1.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
2.
Arch
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An arch is a curved structure that spans a space and may or may not support weight above it. Arch may be synonymous with vault, but a vault may be distinguished as a continuous arch forming a roof, an arch is a pure compression form. It can span an area by resolving forces into compressive stresses and. This is sometimes referred to as arch action, as the forces in the arch are carried to the ground, the arch will push outward at the base, called thrust. As the rise, or height of the arch decreases, the outward thrust increases, in order to maintain arch action and prevent the arch from collapsing, the thrust needs to be restrained, either with internal ties or external bracing, such as abutments. The most common true arch configurations are the arch, the two-hinged arch. The fixed arch is most often used in reinforced concrete bridge and tunnel construction, because it is subject to additional internal stress caused by thermal expansion and contraction, this type of arch is considered to be statically indeterminate. The two-hinged arch is most often used to long spans. This type of arch has pinned connections at the base, unlike the fixed arch, the pinned base is able to rotate, allowing the structure to move freely and compensate for the thermal expansion and contraction caused by changes in outdoor temperature. However, this can result in additional stresses, so the two-hinged arch is also statically indeterminate, the three-hinged arch is not only hinged at its base, like the two-hinged arch, but at the mid-span as well. The additional connection at the mid-span allows the arch to move in two opposite directions and compensate for any expansion and contraction. This type of arch is not subject to additional stress caused by thermal change. The three-hinged arch is said to be statically determinate. It is most often used for structures, such as large building roofs. Another advantage of the arch is that the pinned bases are more easily developed than fixed ones, allowing for shallow. Arches have many forms, but all fall into three categories, circular, pointed, and parabolic. Arches can also be configured to produce vaults and arcades, Arches with a circular form, also referred to as rounded arches, were commonly employed by the builders of ancient, heavy masonry arches. Ancient Roman builders relied heavily on the arch to span large
3.
Vault (architecture)
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Vault is an architectural term for an arched form used to provide a space with a ceiling or roof. The parts of a vault exert lateral thrust that requires a counter resistance, when vaults are built underground, the ground gives all the resistance required. However, when the vault is built above ground, various replacements are employed to supply the needed resistance, an example is the thicker walls used in the case of barrel or continuous vaults. Buttresses are used to supply resistance when intersecting vaults are employed, the simplest kind of vault is the barrel vault, which is generally semicircular in shape. The barrel vault is an arch, the length being greater than its diameter. As in building an arch, a support is needed while rings of voussoirs are constructed. Until the topmost voussoir, the keystone, is positioned, the vault is not self-supporting, with a barrel vault, the centering can then be shifted on to support the next rings. Amongst the earliest known examples of any form of vaulting is to be found in the village of Khirokitia on Cyprus. Dating from ca.6000 BCE, the circular buildings supported beehive shaped corbel domed vaults of unfired mud-bricks, similar Beehive tombs, called tholoi, exist in Crete and Northern Iraq. Their construction differs from that at Khirokitia in that most appear partially buried, the inclusion of domes, however, represents a wider sense of the word vault. The distinction between the two is that a vault is essentially an arch which is extruded into the third dimension, whereas a dome is an arch revolved around its vertical axis. Pitched-brick vaults are named for their construction, the bricks are installed vertically and are leaning at an angle, examples have been found in archaeological excavations in Mesopotamia dating to the 2nd and 3rd millennium BC which were set in gypsum mortar. A barrel vault is the simplest form of a vault and resembles a barrel or tunnel cut lengthwise in half, the effect is that of a structure composed of continuous semicircular or pointed sections. The earliest known examples of barrel vaults were built by the Sumerians, possibly under the ziggurat at Nippur in Babylonia, which was built of fired bricks cemented with clay mortar. The earliest barrel vaults in ancient Egypt are thought to be those in the built by the 19th dynasty Pharaoh Ramesses II. The vault being over 800 feet long,10 feet in span, the enormous Eyvan-e Khosro at Ctesiphon was built over 1,500 years ago during the Persian Sasanian period as a throne room. The arch is about 37 metres high,26 metres across and 50 metres long, built entirely without centering, the rings relieved the centering from the weight imposed, and the two layers of bricks carried the concrete till it had set. As the walls carrying these vaults were built in concrete with occasional bond courses of brick
4.
Rib vault
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This technique was new in the late eleventh century, for example in the roofs of the choir side-aisles at Durham Cathedral. Romanesque ancestors of the Gothic rib vault in the can be found in early Gothic constructions at Cefalù, Caen, Durham, some ribbed vaults even have six sections in each bay. These advances in vaulting allowed for the addition of windows higher up in the walls, in the clerestory. Early Gothic buildings commonly display ribbed vaulting made of stone for the support of the weight of a wooden ceiling, stone ceilings are stronger, for example, the chapter house at Southwell Minster has stone vaulting and no central pillar. Examples of cathedrals in England that incorporate early Gothic style features can be found in Salisbury, Lincoln, Southwell in Nottinghamshire, Wells, Bristol, Norwich and Worcester. Gothic style was used by cathedral builders and two continental examples are the cathedral at Reims and the Sint Niklaaskerk in Ghent. Hitherto the intersecting features were geometrical surfaces, of which the diagonal groins were the intersections, elliptical in form, generally weak in construction and often twisting. To meet this, at first the transverse and wall ribs were stilted, or the part of their arches was raised, as in the Abbaye-aux-Hommes at Caen. When employed for the ribs of a vault, however narrow the span might be, by adopting a pointed arch, the first introduction of the pointed-arch rib took place at Durham Cathedral and pre-dated the vaulting of compartments of varying shapes seen at the Abbey of St. Denis. It was in the church at Vezelay that it was extended to the bay of the porch. To provide a supplementary rib across the church and between the transverse ribs and this resulted in what is known as a sexpartite, or six-celled vault, of which one of the earliest examples is found in the Abbaye-aux-Hommes at Caen. In England sexpartite vaults exist at Canterbury, Rochester, Lincoln, Durham, fig.9 is a diagram made by Professor Willis taken from the south transept of Westminster Abbey. The horizontal courses rise to N. or about half the height of the vault, as soon as the ribs were completed, the web or stone shell of the vault was laid on them. In some English work, as may be seen in fig, in France, on the other hand, the web courses were always laid horizontally, and they are therefore of unequal height, increasing towards the diagonal rib. In both English and French vaulting centering was rarely required for the building of the web, a template being employed to support the stones of each ring until it was complete. In Italy, Germany and Spain the French method of building the web was adopted, with horizontal courses and a domical form. One of the earliest examples of the introduction of the rib is found in the nave of Lincoln Cathedral. There is more information on the rib vault at the article for vaulting
5.
Boss (architecture)
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In architecture, a boss is a knob or protrusion of stone or wood. Bosses can often be found in the ceilings of buildings, particularly at the keystones at the intersections of a rib vault, in Gothic architecture, such roof bosses are often intricately carved with foliage, heraldic devices or other decorations. Many feature animals, birds, or human figures or faces, sometimes realistic, but often grotesque, a different sense of boss was also an important feature of ancient and Classical construction. When stone components were rough-cut offsite at quarries, they were left with bosses protruding on at least one side. This allowed for transport of the pieces to the site, once there. An excellent extant example of such bosses can be seen at the Greek Doric temple of Segesta, the bosses of several key elements of the temple, notably the crepidoma, remain as a testament to the construction process
6.
Mannerism
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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century, stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favors compositional tension and instability rather than the balance and clarity of earlier Renaissance painting, Mannerism in literature and music is notable for its highly florid style and intellectual sophistication. The definition of Mannerism and the phases within it continue to be a subject of debate among art historians, for example, some scholars have applied the label to certain early modern forms of literature and music of the 16th and 17th centuries. The term is used to refer to some late Gothic painters working in northern Europe from about 1500 to 1530. Mannerism also has been applied by analogy to the Silver Age of Latin literature, the word mannerism derives from the Italian maniera, meaning style or manner. Like the English word style, maniera can either indicate a type of style or indicate an absolute that needs no qualification. Vasari was also a Mannerist artist, and he described the period in which he worked as la maniera moderna, james V. Mirollo describes how bella maniera poets attempted to surpass in virtuosity the sonnets of Petrarch. This notion of bella maniera suggests that artists thus inspired looked to copying and bettering their predecessors, in essence, bella maniera utilized the best from a number of source materials, synthesizing it into something new. As a stylistic label, Mannerism is not easily defined, “High Renaissance” connoted a period distinguished by harmony, grandeur and the revival of classical antiquity. The term Mannerist was redefined in 1967 by John Shearman following the exhibition of Mannerist paintings organised by Fritz Grossmann at Manchester City Art Gallery in 1965. The label “Mannerism” was used during the 16th century to comment on social behaviour, however, for later writers, such as the 17th-century Gian Pietro Bellori, la maniera was a derogatory term for the perceived decline of art after Raphael, especially in the 1530s and 1540s. From the late 19th century on, art historians have used the term to describe art that follows Renaissance classicism. By the end of the High Renaissance, young artists experienced a crisis, no more difficulties, technical or otherwise, remained to be solved. The young artists needed to find a new goal, and they sought new approaches, at this point Mannerism started to emerge. The new style developed between 1510 and 1520 either in Florence, or in Rome, or in both cities simultaneously and this period has been described as a natural extension of the art of Andrea del Sarto, Michelangelo, and Raphael. Michelangelo from an early age had developed a style of his own, one of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and subsequent artists attempted to imitate it
7.
Colditz Castle
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Colditz Castle is a Renaissance castle in the town of Colditz near Leipzig, Dresden and Chemnitz in the state of Saxony in Germany. It gained international fame as Oflag IV-C, a camp during World War II for incorrigible Allied officers who had repeatedly escaped from other camps. The castle lies between the towns of Hartha and Grimma on a spur over the Zwickauer Mulde. It had the first wildlife park in Germany when, in 1523, in 1046, Henry III of the Holy Roman Empire gave the burghers of Colditz permission to build the first documented settlement at the site. In 1083, Henry IV urged Margrave Wiprecht of Groitzsch to develop the castle site, in 1158, Emperor Frederick Barbarossa made Thimo I Lord of Colditz, and major building works began. By 1200, the town around the market was established, forests, empty meadows, and farmland were settled next to the pre-existing Slavic villages Zschetzsch, Zschadraß, Zollwitz, Terpitzsch and Koltzschen. Around that time the larger villages Hohnbach, Thierbaum, Ebersbach, in the Middle Ages, the castle played an important role as a lookout post for the German Emperors and was the centre of the Reich territories of the Pleißenland. In 1404, the nearly 250-year rule of the dynasty of the Lords of Colditz ended when Thimo VIII sold Colditz Castle for 15,000 silver marks to the Wettin ruler of the period in Saxony. As a result of dynastic politics, the town of Colditz was incorporated into the Margraviate of Meissen. In 1430, the Hussites attacked Colditz and set town and castle on fire, around 1464, renovation and new building work on the castle were carried out by Prince Ernest, who died in Colditz Castle in 1486. Under Frederick the Wise and John the Gentle, Colditz was a residence of the electors of Saxony. In 1504, the servant Clemens the baker accidentally set Colditz on fire, and the hall, church, castle. In 1506, reconstruction began and new buildings were erected around the castle courtyard. In 1523, the park was turned into one of the largest zoos in Europe. In 1524, rebuilding of the floors of the castle began. The castle was reconstructed in a fashion that corresponded to the way it was divided up—into the cellar, the royal house and the banqueting hall building. There is nothing more to be seen of the fortified castle, where the present rear of the castle is located. Architects Hans Irmisch and Peter Kummer supervised further restoration and rebuilding, later, Lucas Cranach the Younger was commissioned as an artist in the castle
8.
Barcelona
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Founded as a Roman city, in the Middle Ages Barcelona became the capital of the County of Barcelona. Barcelona has a cultural heritage and is today an important cultural centre. Particularly renowned are the works of Antoni Gaudí and Lluís Domènech i Montaner. The headquarters of the Union for the Mediterranean is located in Barcelona, the city is known for hosting the 1992 Summer Olympics as well as world-class conferences and expositions and also many international sport tournaments. It is a cultural and economic centre in southwestern Europe, 24th in the world. In 2008 it was the fourth most economically powerful city by GDP in the European Union, in 2012 Barcelona had a GDP of $170 billion, it is leading Spain in both employment rate and GDP per capita change. In 2009 the city was ranked Europes third and one of the worlds most successful as a city brand, since 2011 Barcelona has been a leading smart city in Europe. During the Middle Ages, the city was known as Barchinona, Barçalona, Barchelonaa. Internationally, Barcelonas name is abbreviated to Barça. However, this refers only to FC Barcelona, the football club. The common abbreviated form used by locals is Barna, another common abbreviation is BCN, which is also the IATA airport code of the Barcelona-El Prat Airport. The city is referred to as the Ciutat Comtal in Catalan. The origin of the earliest settlement at the site of present-day Barcelona is unclear, the ruins of an early settlement have been excavated in the El Raval neighbourhood, including different tombs and dwellings dating to earlier than 5000 BC. The founding of Barcelona is the subject of two different legends, the first attributes the founding of the city to the mythological Hercules. In about 15 BC, the Romans redrew the town as a castrum centred on the Mons Taber, under the Romans, it was a colony with the surname of Faventia, or, in full, Colonia Faventia Julia Augusta Pia Barcino or Colonia Julia Augusta Faventia Paterna Barcino. It enjoyed immunity from imperial burdens, the city minted its own coins, some from the era of Galba survive. Some remaining fragments of the Roman walls have incorporated into the cathedral. The cathedral, also known as the Basilica La Seu, is said to have founded in 343
9.
Jesus
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In Christology, the Person of Christ refers to the study of the human and divine natures of Jesus Christ as they co-exist within one person. There is no discussion in the New Testament regarding the dual nature of the Person of Christ as both divine and human. Hence, since the days of Christianity theologians have debated various approaches to the understanding of these natures. In the period following the Apostolic Age, specific beliefs such as Arianism and Docetism were criticized. On the other end of the spectrum, Docetism argued that Jesus physical body was an illusion, docetic teachings were attacked by St. Ignatius of Antioch and were eventually abandoned by proto-orthodox Christians. However, after the First Council of Nicaea in 325 the Logos, historically in the Alexandrian school of christology, Jesus Christ is the eternal Logos paradoxically humanized in history, a divine Person who became enfleshed, uniting himself to the human nature. The views of these schools can be summarized as follows, Alexandria, Antioch, Logos assumes a specific human being The First Council of Ephesus in 431 debated a number of views regarding the Person of Christ. At the same gathering the council debated the doctrines of monophysitism or miaphysitism. The council rejected Nestorianism and adopted the term hypostatic union, referring to divine, the language used in the 431 declaration was further refined at the 451 Council of Chalcedon. However, the Chalcedon creed was not accepted by all Christians, because Saint Augustine died in 430 he did not participate in the Council of Ephesus in 431 or Chalcedon in 451, but his ideas had some impact on both councils. On the other hand, the major theological figure of the Middle Ages. The Third Council of Constantinople in 680 held that both divine and human wills exist in Jesus, with the divine will having precedence, leading and guiding the human will. John Calvin maintained that there was no element in the Person of Christ which could be separated from the person of The Word. Calvin also emphasized the importance of the Work of Christ in any attempt at understanding the Person of Christ, the study of the Person of Christ continued into the 20th century, with modern theologians such as Karl Rahner and Hans von Balthasar. Balthasar argued that the union of the human and divine natures of Christ was achieved not by the absorption of human attributes, thus in his view the divine nature of Christ was not affected by the human attributes and remained forever divine
10.
Malbork
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Malbork is a town in northern Poland in the Żuławy region, with 38,478 inhabitants. Situated in the Pomeranian Voivodeship since 1999, it was assigned to Elbląg Voivodeship. It is the capital of Malbork County, the town was built in Prussia around the fortress Ordensburg Marienburg, which was founded in 1274 on the east bank of the river Nogat by the Teutonic Knights. Both the castle and the town were named for their patron saint and this fortified castle became the seat of the Teutonic Order and Europes largest Gothic fortress. During the Thirteen Years War, the castle of Marienburg was pawned by the Teutonic Order to their soldiers from Bohemia. They sold the castle in 1457 to King Casimir IV of Poland in lieu of indemnities, under continuous construction for nearly 230 years, the castle complex is actually three castles combined in one. A classic example of a fortress, it is the world’s largest brick castle. The castle was in the process of being restored by the Germans when World War II broke out, during the war, the castle was over 50% destroyed. Restoration has been ongoing since the war, the castle and its museum are listed as one of UNESCOs World Heritage Sites. The town of Marienburg grew in the vicinity of the castle, the river Nogat and flat terrain allowed easy access for barges a hundred kilometers from the sea. During Prussias government by the Teutonic Knights, the Order collected tolls on river traffic, the town later became a member of the Hanseatic League, and many Hanseatic meetings were held there. The Teutonic Order weakened greatly after the Battle of Grunwald against advancing Poles, the Siege of Marienburg left the Teutonic Order in control only of the town, until it sold the castle and in 1457 transferred its seat to Königsberg. The town of Marienburg, under Mayor Bartholomäus Blume and others, but when the Poles finally took control, Blume was hanged and quartered, and fourteen officers and three remaining Teutonic knights were thrown into dungeons, where they met a miserable end. A monument to Blume was erected in 1864, the town became part of the Polish province of Royal Prussia after the Second Peace of Thorn. In the town of Marienburg,9,641 votes were cast for Germany,165 votes for Poland, as a result, Marienburg was included in the Regierungsbezirk Marienwerder within the German Province of East Prussia. During the Weimar era, Marienburg was located at the tripoint between Poland, Germany and the Free State of Danzig, the town was hit by an economic crisis following the end of World War I. After a brief recovery in the mid-1920s, the Great Depression was particularly severe in East Prussia. ), after the German invasion of Poland in September 1939, leaders of the Polish minority were arrested and sent to concentration camps. During World War II a Focke-Wulf aircraft factory was set up at the airfield to the east of Marienburg and it was bombed twice by the USAAF in 1943 and 1944
11.
Toulouse Cathedral
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Toulouse Cathedral is a Roman Catholic cathedral, and a national monument of France, located in the city of Toulouse. It is the seat of the Archbishop of Toulouse, the exact date of the original building is unknown, the first mention of a church building on that site is found in a charter of 844. In 1073 the bishop of Toulouse commenced work on an elaborate structure. It is off-center because the architect took care to save the baptismal chapel north of the entrance, an oblong tower, composed of a Gothic portion on Romanesque foundations, and capped by a 16th-century gable belfry, completed the west façade. Also in the 15th century the nave and choir vaults were connected, while in 1609, after a fire. It was not until the 1920s that its wall was cleared of abutting buildings. The interior is as disconcerting as the exterior because the two sections are not on the axis and juxtapose two styles of Gothic architecture. The vast proportions of the choir, with ambulatory and radiating chapels. Of the 15 chapels, the oldest date from 1279–86, most of the stained glass is 19th-century, but there is glass from almost every century beginning with the end of the 13th in the Saint Vincent de Paul chapel. This is the oldest stained glass in Toulouse, the interesting choir stalls whose decoration includes pagan and mythological subjects were carved in walnut in 1610-13 by Pierre Monge of Narbonne. The walnut case of the organ was carved at the same time, restored in 1868 by Cavaillé-Coll and in 1976, the organ is often used for concerts. The beautiful, but worn, tapestries by Jean du Mazet, official website Website concerning the cathedrals history and artwork
12.
Giulio Romano
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Giulio Romano, also known as Giulio Pippi, was an Italian painter and architect. A pupil of Raphael, his stylistic deviations from high Renaissance classicism help define the 16th-century style known as Mannerism, Giulio Romano was born in Rome, the Romano refers to this. He also collaborated on the decoration of the ceiling of the Villa Farnesina, increasingly he became the masters right-hand man, despite his relative youth. After the death of Raphael in 1520, he helped complete the Vatican frescoes of the life of Constantine as well as Raphaels Coronation of the Virgin, in Rome, Giulio decorated the Villa Madama for Cardinal Giuliano de Medici, afterwards Clement VII. The crowded Giulio Romano frescoes lack the stately and serene simplicity of his master, from 1522 he was courted by Federico Gonzaga, ruler of Mantua, who wanted him as court artist, apparently especially attracted by his skill as an architect. In late 1524 Giulio agreed to move to Mantua, where he remained for the rest of his life and he thus avoided the disaster of the Sack of Rome in 1527, which hugely disrupted artistic patronage in Rome and dispersed the remains of Raphaels workshop. Vasari tells how Baldassare Castiglione was delegated by Federico Gonzaga to procure Giulio to execute paintings and architectural and his masterpiece of architecture and fresco painting in that city is the suburban Palazzo Te, with its famous illusionistic frescos. He also helped rebuild the palace in Mantua, reconstructed the cathedral. Sections of Mantua that had been flood-prone were refurbished under Giulios direction, and his studio became a popular school of art. In Renaissance tradition, many works of Giulios were only temporary and he traveled to France in the first half of the 16th century and brought concepts of the Italian style to the French court of Francis I. It is rumored that he contributed to the drawings upon which the album I Modi was engraved by Marcantonio Raimondi and he died in Mantua in 1546. According to Giorgio Vasari, his best pupils were Giovanni dal Lione, Raffaellino dal Colle, Benedetto Pagni, Figurino da Faenza, Giovanni Battista Bertani and his brother Rinaldo, Giulio Romano has the distinction of being the only Renaissance artist to be mentioned by William Shakespeare. In Act V, Scene II of The Winters Tale Queen Hermiones statue is by that rare Italian master, Julio Romano, Giulio was on the whole more influential as an architect than as a painter, and his works had an enormous impact on Italian Mannerist architecture. Planned on a scale, it was incomplete by the Sack of Rome. The Villa Lante al Gianicolo was a suburban villa in Rome. Romano made the building suggest lightness and elegance to exploit the ridge-top position. The orders are delicate, with Tuscan or Doric columns and pilasters in pairs on the main floor, alternate loggia openings are heightened by arches above the entablature. Romanos willingness to play with the conventions of the orders is already in evidence
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Media related to keystones at Wikimedia Commons
