Nigel Glockler is an English musician, best known as the longtime drummer for the heavy metal band Saxon, which he first joined in 1981. His surname is sometimes misspelled as "Glockner", he began his musical career in 1980 as the drummer for the British band Krakatoa. In 1981 he worked as a session musician with the singer Toyah. At the end of that year, he joined Saxon. Glockler has been with Saxon since except for two temporary absences. Glockler first left Saxon in 1987 when he was invited by Steve Howe to join a reformed lineup of the supergroup GTR; that lineup did not release any albums though some songs appeared on albums by other GTR members. Glockler returned to Saxon in 1988. In the early-to-mid 1990s he contributed to the albums Turbulence by Steve Howe and Aqua by Asia, plus two albums by The Original Iron Men. Glockler stayed with Saxon until 1998 when he was forced to temporarily retire due to neck injuries that impeded his drumming. After receiving medical treatment, Glockler was able to play drums again, first contributing to the album Mad Men and English Dogs with Saxon guitarist Doug Scarratt in 2001.
Glockler again rejoined Saxon in 2005 upon the departure of drummer Jörg Michael, remains with the band as of 2018. In late 2014 he survived several surgeries. 1982: The Eagle Has Landed 1983: Power & the Glory 1984: Crusader 1985: Innocence Is No Excuse 1986: Rock the Nations 1989: Rock'n' Roll Gypsies 1990: Greatest Hits Live! 1991: Solid Ball of Rock 1992: Forever Free 1995: Dogs of War 1997: Unleash the Beast 2006: The Eagle Has Landed – part 3 2007: The Inner Sanctum 2009: Into the Labyrinth 2011: Call to Arms 2012: Heavy Metal Thunder – Live: Eagles Over Wacken 2013: Sacrifice 2015: Battering Ram 2016: Let Me Feel Your Power 2018: Thunderbolt 1992: Aqua 1996: Archiva 1 1996: Archiva 2 1981: Anthem 1991: Turbulence https://www.discogs.com/es/artist/285446-Nigel-Glockler https://www.allmusic.com/artist/saxon-mn0000259800 http://dedica.la/artist/Nigel+Glockler/biography#. UUYxxj6mmFE
Dogs of War (album)
Dogs of War is the twelfth studio album by the heavy metal band Saxon, released in 1995. It is the last album with Graham Oliver on guitar. All lyrics written by Byford/Glockler. A 2006 CD re-issue on SPV/Steamhammer Records includes two bonus live tracks: "The Great White Buffalo" and "Denim and Leather" recorded in 1995. Biff Byford - vocals Graham Oliver - guitars Paul Quinn - guitars Nibbs Carter - bass guitar Nigel Glockler - drums Rainer Hainsel - guitars ProductionBiff Byford - producer, mixing Rainer Hänsel - producer Kalle Trapp - mixing engineer John Mc Lane - mixing engineer Gems Studio in Boston, England - recording location Karo Studios, Germany - mixing location Paul R. Gregory - artwork
A record producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album. A producer has varying roles during the recording process, they may gather musical ideas for the project, collaborate with the artists to select cover tunes or original songs by the artist/group, work with artists and help them to improve their songs, lyrics or arrangements. A producer may also: Select session musicians to play rhythm section accompaniment parts or solos Co-write Propose changes to the song arrangements Coach the singers and musicians in the studioThe producer supervises the entire process from preproduction, through to the sound recording and mixing stages, and, in some cases, all the way to the audio mastering stage; the producer may perform these roles themselves, or help select the engineer, provide suggestions to the engineer. The producer may pay session musicians and engineers and ensure that the entire project is completed within the record label's budget.
A record producer or music producer has a broad role in overseeing and managing the recording and production of a band or performer's music. A producer has many roles that may include, but are not limited to, gathering ideas for the project, composing the music for the project, selecting songs or session musicians, proposing changes to the song arrangements, coaching the artist and musicians in the studio, controlling the recording sessions, supervising the entire process through audio mixing and, in some cases, to the audio mastering stage. Producers often take on a wider entrepreneurial role, with responsibility for the budget, schedules and negotiations. Writer Chris Deville explains it, "Sometimes a producer functions like a creative consultant — someone who helps a band achieve a certain aesthetic, or who comes up with the perfect violin part to complement the vocal melody, or who insists that a chorus should be a bridge. Other times a producer will build a complete piece of music from the ground up and present the finished product to a vocalist, like Metro Boomin supplying Future with readymade beats or Jack Antonoff letting Taylor Swift add lyrics and melody to an otherwise-finished “Out Of The Woods.”The artist of an album may not be a record producer or music producer for his/her album.
While both contribute creatively, the official credit of "record producer" may depend on the record contract. Christina Aguilera, for example, did not receive record producer credits until many albums into her career. In the 2010s, the producer role is sometimes divided among up to three different individuals: executive producer, vocal producer and music producer. An executive producer oversees project finances, a vocal producers oversees the vocal production, a music producer oversees the creative process of recording and mixings; the music producer is often a competent arranger, musician or songwriter who can bring fresh ideas to a project. As well as making any songwriting and arrangement adjustments, the producer selects and/or collaborates with the mixing engineer, who takes the raw recorded tracks and edits and modifies them with hardware and software tools to create a stereo or surround sound "mix" of all the individual voices sounds and instruments, in turn given further adjustment by a mastering engineer for the various distribution media.
The producer oversees the recording engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as "the person who creatively guides or directs the process of making a record", like a director would a movie. Indeed, in Bollywood music, the designation is music director; the music producer's job is to create and mold a piece of music. The scope of responsibility may be one or two songs or an artist's entire album – in which case the producer will develop an overall vision for the album and how the various songs may interrelate. At the beginning of record industry, the producer role was technically limited to record, in one shot, artists performing live; the immediate predecessors to record producers were the artists and repertoire executives of the late 1920s and 1930s who oversaw the "pop" product and led session orchestras. That was the case of Ben Selvin at Columbia Records, Nathaniel Shilkret at Victor Records and Bob Haring at Brunswick Records.
By the end of the 1930s, the first professional recording studios not owned by the major companies were established separating the roles of A&R man and producer, although it wouldn't be until the late 1940s when the term "producer" became used in the industry. The role of producers changed progressively over the 1960s due to technology; the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously. All of these singers and musicians had to be assembled in a large studio where the performance was recorded. With multitrack recording, the "bed tracks" (rhythm section accompaniment parts such as the bassline and rhythm guitar could be recorded first, the vocals and solos could be added using as many "takes" as necessary, it was no longer necessary to get all the players in the studio at the same time. A pop band could record their backing tracks one week, a horn section could be brought in a week to add horn shots and punches, a string section could be brought in a week after that.
Multitrack recording had another pro
Metalhead is the fourteenth studio album by heavy metal band Saxon released in 1999. All tracks written by Pete "Biff" Byford, Paul Quinn, Doug Scarratt, Tim "Nibbs" Carter, except "Intro" by Nigel Glockler. SaxonBiff Byford - vocals, producer Paul Quinn - guitar Doug Scarratt - guitar Nibbs Carter - bass Fritz Randow - drumsAdditional musiciansNigel Glockler - written and performed "Intro" Chris Bay - additional keyboardsProductionCharlie Bauerfeind - producer, mixing Rainer Hänsel - executive producer Karo Studios, Germany – recording and mixing location
Denim and Leather
Denim and Leather is the fourth studio album by English heavy metal band Saxon released in 1981. The album was certified Gold status in the U. K; this was the last album with the classic line up of Saxon, as drummer Pete Gill would leave the band due to a hand injury joining Motörhead. The album spawned two of their most successful singles, "And the Bands Played On" and "Princess of the Night". There are nine songs on this album. "Princess of the Night" is a song about a powerful steam locomotive and "And the Bands Played On" is about 1980 Monsters of Rock Festival - name checking several of the other acts on the bill including Rainbow and Touch. Other themes for the songs include: partying, the spirit of the music, and, like many of their songs, motorcycles. "Midnight Rider" is a song about Saxon's 1980 North American tour. The name of the album and song was inspired by the popular attire of metalheads in the early 1980s, defined by either denim jeans and jackets or a leather biker jacket; the song is seen as a tribute from the band to their fans while describing the history of the sub-culture and the rise of the new wave of British heavy metal.
The album peaked at #9 in the UK Albums Chart. The album is regarded as a classic in the band's discography, has been received positively by critics and fans. Eduardo Rivadavia of AllMusic called the opening track "Princess of the Night" an "infectiously anthemic opening statement", whilst praising the title track for being an "unqualified classic", he considered "Out of Control" and "Rough and Ready" to be strong tracks, whilst regarding "Fire in the Sky", "Midnight Rider", "And The Bands Played On" as "spectacular". Canadian journalist Martin Popoff had mixed feelings about Denim and Leather, which he considered "Saxon's stadium rock album... boppier and sillier than Wheels of Steel, but still catchy", denouncing "the band's progressively feeble song skills while gaining points for conviction." All tracks written by Saxon. Bonus tracks 12-18 recorded live on the Denim and Leather Tour, 1981. Biff Byford - vocals Graham Oliver - guitar Paul Quinn - guitar Steve Dawson - bass guitar Pete Gill - drumsProductionNigel Thomas - producer Andy Lydon - engineer Aquarius Studios, Geneva - recording location Polar Studios, Stockholm - additional recording location, mixing location
The Inner Sanctum
The Inner Sanctum is the seventeenth studio album by British heavy metal band Saxon, released on 5 March 2007. It is the first album by the band to feature drummer Nigel Glockler since 1997's Unleash the Beast. A limited edition with DVD is available too. "Red Star Falling" is about the end of communism in Soviet Union. "Atila the Hun" is about Attila the Hun, who destroyed the Roman Empire. "If I Was You" is about gun culture. "Let Me Feel Your Power" is about festivals like Wacken. "I've Got to Rock" is about rock n' roll and life. The single version features guest appearances by heavy metal musicians Lemmy Kilmister, Angry Anderson and Andi Deris; the Inner Sanctum has received positive reviews from critics. Eduardo Rivadavia of AllMusic gave the album three and a half out of five stars, commented that Saxon continued "to do their legacy proud as they move through their third decade of recording activity." He described the album's first three tracks as "frantic" and the third, "Let Me Feel Your Power" as "jaw-dropping", praised the "majestic" "Red Star Falling", comparing it to the band's earlier songs "Dallas 1PM" and "Broken Heroes", although he was critical towards the single version of "If I Was You", advising the listener to "make sure your CD contains the album version".
Rivadavia concluded his review by saying "although it's not perfect by any stretch, The Inner Sanctum is welcome addition to this band's sizeable discography, pound for pound, might just take the crown as Saxon's best album of the early 2000s." The album was awarded an 8/10 in the UK's Metal Hammer magazine. However, Andy Lye of Jukebox:Metal was more critical in his review of the album, giving it three out of five stars, criticising its opening track "State of Grace", calling it "derivative and boring", "Let Me Feel Your Power" commenting that "a great, grooving mid-section can't quite save it from its appalling lyrics and tired riffs." He went on to call "I've Got to Rock" "as bad as you'd expect" and criticised "If I Was You" for sounding "exactly like all metal singles sound". He concluded by stating that "Against the wider metal market this is an average album, but against recent Saxon output it is comfortably below average." Only in the standard edition "To Hell and Back Again" "A Night Out with the Boys – The Idea" "A Night Out with the Boys – Not Really" "See the Light Shining" "A Night Out with the Boys – Now It Started" "Redline" "Suzie Hold On" "Stand Up and Be Counted" "Frozen Rainbow" "Never Surrender" Biff Byford - vocals Paul Quinn - guitar Doug Scarratt - guitar Nibbs Carter - bass guitar Nigel Glockler - drums Matthias Ulmer - keyboards
Power & the Glory
Power & the Glory is the fifth studio album by heavy metal band Saxon released in 1983. The album sold over 1.5 million copies worldwide. This is the first Saxon studio album with new drummer Nigel Glockler and was recorded in Atlanta, Georgia in the fall of 1982; the album peaked at #15 in the UK Albums Chart. It reached No.1 in the Metal charts in Sweden, Norway and Germany selling over 1.5 million copies worldwide. It was their first album to enter the Billboard 200 in the US, peaking at #155. A retrospective AllMusic review by Eduardo Rivadavia gave the album three out of five stars. Rivadavia criticised the mixing, saying that the album "sounds as though it was recorded in a tin can, albeit a very large tin can" eliminating the "big, in-your-face, gritty" sound heard on the band's past albums, he criticised the material itself, saying that "despite a few sparks generated by "Redline," "Warrior," and the proto-thrashing "This Town Rocks," only the anthemic title track showed enough staying power to earn a frequent slot in Saxon's live repertoire".
Canadian journalist Martin Popoff writes quite the opposite and considers Power & the Glory Saxon's best album, praising the production and the contribution of "new ass-kicking drummer Nigel Glockler" to "working a metal magic, the embodiment of the NWOBHM's ideals now made real."In 2005, Power & the Glory was ranked number 376 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time. All tracks written by Paul Quinn, Graham Oliver, Steve Dawson and Nigel Glockler. "Power and the Glory" was released as a single in April 1983. It reached number 32 on the UK Singles Chart; the song is lyrics relating to war and battles. A music video was made for the song with band members running through a castle with dead dolls. Biff Byford - vocals Graham Oliver - guitar Paul Quinn - guitar Steve Dawson - bass guitar Nigel Glockler - drumsProductionJeff Glixman - producer Jeff Glixman - engineer Cheryl Bordagary - engineer Les Horn - engineer Axis Sound Studio, Atlanta - recording and mixing location