Mary LaRoche was an American actress and singer, best known for her roles in Gidget, Bye Bye Birdie and The Twilight Zone. Her name is seen in print as Mary La Roche. LaRoche grew up in Rochester, New York, she received training in piano and voice at the Eastman School of Music in Rochester. By age 10, she was acting on radio programs, she gained additional acting experience in Rochester with the Community Players and the Paddy Hill Players. In 1939, LaRoche was a sectional winner in the Gateway to Hollywood competition. LaRoche began singing and acting on and off Broadway in 1938. Over the next seven years she appeared in a number of Broadway musical comedies, including the 1942 operetta The Merry Widow by Franz Lehár. LaRoche performed in various feature films during the 1950s and 1960s, including in the role of a singer in Catskills Honeymoon in 1950. LaRoche was active in television in guest appearances in single episodes of a television series, she portrayed the title character's mother in Karen.
She acted on television as early as 1946, when she was part of a two-person skit, broadcast on WBKB-TV in Chicago. Between 1951 and 1977 she appeared in 37 different television series, including five appearances on Perry Mason, two episodes of The Twilight Zone and an episode of The Streets of San Francisco in 1976. One of LaRoche's more complex and dramatic characterizations on television is in a one-hour episode of Gunsmoke in 1963, one titled "Quint-Cident". In that episode of the classic Western, in a central role opposite Burt Reynolds, she portrays a beleaguered and mentally exhausted widow trying to survive alone on an isolated farmstead in Kansas during the late 1870s. LaRoche was married to actor-producer Sherwood Price; the Girl from Wyoming, musical comedy, as one of the Cow-Belles. The Merry Widow, musique de Franz Lehár, livret original de Victor Léon et Leo Stein, adaptation d'Adrian Ross: une chanteuse The New Moon, musical comedy, music by Sigmund Romberg, as the nightclub singer Laffing Room Only and lyrics by Burton Lane, as Sonya, the nightclub singer South Pacific performed in Australia, as Nellie Forbush Catskill Honeymoon - the nightclub singer Operation Mad Ball - Lieutenant Schmidt Run Silent, Run Deep - Laura Richardson The Lineup - Dorothy Bradshaw Gidget - Mrs. Dorothy Lawrence The Ladies Man - Miss Society Bye Bye Birdie - Doris McAfee The Swinger - Mrs. Olsson 1958 to 1963: Perry Mason Season 1, episode 31 "The Case of the Fiery Fingers", as Vicky Braxton Season 2, episode 18 "The Case of the Jaded Joker", as Lisa Hiller Season 3, episode 1 "The Case of the Spurious Sister", as Grace Norwood Season 5, episode 6 "The Case of the Meddling Medium", as Helen Garden Season 6, episode 14 "The Case of the Bluffing Blast", as Donella Lambert 1959: Mickey Spillane's Mike Hammer Season 2, episode 37 "Slab Happy", as Julie Gates 1960 to 1963: The Twilight Zone Season 1, episode 36 "A World of His Own", as Mary Season 5, episode 6 "Living Doll", as Annabelle Streator 1962: Checkmate Season 2, episode 17 "Death Beyond Recall", as Martha Baker 1962: Wagon Train Season 5, episode 31 "The Jud Steele Story", as Ursula Steele 1962 to 1963: Dr. Kildare Season 1, episode 15 "My Brother, the Doctor", as Judy Season 3, episode 12 "Charlie Wade Makes Lots of Shade", as Sarah Oliver 1963: The Alfred Hitchcock Hour Season 2, episode 1 "A Home Away from Home", as Ruth 1963: Gunsmoke in "Police of the plain" Season 8, episode 33 "Quint-Cident", as Willa Devlin Season 9, episode 4 "Tobe", as Hanna 1964: The Virginian Season 2, episode 20 "First to Thine Own Self", as Alma Reese 1964: The F.
B. I. Season 2, episode 5 "The Scourge", as Lyn Towner 1967 to 1970: The Wonderful World of Disney Season 14, The Wonderful World of Disney, episodes 11 and 12 "A Boy Called Nuthin", Parts I & II, as Carrie Brackney Season 17, episodes 4 and 5 "The Wacky Zoo of Morgan City", Parts I & II by Marvin J. Chomsky, as Nancy Collins 1976: The Streets of San Francisco Season 5, episode 4 "The Drop", as Alice Horvath 1974: The Family Kovack by Ralph Senensky: as Mrs. Linsen 1976: Brinks: The Great Robbery by Marvin J. Chomsky: as Betty Houston Citations BibliographyDietz, Dan The Off Broadway musical, 1910–2007 Jefferson, NC: McFarland. Presnell and Marty McGee A critical history of television's The twilight zone, 1959–1964 Jefferson, N. C.: McFarland. Mary LaRoche on IMDb Mary LaRoche on Internet Broadway Database Mary LaRoche on TV Guide
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B♭ clarinet, it is pitched in B♭, but it plays notes an octave below the soprano B♭ clarinet. Bass clarinets in other keys, notably C and A exist, but are rare. Bass clarinets perform in orchestras, wind ensembles/concert bands in marching bands, play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinetist. Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in some having a doubled body making them look similar to bassoons; the bass clarinet is heavy and is supported either with a neck strap or an adjustable peg attached to its body. While Adolphe Sax imitated its upturned metal bell in his design of the larger saxophones, the two instruments are fundamentally different. Bass clarinet bodies are most made of grenadilla or plastic resin, while saxophones are made of metal.
More all clarinets have a bore, the same diameter along the body. This cylindrical bore differs from the saxophone's conical one and gives the clarinet its characteristic tone, causing it to overblow at the twelfth compared with the saxophone's octave. A majority of modern bass clarinets, like other clarinets in the family, have the Boehm system of keys and fingering. However, bass clarinets are manufactured in Germany with the Oehler system of keywork, most known as the'German" system in the US, because it is used in Germany and Austria, as well as Eastern Europe and Turkey. Most modern Boehm system bass clarinets have an "extension" key allowing them to play to the E♭; this key was added to allow easy transposition of parts for the rare bass clarinet pitched in A, but it now finds significant use in concert band and other literature. A significant difference between soprano and bass clarinet key work is a key pad played by the left-hand index finger with a vent that may be uncovered for certain high notes.
This allows a form of "half-hole" fingering that allows notes in higher registers to be played on the instrument. In addition, older bass clarinets have two register keys, one for middle D♯ and below, the other for middle E and higher. Newer models only have one, mechanically performing the role of two separate register keys. Many professional and advanced bass clarinetists own instruments with extensions down to a C (sounding B♭ identical to the bassoon's lowest B♭, two octaves below written middle C. At concert pitch this note is the B♭ below the second ledger line below the bass staff or B♭1 in scientific pitch notation. Overall, the instrument sounds an octave lower than the B♭ soprano clarinet; as with all wind instruments, the upper limit of the range depends on the quality of the instrument and skill of the clarinetist. According to Aber and Lerstad, who give fingerings up to written C7, the highest note encountered in modern solo literature is the E below that; this gives the bass clarinet a usable range of up to four octaves, quite close to the range of the bassoon.
The bass clarinet has been used in scoring for orchestra and concert band since the mid-19th century, becoming more common during the middle and latter part of the 20th century. A bass clarinet is not always called for in orchestra music, but is always called for in concert band music. In recent years, the bass clarinet has seen a growing repertoire of solo literature including compositions for the instrument alone, or accompanied by piano, orchestra, or other ensemble, it is used in clarinet choirs, marching bands, in film scoring, has played a minor, but persistent, role in jazz. The bass clarinet has an appealing, earthy tone quite distinct from other instruments in its range, drawing on and enhancing the qualities of the lower range of the soprano and alto instrument; the earliest solo passages for bass clarinet—indeed, among the earliest parts for the instrument—occur in Mercadante's 1834 opera Emma d'Antiochia, in which a lengthy solo introduces Emma's scene in Act 2. Two years Giacomo Meyerbeer wrote an important solo for bass clarinet in Act 4 of his opera Les Huguenots.
French composer Hector Berlioz was one of the first of the Romantics to use the bass clarinet in his large-scale works such as the Grande symphonie funèbre et triomphale, Op. 15, the Te Deum, Op. 22, the opera Les Troyens, Op. 29. French composers to use the instrument included Maurice Ravel, who wrote virtuosic parts for the bass clarinet in his ballet Daphnis et Chloé, La valse, his orchestration of Modest Mussorgsky's Pictures at an Exhibition; the operas of Richard Wagner make extensive use of the bass clarinet, beginning with Tannhäuser. He incorporated the instrument into the wind section as both a solo and supporting instrument. Wagner pioneered in exploiting the instrument's dark, somber tone to
Time Enough at Last
"Time Enough at Last" is the eighth episode of the American television anthology series The Twilight Zone. The episode was adapted from a short story written by Lynn Venable; the short story appeared in the January 1953 edition of the science fiction magazine If: Worlds of Science Fiction about seven years before the television episode first aired. "Time Enough at Last" became one of the most famous episodes of the original Twilight Zone and has been parodied since. It is "the story of a man who seeks salvation in the rubble of a ruined world" and tells of Henry Bemis, played by Burgess Meredith, who loves books, yet is surrounded by those who would prevent him from reading them; the episode follows Bemis through the post-apocalyptic world, touching on such social issues as anti-intellectualism, the dangers of reliance upon technology, the difference between aloneness and loneliness. Witness Mr. Henry Bemis, a charter member in the fraternity of dreamers. A bookish little man whose passion is the printed page, but, conspired against by a bank president and a wife and a world full of tongue-cluckers and the unrelenting hands of a clock.
But in just a moment, Mr. Bemis will enter a world without bank presidents or wives or clocks or anything else. He'll have a world all to himself... without anyone. Henpecked, far sighted bank teller and avid bookworm Henry Bemis works at his window in a bank, while reading David Copperfield, which causes him to shortchange an annoyed customer. Bemis's angry boss, his nagging wife, both complain to him that he wastes far too much time reading "doggerel"; as a cruel joke, his wife asks him to read poetry from one of his books to her. Seconds she destroys the book by ripping the pages from it, much to Henry's dismay; the next day, as usual, Henry takes his lunch break in the bank's vault, where his reading will not be disturbed. Moments after he sees a newspaper headline, which reads "H-Bomb Capable of Total Destruction", an enormous explosion outside the bank violently shakes the vault, knocking Bemis unconscious. After regaining consciousness and recovering the thick glasses required for him to see, Bemis emerges from the vault to find the bank demolished and everyone in it dead.
Leaving the bank, he sees that the entire city has been destroyed, realizes that a nuclear war has devastated Earth, but that his being in the vault has saved him. Seconds, hours, they crawl by on hands and knees for Mr. Henry Bemis, who looks for a spark in the ashes of a dead world. A telephone connected to nothingness. A neighborhood bar, a movie, a baseball diamond, a hardware store, the mailbox of what was once his house and is now a rubble, they lie at his feet as battered monuments to what is no more. Mr. Henry Bemis on an eight-hour tour of a graveyard. Finding himself alone in a shattered world with canned food to last him a lifetime and no means of leaving to look for other survivors, Bemis succumbs to despair; as he prepares to commit suicide using a revolver he has found, Bemis sees the ruins of the public library in the distance. Investigating, he finds that the books are still legible, his despair gone, Bemis contentedly sorts the books he looks forward to reading for years to come, with no obligations to get in the way.
Just as he bends down to pick up the first book, he stumbles, his glasses fall off and shatter. In shock, he picks up the broken remains of the glasses he is blind without, says, "That's not fair. That's not fair at all. There was time now. There was—was all the time I needed…! It's not fair! It's not fair!" and bursts into tears, surrounded by books he now can never read. The best laid plans of mice and men... and Henry Bemis... the small man in the glasses who wanted nothing but time. Henry Bemis, now just a part of a smashed landscape, just a piece of the rubble, just a fragment of what man has deeded to himself. Mr. Henry Bemis... in the Twilight Zone. "Time Enough at Last" was one of the first episodes written for The Twilight Zone. It introduced Burgess Meredith to the series, he narrated for the 1983 film Twilight Zone: The Movie, which made reference to "Time Enough at Last" during its opening sequence, with the characters discussing the episode in detail. Footage of the exterior steps of the library was filmed several months after production had been completed.
These steps can be seen on the exterior of an Eloi public building in MGM's 1960 version of The Time Machine. John Brahm was nominated for a Directors Guild award for his work on the episode; the book that Bemis was reading in the vault and that flips open when the bomb explodes is A History of the Life and Voyages of Christopher Columbus by Washington Irving. Although the overriding message may seem to "be careful what you wish for, you just might get it", there are other themes throughout the episode as well. Paramount among these is the question of solitude versus loneliness, as embodied by Bemis' moment of near-suicide. Additionally, the portrayal of societal attitudes towards books speaks to the contemporary decline of traditional literature and how, given enough time, reading may become a relic of the past. At the same time, the ending "punishes Bemis for his antisocial behavior, his greatest desire is thwarted". Rod Serl
Mattel, Inc. is an American multinational toy manufacturing company founded in 1945 with headquarters in El Segundo, California. The products and brands it produces include Fisher-Price, Monster High, Ever After High, Polly Pocket, Hot Wheels and Matchbox, Masters of the Universe, American Girl, board games, WWE. In the early 1980s, Mattel produced video game systems, under its own brands and under license from Nintendo; the company has presence in 40 countries and territories and sells products in more than 150 countries. The company operates through three business segments: North America and American Girl, it is the world's second largest toy maker in terms of revenue, after The Lego Group. In 2014, it ranked #403 on the Fortune 500 list. On January 17, 2017, Mattel named former Google executive Margo Georgiadis as CEO. Georgiadis stepped down as CEO of Mattel on April 19, 2018, her last day was on April 26, 2018. Ynon Kreiz is now the new CEO of Mattel; the name Mattel is a portmanteau of Elliot Handler, the company's founders.
Harold "Matt" Matson and Elliot Handler founded Mattel in 1945. The company sold picture frames, dollhouse furniture. Matson sold his share to Handler due to poor health, Handler's wife Ruth took Matson's role. In 1947, the company had its first hit toy, a ukulele called "Uke-A-Doodle"; the company incorporated the next year in California. Mattel became the first year-round sponsor of the Mickey Mouse Club TV series in 1955; the Barbie doll debuted in 1959. In 1960, Mattel introduced Chatty Cathy, a talking doll revolutionizing the toy industry, which led to pull-string talking dolls and toys flooding the market throughout the 1960s and 1970s; the company went public in 1960, the New York Stock Exchange listed them in 1963. Mattel acquired a number of companies during the 1960s. In 1965, the company built on its success with the Chatty Cathy doll to introduce the See'n Say talking toy, spawning a line of products, they released Hot Wheels to the market on May 18, 1968. In May 1970, Mattel formed a joint venture film production company Radnitz/Mattel Productions with producer Robert B.
Radnitz, entered a multimillion-dollar partnership with Mehra Entertainment, whose CEO, Dr. Nishpeksh Padmamohan Mehra, is one of Mattel's Inc.'s main directors for Barbie. Mattel purchased The Ringling Bros. and Barnum & Bailey Circus in 1971 for $40 million from the Feld family, whom Mattel kept as management. Mattel sold the circus corporation by December 1973, despite its profit contributions, as Mattel showed a $29.9 million loss in 1972. In 1974, an investigation found Mattel guilty of issuing false and misleading financial reports, banishing Elliot and Ruth Handler from their own company. Arthur S. Spear, a Mattel vice president, took control of the company in 1975, who returned the company to profitability in 1977. Ruth Handler sold her stock in 1980; the Mattel Electronics line debuted in 1977 with an all-electronic handheld game. The success of the handheld led to the expansion of the line with game console the line becoming its own corporation in 1982. Mattel Electronics forced Mattel to take a $394 million loss in 1983 and filed for bankruptcy.
In 1979, through Feld Productions, Mattel purchased the Holiday on Ice and Ice Follies for $12 million. Acquired that year was Western Publishing for $120 million in cash and stock; the Felds bought the circus in 1982 for $22.8 million. New York venture capital firms E. M. Warburg, Pincus & Co. and Drexel Burnham Lambert invested a couple hundred million in Mattel in 1984 to help the company survive. However, the Master of the Universe action figure line sales dropped, causing a $115 million loss in 1987. Chairman John W. Amerman improved the company's financial performance in 1987 by focusing on core brands. Mattel returned to working with the Disney company in 1988. In 1991, Mattel moved its headquarters from California to El Segundo, California. Mattel entered the game business in 1992 with the purchase of International Games, maker of Uno and Skip-Bo. Mattel purchased Fisher-Price, Inc. in 1993, Tyco Toys, Inc. in 1997, Pleasant Company in 1998. Mattel sold it in 2000 at a loss; the company had a $430.9 million net loss that year.
Mattel earned the first grant for Disney Princess doll licenses in 2000. In December 2000, Mattel sued the band Aqua, saying their song "Barbie Girl" violated the Barbie trademark and turned Barbie into a sex object, referring to her as a "blonde bimbo." The lawsuit was rejected in 2002. In 2000, Mattel signed a deal with Warner Bros to became the master licensee for Harry Potter-branded toys. In 2002, the companies extended their partnership, with Mattel becoming master licensee for Batman, Justice League and the Looney Tunes toys for all markets except Asia. In 2002, Mattel closed its last factory in the United States part of the Fisher-Price division, outsourcing production to China, which began a chain of events that led to a lead contamination scandal. On August 14, 2007, Mattel recalled over 18 million products; the New York Times covered Mattel's multiple recalls. Many of the products had exceeded the US limits set on surface coatings. Surface coatings cannot exceed.06% lead by weight. Additional recalls were because it was possible that some toys could pose a danger to children due to the use of strong magnets that could detach.
Mattel re-wrote its policy on magnets issuing a recall in August 2007. The recall included 7.1 million Polly Pocket toys produced before November 2006, 600,0
Annabelle is a 2014 American supernatural horror film directed by John R. Leonetti, written by Gary Dauberman and produced by Peter Safran and James Wan, it is a prequel to 2013's The Conjuring and the second installment in the Conjuring Universe franchise. The film was inspired by a story of a doll named Annabelle told by Lorraine Warren; the film stars Annabelle Wallis, Ward Horton, Alfre Woodard. Annabelle premiered at the TCL Chinese Theatre in Los Angeles on September 29, 2014, was theatrically released in the United States on October 3, 2014; the film received negative reviews from critics but was a box office success, grossing over $257 million against its $6.5 million production budget. A prequel, titled Annabelle: Creation, was released on August 11, 2017. A sequel, Annabelle Comes Home, will be released on June 28, 2019. In 1967 in Santa Monica, CA, John Form, a doctor, presents his expectant wife Mia with a rare vintage porcelain doll as a gift for their first child to be placed in a collection of dolls in their daughter's nursery.
That night, the couple is disturbed by the sounds of their next door neighbors, the Higgins, being murdered during a home invasion. While Mia calls the police and John are attacked by the Higgins' killers; the police arrive and shoot one killer, a man, dead while the female killer commits suicide by slitting her throat inside the nursery while holding the porcelain doll. News reports identify the assailants as the Higgins' estranged daughter and her unidentified boyfriend, both members of a cult. In the days following the attack, a series of paranormal activities occurs around the Form's residence. Afterwards, Mia gives birth to a healthy baby girl, she and John name their child Leah. The family rents an apartment in Pasadena and, after finding the doll that John had discarded since Annabelle's previous attack in one of their boxes, another set of paranormal events plagues Mia and her daughter; the next night, Mia is haunted by a malevolent presence in her apartment and believes it to be Annabelle's ghost.
During a storm, Mia encounters an enigmatic figure in the building's basement who begins pursuing her before she escapes. Mia calls back Detective Clarkin to gather information about Annabelle and the cultist and learns that the cult intends to summon supernatural beings. With the help of bookseller and fellow tenant Evelyn, Mia realizes that the cult practiced devil worship, which summoned a demon who followed the family after they moved to their apartment so as to claim a soul. Upon returning home and Leah are attacked by the demon who reveals itself while manipulating the doll. Mia and John contact their parish priest, Father Perez, who informs them that demons sometimes attach themselves to inanimate objects as an advantage to accomplish their goals and that a human soul must be offered for a purpose. Without any hopes of exorcising the demon out of the doll, Father Perez decides to take it away to seek help from the Warrens for investigation, but before he can enter the church, the demon impersonating Annabelle's spirit attacks him and grabs the doll.
The priest is hospitalized on the next day and, when John checks on him, Father Perez warns the latter that after sensing its powerful presence, the demon's true intention is to claim Mia's soul. That night, while Evelyn is visiting Mia, the demon uses Father Perez's physical form to sneak into the apartment and abduct Leah for her mother's soul. To spare her daughter, Mia attempts to jump out of the window with the doll but John arrives in time along with Evelyn to stop her. Evelyn decides to take her life in Mia's place instead as atonement for causing a car accident that resulted in the death of her daughter Ruby years ago; as the Forms are reunited, the demon and the doll disappear. Six months the doll is bought from an antique shop by a mother as a gift for her daughter Debbie, one of the nursing students from the prelude of the first film; the film is a spin-off of the 2013 horror film The Conjuring, focusing on the origins of the Annabelle doll found in that film. The film was designed to be stand alone yet collectively catering to fans of "The Conjuring" who would be familiar with the latter film.
To Backstage.com, the film was one of the first in a new strategy by distributors Warner Bros. and New Line Cinema "that capitalizes on the built-in fan bases for successful films, allowing for smaller budgets and production time with a bigger payout on the back end." Casting was announced with Annabelle Wallis and Ward Horton playing the lead roles. With actors Eric Ladin, Brian Howe and Alfre Woodard being announced that month. Principal photography began on January 2014, at The Book Shop in Covina, California. On February 25, 2014, filming continued at an apartment on South Normandie Avenue in Los Angeles County, where the 55-member crew shot for several days. Director Leonetti and producer Safran told reporters that the Annabelle set was "haunted" and that they thought "supernatural phenomena" had occurred there; the film was shot in sequence. On April 24, 2014, Joseph Bishara was hired to compose the music for the film. WaterTower Music released the soundtrack album on September 30, 2014.
Annabelle grossed $84.3 million in North America and $172.8 in other territories, for a worldwide total of $257 million, against a production budget of $6.5 million. In the U. S. and Canada, Annabelle is the fourteenth highest-grossing horror/supernatural film. Early tracking projected. However, estimates declined shortly after to a range between $20–22 million. Annabelle was released on October 2014, in 3,185 theatres in North America, it topped the box
Where Is Everybody?
"Where Is Everybody?" is the first episode of the American anthology television series The Twilight Zone. It was broadcast on October 2, 1959 on CBS. A man finds himself alone on a dirt road dressed in a U. S. Air Force flight suit, having no memory of how he got there, he finds a diner and walks in to find a jukebox playing loudly and a hot pot of coffee on the stove, but there are no other people besides himself. He accidentally breaks a clock, upon which the jukebox stops playing; the man walks toward a nearby town. Like the diner, the rest of the town seems deserted, but the man seems to find evidence of someone being there recently; the man grows unsettled as he wanders through the empty town, needing someone to talk to but at the same time feeling that he is being watched. In a soda shop, the man notices an entire spinning rack of paperback books titled The Last Man on Earth, Feb. 1959. As night falls, the lights in the park turn on, leading the man to a movie theater, the marquee of, illuminated.
He remembers he is an Air Force soldier from Battle Hymn. When the film begins onscreen, he runs to the projection booth and finds nobody there becomes more paranoid that he is being watched. Running through the streets in a panic, the man hits a pedestrian call button; the call button is revealed to be a panic button: the man, whose name is given as Sgt. Mike Ferris, is in an isolation booth being observed by a group of uniformed servicemen, he has been undergoing tests to determine his fitness as an astronaut and whether he can handle a prolonged trip to the Moon alone, though the town was a hallucination caused by sensory deprivation. The officiating general warns Ferris that while his basic needs will be provided for in space travel, he will not have companionship: "next time be alone". Ferris is carried from the hangar on a stretcher as he tells the Moon in the sky not to "go away up there", reminding himself of the loneliness he faces. Earl Holliman as Mike Ferris James Gregory as General Garry Walberg as Colonel Serling's original pilot for The Twilight Zone was "The Happy Place", which revolved around a society in which people were executed upon reaching the age of 60, being considered no longer useful.
CBS executive William Self rejected the story, feeling it was too dark. Unlike other episodes, which were filmed at Metro-Goldwyn-Mayer, "Where is Everybody?" was filmed at Universal. The episode featured Westbrook Van Voorhis as narrator; when Voorhis was unavailable for episodes, Serling re-recorded the narration himself for consistency. Serling notably changed the opening narration to place the Twilight Zone within the fifth dimension, among other alterations. Serling adapted "Where is Everybody?" for a novelization titled Stories From the Twilight Zone. Serling grew dissatisfied with the lack of science fiction content and changed the story to include Ferris discovering a movie ticket in his pocket while on the stretcher. A variation on this plotline was used in the episode "King Nine Will Not Return"; the New York Times praised the episode, saying that Serling proved "that science cannot foretell what may be the effect of total isolation on a human being", though " resolution... seemed trite and anticlimactic.
In the desultory field of filmed half-hour drama, however, Mr. Serling should not have much trouble in making his mark. At least his series promises to be different. Charles Beaumont praised the episode in The Magazine of Fantasy and Science-Fiction, writing that he "read Serling's first script... Old stuff? Of course. I thought so at the time... but there was one element in the story which kept me from my customary bitterness. The element was quality. Quality shone on every page, it shone in the scene set-ups. And because of this, the story seemed new and powerful. There was one compromise, but it was made for the purpose of selling the series." DeVoe, Bill.. Trivia from The Twilight Zone. Albany, GA: Bear Manor Media. ISBN 978-1-59393-136-0 Grams, Martin.. The Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0 Full video of the episode at CBS.com "Where Is Everybody?" on IMDb "Where Is Everybody?" at TV.com
The Twilight Zone (1959 TV series)
The Twilight Zone is an American anthology television series created and presented by Rod Serling, which ran for five seasons on CBS from 1959 to 1964. Each episode presents a stand-alone story in which characters find themselves dealing with disturbing or unusual events, an experience described as entering "the Twilight Zone," ending with a surprise ending and a moral. Although predominantly science-fiction, the show's paranormal and Kafkaesque events leaned the show towards fantasy and horror; the phrase “twilight zone,” inspired by the series, is used to describe surreal experiences. The series featured both established stars and younger actors who would become much better known later. Serling served as executive head writer, he was the show's host and narrator, delivering monologues at the beginning and end of each episode. Serling's opening and closing narrations summarize the episode's events encapsulating how and why the main character had entered the Twilight Zone. In 1997, the episodes "To Serve Man" and "It's a Good Life" were ranked at 11 and 31 on TV Guide's 100 Greatest Episodes of All Time.
Serling himself stated that his favorite episodes of the series were "The Invaders" and "Time Enough at Last". In 2016, the series was ranked No. 7 on Rolling Stone's list of the 100 greatest shows of all time. In 2002, The Twilight Zone was ranked No. 26 on TV Guide's 50 Greatest TV Shows of All Time. In 2013, the Writers Guild of America ranked it as the third best-written TV series and TV Guide ranked it as the fourth greatest drama and the fifth greatest show of all time. By the late 1950s, Rod Serling was a prominent name in American television, his successful television plays included Patterns and Requiem for a Heavyweight, but constant changes and edits made by the networks and sponsors frustrated Serling. In Requiem for a Heavyweight, the line "Got a match?" had to be struck because the sponsor sold lighters. But according to comments in his 1957 anthology Patterns, Serling had been trying to delve into material more controversial than his works of the early 1950s; this led to Noon on Doomsday for the United States Steel Hour in 1956, a commentary by Serling on the defensiveness and total lack of repentance he saw in the Mississippi town where the murder of Emmett Till took place.
His original script paralleled the Till case was moved out of the South and the victim changed to a Jewish pawnbroker, watered down to just a foreigner in an unnamed town. Despite bad reviews, activists sent numerous wires protesting the production. Serling thought that a science-fictional setting, with robots and other supernatural occurrences, would give him more freedom and less interference in expressing controversial ideas than more realistic settings. "The Time Element" was Serling's 1957 pilot pitch for his show, a time travel adventure about a man who travels back to Honolulu in 1941 and unsuccessfully tries to warn everyone about the impending attack on Pearl Harbor. The script, was rejected and shelved for a year until Bert Granet discovered and produced it as an episode of Desilu Playhouse in 1958; the show was a great success and enabled Serling to begin production on his anthology series, The Twilight Zone. Serling's editorial sense of ironic fate in the writing done for the series was identified as significant to its success by the BFI Film Classics library which stated that for Serling "the cruel indifference and implacability of fate and the irony of poetic justice" were recurrent themes in his plots.
There is a fifth dimension, beyond that, known to man. It is a dimension as timeless as infinity, it is the middle ground between light and shadow, between science and superstition, it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination, it is an area. The Twilight Zone premiered the night of October 1959, to rave reviews. "Twilight Zone is about the only show on the air that I look forward to seeing. It's the one series that I will let interfere with other plans", said Terry Turner for the Chicago Daily News. Others agreed. Daily Variety ranked it with "the best, accomplished in half-hour filmed television" and the New York Herald Tribune found the show to be "certainly the best and most original anthology series of the year"; as the show proved popular to television's critics, it struggled to find a receptive audience of television viewers. CBS was banking on a rating of at least 21 or 22; the series' future was jeopardized when its third episode, "Mr. Denton on Doomsday" earned a 16.3 rating.
Still, the show attracted a large enough audience to survive a brief hiatus in November, after which it surpassed its competition on ABC and NBC and convinced its sponsors to stay on until the end of the season. With one exception, the first season featured scripts written only by Rod Serling, Charles Beaumont or Richard Matheson; these three were responsible for 127 of the 156 episodes in the series. Additionally, with one exception, Serling never appeared on camera during any first-season episode (as he woul