Cardcaptor Sakura, abbreviated as CCS and known as Cardcaptors, is a Japanese shōjo manga series written and illustrated by the manga group Clamp. The manga was serialized in Nakayoshi from May 1996 to June 2000, published in 12 tankōbon volumes by Kodansha from November 1996 to July 2000; the story focuses on Sakura Kinomoto, an elementary school student who discovers magical powers after accidentally freeing a set of magical cards. A sequel by Clamp, Cardcaptor Sakura: Clear Card, focusing on Sakura in junior high school, began serialization in Nakayoshi in 2016; the series was adapted into a 70-episode anime television series by Madhouse that aired on Japan's satellite television channel NHK BS2 from April 1998 to March 2000. Additional media include anime films, video games, art books, picture books, film comics. Tokyopop released the manga in English in North America from March 2000 to August 2003. After Tokyopop's license expired, Dark Horse Manga released the series in omnibus editions from October 2010 to September 2012.
Nelvana licensed the TV series and first film for North America as Cardcaptors, which first aired on Kids' WB from June 2000 to December 2001. All 70 episodes were dubbed. Cardcaptors aired on Cartoon Network and Nickelodeon; the TV series and films were sub-licensed by Geneon, which released them unedited with English subtitles. The TV series was released by Madman Entertainment in Australia and New Zealand. Cardcaptor Sakura was critically well-received. Critics praised the manga for its creativity and described it as a quintessential shōjo manga, as well as a critical work for manga in general; the manga series was awarded the Seiun Award for Best Manga in 2001. The television series was praised for transcending its target audience of young children and being enjoyable to older viewers, for its artwork and animation; the American edit of Cardcaptors, was criticized for removing elements essential to the plot. Cardcaptor Sakura takes place in the fictional Japanese city of Tomoeda, somewhere near Tokyo.
Ten-year-old Sakura Kinomoto accidentally releases a set of magical cards known as Clow Cards from a book in her basement created and named after the sorcerer Clow Reed. Each card can assume an alternate form when activated; the guardian of the cards, emerges from the book and chooses Sakura to retrieve the missing cards. As she finds each card, she defeats it by sealing it away. Cerberus acts as her guide, while her best friend and second cousin, Tomoyo Daidouji films her exploits and provides her with battle costumes. Sakura's older brother Toya Kinomoto watches over her, while pretending that he is unaware of what is going on. Syaoran Li, a boy Sakura's age and descendant of Clow Reed, arrives from Hong Kong to recapture the cards himself. While antagonistic, he comes to respect Sakura and begins aiding her to capture the cards. Once Sakura captures all of the cards, she is tested by Yue, the cards' second guardian, to determine if she is worthy of becoming the cards' true master. Aided by her school teacher Kaho Mizuki, Sakura passes the test and becomes the new master of the Clow Cards.
Afterwards, Eriol Hiiragizawa, a transfer student from England, arrives in Tomoeda and begins causing disturbances with two guardian-like creatures, Spinel Sun and Ruby Moon. Sakura is unable to use the Clow Cards and transforms her wand, beginning the process of evolving the cards into Sakura Cards as Eriol causes strange occurrences that forces her to use and thus transform certain cards. Once all the cards have been transformed, Eriol tells Sakura that he aided her in converting the cards so they would not lose their magic powers. Syaoran confesses his love to Sakura, who comes to realize she loves him. Cardcaptor Sakura concludes with Syaoran returning to Hong Kong with a promise to return. Two years Syaoran moves back to Tomoeda permanently; the plot of the anime series is extended, featuring 52 Clow Cards from the manga's original 19, certain scenes are stretched and delayed, such as Cerberus' true form not being revealed until just before Yue's appearance. Sakura creates Hope, a talent she is not shown to have in the manga.
Some of the circumstances around the capturing of the cards is changed, such as Syaoran capturing several cards himself and being tested by Yue in the Final Judgment. Syaoran's cousin and fiancée Meiling Li is introduced in the anime, who positions herself as a romantic rival for Sakura in the series and a friend until she returns to Hong Kong; the TV series leaves the relationship between Sakura and Syaoran unresolved, but Sakura confesses her love to Syaoran at the end of the second anime film. In the OVA that bridges the stories of the original series and the Clear Card anime, Syaoran returns to Tomoeda two years just like in the manga. Cardcaptor Sakura was first conceived shortly before the conclusion of Clamp's Magic Knight Rayearth, serialized in Nakayoshi. Clamp's head editor Yamonouchi asked them to do another series in Nakayoshi, Clamp decided to make a "Nakayoshi-esque" series, as opposed to Rayearth, which Clamp described as unlike anything they had done before. Head Clamp writer Nanase Ohkawa's first impulse was to create a magical girl series, despite not being well-versed in the genre.
Ohkawa wanted the heroine Sakura to be in the
Hanna-Barbera Productions, Inc. was an American animation studio, founded in 1957 by Tom and Jerry creators and former Metro-Goldwyn-Mayer animation directors William Hanna and Joseph Barbera, in partnership with film director George Sidney. The studio was a prominent force and a leader in American television animation for over three decades in the mid-20th century as it created a wide variety of popular animated characters and produced a succession of cartoon series, including The Flintstones, The Yogi Bear Show, The Jetsons, Wacky Races, Scooby-Doo, Where Are You! and Smurfs. Hanna and Barbera's cartoons won them seven Academy Awards, eight Emmy Awards, a Governors Award and a star on the Hollywood Walk of Fame. With their studio now established as a successful company, the two men and original investor Sidney sold it to Taft Broadcasting on December 29, 1966. Taft would run it for the next quarter-century. By the mid-1980s, when the profitability of Saturday-morning cartoons was eclipsed by weekday afternoon syndication, Hanna-Barbera's fortunes had declined.
Turner Broadcasting System purchased the studio from Taft in late 1991 and used much of its back catalog as programming for its new channel, Cartoon Network. After Turner purchased the company and Barbera continued to serve as creative consultants and mentors; the studio became a subsidiary of Warner Bros. Animation in 1996 following Turner Broadcasting's merger with Time Warner, was absorbed into Warner Bros. Animation in 2001; as of 2019, Warner Bros. now distributes subsequent Hanna-Barbera cartoons, as well as now owning the rights to its back catalogue. William Hanna, a native of Melrose, New Mexico and Joseph Barbera, born of Italian heritage in New York City, first met at the Metro-Goldwyn-Mayer studio in 1939, while working at its animation division and thus began a partnership that would last for six decades, their first cartoon together, the Oscar-nominated Puss Gets the Boot, featuring a cat named Jasper and an unnamed mouse, was released to theaters in 1940 and served as the pilot for the long-running short subject theatrical series Tom and Jerry.
Hanna and Barbera served as directors of the shorts for over 20 years, with Hanna supervising the animation and Barbera in charge of the stories and pre-production. Hanna did the screams, yelps and yells of Tom. In addition being nominated for twelve Oscars, seven of the cartoons won seven Academy Awards for Best Short Subject between 1943 and 1953, awarded to producer Fred Quimby, not involved in the creative development of the shorts; the pair served as animation directors for the hybrid animated/live-action musical sequences in MGM's feature films Anchors Aweigh, Dangerous When Wet and Invitation to the Dance and wrote and directed a handful of one-shot cartoons for MGM: Gallopin' Gals, Officer Pooch, War Dogs and Good Will to Men, a 1955 remake of the 1939 MGM cartoon Peace on Earth. With Quimby's retirement in 1955, Hanna and Barbera became the producers in charge of the MGM animation studio's output, supervising the last seven shorts of Tex Avery's Droopy series and directing and producing a short-lived Tom and Jerry spin-off series and Tyke, which ran for two entries.
In addition to their work on the cartoons, the two men moonlighted on outside projects, including the original title sequences and commercials for the CBS sitcom I Love Lucy. With the rise of television, Metro-Goldwyn-Mayer decided in early 1957 to close its cartoon studio, as it felt it had acquired a reasonable backlog of shorts for re-release. While contemplating their future and Barbera began producing animated television commercials and during their last year at Metro-Goldwyn-Mayer, they had developed a concept for a new animated TV program about a dog and cat duo in various misadventures. After they failed to convince the studio to back their venture, live-action director George Sidney, who had worked with Hanna and Barbera on several of his theatrical features for MGM, offered to serve as their business partner and convinced Screen Gems, a television production subsidiary of Columbia Pictures, to make a deal with the producers. A coin toss would determine. Harry Cohn and head of Columbia Pictures, took an 18% ownership in Hanna and Barbera's new company, H-B Enterprises, provided working capital.
Screen Gems became the new studio's distributor and its licensing agent, handling merchandizing of the characters from the animated programs. The duo's cartoon firm opened for business in rented offices on the lot of Kling Studios on July 7, 1957, two months after the Metro-Goldwyn-Mayer animation studio closed down. Sidney and several Screen Gems alumni became members of the studio's board of directors and much of the former MGM animation staff — including animators Carlo Vinci, Kenneth Muse, Lewis Marshall, Michael Lah and Ed Barge and layout artists Ed Benedict and Richard Bickenbach — became the new production staff for the H-B studio. Conductor and composer Hoyt Curtin was in charge of providing the music while many voice actors came on board, such as Daws Butler, Don Messick, Julie Bennett, Mel Blanc, Howard Morris, John Stephenson, Hal Smith and Doug Young. H-B Enterprises was the first major animation studio to produce cartoons for television. Animated programming was rebroadcasts of theatrical cartoons.
Its first animated TV original The Ruff and Reddy Show, premiered on NBC in December 1957. The
Warner Bros. Television
Warner Bros. Television is the television production arm of Warner Bros. Entertainment; the division was started on March 21, 1955 with its first and most successful head being Jack L. Warner's son-in-law William T. Orr. ABC had major success against its competition with Walt Disney's Disneyland TV series and approached Warner Bros. with the idea of purchasing the studio's film library. WB formally entered television production with the premiere of its self-titled anthology series Warner Bros. Presents on ABC; the one-hour weekly show featured rotating episodes of television series based on the WB films and Kings Row, as well as an original series titled Cheyenne with Clint Walker. The first one-hour television western, Cheyenne became a big hit for the network and the studio with the added advantage of featuring promotions for upcoming Warner Bros. cinema releases in the show's last ten minutes. One such segment for Rebel Without a Cause featured Gig Young notably talking about road safety with James Dean.
With only Cheyenne being a success, WB ended the ten-minute promotions of new films and replaced Warner Bros. Presents with an anthology series titled Conflict, it was felt. Conflict showed the pilots for 77 Sunset Strip; the success of Cheyenne led WBTV to produce many series for ABC such as Westerns, crime dramas, other shows such as The Gallant Men and The Roaring Twenties using stock footage from WB war films and gangster films respectively. The company produced Jack Webb's Red Nightmare for the U. S. Department of Defense, shown on American television on Jack Webb's General Electric True. All shows were made in the manner of WB's B pictures in the 1940s. During the 1960 Writers Guild of America strike, WB reused many plots from its films and other television shows under the nom de plume of "W. Hermanos"; this was another example of imitating Warner Bros' B Pictures who would remake an "A" film and switch the setting. Two of the most popular stars, James Garner and Clint Walker, quit over their conditions.
Garner never returned to the Warner's fold during this period. Successful Warner's television stars found themselves in leading roles of many of the studio's films with no increase in salary. Efrem Zimbalist, Jr. was the lead of 77 Sunset Strip, in a recurring role on Maverick, headlined several films until exhaustion forced the studio to give him a rest. Many other actors under contract to Warner's at the time, who despite their work conditions, did see their stars rise over time, albeit for most only included Jack Kelly, Will Hutchins, Peter Brown, Ty Hardin, Wayde Preston, John Russell, Donald May, Rex Reason, Richard Long, Van Williams, Roger Smith, Mike Road, Anthony Eisley, Robert Conrad, Robert McQueeney, Dorothy Provine, Diane McBain, Connie Stevens, who had recorded songs, "Kookie, Kookie" with Edd Byrnes in 1959. Burns and Troy Donahue would become teen heartthrobs. Another contract player, Englishman Roger Moore, was growing displeased with Warner as his contract was expiring and would relocate to Europe from Hollywood, becoming an international star on TV, in films.
Warners contracted established stars such as Ray Danton, Peter Breck, Jeanne Cooper and Grant Williams. These stars appeared as guest stars, sometimes reprising their series role in another TV series; the stars appeared in WB cinema releases with no additional salary, with some such as Zimbalist, Walker and Danton playing the lead roles. Some stars such as Connie Stevens, Edd Byrnes, Robert Conrad and Roger Smith made albums for Warner Bros. Records. One particular recording, a novelty tune titled Kookie, Kookie became a big hit for Edd Byrnes and Connie Stevens; the following year, Connie Stevens had her own hit, with Sixteen Reasons. It was during this period, that shows Westerns like Cheyenne and Maverick. Depending on the particular show, William Lava or David Buttolph would compose the music, with lyrics by Stan Jones or Paul Francis Webster, among others. For the crime shows, it was up to the songwriting team of Jerry Livingston and Mack David, who scored the themes for the sitcom Room for One More, The Bugs Bunny Show.
In 1960, WBTV turned its attentions to the younger viewer, for one program, anyway, as they brought Bugs Bunny and the other WB cartoon characters to prime time, with The Bugs Bunny Show, which featured cartoons released after July 31, 1948, combined with newly animated introductory material. That year saw the debut of The Roaring Twenties (which was thought to be a more benign alternative to Desilu's The Untouchables. Whether or
Denver the City and County of Denver, is the capital and most populous municipality of the U. S. state of Colorado. Denver is located in the South Platte River Valley on the western edge of the High Plains just east of the Front Range of the Rocky Mountains; the Denver downtown district is east of the confluence of Cherry Creek with the South Platte River 12 mi east of the foothills of the Rocky Mountains. Denver is named after James W. Denver, a governor of the Kansas Territory, it is nicknamed the Mile High City because its official elevation is one mile above sea level; the 105th meridian west of Greenwich, the longitudinal reference for the Mountain Time Zone, passes directly through Denver Union Station. Denver is ranked as a Beta world city by World Cities Research Network. With an estimated population of 704,621 in 2017, Denver is the 19th-most populous U. S. city, with a 17.41% increase since the 2010 United States Census, it has been one of the fastest-growing major cities in the United States.
The 10-county Denver-Aurora-Lakewood, CO Metropolitan Statistical Area had an estimated 2017 population of 2,888,227 and is the 19th most populous U. S. metropolitan statistical area. The 12-city Denver-Aurora, CO Combined Statistical Area had an estimated 2017 population of 3,515,374 and is the 15th most populous U. S. metropolitan area. Denver is the most populous city of the 18-county Front Range Urban Corridor, an oblong urban region stretching across two states with an estimated 2017 population of 4,895,589. Denver is the most populous city within a 500-mile radius and the second-most populous city in the Mountain West after Phoenix, Arizona. In 2016, Denver was named the best place to live in the United States by U. S. News & World Report. In the summer of 1858, during the Pike's Peak Gold Rush, a group of gold prospectors from Lawrence, Kansas established Montana City as a mining town on the banks of the South Platte River in what was western Kansas Territory; this was the first historical settlement in what was to become the city of Denver.
The site faded however, by the summer of 1859 it was abandoned in favor of Auraria and St. Charles City. On November 22, 1858, General William Larimer and Captain Jonathan Cox, both land speculators from eastern Kansas Territory, placed cottonwood logs to stake a claim on the bluff overlooking the confluence of the South Platte River and Cherry Creek, across the creek from the existing mining settlement of Auraria, on the site of the existing townsite of St. Charles. Larimer named the townsite Denver City to curry favor with Kansas Territorial Governor James W. Denver. Larimer hoped the town's name would help make it the county seat of Arapaho County but, unbeknownst to him, Governor Denver had resigned from office; the location was accessible to existing trails and was across the South Platte River from the site of seasonal encampments of the Cheyenne and Arapaho. The site of these first towns is now the site of Confluence Park near downtown Denver. Larimer, along with associates in the St. Charles City Land Company, sold parcels in the town to merchants and miners, with the intention of creating a major city that would cater to new immigrants.
Denver City was a frontier town, with an economy based on servicing local miners with gambling, saloons and goods trading. In the early years, land parcels were traded for grubstakes or gambled away by miners in Auraria. In May 1859, Denver City residents donated 53 lots to the Leavenworth & Pike's Peak Express in order to secure the region's first overland wagon route. Offering daily service for "passengers, mail and gold", the Express reached Denver on a trail that trimmed westward travel time from twelve days to six. In 1863, Western Union furthered Denver's dominance of the region by choosing the city for its regional terminus; the Colorado Territory was created on February 28, 1861, Arapahoe County was formed on November 1, 1861, Denver City was incorporated on November 7, 1861. Denver City served as the Arapahoe County Seat from 1861 until consolidation in 1902. In 1867, Denver City became the acting territorial capital, in 1881 was chosen as the permanent state capital in a statewide ballot.
With its newfound importance, Denver City shortened its name to Denver. On August 1, 1876, Colorado was admitted to the Union. Although by the close of the 1860s, Denver residents could look with pride at their success establishing a vibrant supply and service center, the decision to route the nation's first transcontinental railroad through Cheyenne, rather than Denver, threatened the prosperity of the young town. A daunting 100 miles away, citizens mobilized to build a railroad to connect Denver to the transcontinental railroad. Spearheaded by visionary leaders including Territorial Governor John Evans, David Moffat, Walter Cheesman, fundraising began. Within three days, $300,000 had been raised, citizens were optimistic. Fundraising stalled before enough was raised, forcing these visionary leaders to take control of the debt-ridden railroad. Despite challenges, on June 24, 1870, citizens cheered as the Denver Pacific completed the link to the transcontinental railroad, ushering in a new age of prosperity for Denver.
Linked to the rest of the nation by rail, Denver prospered as a service and supply center. The young city grew during these years, attracting millionaires with their mansions, as well as the poverty and crime of a growing city. Denver citizens were proud when the rich chose Denver and were thrilled when Horace Tabor, the Leadville mining millionaire, built an impressive business block at 16th and Larimer as well as the el
Colorado is a state of the Western United States encompassing most of the southern Rocky Mountains as well as the northeastern portion of the Colorado Plateau and the western edge of the Great Plains. It is the 8th most extensive and 21st most populous U. S. state. The estimated population of Colorado was 5,695,564 on July 1, 2018, an increase of 13.25% since the 2010 United States Census. The state was named for the Colorado River, which early Spanish explorers named the Río Colorado for the ruddy silt the river carried from the mountains; the Territory of Colorado was organized on February 28, 1861, on August 1, 1876, U. S. President Ulysses S. Grant signed Proclamation 230 admitting Colorado to the Union as the 38th state. Colorado is nicknamed the "Centennial State" because it became a state one century after the signing of the United States Declaration of Independence. Colorado is bordered by Wyoming to the north, Nebraska to the northeast, Kansas to the east, Oklahoma to the southeast, New Mexico to the south, Utah to the west, touches Arizona to the southwest at the Four Corners.
Colorado is noted for its vivid landscape of mountains, high plains, canyons, plateaus and desert lands. Colorado is part of the western and southwestern United States, is one of the Mountain States. Denver is most populous city of Colorado. Residents of the state are known as Coloradans, although the antiquated term "Coloradoan" is used. Colorado is notable for its diverse geography, which includes alpine mountains, high plains, deserts with huge sand dunes, deep canyons. In 1861, the United States Congress defined the boundaries of the new Territory of Colorado by lines of latitude and longitude, stretching from 37°N to 41°N latitude, from 102°02'48"W to 109°02'48"W longitude. After 158 years of government surveys, the borders of Colorado are now defined by 697 boundary markers and 697 straight boundary lines. Colorado and Utah are the only states that have their borders defined by straight boundary lines with no natural features; the southwest corner of Colorado is the Four Corners Monument at 36°59'56"N, 109°2'43"W.
This is the only place in the United States where four states meet: Colorado, New Mexico and Utah. The summit of Mount Elbert at 14,440 feet elevation in Lake County is the highest point in Colorado and the Rocky Mountains of North America. Colorado is the only U. S. state that lies above 1,000 meters elevation. The point where the Arikaree River flows out of Yuma County and into Cheyenne County, Kansas, is the lowest point in Colorado at 3,317 feet elevation; this point, which holds the distinction of being the highest low elevation point of any state, is higher than the high elevation points of 18 states and the District of Columbia. A little less than half of Colorado is flat and rolling land. East of the Rocky Mountains are the Colorado Eastern Plains of the High Plains, the section of the Great Plains within Nebraska at elevations ranging from 3,350 to 7,500 feet; the Colorado plains are prairies but include deciduous forests and canyons. Precipitation averages 15 to 25 inches annually. Eastern Colorado is presently farmland and rangeland, along with small farming villages and towns.
Corn, hay and oats are all typical crops. Most villages and towns in this region boast both a grain elevator. Irrigation water is available from subterranean sources. Surface water sources include the South Platte, the Arkansas River, a few other streams. Subterranean water is accessed through artesian wells. Heavy use of wells for irrigation caused underground water reserves to decline. Eastern Colorado hosts considerable livestock, such as hog farms. 70% of Colorado's population resides along the eastern edge of the Rocky Mountains in the Front Range Urban Corridor between Cheyenne and Pueblo, Colorado. This region is protected from prevailing storms that blow in from the Pacific Ocean region by the high Rockies in the middle of Colorado; the "Front Range" includes Denver, Fort Collins, Castle Rock, Colorado Springs, Pueblo and other townships and municipalities in between. On the other side of the Rockies, the significant population centers in Western Colorado are the cities of Grand Junction and Montrose.
The Continental Divide of the Americas extends along the crest of the Rocky Mountains. The area of Colorado to the west of the Continental Divide is called the Western Slope of Colorado. West of the Continental Divide, water flows to the southwest via the Colorado River and the Green River into the Gulf of California. Within the interior of the Rocky Mountains are several large parks which are high broad basins. In the north, on the east side of the Continental Divide is the North Park of Colorado; the North Park is drained by the North Platte River, which flows north into Nebraska. Just to the south of North Park, but on the western side of the Continental Divide, is the Middle Park of Colorado, drained by the Colorado River; the South Park of Colorado is the region of the headwaters of the South Platte River. In southmost Colorado is the large San Luis Valley, where the headwaters of the Rio Grande are located; the valley sits between the Sangre De Cristo Mountains and San Juan Mountains, consists of large desert lands that run into the mountains.
The Rio Grande drains due south into New Mexico and Texas. Across the Sangre de Cristo Range to the east of the S
KTLA, virtual channel 5, is a CW-affiliated television station licensed to Los Angeles, United States. The station is owned by the Tribune Broadcasting subsidiary of the Tribune Media Company. KTLA's studios are located at the Sunset Bronson Studios at 5800 Sunset Boulevard in Hollywood, its transmitter is located atop Mount Wilson. KTLA was the first commercially licensed television station in the western United States, having begun operations in January 1947. Although not as widespread in national carriage as its Chicago sister station WGN-TV, KTLA is available as a superstation throughout North America via DirecTV and Dish Network, as well as on cable providers in select cities within the southwestern United States and throughout Canada; the station was licensed by the Federal Communications Commission in 1939 as experimental station W6XYZ, broadcasting on VHF channel 4. The station was owned by Paramount Pictures subsidiary Television Productions, Inc. and was based at the Paramount Studios lot.
Klaus Landsberg an accomplished television pioneer at the age of 26, was the original station manager and engineer. On January 22, 1947, the station was licensed for commercial broadcasting as KTLA on channel 5, becoming the first commercial television station in Los Angeles, the first to broadcast west of the Mississippi River, the eighth commercial television station in the United States. Estimates of television sets in Los Angeles County at the time ranged from 350 to 600, since experimental station W6XAO was in operation broadcasting with a regular schedule. Bob Hope served as the emcee for KTLA's inaugural broadcast, titled as The Western Premiere of Commercial Television, broadcast live that evening from a garage on the Paramount Studios lot and featured appearances from many Hollywood luminaries. Hope delivered what was the most famous line of the telecast when, at the program's start, he identified the new station as "KTL" – mistakenly omitting the "A" at the end of the call sign. A 10-minute fragment from KTLA's first broadcast exists at the Paley Center for Media.
KTLA was affiliated with the DuMont Television Network, of which Paramount held a minority stake. Despite this, the FCC still considered Paramount as controlling manager of DuMont due to the strength of the company's voting stock and their influence in managing the network; as a result, the agency did not allow DuMont to buy additional VHF stations—a problem that would play a large role in the failure of DuMont, whose programming was splintered among other Los Angeles stations—including KTSL, KHJ-TV, KTTV and KCOP-TV —until the network's demise in 1956. Paramount launched a short-lived programming service, the Paramount Television Network, in 1948, with KTLA and WBKB-TV in Chicago serving as its flagship stations; the service never gelled into a true television network, but during KTLA's early years, the station produced over a dozen series that were syndicated in much of the U. S. including Armchair Detective, Bandstand Revue, Dixie Showboat, Frosty Frolics, Hollywood Reel, Hollywood Wrestling, Latin Cruise, Movietown, RSVP, Olympic Wrestling, Sandy Dreams, Time for Beany.
In 1958, KTLA moved its operations into the Paramount Sunset Studios on Sunset Boulevard in Hollywood. For many years, those who have worked on Stage 6 at KTLA were told that it was the site where Al Jolson's landmark film The Jazz Singer was shot in 1927, when the lot was known as the Warner Bros. Sunset Studios; the former Warner Bros./Paramount lot is now known as Sunset Bronson Studios, where KTLA's facility remains based to this day, where shows such as WKRP in Cincinnati, Judge Judy, Hannah Montana, The Gong Show, Solid Gold, Name That Tune, Family Feud, The Newlywed Game, MADtv and Let's Make a Deal have been produced over the years. KTLA is the only Los Angeles area broadcaster that remains based in Hollywood as many other television and radio stations have moved to other parts of the region. In November 1963, KTLA was purchased by singer Gene Autry for $12 million. During the 1970s, KTLA became one of the nation's first superstations. KTLA sought a different programming strategy from its competitors during the late 1960s and 1970s, emphasizing syndicated reruns of off-network hour long dramas with a heavy emphasis on western-themed programs such as The Gene Autry Show, The Big Valley, first-run talk shows and sports programming.
Children's programs, with the exception of weekend morning Popeye cartoons, were phased out. Popeye continued Sunday Mornings but with only the 1960s King Features episodes. In the 1970s more drama shows like Kung Fu, Wo