1.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
2.
Croatian language
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It is the official and literary standard of Croatia and one of the official languages of the European Union. Croatian is also one of the languages of Bosnia and Herzegovina, a recognized minority language in Serbia. Croatian is written in Gajs Latin alphabet, besides the Shtokavian dialect, on which Standard Croatian is based, there are two other main dialects, Chakavian and Kajkavian. It is still used now in parts of Istria, which became a crossroads of various mixtures of Chakavian with Ekavian/Ijekavian/Ikavian dialects, the cultural apex of this 17th century idiom is represented by the editions of Adrianskoga mora sirena by Petar Zrinski and Putni tovaruš by Katarina Zrinska. However, this first linguistic renaissance in Croatia was halted by the execution of Petar Zrinski. Subsequently the Croatian elite in the 18th century gradually abandoned this combined Croatian standard, specifically, three major groups of dialects were spoken on Croatian territory, and there had been several literary languages over four centuries. The leader of the Illyrian movement Ljudevit Gaj standardized the Latin alphabet in 1830–1850, the uniform Neo-Shtokavian then became common in the Croatian elite. In the 1860s, the Zagreb Philological School dominated the Croatian cultural life, drawing upon linguistic, while it was dominant over the rival Rijeka Philological School and Zadar Philological Schools, its influence waned with the rise of the Croatian Vukovians. Croatian is commonly characterized by the Ijekavian pronunciation, the use of the Latin alphabet. Some differences are absolute, while some appear mainly in the frequency of use, Croatian, although technically a form of Serbo-Croatian, is sometimes considered a distinct language by itself. Differences between various forms of Serbo-Croatian are often exaggerated for political reasons. Most Croatian linguists regard Croatian as a language that is considered key to national identity. The issue is sensitive in Croatia as the notion of a language being the most important characteristic of a nation is widely accepted. The terms Serbo-Croatian or Serbo-Croat are still used as a term for all these forms by foreign scholars. Within ex-Yugoslavia, the term has largely replaced by the ethnic terms Serbian, Croatian. In 2013, the EU started publishing a Croatian language version of its official gazette, Standard Croatian is the official language of the Republic of Croatia and, along with Standard Bosnian and Standard Serbian, one of three official languages of Bosnia and Herzegovina. It is also official in the regions of Burgenland, Molise, additionally, it has co-official status alongside Romanian in the communes of Carașova and Lupac, Romania. Croatian is officially used and taught at all the universities in Croatia, there is no regulatory body that determines the proper usage of Croatian
3.
Ivan Belostenec
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Ivan Belostenec was a Croatian linguist and lexicographer. In 1616 he joined the Paulists and he studied philosophy in Vienna and theology in Rome. Belostenec was a prior of Pauline monasteries in Lepoglava, Svetice at Ozalj and Sveta Jelena at Čakovec and his main work was a bilingual dictionary Gazophylacium, seu Latino-illyiricorum onomatum aerarium. Except for its richness of words, Gazophylacium is also important for its trilingual concept characteristic for the members of the Ozalj literary-linguistic circle, Gazophylacium was finished and prepared for publication by two Paulists - Jerolim Orlović and Andrija Mužar, it was published in Zagreb 1740
