1.
Novel
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A novel is any relatively long piece of written narrative fiction, normally in prose, and typically published as a book. The genre has also described as possessing, a continuous. This view sees the novels origins in Classical Greece and Rome, medieval, early modern romance, the latter, an Italian word used to describe short stories, supplied the present generic English term in the 18th century. The romance is a closely related long prose narrative, Romance, as defined here, should not be confused with the genre fiction love romance or romance novel. Other European languages do not distinguish between romance and novel, a novel is le roman, der Roman, il romanzo, a novel is a long, fictional narrative which describes intimate human experiences. Most European languages use the word romance for extended narratives, fictionality is most commonly cited as distinguishing novels from historiography. However this can be a problematic criterion, historians would also invent and compose speeches for didactic purposes. Novels can, on the hand, depict the social, political and personal realities of a place and period with clarity. Even in the 19th century, fictional narratives in verse, such as Lord Byrons Don Juan, Alexander Pushkins Yevgeniy Onegin, vikram Seths The Golden Gate, composed of 590 Onegin stanzas, is a more recent example of the verse novel. Both in 12th-century Japan and 15th-century Europe, prose fiction created intimate reading situations, on the other hand, verse epics, including the Odyssey and Aeneid, had been recited to a select audiences, though this was a more intimate experience than the performance of plays in theaters. A new world of Individualistic fashion, personal views, intimate feelings, secret anxieties, conduct and gallantry spread with novels, the novel is today the longest genre of narrative prose fiction, followed by the novella, short story, and flash fiction. However, in the 17th century critics saw the romance as of epic length, the length of a novel can still be important because most literary awards use length as a criterion in the ranking system. Urbanization and the spread of printed books in Song Dynasty China led to the evolution of oral storytelling into consciously fictional novels by the Ming dynasty, parallel European developments did not occur for centuries, and awaited the time when the availability of paper allowed for similar opportunities. By contrast, Ibn Tufails Hayy ibn Yaqdhan and Ibn al-Nafis Theologus Autodidactus are works of didactic philosophy, in this sense, Hayy ibn Yaqdhan would be considered an early example of a philosophical novel, while Theologus Autodidactus would be considered an early theological novel. Epic poetry exhibits some similarities with the novel, and the Western tradition of the novel back into the field of verse epics. Then at the beginning of the 18th century, French prose translations brought Homers works to a wider public, longus is the author of the famous Greek novel, Daphnis and Chloe. Romance or chivalric romance is a type of narrative in prose or verse popular in the circles of High Medieval. In later romances, particularly those of French origin, there is a tendency to emphasize themes of courtly love
2.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
3.
Drama
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Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning action, which is derived from I do, the two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia, Thalia was the Muse of comedy, while Melpomene was the Muse of tragedy. Considered as a genre of poetry in general, the mode has been contrasted with the epic. The use of drama in a narrow sense to designate a specific type of play dates from the modern era. Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example and it is this narrower sense that the film and television industries, along with film studies, adopted to describe drama as a genre within their respective media. Radio drama has been used in both senses—originally transmitted in a performance, it has also been used to describe the more high-brow. The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production, the structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet by Shakespeare and the classical Athenian tragedy Oedipus Rex by Sophocles are among the masterpieces of the art of drama, a modern example is Long Days Journey into Night by Eugene O’Neill. Closet drama describes a form that is intended to be read, in improvisation, the drama does not pre-exist the moment of performance, performers devise a dramatic script spontaneously before an audience. Western drama originates in classical Greece, the theatrical culture of the city-state of Athens produced three genres of drama, tragedy, comedy, and the satyr play. Their origins remain obscure, though by the 5th century BCE they were institutionalised in competitions held as part of celebrating the god Dionysus. The competition for tragedies may have begun as early as 534 BCE, tragic dramatists were required to present a tetralogy of plays, which usually consisted of three tragedies and one satyr play. Comedy was officially recognized with a prize in the competition from 487 to 486 BCE, five comic dramatists competed at the City Dionysia, each offering a single comedy. Ancient Greek comedy is traditionally divided between old comedy, middle comedy and new comedy, following the expansion of the Roman Republic into several Greek territories between 270–240 BCE, Rome encountered Greek drama. While Greek drama continued to be performed throughout the Roman period, from the beginning of the empire, however, interest in full-length drama declined in favour of a broader variety of theatrical entertainments. The first important works of Roman literature were the tragedies and comedies that Livius Andronicus wrote from 240 BCE, five years later, Gnaeus Naevius also began to write drama. No plays from either writer have survived, by the beginning of the 2nd century BCE, drama was firmly established in Rome and a guild of writers had been formed
4.
Comedy
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In a modern sense, comedy refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially in theatre, television, film, and stand-up comedy. The origins of the term are found in Ancient Greece, in the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters. The theatrical genre of Greek comedy can be described as a performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a Society of Youth and a Society of the Old, a revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. Satire and political satire use comedy to portray persons or social institutions as ridiculous or corrupt, parody subverts popular genres and forms, critiquing those forms without necessarily condemning them. Similarly scatological humour, sexual humour, and race humour create comedy by violating social conventions or taboos in comic ways, a comedy of manners typically takes as its subject a particular part of society and uses humor to parody or satirize the behaviour and mannerisms of its members. Romantic comedy is a genre that depicts burgeoning romance in humorous terms. The adjective comic, which means that which relates to comedy is, in modern usage. Of this, the word came into usage through the Latin comoedia and Italian commedia and has, over time. The Greeks and Romans confined their use of the comedy to descriptions of stage-plays with happy endings. Aristotle defined comedy as an imitation of men worse than the average, however, the characters portrayed in comedies were not worse than average in every way, only insofar as they are Ridiculous, which is a species of the Ugly. The Ridiculous may be defined as a mistake or deformity not productive of pain or harm to others, the mask, for instance, in the Middle Ages, the term expanded to include narrative poems with happy endings. It is in this sense that Dante used the term in the title of his poem, as time progressed, the word came more and more to be associated with any sort of performance intended to cause laughter. During the Middle Ages, the comedy became synonymous with satire. They disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms and they viewed comedy as simply the art of reprehension, and made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century, the term gained a more general meaning in medieval literature. Starting from 425 BCE, Aristophanes, a playwright and satirical author of the Ancient Greek Theater wrote 40 comedies,11 of which survive. Aristophanes developed his type of comedy from the satyr plays
5.
Tragedy
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Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. In the wake of Aristotles Poetics, tragedy has been used to make genre distinctions, in the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre. Drama, in the sense, cuts across the traditional division between comedy and tragedy in an anti- or a-generic deterritorialisation from the mid-19th century onwards. Both Bertolt Brecht and Augusto Boal define their epic theatre projects against models of tragedy, taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation. The word tragedy appears to have used to describe different phenomena at different times. It derives from Classical Greek τραγῳδία, contracted from trag-aoidiā = goat song, scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was that around which a chorus danced prior to the animals ritual sacrifice. In another view on the etymology, Athenaeus of Naucratis says that the form of the word was trygodia from trygos and ode. There is some dissent to the origins of tragedy, mostly based on the differences between the shapes of their choruses and styles of dancing. A common descent from pre-Hellenic fertility and burial rites has been suggested, friedrich Nietzsche discussed the origins of Greek tragedy in his early book The Birth of Tragedy. Here, he suggests the name originates in the use of a chorus of goat-like satyrs in the original dithyrambs from which the genre developed. Scott Scullion writes, There is abundant evidence for tragoidia understood as song for the prize goat, and as prize was established the billy goat, the clearest is Eustathius 1769.45, They called those competing tragedians, clearly because of the song over the billy goat. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days, each playwright offered a tetralogy consisting of three tragedies and a concluding comic piece called a satyr play. The four plays sometimes featured linked stories, only one complete trilogy of tragedies has survived, the Oresteia of Aeschylus. The Greek theatre was in the air, on the side of a hill. Performances were apparently open to all citizens, including women, the theatre of Dionysus at Athens probably held around 12,000 people
6.
Performance
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A performance, in the performing arts, generally comprises an event in which a performer or group of performers present one or more works of art to an audience. Usually the performers participate in rehearsals beforehand, the means of expressing appreciation can vary by culture. Chinese performers will clap with the audience at the end of a performance, in Japan, folk performing-arts performances commonly attract individuals who take photographs, sometimes getting up to the stage and within inches of performers faces. Sometimes the dividing line between performer and the audience may become blurred, as in the example of theatre where audience members get involved in the production. Theatrical performances can take place daily or at some other regular interval, performances can take place at designated performance spaces, or in a non-conventional space, such as a subway station, on the street, or in somebodys home. Theatrical performances, especially when the audience is limited to only a few observers and this increase takes place in several stages relative to the performance itself, including anticipatory activation, confrontation activation and release period. The same physiological reactions can be experienced in other mediums, such as instrumental performance, heart rate shares a strong, positive correlation with the self reported anxiety of performers. Other physiological responses to public performance include perspiration, secretion of the adrenal glands, a performance may also describe the way in which an actor performs. In a solo capacity, it may refer to a mime artist, comedian, conjurer. Audio electronics Entertainment Live sound mixing Performance science Rock festival Sound technology Spectacle Stadium Stagecraft Theater
7.
History of literature
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Some recorded materials, such as compilations of data are not considered literature, and this article relates only to the evolution of the works defined above. Literature and writing, though connected, are not synonymous, scholars have often disagreed concerning when written record-keeping became more like literature than anything else, the definition is largely subjective. Moreover, given the significance of distance as a cultural isolator in earlier centuries, the historical development of literature did not occur at an even pace across the world. Much has been written, for example, about the destruction of the Library of Alexandria in the 1st century BC, the deliberate suppression of texts by organisations of either a spiritual or a temporal nature further shrouds the subject. Certain primary texts, however, may be isolated which have a role as literatures first stirrings. Many texts handed down by oral tradition over several centuries before they were fixed in form are difficult or impossible to date. The core of the Rigveda may date to the mid 2nd millennium BC, the Pentateuch is traditionally dated to the 15th century, although modern scholarship estimates its oldest part to date to the 10th century BC at the earliest. Homers Iliad and Odyssey date to the 8th century BC and mark the beginning of Classical Antiquity and they also stand in an oral tradition that stretches back to the late Bronze Age. The great Hindu epics were also transmitted orally, likely predating the Maurya period, the Classic of Poetry is the oldest existing collection of Chinese poetry, comprising 305 works by anonymous authors dating from the 11th to 7th centuries BC. The Chu Ci anthology is a volume of poems attributed to or considered to be inspired by Qu Yuans verse writing. Qu Yuan is the first author of verse in China to have his name associated to his work and is regarded as one of the most prominent figures of Romanticism in Chinese classical literature. The first great author on military tactics and strategy was Sun Tzu, among the earliest Chinese works of narrative history, Zuo Zhuan is a gem of classical Chinese prose. This work and the Shiji or Records of the Grand Historian, were regarded as the models by many generations of prose stylists in ancient China. The books that constitute the Hebrew Bible developed over roughly a millennium, the oldest texts seem to come from the eleventh or tenth centuries BCE, whilst most of the other texts are somewhat later. They are edited works, being collections of various sources intricately and carefully woven together, the Old Testament was compiled and edited by various men over a period of centuries, with many scholars concluding that the Hebrew canon was solidified by about the 3rd century BC. The works have been subject to various literary evaluations, friedrich Nietzsche wrote, “In the Jewish Old Testament, there are men, things and speeches in so grand a style that Greek and Indian literature have nothing to compare to it. One stands with awe and reverence before these tremendous remnants of what man once was, the taste for the Old Testament is a touchstone of greatness and smallness. ”Ancient Greek society placed considerable emphasis upon literature. Notable among later Greek poets was Sappho, who defined, in many ways, a playwright named Aeschylus changed Western literature forever when he introduced the ideas of dialogue and interacting characters to playwriting
8.
Research
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It is used to establish or confirm facts, reaffirm the results of previous work, solve new or existing problems, support theorems, or develop new theories. A research project may also be an expansion on past work in the field, to test the validity of instruments, procedures, or experiments, research may replicate elements of prior projects or the project as a whole. The primary purposes of research are documentation, discovery, interpretation, or the research and development of methods. Approaches to research depend on epistemologies, which vary considerably both within and between humanities and sciences, there are several forms of research, scientific, humanities, artistic, economic, social, business, marketing, practitioner research, life, technological, etc. The earliest recorded use of the term was in 1577, Research has been defined in a number of different ways. Another definition of research is given by John W. Creswell and it consists of three steps, pose a question, collect data to answer the question, and present an answer to the question. Original research is research that is not exclusively based on a summary and this material is of a primary source character. The purpose of the research is to produce new knowledge. Original research can take a number of forms, depending on the discipline it pertains to, in analytical work, there are typically some new mathematical results produced, or a new way of approaching an existing problem. The degree of originality of the research is among major criteria for articles to be published in academic journals, graduate students are commonly required to perform original research as part of a dissertation. Scientific research is a way of gathering data and harnessing curiosity. This research provides scientific information and theories for the explanation of the nature, scientific research is funded by public authorities, by charitable organizations and by private groups, including many companies. Scientific research can be subdivided into different classifications according to their academic, Research in the humanities involves different methods such as for example hermeneutics and semiotics. Humanities scholars usually do not search for the correct answer to a question. Context is always important, and context can be social, historical, political, cultural, an example of research in the humanities is historical research, which is embodied in historical method. Historians use primary sources and other evidence to systematically investigate a topic, other studies aim to merely examine the occurrence of behaviours in societies and communities, without particularly looking for reasons or motivations to explain these. These studies may be qualitative or quantitative, and can use a variety of approaches, Artistic research, also seen as practice-based research, can take form when creative works are considered both the research and the object of research itself. It is the body of thought which offers an alternative to purely scientific methods in research in its search for knowledge
9.
Humanities
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Humanities are academic disciplines that study aspects of human culture. In the Middle Ages, the term contrasted with divinity and referred to what is now called classics, today, the humanities are more frequently contrasted with natural, and sometimes social, sciences as well as professional training. The humanities include ancient and modern languages, literature, philosophy, religion, art, scholars in the humanities are humanity scholars or humanists. The term humanist also describes the position of humanism, which some antihumanist scholars in the humanities refuse. The Renaissance scholars and artists were also called humanists, some secondary schools offer humanities classes usually consisting of English literature, global studies and art. Human disciplines like history and cultural anthropology study subject matters that the method does not apply to—and instead mainly use the comparative method. Anthropology is the science of humans, a science of the totality of human existence. The discipline deals with the integration of different aspects of the sciences, humanities. In the twentieth century, academic disciplines have often been divided into three broad domains. The natural sciences seek to derive general laws through reproducible and verifiable experiments, the humanities generally study local traditions, through their history, literature, music, and arts, with an emphasis on understanding particular individuals, events, or eras. Anthropology does not easily fit into one of these categories, within the United States, anthropology is divided into four sub-fields, archaeology, physical or biological anthropology, anthropological linguistics, and cultural anthropology. It is an area that is offered at most undergraduate institutions, the word anthropos is from the Greek for human being or person. Eric Wolf described sociocultural anthropology as the most scientific of the humanities, the goal of anthropology is to provide a holistic account of humans and human nature. This means that, though anthropologists generally specialize in only one sub-field, they keep in mind the biological, linguistic, historic. The quest for holism leads most anthropologists to study a people in detail, using biogenetic, archaeological and it is possible to view all human cultures as part of one large, evolving global culture. Archaeology is the study of human activity through the recovery and analysis of material culture, the archaeological record consists of artifacts, architecture, biofacts or ecofacts, and cultural landscapes. Archaeology can be considered both a science and a branch of the humanities. It has various goals, which range from understanding culture history to reconstructing past lifeways to documenting and explaining changes in human societies through time
10.
Sociology
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Sociology is the study of social behaviour or society, including its origins, development, organisation, networks, and institutions. It is a science that uses various methods of empirical investigation and critical analysis to develop a body of knowledge about social order, disorder. Many sociologists aim to research that may be applied directly to social policy and welfare. Subject matter ranges from the level of individual agency and interaction to the macro level of systems. The traditional focuses of sociology include social stratification, social class, social mobility, religion, secularization, law, sexuality, the range of social scientific methods has also expanded. Social researchers draw upon a variety of qualitative and quantitative techniques, the linguistic and cultural turns of the mid-twentieth century led to increasingly interpretative, hermeneutic, and philosophic approaches towards the analysis of society. There is often a great deal of crossover between social research, market research, and other statistical fields, Sociology is distinguished from various general social studies courses, which bear little relation to sociological theory or to social-science research-methodology. The US National Science Foundation classifies sociology as a STEM field, Sociological reasoning pre-dates the foundation of the discipline. Social analysis has origins in the stock of Western knowledge and philosophy. The origin of the survey, i. e, there is evidence of early sociology in medieval Arab writings. The word sociology is derived from both Latin and Greek origins, the Latin word, socius, companion, the suffix -logy, the study of from Greek -λογία from λόγος, lógos, word, knowledge. It was first coined in 1780 by the French essayist Emmanuel-Joseph Sieyès in an unpublished manuscript, Sociology was later defined independently by the French philosopher of science, Auguste Comte, in 1838. Comte used this term to describe a new way of looking at society, Comte had earlier used the term social physics, but that had subsequently been appropriated by others, most notably the Belgian statistician Adolphe Quetelet. Comte endeavoured to unify history, psychology and economics through the understanding of the social realm. Comte believed a positivist stage would mark the final era, after conjectural theological and metaphysical phases, Comte gave a powerful impetus to the development of sociology, an impetus which bore fruit in the later decades of the nineteenth century. To say this is not to claim that French sociologists such as Durkheim were devoted disciples of the high priest of positivism. To be sure, beginnings can be traced back well beyond Montesquieu, for example, Marx rejected Comtean positivism but in attempting to develop a science of society nevertheless came to be recognized as a founder of sociology as the word gained wider meaning. For Isaiah Berlin, Marx may be regarded as the father of modern sociology
11.
Natya Shastra
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The Nāṭya Śāstra is a Sanskrit Hindu text on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE, the text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The Nāṭya Śāstra is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music, the text has inspired secondary literature such as Sanskrit bhasya such as by the 10th century Abhinavagupta. The title of the text is composed of two words, Nāṭya and Śāstra, the root of the Sanskrit word Natya is Nat which means act, represent. The word Shastra means precept, rules, manual, compendium, book or treatise, the composition date of Natyashastra is unknown, estimates vary between 500 BCE to 500 CE. The Natya Shastra is traditionally alleged to be linked to a 36,000 verse Vedic composition called Adibharata, the text has survived into the modern age in several manuscript versions, wherein the title of the chapters vary and in some cases the content of the few chapters differ. Some recensions show significant interpolations and corruption of the text, along with internal contradictions, the author of the text is unknown, and the Hindu tradition attributes it to the Rishi Bharata. It may be the work of authors, but scholars disagree. Bharat Gupt states that the text stylistically shows characteristics of a compiler in the existing version. The Natyashastra is the oldest surviving ancient Indian work on performance arts, the roots of the text extend at least as far back as the Natasutras, dated to around the mid 1st millennium BCE. The Natasutras are mentioned in the text of Panini, the sage who wrote the classic on Sanskrit grammar, Richmond et al estimate the Natasutras to have been composed around 600 BCE. The Gandharva subgenre also implied celestial, divine associations, while the Gana was free form art, the Vedanga texts such as verse 1.4.29 of Panini Sutras mention these as well. The roots of the Natyashastra thus likely trace to the ancient vedic traditions of integrating ritual recitation, dialogue. The Sanskrit verses in chapter 13.2 of Shatapatha Brahmana, the Vedic sacrifice is presented as a kind of drama, with its actors, its dialogues, its portion to be set to music, its interludes, and its climaxes. The most studied version of the text, consisting of about 6000 poetic verses, is structured into 36 chapters, the tradition believes that the text originally had 12,000 verses. Somewhat different versions of the manuscripts exist, and these contain 37 or 38 chapters. Predominant number of its verses are in precise Anustubh meter, some verses are in Arya meter, the structure of the text harmoniously compiles aspects of the theatrical arts into separate chapters. The text opens with the genesis and history of drama, mentions the role of different Hindu deities in various aspects of the arts
12.
Ancient philosophy
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This page lists some links to ancient philosophy. Genuinely philosophical thought, depending upon original individual insights, arose in many cultures roughly contemporaneously, karl Jaspers termed the intense period of philosophical development beginning around the 7th century and concluding around the 3rd century BCE an Axial Age in human thought. Chinese philosophy is the dominant philosophical thought in China and other countries within the East Asian cultural sphere share a common language, including Japan, Korea. The Hundred Schools of Thought were philosophers and schools that flourished from the 6th century to 221 BCE, the thoughts and ideas discussed and refined during this period have profoundly influenced lifestyles and social consciousness up to the present day in East Asian countries. The intellectual society of this era was characterized by itinerant scholars, who were employed by various state rulers as advisers on the methods of government, war. This period ended with the rise of the Qin Dynasty and the subsequent purge of dissent, a main idea of Confucianism is the cultivation of virtue and the development of moral perfection. Confucianism holds that one should give up ones life, if necessary, either passively or actively, for the sake of upholding the cardinal moral values of ren, the Legalists exalted the state above all, seeking its prosperity and martial prowess over the welfare of the common people. Harmony with the Universe, or the source thereof, is the result of many Taoist rules and practices. Mohism, which advocated the idea of love, Mozi believed that everyone is equal before heaven. Mozi advocated frugality, condemning the Confucian emphasis on ritual and music, naturalism, the School of Naturalists or the Yin-yang school, which synthesized the concepts of yin-yang and the Five Elements, Zou Yan is considered the founder of this school. Agrarianism, or the School of Agrarianism, which advocated peasant utopian communalism and egalitarianism, the Logicians or the School of Names, which focused on definition and logic. It is said to have parallels with that of the Ancient Greek sophists or dialecticians, the most notable Logician was Gongsun Longzi. Scholars from this school were good orators, debaters and tacticians, the Miscellaneous School, which integrated teachings from different schools, for instance, Lü Buwei found scholars from different schools to write a book called Lüshi Chunqiu cooperatively. This school tried to integrate the merits of various schools and avoid their perceived flaws, the School of Minor-talks, which was not a unique school of thought, but a philosophy constructed of all the thoughts which were discussed by and originated from normal people on the street. Another group is the School of the Military that studied strategy, however, this school was not one of the Ten Schools defined by Hanshu. The founder of the Qin Dynasty, who implemented Legalism as the official philosophy, Legalism remained influential until the emperors of the Han Dynasty adopted Daoism and later Confucianism as official doctrine. These latter two became the forces of Chinese thought until the introduction of Buddhism. In contrast, there was an Old Text school that advocated the use of Confucian works written in ancient language that were so much more reliable
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