Rolling Stone is an American monthly magazine that focuses on popular culture. It was founded in San Francisco, California in 1967 by Jann Wenner, still the magazine's publisher, the music critic Ralph J. Gleason, it was first known for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a younger readership interested in youth-oriented television shows, film actors, popular music. In recent years, it has resumed its traditional mix of content. Rolling Stone Press is the magazine's associated book publishing imprint. Straight Arrow Press was the magazine's associated book publishing imprint, Straight Arrow Publishing Co. Inc. was the publishing company that published Rolling Stone. Rolling Stone magazine was founded in San Francisco in 1967 by Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim; the first issue carried a cover date of November 9, 1967, was in newspaper format with a lead article on the Monterey Pop Festival.
The cover price was 25¢. In the first issue, Wenner explained that the title of the magazine referred to the 1950 blues song "Rollin' Stone", recorded by Muddy Waters, Bob Dylan's hit single "Like a Rolling Stone": You're wondering what we're trying to do. It's hard to say: sort of a sort of a newspaper; the name of it is Rolling Stone which comes from an old saying, "A rolling stone gathers no moss." Muddy Waters used the name for a song. The Rolling Stones took their name from Muddy's song. "Like a Rolling Stone" was the title of Bob Dylan's first rock and roll record. We have begun a new publication reflecting what we see are the changes in rock and roll and the changes related to rock and roll."—Jann Wenner, Rolling Stone, November 9, 1967, p. 2 Some authors have attributed the name to Dylan's hit single: "At Gleason's suggestion, Wenner named his magazine after a Bob Dylan song." Rolling Stone identified with and reported the hippie counterculture of the era. However, it distanced itself from the underground newspapers of the time, such as Berkeley Barb, embracing more traditional journalistic standards and avoiding the radical politics of the underground press.
In the first edition, Wenner wrote that Rolling Stone "is not just about the music, but about the things and attitudes that music embraces". In the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazine's political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine helped launch the careers of many prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Ben Fong-Torres, Patti Smith and P. J. O'Rourke, it was at this point that the magazine ran some of its most famous stories, including that of the Patty Hearst abduction odyssey. One interviewer, speaking for a large number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus, describing it as a "rite of passage".
In 1977, the magazine moved its headquarters from San Francisco to New York City. Editor Jann Wenner said San Francisco had become "a cultural backwater". During the 1980s, the magazine began to shift towards being a general "entertainment" magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television and the pop culture of the day; the magazine initiated its annual "Hot Issue" during this time. Rolling Stone was known for its musical coverage and for Thompson's political reporting. In the 1990s, the magazine changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors and popular music; this led to criticism. In recent years, the magazine has resumed its traditional mix of content, including in-depth political stories, it has expanded content to include coverage of financial and banking issues. As a result, the magazine has seen its circulation increase and its reporters invited as experts to network television programs of note.
The printed format has gone through several changes. The first publications, in 1967–72, were in folded tabloid newspaper format, with no staples, black ink text, a single color highlight that changed each edition. From 1973 onwards, editions were produced on a four-color press with a different newsprint paper size. In 1979, the bar code appeared. In 1980, it became a large format magazine; as of edition of October 30, 2008, Rolling Stone has had a smaller, standard-format magazine size. After years of declining readership, the magazine experienced a major resurgence of interest and relevance with the work of two young journalists in the late 2000s, Michael Hastings and Matt Taibbi. In 2005, Dana Leslie Fields, former publisher of Rolling Stone, who had worked at the magazine for 17 years, was an inaugural inductee into the Magazine Hall of Fame. In 2009, Taibbi unleashed an acclaimed series of scathing reports on the financial meltdown of the time, he famously described Goldman Sachs as "a great vampire squid".
Bigger headlines came at the end of June 2010. Rolling Stone caused a controversy in the White House by publishing in the July issue an article by journalist Michael Hastings entitled, "The Runaway General", quoting criticism by General Stanley A. McChrystal, commander of the International Security Assistance Force and U. S. Forces-Afghanistan commander, about Vice President Joe Biden and oth
I'll Sleep When I'm Dead: The Dirty Life and Times of Warren Zevon
I'll Sleep When I'm Dead: The Dirty Life and Times of Warren Zevon is a biography and oral history of the rock musician Warren Zevon compiled by his ex-wife Crystal Zevon and published May 2007 by Ecco Books. The book is an unflinching look at Zevon's "high times and hard ways" and contains many admiring reflections on Zevon's work from his famous musical peers, alongside some unsavory revelations. Included are details about Zevon's abusive behavior toward his ex-wife and children in the 1970s, his many sexual dalliances and his return to drinking and drug use after his diagnosis of incurable cancer. Extensive use is made of excerpts from Zevon's private journals, which are concerned with his sexual partners, music industry worries and his relationships with his children and Ariel; the book is interspersed with interviews conducted with 87 friends and collaborators, including Bruce Springsteen, Jackson Browne, Stephen King, Billy Bob Thornton and Bonnie Raitt. It is reputed that before his death Zevon gave the project his blessing and requested that the book be uncompromising in its honesty about the most unflattering details
Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, a variety of vocal techniques. A person who sings is called a vocalist. Singers perform music that can be sung without accompaniment by musical instruments. Singing is done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists. Singers may perform as soloists or accompanied by anything from a single instrument up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music and religious music styles such as gospel, traditional music styles, world music, blues and popular music styles such as pop, electronic dance music and filmi. Singing arranged or improvised, it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort or ritual, as part of music education or as a profession. Excellence in singing requires time, dedication and regular practice.
If practice is done on a regular basis the sounds can become more clear and strong. Professional singers build their careers around one specific musical genre, such as classical or rock, although there are singers with crossover success, they take voice training provided by voice teachers or vocal coaches throughout their careers. In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort. Exhalation may be aided by lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals and sternocleidomastoid muscles; the pitch is altered with the vocal cords. With the lips closed, this is called humming; the sound of each individual's singing voice is unique not only because of the actual shape and size of an individual's vocal cords but due to the size and shape of the rest of that person's body.
Humans have vocal folds which can loosen, tighten, or change their thickness, over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, the tightness of otherwise unrelated muscles can be altered. Any one of these actions results in a change in pitch, timbre, or tone of the sound produced. Sound resonates within different parts of the body and an individual's size and bone structure can affect the sound produced by an individual. Singers can learn to project sound in certain ways so that it resonates better within their vocal tract; this is known as vocal resonation. Another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds; these different kinds of laryngeal function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singer's Formant, it has been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa.
The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds. Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds, possessing the same quality. Registers originate in laryngeal function, they occur. Each of these vibratory patterns appears within a particular range of pitches and produces certain characteristic sounds; the occurrence of registers has been attributed to effects of the acoustic interaction between the vocal fold oscillation and the vocal tract. The term "register" can be somewhat confusing; the term register can be used to refer to any of the following: A particular part of the vocal range such as the upper, middle, or lower registers. A resonance area such as chest voice or head voice. A phonatory process A certain vocal timbre or vocal "color" A region of the voice, defined or delimited by vocal breaks.
In linguistics, a register language is a language which combines tone and vowel phonation into a single phonological system. Within speech pathology, the term vocal register has three constituent elements: a certain vibratory pattern of the vocal folds, a certain series of pitches, a certain type of sound. Speech pathologists identify four vocal registers based on the physiology of laryngeal function: the vocal fry register, the modal register, the falsetto register, the whistle register; this view is adopted by many vocal pedagogues. Vocal resonation is the process by which the basic product of phonation is en
Robert "Waddy" Wachtel is an American musician and record producer, most notable for his guitar work. Wachtel has worked as session musician for other artists such as Linda Ronstadt, Stevie Nicks, Keith Richards, The Rolling Stones, Jon Bon Jovi, James Taylor, Iggy Pop, Warren Zevon, Bryan Ferry, Michael Sweet, Jackson Browne, Andrew Gold, both in the studio and live. Wachtel was born May 1947, in Jackson Heights in the New York City borough of Queens. At about age 9–10, Wachtel began to learn to play the guitar, taking lessons with teacher Gene Dell until about age 14. At that age, he says, he began writing songs. Waddy is Jewish. Wachtel studied with Rudolph Schramm, the head of the NBC staff orchestra and went on to teach music at Carnegie Hall. Schramm tried to get Wachtel to take piano lessons, but Wachtel was intent on playing guitar so Schramm agreed to give him guitar lessons three times a week on rhythm and harmony. After performing with local bands in the New York area, Wachtel formed his own band, The Orphans, who played in Connecticut and New Hampshire.
The band settled into a regular bar band routine, playing in Newport, Rhode Island, where Wachtel took lessons from Sal Salvador. When the Orphans disbanded, he formed another band, Twice Nicely. At the suggestion of Bud Cowsill, he brought Twice Nicely to Los Angeles in 1968 where they recorded a few demos, but after two years, Wachtel decided to work as a session player, recording with The Cowsills and produce their albums. In 1972, he made an appearance in the film The Poseidon Adventure with the actual band on stage in the dining room when the ship capsizes, he played in the Oscar's awarded short film Session Man in 1991. Wachtel has composed and played instruments for film scores including Joe Dirt, Up in Smoke, Nice Guys Sleep Alone, The Longest Yard, The Benchwarmers, Grandma's Boy, Dickie Roberts: Former Child Star, Strange Wilderness, The House Bunny, Paul Blart: Mall Cop, he has composed, produced, or performed in songs with Warren Zevon, Joe Walsh, Jackson Browne, Linda Ronstadt and others.
In 1972, he was hired by Warren Zevon to play guitar on The Everly Brothers Stories We Could Tell album and join them in a subsequent tour. By 1973, he played with Lindsey Buckingham and Stevie Nicks on their first album Buckingham Nicks, on tour; when Nicks and Buckingham joined Fleetwood Mac, he played rhythm guitar on their 1975 album Fleetwood Mac on the track "Sugar Daddy". In 1980, he wrote and sang lead vocals on an album for producer Peter Asher with members of Linda Ronstadt's band, including musicians Don Grolnick, Dan Dugmore, Rick Marotta. Both the group and the album were titled Ronin. Released on the Mercury label, the record never charted. In 1984 he played on Steve Perry's solo album Street Talk, he has appeared on hundreds of albums with bands. Production credits include albums by Stevie Nicks, Keith Richards, Jackson Browne, Bryan Ferry, The Church, Sand Rubies, George Thorogood and the Destroyers and Warren Zevon. Wachtel co-wrote several songs with Zevon including "Werewolves of London".
He co-wrote the Warren Zevon song "Things to Do in Denver When You're Dead" from the album Mr. Bad Example, he co-produced the first two Zevon albums. Wachtel shares co-writing credits with Stevie Nicks on a few tracks such as "Annabel Lee", "I Don't Care". Wachtel has been credited on some albums as Bob Wachtel, but some online sources have incorrectly credited him as Richard Wachtel on albums he was credited as having played guitar on. Wachtel and his wife Annie were arrested in 1998 on suspicion of possession of child pornography after illicit images were found on a computer they had in their home hard copies and duplicates of child porn were found in the home; the case against Wachtel's wife was dismissed. Musician Brett Tuggle defended Wachtel and his wife, saying "there is no way that Stevie would have him in her band if she thought he was guilty of any wrongdoing." Wachtel plays 1957 Fender Stratocaster. He said in a 1980 interview. Wachtel purchased the Les Paul guitar from Stephen Stills for $350.
In September 2014 the Gibson Custom Shop chose the 1960 Les Paul Waddy Wachtel guitar for their new Collector's Choice series. Wachtel performs with the Waddy Wachtel Band in the Los Angeles area, notably at The Joint from 2000 through 2013; the band at that time included Phil Jones, Rick Rosas, Bernard Fowler and Blondie Chaplin, among others. He continues to gig with some personnel changes, while retaining Fowler and Chaplin. Many famous artists have performed with the band as special guests.> Wachtel appeared on the 2010 Grammy Award television show backing Taylor Swift's live presentation. In Swift's duet with Nicks on the song "Rhiannon", Wachtel was featured on lead guitar. Waddy Wachtel Band Website Waddy Wachtel discography at Discogs Waddy Wachtel on IMDb
Bad Luck Streak in Dancing School
Bad Luck Streak in Dancing School is the fourth studio album by American singer-songwriter Warren Zevon. The album was released on February 1980, by Elektra Records. Three singles were released from the album, one of which charted: "A Certain Girl" reached No. 57 on the Billboard Hot 100 and was Zevon's second and final hit on that chart. "Play It All Night Long" is a commentary on those who listen to Lynyrd Skynyrd's "Sweet Home Alabama", whom Zevon supposes only listen to the song because country life is so intolerable. The term "dancing school" has been used as a euphemism for a brothel since the mid-17th century; the album was dedicated to Ken Millar, a friend of Zevon's, better known for writing mystery novels under the name Ross Macdonald. All songs written by Warren Zevon. Warren Zevon – organ, bass, harmonica, strings, vocals Jorge Calderón – guitar on "A Certain Girl". D. Souther – backing vocals on "Gorilla, You're a Desperado" and "Bed of Coals" Waddy Wachtel – lead guitar on "A Certain Girl".
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particularly in the United Kingdom and in the United States. It has its roots in 1940s and 1950s rock and roll, a style which drew on the genres of blues and blues, from country music. Rock music drew on a number of other genres such as electric blues and folk, incorporated influences from jazz and other musical styles. Musically, rock has centered on the electric guitar as part of a rock group with electric bass and one or more singers. Rock is song-based music with a 4/4 time signature using a verse–chorus form, but the genre has become diverse. Like pop music, lyrics stress romantic love but address a wide variety of other themes that are social or political. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, jazz-rock, many of which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene.
New genres that emerged included progressive rock. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and alternative rock. From the 1990s alternative rock began to dominate rock music and break into the mainstream in the form of grunge and indie rock. Further fusion subgenres have since emerged, including pop punk, electronic rock, rap rock, rap metal, as well as conscious attempts to revisit rock's history, including the garage rock/post-punk and techno-pop revivals at the beginning of the 2000s. Rock music has embodied and served as the vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the UK and the hippie counterculture that spread out from San Francisco in the US in the 1960s. 1970s punk culture spawned the goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music has been associated with political activism as well as changes in social attitudes to race and drug use, is seen as an expression of youth revolt against adult consumerism and conformity.
The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was influenced by the sounds of electric blues guitarists; the sound of an electric guitar in rock music is supported by an electric bass guitar, which pioneered in jazz music in the same era, percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has been complemented by the inclusion of other instruments keyboards such as the piano, the Hammond organ, the synthesizer; the basic rock instrumentation was derived from the basic blues band instrumentation. A group of musicians performing rock music is termed as a rock group. Furthermore, it consists of between three and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist and keyboard player or other instrumentalist. Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four.
Melodies originate from older musical modes such as the Dorian and Mixolydian, as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s and from the mid 1960s onwards, rock music used the verse-chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock; because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to a rigidly delineated musical definition." Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, rebellion against "The Establishment", social concerns, life styles. These themes were inherited from a variety of sources such as the Tin Pan Alley pop tradition, folk music, rhythm and blues.
Music journalist Robert Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, asserts that rock's primary "function" "pertains to music, or, more noise." The predominance of white and middle class musicians in rock music has been noted, rock has been seen as an appropriation of black musical forms for a young and male audience. As a result, it has been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has been contrasted with pop music, with which it has shared many characteristics, but from wh