In a modern sense, comedy refers to any discourse or work intended to be humorous or amusing by inducing laughter in theatre, film, stand-up comedy, or any other medium of entertainment. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters; the theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old." A revised view characterizes the essential agon of comedy as a struggle between a powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, is left with little choice but to take recourse in ruses which engender dramatic irony which provokes laughter.
Satire and political satire use comedy to portray persons or social institutions as ridiculous or corrupt, thus alienating their audience from the object of their humor. Parody subverts popular genres and forms, critiquing those forms without condemning them. Other forms of comedy include screwball comedy, which derives its humor from bizarre, surprising situations or characters, black comedy, characterized by a form of humor that includes darker aspects of human behavior or human nature. Scatological humor, sexual humor, race humor create comedy by violating social conventions or taboos in comic ways. A comedy of manners takes as its subject a particular part of society and uses humor to parody or satirize the behavior and mannerisms of its members. Romantic comedy is a popular genre that depicts burgeoning romance in humorous terms and focuses on the foibles of those who are falling in love; the word "comedy" is derived from the Classical Greek κωμῳδία kōmōidía, a compound either of κῶμος kômos or κώμη kṓmē and ᾠδή ōidḗ.
The adjective "comic", which means that which relates to comedy is, in modern usage confined to the sense of "laughter-provoking". Of this, the word came into modern usage through the Latin comoedia and Italian commedia and has, over time, passed through various shades of meaning; the Greeks and Romans confined their use of the word "comedy" to descriptions of stage-plays with happy endings. Aristotle defined comedy as an imitation of men worse than the average. However, the characters portrayed in comedies were not worse than average in every way, only insofar as they are Ridiculous, a species of the Ugly; the Ridiculous may be defined as a deformity not productive of pain or harm to others. In the Middle Ages, the term expanded to include narrative poems with happy endings, it is in this sense that Dante used the term in the title of La Commedia. As time progressed, the word came more and more to be associated with any sort of performance intended to cause laughter. During the Middle Ages, the term "comedy" became synonymous with satire, with humour in general.
Aristotle's Poetics was translated into Arabic in the medieval Islamic world, where it was elaborated upon by Arabic writers and Islamic philosophers, such as Abu Bischr, his pupils Al-Farabi and Averroes. They disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms, such as hija, they viewed comedy as the "art of reprehension", made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century, the term "comedy" gained a more general meaning in medieval literature. In the late 20th century, many scholars preferred to use the term laughter to refer to the whole gamut of the comic, in order to avoid the use of ambiguous and problematically defined genres such as the grotesque and satire. Starting from 425 BCE, Aristophanes, a comic playwright and satirical author of the Ancient Greek Theater, wrote 40 comedies, 11 of which survive.
Aristophanes developed his type of comedy from the earlier satyr plays, which were highly obscene. The only surviving examples of the satyr plays are by Euripides, which are much examples and not representative of the genre. In ancient Greece, comedy originated in bawdy and ribald songs or recitations apropos of phallic processions and fertility festivals or gatherings. Around 335 BCE, Aristotle, in his work Poetics, stated that comedy originated in phallic processions and the light treatment of the otherwise base and ugly, he adds that the origins of comedy are obscure because it was not treated from its inception. However, comedy had its own Muse: Thalia. Aristotle taught that comedy was positive for society, since it brings forth happiness, which for Aristotle was the ideal state, the final goal in any activity. For Aristotle, a comedy did not need to involve sexual humor. A comedy is about the fortunate rise of a sympathetic character. Aristotle divides comedy into three categories or subgenres: farce, romantic comedy, satire.
On the contrary, Plato taught. He believed that it produces an emotion that overrides ra
A truck or lorry is a motor vehicle designed to transport cargo. Trucks vary in size and configuration. Commercial trucks can be large and powerful, may be configured to mount specialized equipment, such as in the case of fire trucks, concrete mixers, suction excavators. Modern trucks are powered by diesel engines, although small to medium size trucks with gasoline engines exist in the US, Mexico. In the European Union, vehicles with a gross combination mass of up to 3.5 t are known as light commercial vehicles, those over as large goods vehicles. Trucks and cars have a common ancestor: the steam-powered fardier Nicolas-Joseph Cugnot built in 1769. However, steam wagons were not common until the mid-1800s; the roads of the time, built for horse and carriages, limited these vehicles to short hauls from a factory to the nearest railway station. The first semi-trailer appeared in 1881, towed by a steam tractor manufactured by De Dion-Bouton. Steam-powered wagons were sold in France and the United States until the eve of World War I, 1935 in the United Kingdom, when a change in road tax rules made them uneconomic against the new diesel lorries.
In 1895 Karl Benz designed and built the first truck in history using the internal combustion engine. That year some of Benz's trucks were modified to become the first bus by the Netphener, the first motorbus company in history. A year in 1896, another internal combustion engine truck was built by Gottlieb Daimler. Other companies, such as Peugeot, Renault and Büssing built their own versions; the first truck in the United States was built by Autocar in 1899 and was available with optional 5 or 8 horsepower motors. Trucks of the era used two-cylinder engines and had a carrying capacity of 3,300 to 4,400 lb. In 1904, 700 heavy trucks were built in the United States, 1000 in 1907, 6000 in 1910, 25000 in 1914. After World War I, several advances were made: pneumatic tires replaced the common full rubber versions. Electric starters, power brakes, 4, 6, 8 cylinder engines, closed cabs, electric lighting followed; the first modern semi-trailer trucks appeared. Touring car builders such as Ford and Renault entered the heavy truck market.
Although it had been invented in 1897, the diesel engine did not appear in production trucks until Benz introduced it in 1923. The diesel engine was not common in trucks in Europe until the 1930s. In the United States, Autocar introduced engines for heavy applications in the mid-1930s. Demand was high enough Autocar launched the "DC" model in 1939. However, it took much longer for diesel engines to be broadly accepted in the US: gasoline engines were still in use on heavy trucks in the 1970s. Truck is used in American English, is common in Canada, New Zealand, Puerto Rico and South Africa, while lorry is the equivalent in British English, is the usual term in countries like the United Kingdom, Malaysia and India; the word "truck" might come from a back-formation of "truckle", meaning "small wheel" or "pulley", from Middle English trokell, in turn from Latin trochlea. Another possible source is the Latin trochus, meaning "iron hoop". In turn, both sources emanate from trekhein; the first known usage of "truck" was in 1611, when it referred to the small strong wheels on ships' cannon carriages.
In its extended usage it came to refer to carts for carrying heavy loads, a meaning known since 1771. Its expanded application to "motor-powered load carrier" has been in usage since 1930, shortened from "motor truck", which dates back to 1901."Lorry" has a more uncertain origin, but has its roots in the rail transport industry, where the word is known to have been used in 1838 to refer to a type of truck a large flat wagon. It derives from the verb lurry of uncertain origin, its expanded meaning, "self-propelled vehicle for carrying goods", has been in usage since 1911. Before that, the word "lorry" was used for a sort of big horse-drawn goods wagon. In the United States and the Philippines "truck" is reserved for commercial vehicles larger than normal cars, includes pickups and other vehicles having an open load bed. In Australia, New Zealand and South Africa, the word "truck" is reserved for larger vehicles. In the United Kingdom, Malaysia, Singapore and Hong Kong lorry is used instead of truck, but only for the medium and heavy types.
Produced as variations of golf cars, with internal combustion or battery electric drive, these are used for off-highway use on estates, golf courses, parks. While not suitable for highway use some variations may be licensed as slow speed vehicles for operation on streets as a body variation of a neighborhood electric vehicle. A few manufactures produce specialized chassis for this type of vehicle, while Zap Motors markets a version of their xebra electric tricycle. Popular in Europe and Asia, many mini trucks are factory redesigns of light automobiles with monocoque bodies. Specialized designs with substantial frames such as the Italian Piaggio shown here are based upon Japanese designs and are popular for use in "old town" sections of European cities that have narrow alleyways. Regardless of name, these smal
A private investigator, a private detective, or inquiry agent, is a person who can be hired by individuals or groups to undertake investigatory law services. Private investigators work for attorneys in civil and criminal cases. In 1833, Eugène François Vidocq, a French soldier and privateer, founded the first known private detective agency, "Le Bureau des Renseignements Universels pour le commerce et l'Industrie" and hired ex-convicts. Official law enforcement tried many times to shut it down. In 1842, police arrested him in suspicion of unlawful imprisonment and taking money on false pretences after he had solved an embezzlement case. Vidocq suspected that it had been a set-up, he was sentenced to five years and fined 3,000-francs. Vidocq is credited with having introduced record-keeping and ballistics to criminal investigation, he made. He created indelible ink and unalterable bond paper with his printing company, his form of anthropometrics is still used by French police. He is credited for philanthropic pursuits – he claimed he never informed on anyone who had stolen for real need.
After Vidocq, the industry was born. Much of what private investigators did in the early days was to act as the police in matters for which their clients felt the police were not equipped or willing to do. A larger role for this new private investigative industry was to assist companies in labor disputes; some early private investigators provided armed guards to act as a private militia. In the United Kingdom, Charles Frederick Field set up an enquiry office upon his retirement from the Metropolitan Police in 1852. Field became a friend of Charles Dickens, the latter wrote articles about him. In 1862, one of his employees, the Hungarian Ignatius Paul Pollaky, left him and set up a rival agency. Although little-remembered today, Pollaky's fame at the time was such that he was mentioned in various books of the 1870s and immortalized as "Paddington" Pollaky for his "keen penetration" in the 1881 comic opera, Patience. In the United States, Allan Pinkerton established the Pinkerton National Detective Agency – a private detective agency – in 1850.
Pinkerton became famous when he foiled a plot to assassinate President-elect Abraham Lincoln in 1861. Pinkerton's agents performed services which ranged from undercover investigations and detection of crimes, to plant protection and armed security, it is sometimes claimed with exaggeration, that at the height of its existence, the Pinkerton National Detective Agency employed more agents than the United States Army. Allan Pinkerton hired Kate Warne in 1856 as a private detective, making her the first female private detective in America. During the union unrest in the US in the late 19th century, companies sometimes hired operatives and armed guards from the Pinkertons. In the aftermath of the Homestead Riot of 1892, several states passed so-called "anti-Pinkerton" laws restricting the importation of private security guards during union strikes; the federal Anti-Pinkerton Act of 1893 continues to prohibit an "individual employed by the Pinkerton Detective Agency, or similar organization" from being employed by "the Government of the United States or the government of the District of Columbia."Pinkerton agents were hired to track western outlaws Jesse James, the Reno brothers, the Wild Bunch, including Butch Cassidy and the Sundance Kid.
Many private detectives/investigators with special academic and practical experience work with defense attorneys on capital punishment and other criminal defense cases. Many others are insurance investigators. Before the advent of no-fault divorce, many private investigators sought evidence of adultery or other conduct within marriage to establish grounds for a divorce. Despite the lack of legal necessity for such evidence in many jurisdictions, according to press reports, collecting evidence of spouses' and partners' adultery or other "bad behaviour" is still one of their most profitable undertakings, as the stakes being fought over now are child custody, alimony, or marital property disputes. Private investigators can perform due diligence for an investor considering investing with an investment group, fund manager, or other high-risk business or investment venture; this could help the prospective investor avoid being the victim of Ponzi scheme. A licensed and experienced investigator could reveal the investment is risky and/or the investor has a suspicious background.
This is called investigative due diligence, is becoming more prevalent in the 21st century with the public reports of large-scale Ponzi schemes and fraudulent investment vehicles such as Madoff, Petters and the hundreds of others reported by the Securities and Exchange Commission along with other law enforcement agencies. Private investigators engage in a variety of work not associated with the industry in the mind of the public. For example, many are involved in process serving, the personal delivery of summons and other legal documents to parties in a legal case; the tracing of absconding debtors can form a large part of a PI's work load. Many agencies specialize in a particular field of expertise. For example, some PI agencies deal only in tracing. A handful of firms specialize in technical surveillance counter-measures, sometimes called electronic counter measures, the locating and dealing with unwanted forms of electronic surveillance; this niche service is conducted by those with backgrounds
BBC Two is the second flagship television channel of the British Broadcasting Corporation in the United Kingdom, Isle of Man and Channel Islands. It covers a wide range of subject matter, but tends to broadcast more "highbrow" programmes than the more mainstream and popular BBC One. Like the BBC's other domestic TV and radio channels, it is funded by the television licence, is therefore free of commercial advertising, it is a comparatively well-funded public-service network attaining a much higher audience share than most public-service networks worldwide. Styled BBC2, it was the third British television station to be launched, from 1 July 1967, Europe's first television channel to broadcast in colour, it was envisaged as a home for less mainstream and more ambitious programming, while this tendency has continued to date, most special-interest programmes of a kind broadcast on BBC Two, for example the BBC Proms, now tend to appear on BBC Four instead. British television at the time of BBC2's launch consisted of two channels: the BBC Television Service and the ITV network made up of smaller regional companies.
Both channels had existed in a state of competition since ITV's launch in 1955, both had aimed for a populist approach in response. The 1962 Pilkington Report on the future of broadcasting noticed this, that ITV lacked any serious programming, it therefore decided that Britain's third television station should be awarded to the BBC. Prior to its launch, the new BBC2 was promoted on the BBC Television Service: the soon to be renamed BBC1; the animated adverts featured the campaign mascots "Hullabaloo", a mother kangaroo, "Custard", her joey. Prior to, several years after, the channel's formal launch, the channel broadcast "Trade Test Transmissions", short films made externally by companies such as Shell and BP, which served to enable engineers to test reception, but became cult viewing; the channel was scheduled to begin at 19:20 on 20 April 1964, showing an evening of light entertainment, starting with the comedy show The Alberts, a performance from Soviet comedian Arkady Raikin, a production of Cole Porter's Kiss Me, culminating with a fireworks display.
However, at around 18:45 a huge power failure, originating from a fire at Battersea Power Station, caused Television Centre, indeed much of west London, to lose all power. BBC1 was able to continue broadcasting via its facilities at Alexandra Palace, but all attempts to show the scheduled programmes on the new channel failed. Associated-Rediffusion, the London weekday ITV franchise-holder, offered to transmit on the BBC's behalf, but their gesture was rejected. At 22:00 programming was postponed until the following morning; as the BBC's news centre at Alexandra Palace was unaffected, they did in fact broadcast brief bulletins on BBC2 that evening, beginning with an announcement by the newsreader Gerald Priestland at around 19:25. There was believed to be no recording made of this bulletin, but a videotape was discovered in early 2003. By 11:00 on 21 April, power had been restored to the studios and programming began, thus making Play School the first programme to be shown on the channel; the launch schedule, postponed from the night before, was successfully shown that evening, albeit with minor changes.
In reference to the power cut, the transmission opened with a shot of a lit candle, sarcastically blown out by presenter Denis Tuohy. To establish the new channel's identity and draw viewers to it, the BBC decided that a promoted, lavish series would be essential in its earliest days; the production chosen was The Forsyte Saga, a no-expense-spared adaptation of the novels by John Galsworthy, featuring well-established actors Kenneth More and Eric Porter. Critically for the future of the fledgling channel, the BBC's gamble was hugely successful, with an average of six million viewers tuning in per episode: a feat made more prominent by the fact that only 9 million were able to receive the channel at the time. Unlike BBC1 and ITV, BBC2 was broadcast only on the 625 line UHF system, so was not available to viewers still using sets on the 405-line VHF system; this created a market for dual standard receivers. Set manufacturers ramped up production of UHF sets in anticipation of a large market demand for the new BBC2, but the market did not materialise.
The early technical problems, which included being unable to transmit US-recorded videotapes due to a lack of system conversion from the US NTSC system, were resolved by a committee headed by James Redmond. On 1 July 1967, during the Wimbledon Championships, BBC2 became the first channel in Europe to begin regular broadcasts in colour, using the PAL system; the thirteen part series Civilisation was created as a celebration of two millennia of western art and culture to showpiece the new colour technology. BBC1 and ITV joined BBC2 on 625-line UHF band, but continued to simulcast on 405-line VHF until 1985. BBC1 and ITV introduced PAL colour on UHF on 15 November 1969, although they both had broadcast some programmes in colour "unofficially" since September 1969. In 1979, the station adopted the first computer-generated channel identification in Britain, with its use of the double striped, orange'2' logo; the ident, created in house by BBC engineers, lasted until March 1986 and heralded the start of computer-generated logos.
As the switch to digital-only terrestrial transmission progressed, BBC Two was the first analogue TV channel to be replaced with the BBC multiplex, at first four two weeks ahead of the other four channels. This was required for those relay transmitters that had no current Freeview service giving vie
BBC Television is a service of the British Broadcasting Corporation. The corporation has operated in the United Kingdom under the terms of a royal charter since 1927, it produced television programmes from its own studios since 1932, although the start of its regular service of television broadcasts is dated to 2 November 1936. The BBC's domestic television channels have no commercial advertising and collectively they account for more than 30% of all UK viewing; the services are funded by a television licence. As a result of the 2016 Licence Fee settlement, the BBC Television division was split, with in-house television production being separated into a new division called BBC Studios and the remaining parts of television being renamed as BBC Content; the BBC operates several television networks, television stations, related programming services in the United Kingdom. As well as being a broadcaster, the corporation produces a large number of its own programmes in-house and thereby ranks as one of the world's largest television production companies.
John Logie Baird set up the Baird Television Development Company in 1926. Baird used his electromechanical system with a vertically-scanned image of 30 lines, just enough resolution for a close-up of one person, a bandwidth low enough to use existing radio transmitters; the simultaneous transmission of sound and pictures was achieved on 30 March 1930, by using the BBC's new twin transmitter at Brookmans Park. By late 1930, thirty minutes of morning programmes were broadcast from Monday to Friday, thirty minutes at midnight on Tuesdays and Fridays after BBC radio went off the air. Baird's broadcasts via the BBC continued until June 1932; the BBC began its own regular television programming from the basement of Broadcasting House, London, on 22 August 1932. The studio moved to larger quarters in 16 Portland Place, London, in February 1934, continued broadcasting the 30-line images, carried by telephone line to the medium wave transmitter at Brookmans Park, until 11 September 1935, by which time advances in all-electronic television systems made the electromechanical broadcasts obsolete.
After a series of test transmissions and special broadcasts that began in August 1936, the BBC Television Service launched on 2 November 1936 from a converted wing of Alexandra Palace in London. "Ally Pally" housed two studios, various scenery stores, make-up areas, dressing rooms and the transmitter itself, which broadcast on the VHF band. BBC television used two systems on alternate weeks: the 240-line Baird intermediate film system and the 405-line Marconi-EMI system; the use of both formats made the BBC's service the world's first regular high-definition television service. The first programme broadcast – and thus the first on a dedicated TV channel – was "Opening of the BBC Television Service" at 15:00; the first major outside broadcast was the coronation of King George VI and Queen Elizabeth in May 1937. The two systems were to run on a trial basis for six months. However, the Baird system, which used a mechanical camera for filmed programming and Farnsworth image dissector cameras for live programming, proved too cumbersome and visually inferior, ended with closedown on Saturday 13 February 1937.
The station's range was a 40 kilometres radius of the Alexandra Palace transmitter—in practice, transmissions could be picked up a good deal further away, on one occasion in 1938 were picked up by engineers at RCA in New York, who were experimenting with a British television set. The service was reaching an estimated 25,000–40,000 homes before the outbreak of World War II which caused the service to be suspended in September 1939. On 1 September 1939, two days before Britain declared war on Germany, the station was taken off air with little warning. Many of the television service's technical staff and engineers would be needed for the war effort, in particular on the radar programme; the last programme transmitted was a Mickey Mouse cartoon, Mickey's Gala Premier, followed by test transmissions. According to figures from Britain's Radio Manufacturers Association, 18,999 television sets had been manufactured from 1936 to September 1939, when production was halted by the war. BBC Television returned on 7 June 1946 at 15:00.
Jasmine Bligh, one of the original announcers, made the first announcement, saying,'Good afternoon everybody. How are you? Do you remember me, Jasmine Bligh?'. The Mickey Mouse cartoon of 1939 was repeated twenty minutes later. Alexandra Palace was the home base of the channel until the early 1950s when the majority of production moved into the newly acquired Lime Grove Studios. Postwar broadcast coverage was extended to Birmingham in 1949 with the opening of the Sutton Coldfield transmitting station, by the mid-1950s most of the country was covered, transmitting a 405-line interlaced image on VHF; when the ITV was launched in 1955, the BBC Television Service showed popular programming, including comedies, documentaries, game shows, soap operas, covering a wide range
The British Broadcasting Corporation is a British public service broadcaster. Its headquarters are at Broadcasting House in Westminster, it is the world's oldest national broadcasting organisation and the largest broadcaster in the world by number of employees, it employs over 20,950 staff in total. The total number of staff is 35,402 when part-time and fixed-contract staff are included; the BBC is established under a Royal Charter and operates under its Agreement with the Secretary of State for Digital, Culture and Sport. Its work is funded principally by an annual television licence fee, charged to all British households and organisations using any type of equipment to receive or record live television broadcasts and iPlayer catch-up; the fee is set by the British Government, agreed by Parliament, used to fund the BBC's radio, TV, online services covering the nations and regions of the UK. Since 1 April 2014, it has funded the BBC World Service, which broadcasts in 28 languages and provides comprehensive TV, online services in Arabic and Persian.
Around a quarter of BBC revenues come from its commercial arm BBC Studios Ltd, which sells BBC programmes and services internationally and distributes the BBC's international 24-hour English-language news services BBC World News, from BBC.com, provided by BBC Global News Ltd. From its inception, through the Second World War, to the 21st century, the BBC has played a prominent role in British culture, it is known colloquially as "The Beeb", "Auntie", or a combination of both. Britain's first live public broadcast from the Marconi factory in Chelmsford took place in June 1920, it was sponsored by the Daily Mail's Lord Northcliffe and featured the famous Australian soprano Dame Nellie Melba. The Melba broadcast caught the people's imagination and marked a turning point in the British public's attitude to radio. However, this public enthusiasm was not shared in official circles where such broadcasts were held to interfere with important military and civil communications. By late 1920, pressure from these quarters and uneasiness among the staff of the licensing authority, the General Post Office, was sufficient to lead to a ban on further Chelmsford broadcasts.
But by 1922, the GPO had received nearly 100 broadcast licence requests and moved to rescind its ban in the wake of a petition by 63 wireless societies with over 3,000 members. Anxious to avoid the same chaotic expansion experienced in the United States, the GPO proposed that it would issue a single broadcasting licence to a company jointly owned by a consortium of leading wireless receiver manufactures, to be known as the British Broadcasting Company Ltd. John Reith, a Scottish Calvinist, was appointed its General Manager in December 1922 a few weeks after the company made its first official broadcast; the company was to be financed by a royalty on the sale of BBC wireless receiving sets from approved domestic manufacturers. To this day, the BBC aims to follow the Reithian directive to "inform and entertain"; the financial arrangements soon proved inadequate. Set sales were disappointing as amateurs made their own receivers and listeners bought rival unlicensed sets. By mid-1923, discussions between the GPO and the BBC had become deadlocked and the Postmaster-General commissioned a review of broadcasting by the Sykes Committee.
The Committee recommended a short term reorganisation of licence fees with improved enforcement in order to address the BBC's immediate financial distress, an increased share of the licence revenue split between it and the GPO. This was to be followed by a simple 10 shillings licence fee with no royalty once the wireless manufactures protection expired; the BBC's broadcasting monopoly was made explicit for the duration of its current broadcast licence, as was the prohibition on advertising. The BBC was banned from presenting news bulletins before 19.00 and was required to source all news from external wire services. Mid-1925 found the future of broadcasting under further consideration, this time by the Crawford committee. By now, the BBC, under Reith's leadership, had forged a consensus favouring a continuation of the unified broadcasting service, but more money was still required to finance rapid expansion. Wireless manufacturers were anxious to exit the loss making consortium with Reith keen that the BBC be seen as a public service rather than a commercial enterprise.
The recommendations of the Crawford Committee were published in March the following year and were still under consideration by the GPO when the 1926 general strike broke out in May. The strike temporarily interrupted newspaper production, with restrictions on news bulletins waived, the BBC became the primary source of news for the duration of the crisis; the crisis placed the BBC in a delicate position. On one hand Reith was acutely aware that the Government might exercise its right to commandeer the BBC at any time as a mouthpiece of the Government if the BBC were to step out of line, but on the other he was anxious to maintain public trust by appearing to be acting independently; the Government was divided on how to handle the BBC but ended up trusting Reith, whose opposition to the strike mirrored the PM's own. Thus the BBC was granted sufficient leeway to pursue the Government's objectives in a manner of its own choosing; the resulting coverage of both striker and government viewpoints impressed millions of listeners who were unaware that the PM had broadcast to the nation from Reith's home, using one of Reith's sound bites inserted at the last moment