beings appeared to them in the Waabanakiing to teach them the mide way of life.
One of the seven great miigis beings was too spiritually powerful and killed the people in the Waabanakiing when they were in its presence. The six great miigis beings remained to teach; the six great miigis beings established doodem for people in the east, symbolized by animal, fish or bird species. The five original Anishinaabe doodem were the Wawaazisii, Aan'aawenh and Moozoonsii these six miigis beings returned into the ocean as well. If the seventh miigis being had stayed
University of Minnesota
The University of Minnesota, Twin Cities is a public research university in Minneapolis and Saint Paul, Minnesota. The Minneapolis and St. Paul campuses are 3 miles apart, the St. Paul campus is in neighboring Falcon Heights, it is the oldest and largest campus within the University of Minnesota system and has the sixth-largest main campus student body in the United States, with 50,943 students in 2018-19. The university is the flagship institution of the University of Minnesota system, is organized into 19 colleges and schools, with sister campuses in Crookston, Duluth and Rochester; the University of Minnesota is one of America's Public Ivy universities, which refers to top public universities in the United States capable of providing a collegiate experience comparable with the Ivy League. Founded in 1851, The University of Minnesota is categorized as a Doctoral University – Highest Research Activity in the Carnegie Classification of Institutions of Higher Education. Minnesota is a member of the Association of American Universities and is ranked 14th in research activity with $881 million in research and development expenditures in the fiscal year ending June 30, 2015.
The University of Minnesota faculty and researchers have won 30 Nobel Prizes and three Pulitzer Prizes. Notable University of Minnesota alumni include two Vice Presidents of the United States, Hubert Humphrey and Walter Mondale, Bob Dylan, who received the 2016 Nobel Prize in Literature; the university organization structure consists of 19 colleges and other major academic units: The university has six university-wide interdisciplinary centers and institutes whose work crosses collegiate lines: Center for Cognitive Sciences Consortium on Law and Values in Health and the Life Sciences Institute for Advanced Study at University of Minnesota Institute for Translational Neuroscience Institute on the Environment Minnesota Population Center In 2018, Minnesota was ranked 37th in the world by the Academic Ranking of World Universities. The Times Higher Education World University Rankings for 2015 ranks Minnesota 46th in the world; the Center for World University Rankings ranked the university 35th in the world and 25th in the United States in 2018.
In 2016, the Nature Index ranked Minnesota 34th in the world based on research publication data from 2015. In 2015, Academic Ranking of World Universities ranked the university 11th in the world for mathematics; the University of Minnesota is ranked 14 overall among the nation's top research universities by the Center for Measuring University Performance. The university's research and development expenditures ranked 13th–15th among U. S. academic institutions in the 2010 through 2015 National Science Foundation reports. The U. S. News & World Report's 2016 rankings placed the undergraduate program of the university as the 69th-best National University in the United States, it ranked the Chemical Engineering program third-best, the Doctor of Pharmacy program third best, the Economics PhD program tenth, Psychology eighth, Statistics sixteenth, Audiology ninth, the University of Minnesota Medical School 6th for primary care and 34th for research. The Law School recognized as a'Top Law School' by U.
S. News & World Report, is ranked 20th in the nation, is a national leader in commercial law, international law, clinical education. Additionally, nineteen of the university's graduate-school departments have been ranked in the nation's top-twenty by the U. S. National Research Council. In 2008 and 2012 U. S. News & World Report ranked the College of Pharmacy 2nd in the nation. 2016 U. S. News & Report now rank the College of Pharmacy 2nd in the nation. In 2011, U. S. News & World Report ranked the School of Public Health 8th in the nation, home to the 2nd ranked program for the Master of Healthcare Administration degree; the University of Minnesota ranked 19th in NIH funding in 2008. Minnesota is listed as a "Public Ivy" in 2001 Greenes' Guides The Public Ivies: America's Flagship Public Universities. U. S. News & World Report has ranked the Nursing Informatics program of University of Minnesota as 2nd best in the nation; the university is known for innovation in research. The inventions by students and faculty have ranged from food science to health technologies.
Most of the public research funding in Minnesota is funneled to the University of Minnesota as a result of long standing advocacy by the university itself. The university developed Gopher, a precursor to the World Wide Web which used hyperlinks to connect documents across computers on the internet. However, the version produced by CERN was favored by the public since it was distributed and could more handle multimedia webpages; the university houses the Charles Babbage Institute, a research and archive center specializing in computer history. The department has strong roots in the early days of supercomputing with Seymour Cray of Cray supercomputers; the university became a member of the Laser Interferometer Gravitational-wave Observatory in 2007, has led data analysis projects searching for gravitational waves – the existence of which were confirmed by scientists in February 2016. Puffed rice – Alexander P. Anderson led to the discovery of "puffed rice", a starting point for a new breakfast cereal advertised as "Food Shot From Guns".
Transistorized cardiac pacemaker – Earl Bakken founded Medtronic, where he developed the first external, battery-operated, wearable artificial pacemaker in 1957. ATP synthase – Paul D. Boyer elucidated the enzymatic mechanism for synthesis of adenosine triphosphate, leading to a Nobel Prize in 1997
Indigenous music of North America
Indigenous music of North America, which includes American Indian music or Native American music, is the music, used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-tribal and intertribal genres as well as distinct Native American subgenres of popular music including: rock, hip hop, film music, reggae, as well as unique popular styles like chicken scratch and New Mexico music. Singing and percussion are the most important aspects of traditional Native American music. Vocalization takes many forms, ranging from solo and choral song to responsorial and multipart singing. Percussion drums and rattles, are common accompaniment to keep the rhythm steady for the singers, who use their native language or non-lexical vocables.
Traditional music begins with slow and steady beats that grow faster and more emphatic, while various flourishes like drum and rattle tremolos and accented patterns add variety and signal changes in performance for singers and dancers. Native American song texts include both public pieces and secret songs, said to be "ancient and unchanging", which are used for only sacred and ceremonial purposes. There are public sacred songs, as well as ritual speeches that are sometimes perceived as musical because of their use of rhythm and melody; these ritual speeches directly describe the events of a ceremony, the reasons and ramifications of the night. Vocables, or lexically meaningless syllables, are a common part of many kinds of Native American songs, they mark the beginning and end of phrases, sections or songs themselves. Songs make frequent use of vocables and other untranslatable elements. Songs that are translatable include historical songs, like the Navajo "Shi' naasha', which celebrates the end of Navajo internment in Fort Sumner, New Mexico in 1868.
Tribal flag songs and national anthems are a major part of the Native American musical corpus, are a frequent starter to public ceremonies powwows. Native American music includes a range of courtship songs, dancing songs and popular American or Canadian tunes like "Amazing Grace, "Dixie", "Jambalaya" and "Sugar Time". Many songs celebrate planting season or other important times of year. Native American music plays a vital role in history and education, with ceremonies and stories orally passing on ancestral customs to new generations. Native American ceremonial music is traditionally said to originate from deities or spirits, or from respected individuals. Rituals are shaped by every aspect of song and costuming, each aspect informs about the "makers and symbols important to the nation, village, family, or individual". Native Americans perform stories through song and dance, the historical facts thus propagated are an integral part of Native American beliefs. Epic legends and stories about culture heroes are a part of tribal music traditions, these tales are an iconic part of local culture.
They can vary from year to year, with leaders recombining and introducing slight variations. The Pueblo compose a number of new songs each year in a committee which uses visions; the styles and purposes of music vary between and among each Native American tribe. However, a common concept amongst many indigenous groups is a conflation of power. For example, the Pima people feel many of their songs were given in the beginning and sung by the Creator, it was believed that some people have more of an inclination to musical talent than others because of an individual's peculiar power. Within various Native American communities, gender plays an important role in music. Men and women play sex-specific roles in many musical activities. Instruments and dances are peculiar to one or the other sex, many musical settings are controlled by sex. In modern powwows, women play a vital role as backup dancers; the Cherokee people, for example, hold dances before stickball games. At these pre-game events and women perform separate dances and follow separate regulations.
Men will dance in a circle around a fire. Men sing their own songs. Whereas the men's songs invoke power, the women's songs draw power away from the opposing stickball team. In some societies, there are customs. For the Southern Plains Indians, it is believed that the first drum was given to a woman by the Great Spirit, who instructed her to share it with all women of native nations. However, there exist prohibitions against women sitting at the Beg Drum. Many tribal music cultures have a relative paucity of traditional women's songs and dances in the Northeast and Southeast regions; the Southeast is, home to a prominent women's musical tradition in the use of leg rattles for ceremonial stomp and friendship dances, the women's singing during Horse and Ball Game contests. The West Coast tribes of North America tend to more prominence in women's music, with special women's love songs, medicine songs and handgame songs. Women play a vital ceremonial role in the Sun Dance of the Great Plains and Great Basin, sing during social dances.
Shoshone women s
MusicBrainz is a project that aims to create an open data music database, similar to the freedb project. MusicBrainz was founded in response to the restrictions placed on the Compact Disc Database, a database for software applications to look up audio CD information on the Internet. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become a structured open online database for music. MusicBrainz captures information about artists, their recorded works, the relationships between them. Recorded works entries capture at a minimum the album title, track titles, the length of each track; these entries are maintained by volunteer editors. Recorded works can store information about the release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text and other metadata; as of 21 September 2018, MusicBrainz contained information about 1.4 million artists, 2 million releases, 19 million recordings. End-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as FLAC, MP3, Ogg Vorbis or AAC.
MusicBrainz allows contributors to upload cover art images of releases to the database. Internet Archive provides the bandwidth and legal protection for hosting the images, while MusicBrainz stores metadata and provides public access through the web and via an API for third parties to use; as with other contributions, the MusicBrainz community is in charge of maintaining and reviewing the data. Cover art is provided for items on sale at Amazon.com and some other online resources, but CAA is now preferred because it gives the community more control and flexibility for managing the images. Besides collecting metadata about music, MusicBrainz allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this. In 2000, MusicBrainz started using Relatable's patented TRM for acoustic fingerprint matching; this feature allowed the database to grow quickly. However, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions.
This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, replacing TRM with MusicDNS. TRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND; some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free identification service was uncertain, a replacement for it was sought; the Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský. While AcoustID and Chromaprint are not MusicBrainz projects, they are tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second. Additional post-processing is applied to compress this fingerprint while retaining patterns; the AcoustID search server searches from the database of fingerprints by similarity and returns the AcoustID identifier along with MusicBrainz recording identifiers if known.
Since 2003, MusicBrainz's core data are in the public domain, additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL; the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, which allows use of the code by proprietary software products. In December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye. On 20 January 2006, the first commercial venture to use MusicBrainz data was the Barcelona, Spain-based Linkara in their Linkara Música service. On 28 June 2007, BBC announced that it has licensed MusicBrainz's live data feed to augment their music Web pages; the BBC online music editors will join the MusicBrainz community to contribute their knowledge to the database. On 28 July 2008, the beta of the new BBC Music site was launched, which publishes a page for each MusicBrainz artist.
Amarok – KDE audio player Banshee – multi-platform audio player Beets – automatic CLI music tagger/organiser for Unix-like systems Clementine – multi-platform audio player CDex – Microsoft Windows CD ripper Demlo – a dynamic and extensible music manager using a CLI iEatBrainz – Mac OS X deprecated foo_musicbrainz component for foobar2000 – Music Library/Audio Player Jaikoz – Java mass tag editor Max – Mac OS X CD ripper and audio transcoder Mp3tag – Windows metadata editor and music organizer MusicBrainz Picard – cross-platform album-oriented tag editor MusicBrainz Tagger – deprecated Microsoft Windows tag editor puddletag – a tag editor for PyQt under the GPLv3 Rhythmbox music player – an audio player for Unix-like systems Sound Juicer – GNOME CD ripper Zortam Mp3 Media Studio – Windows music organizer and ID3 Tag Editor. Freedb clients can access MusicBrainz data through the freedb protocol by using the MusicBrainz to FreeDB gateway service, mb2freedb. List of online music databases Making Metadata: The Case of Mus