1.
Germany
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Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
2.
Eisleben
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Eisleben is a town in Saxony-Anhalt, Germany. It is famous as the hometown of Martin Luther, hence, as of 2005, Eisleben had a population of 24,284. It lies on the Halle–Kassel railway, Eisleben is divided into old and new towns, the latter of which was created for Eislebens miners in the 14th century. Eisleben was the capital of the district of Mansfelder Land and is the seat of the Verwaltungsgemeinschaft Lutherstadt Eisleben, Eisleben was first mentioned in 997 as a market called Islebia, and in 1180 as a town. The counts of Mansfeld governed the area until the 18th century, the German Peasants War devastated the area, about a century before the Thirty Years War. After the Peace of Augsburg in 1555, the Countess of Mansfield, Agnes von Mansfeld-Eisleben converted Gebhard Truchsess von Waldburg and their marriage and his declaration of religious parity throughout his lands caused another round of religious war, the Cologne War. The couple fled numerous times through various German states before Gerhard relinquished his claims in 1588 and he died and was buried in Strassbourg in 1601, having failed in his attempt to convert his electorate into a dynasty. His lady came under the protection of the Dukes of Württemberg and died in 1601, the Hinterort branches died out in 1666, but the Mansfeld-Vorderort line lasted until 1780, when it too became extinct and Eisleben came under directly under the Electorate of Saxony. The Prussian Province of Saxony became part of the Free State of Prussia after World War I, after World War II, Eisleben became part of the new state of Saxony-Anhalt, part of the German Democratic Republic until Germanys reuinification in 1990. On June 6,1927, American aviator Clarence D, the Counts of Mansfield in 1229 endowed a monastery for women on the grounds of their castle in 1229, then built a separate monastery at Helfta near Eisleben, which opened in 1258. Governed under either the Benedictine or Cistercian model, Helfta became known for its powerful and mystical abbesses, including Gertrude of Hackeborn, Gertrude the Great, however, Duke Albrecht of Brunswick destroyed the nunnery in 1342. Rebuilt the following year, it was called the Queen of German Convents. In 1712 it became a run by the Prussian state. In 1950, the GDR turned it into a fruit farm, in 1994, after Germanys reunification, the Catholic Diocese of Magdeburg bought the property using donations from all over the world and soon began restoration. Cistercian nuns from Seligenthal in Bavaria moved into the cloister starting circa 1999, Since 2006 Helfta has been on the portion of a major European cultural route. The Protestant reformer Martin Luther was born in Eisleben on November 10,1483 and his father, Hans Luther, was a miner like many in Eisleben. Luthers family moved to Mansfeld when he was only a year old, seemingly by chance Luther preached his last sermon and died in Eisleben in 1546. Eisleben took steps to preserve its Luther memorials as far back as 1689, danish poet Hans Christian Andersen came to Eisleben while researching Lutheran links as well as touring through Saxony and the Harz Mountains in 1831
3.
Richard Wagner
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Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works and he described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen and his advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music, Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, until his final years, Wagners life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment, notably, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century, his influence spread beyond composition into conducting, philosophy, literature, Richard Wagner was born to an ethnic German family in Leipzig, where his family lived at No. 3, the Brühl in the Jewish quarter and he was baptized at St. Thomas Church. He was the child of Carl Friedrich Wagner, who was a clerk in the Leipzig police service, and his wife, Johanna Rosine. Wagners father Carl died of typhus six months after Richards birth, afterwards his mother Johanna lived with Carls friend, the actor and playwright Ludwig Geyer. In August 1814 Johanna and Geyer probably married—although no documentation of this has found in the Leipzig church registers. She and her family moved to Geyers residence in Dresden, until he was fourteen, Wagner was known as Wilhelm Richard Geyer. He almost certainly thought that Geyer was his biological father, Geyers love of the theatre came to be shared by his stepson, and Wagner took part in his performances. In his autobiography Mein Leben Wagner recalled once playing the part of an angel, in late 1820, Wagner was enrolled at Pastor Wetzels school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He struggled to play a scale at the keyboard and preferred playing theatre overtures by ear. Following Geyers death in 1821, Richard was sent to the Kreuzschule, at the age of nine he was hugely impressed by the Gothic elements of Carl Maria von Webers opera Der Freischütz, which he saw Weber conduct. At this period Wagner entertained ambitions as a playwright and his first creative effort, listed in the Wagner-Werk-Verzeichnis as WWV1, was a tragedy called Leubald. Begun when he was in school in 1826, the play was influenced by Shakespeare
4.
Artern
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Artern is a town in the Kyffhäuserkreis district, Thuringia, Germany. It is located at the confluence of the rivers Unstrut and Helme,12 km south of Sangerhausen and it has railway connections to Erfurt and Sangerhausen. The railway connection to Naumburg was cancelled in December 2006, the population was 6.165 in the 2006 census. Machinery, sugar and boots used to be manufactured in Artern and its brine springs, known as early as the 15th century, are still frequented. Notable residents of Artern include John Christopher Kunze, a noted Lutheran clergyman, pietist, and author
5.
Gymnasium (school)
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In its current meaning, it usually refers to secondary schools focused on preparing students to enter a university for advanced academic study. In the US, the German Gymnasium curriculum was used at a number of universities such as the University of Michigan as a model for their undergraduate college programs. The word γυμνάσιον was used in Ancient Greece, meaning a locality for both physical and intellectual education of young men, in the Polish educational system the gimnazjum is a middle school for pupils aged 13 to 16. The same applies in the Greek educational system, with the option of Εσπερινό Γυμνάσιο for adults. The gymnasium is a school which prepares the student for higher education at a university. They are thus meant for the more academically minded students, who are sifted out at about the age of 10–13, in addition to the usual curriculum, students of a gymnasium often study Latin and Ancient Greek. Some gymnasiums provide general education, others have a specific focus, today, a number of other areas of specialization exist, such as gymnasiums specializing in economics, technology or domestic sciences. In some countries, there is a notion of progymnasium, which is equivalent to beginning classes of the full gymnasium, here, the prefix pro indicates that this curriculum precedes normal gymnasium studies. The term was derived from the classical Greek word gymnasion, which was applied to an exercising ground in ancient Athens. Here teachers gathered and gave instruction between the hours devoted to exercises and sports, and thus the term became associated with. This use of the term did not prevail among the Romans, but was revived during the Renaissance in Italy, in 1538, Johannes Sturm founded at Strasbourg the school which became the model of the modern German gymnasium. In 1812, a Prussian regulation ordered that all schools which had the right to send their students to the university should bear the name of gymnasia, by the 20th century, this practice was followed in almost the entire Austrian-Hungarian, German, and Russian Empires. In the modern era, many countries which have gymnasiums were once part of three empires. In Albania a gymnasium education takes three years following a compulsory nine-year elementary education and ending with an aptitude test called Matura Shtetërore. The final test is standardized at the level and serves as an entrance qualification for universities. There are both public and private schools in these countries. Therefore, gymnasiums often base their admittance criteria on an entrance exam, in Austria the Gymnasium has two stages, from the age of 11 to 14, and from 15 to 18, concluding with Matura. The Humanistisches Gymnasium focuses on Ancient Greek and Latin, the Neusprachliches Gymnasium puts its focus on actively spoken languages
6.
Jurisprudence
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Jurisprudence is the study and theory of law. It includes principles behind law that make the law, scholars of jurisprudence, also known as jurists or legal theorists, hope to obtain a deeper understanding of the nature of law, of legal reasoning, legal systems, and of legal institutions. Modern jurisprudence began in the 18th century and was focused on the first principles of the law, civil law. Contemporary philosophy of law, which deals with general jurisprudence, addresses problems in two groups, Problems internal to law and legal systems. Problems of law as a social institution as law relates to the larger political and social situation in which it exists. Answers to these questions come from four schools of thought in general jurisprudence. The foundations of law are accessible through reason and it is from these laws of nature that human-created laws gain whatever force they have. Legal positivism, by contrast to natural law, holds that there is no connection between law and morality and that the force of law comes from some basic social facts. Legal positivists differ on what facts are. Critical legal studies are a younger theory of jurisprudence that has developed since the 1970s and it holds that the law is largely contradictory, and can be best analyzed as an expression of the policy goals of a dominant social group. A further relatively new field is known as jurisprudence, concerned with the impact of legal processes on wellbeing. The English word is based on the Latin maxim jurisprudentia, juris is the form of jus meaning law. The word is first attested in English in 1628, at a time when the word prudence had the meaning of knowledge of or skill in a matter, the word may have come via the French jurisprudence, which is attested earlier. Ancient Indian jurisprudence is available in various Dharmaśāstra texts starting from the Dharmasutra of Bhodhayana. Jurisprudence already had this meaning in Ancient Rome even if at its origins the discipline was a in the jus of mos maiorum, an iudex then would judge a remedy according to the facts of the case. The law was implemented with new evolutive Institutiones, while remaining in the traditional scheme. Praetors were replaced in the 3rd century BC by a body of prudentes. Admission to this body was conditional upon proof of competence or experience, under the Roman Empire, schools of law were created, and the activity constantly became more academic
7.
Leipzig University
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Leipzig University, in Leipzig in the Free State of Saxony, Germany, is one of the worlds oldest universities and the second-oldest university in Germany. Famous alumni include Leibniz, Goethe, Ranke, Nietzsche, Wagner, Angela Merkel, Raila Odinga, Tycho Brahe, and nine Nobel laureates are associated with the university. The university was founded on December 2,1409 by Frederick I, Elector of Saxony and his brother William II, Margrave of Meissen, since its inception, the university has engaged in teaching and research for over 600 years without interruption. The university was modelled on the University of Prague, from which the German-speaking faculty members withdrew to Leipzig after the Jan Hus crisis, the Alma mater Lipsiensis opened in 1409, after it had been officially endorsed by Pope Alexander V in his Bull of Acknowledgment on. Its first rector was Johann von Münsterberg, from its foundation, the Paulinerkirche served as the university church. After the Reformation, the church and the buildings were donated to the university in 1544. As many European universities, the university of Leipzig was structured into colleges responsible for organising accommodation, among the colleges of Leipzig were the Small College, the Large College, the Red College, the College of our Lady and the Pauliner-College. There were also private residential halls, the colleges had jurisdiction over their members. The college structure was abandoned later and today only the names survive, during the first centuries, the university grew slowly and was a rather regional institution. This changed, however, during the 19th century when the university became an institution of higher education. At the end of the 19th century, important scholars such as Bernhard Windscheid, Leipzig University was one of the first German universities to allow women to register as guest students. At its general assembly in 1873, the Allgemeiner Deutscher Frauenverein thanked the University of Leipzig and this was the year that the first woman in Germany obtained her JD, Johanna von Evreinov. Many of the alumni became important scientists. Under Nazi rule many Jews degrees were cancelled, some were reinstated as Karl-Marx University degrees by the GDR. The university was open throughout World War II, even after the destruction of its buildings. After the destruction of most of the buildings and the majority of its libraries and this is what must be preserved as the great repository of value in the university. By the end of the war 60 per cent of the buildings and 70 per cent of its books had been destroyed. The university reopened after the war on February 5,1946, in 1948 the freely elected student council was disbanded and replaced by Free German Youth members
8.
Hobby
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A hobby is a regular activity that is done for enjoyment, typically during ones leisure time. Hobbies can include collecting themed items and objects, engaging in creative and artistic pursuits, playing sports, a list of hobbies is lengthy and always changing as interests and fashions change. By continually participating in a hobby, one can acquire substantial skill. Engagement in hobbies has increased since the nineteenth century as workers have more leisure time and advancing production. As some hobbies have become popular, like stamp collecting, others have been created following technological advances. Hobbyists are a part of a group of people engaged in leisure pursuits where the boundaries of each group overlap to some extent. The Serious Leisure Perspective groups hobbyists with amateurs and volunteers and identifies three broad groups of activity with hobbies being found mainly in the Serious leisure category. Casual leisure is intrinsically rewarding, short-lived, pleasurable activity requiring little or no preparation b, Serious leisure is the systematic pursuit of an amateur, hobbyist, or volunteer that is substantial, rewarding and results in a sense of accomplishment. Project-based leisure is a short-term often a one-off project that is rewarding, in the 16th century, the term hobyn had the meaning of small horse and pony. The term hobby horse was documented in a 1557 payment confirmation for a Hobbyhorse from Reading, the item, originally called a Tourney Horse, was made of a wooden or basketwork frame with an artificial tail and head. It was designed for a child to mimic riding a real horse, by 1816 the derivative, hobby, was introduced into the vocabulary of a number of English people. Over the course of subsequent centuries, the term came to be associated with recreation, a hobby became an activity that is practised regularly and usually with some worthwhile purpose. Hobbies are usually, but not always, practised primarily for interest and enjoyment, the origins pursuits that others thought somewhat childish or trivial. However, as early as 1676 Sir Matthew Hale, in Contemplations Moral and Divine and he was acknowledging that a hobby horse produces a legitimate sense of pride. By the mid 18th century there was a flourishing of hobbies as working people had more hours of work. They spent more time to pursue interests that brought them satisfaction, however, there was concern that these working people might not use their leisure time in worthwhile pursuits. The hope of weaning people away from bad habits by the provision of counter-attractions came to the fore in the 1830s, the flourishing book and magazine trade of the day encouraged worthwhile hobbies and pursuits. The burgeoning manufacturing trade made materials used in hobbies cheap and was responsive to the interests of hobbyists
9.
Leipzig
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Leipzig is the largest city in the federal state of Saxony, Germany. With a population of 570,087 inhabitants it is Germanys tenth most populous city, Leipzig is located about 160 kilometres southwest of Berlin at the confluence of the White Elster, Pleisse, and Parthe rivers at the southern end of the North German Plain. Leipzig has been a city since at least the time of the Holy Roman Empire. The city sits at the intersection of the Via Regia and Via Imperii, Leipzig was once one of the major European centers of learning and culture in fields such as music and publishing. Leipzig became an urban center within the German Democratic Republic after the Second World War. Leipzig later played a significant role in instigating the fall of communism in Eastern Europe, through events which took place in, Leipzig today is an economic center and the most livable city in Germany, according to the GfK marketing research institution. Since the opening of the Leipzig City Tunnel in 2013, Leipzig forms the centerpiece of the S-Bahn Mitteldeutschland public transit system, Leipzig is currently listed as Gamma World City and Germanys Boomtown. Outside of Leipzig the Neuseenland district forms a lake area of approximately 300 square kilometres. Leipzig is derived from the Slavic word Lipsk, which means settlement where the linden trees stand, an older spelling of the name in English is Leipsic. The Latin name Lipsia was also used, the name is cognate with Lipetsk in Russia and Liepāja in Latvia. In 1937 the Nazi government officially renamed the city Reichsmessestadt Leipzig, the common usage of this nickname for Leipzig up until the present is reflected, for example, in the name of a popular blog for local arts and culture, Heldenstadt. de. Leipzig was first documented in 1015 in the chronicles of Bishop Thietmar of Merseburg as urbs Libzi and endowed with city, Leipzig Trade Fair, started in the Middle Ages, became an event of international importance and is the oldest remaining trade fair in the world. During the Thirty Years War, two battles took place in Breitenfeld, about 8 kilometres outside Leipzig city walls, the first Battle of Breitenfeld took place in 1631 and the second in 1642. Both battles resulted in victories for the Swedish-led side, on 24 December 1701, an oil-fueled street lighting system was introduced. The city employed light guards who had to follow a schedule to ensure the punctual lighting of the 700 lanterns. The Leipzig region was the arena of the 1813 Battle of Leipzig between Napoleonic France and a coalition of Prussia, Russia, Austria and Sweden. It was the largest battle in Europe prior to the First World War, in 1913 the Monument to the Battle of the Nations celebrating the centenary of this event was completed. The railway station has two entrance halls, the eastern one for the Royal Saxon State Railways and the western one for the Prussian state railways
10.
Magdeburg
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Magdeburg is the capital city and the second largest city of the state of Saxony-Anhalt, Germany. Magdeburg is situated on the Elbe River and was one of the most important medieval cities of Europe, Emperor Otto I, the first Holy Roman Emperor, founder of the archbishopric of Magdeburg, was buried in the towns cathedral after his death. Magdeburgs version of German town law, known as Magdeburg rights, spread throughout Central, the city is also well known for the 1631 Sack of Magdeburg, which hardened Protestant resistance during the Thirty Years War. Prior to it Magdeburg was one of the largest German cities, Magdeburg was destroyed twice in its history. Magdeburg is the site of two universities, the Otto-von-Guericke University and the Magdeburg-Stendal University of Applied Sciences, nowadays Magdeburg is a traffic junction as well as an industrial and trading centre. In 2005 Magdeburg celebrated its 1200th anniversary, in June 2013 Magdeburg was hit by record breaking flooding. Founded by Charlemagne in 805 as Magadoburg, the town was fortified in 919 by King Henry I the Fowler against the Magyars and Slavs. Edith loved the town and often lived there, at her death she was buried in the crypt of the Benedictine abbey of Saint Maurice, in 937, Magdeburg was the seat of a royal assembly. Otto I repeatedly visited Magdeburg and was buried in the cathedral. He granted the abbey the right to income from various tithes, the Archbishopric of Magdeburg was founded in 968 at the synod of Ravenna, Adalbert of Magdeburg was consecrated as its first archbishop. The archbishopric under Adalbert included the bishoprics of Havelberg, Brandenburg, Merseburg, Meissen, the archbishops played a prominent role in the German colonisation of the Slavic lands east of the Elbe river. In 1035 Magdeburg received a patent giving the city the right to hold exhibitions and conventions. These laws were adopted and modified throughout Central and Eastern Europe, visitors from many countries began to trade with Magdeburg. In the 13th century, Magdeburg became a member of the Hanseatic League, with more than 20,000 inhabitants Magdeburg was one of the largest cities in the Holy Roman Empire. The town had a maritime commerce on the west, with the countries of the North Sea. The citizens constantly struggled against the archbishop, becoming independent from him by the end of the 15th century. In about Easter 1497, the then twelve-year-old Martin Luther attended school in Magdeburg, in 1524, he was called to Magdeburg, where he preached and caused the citys defection from Catholicism. The Protestant Reformation had quickly found adherents in the city, where Luther had been a schoolboy, Emperor Charles V repeatedly outlawed the unruly town, which had joined the Alliance of Torgau and the Schmalkaldic League
11.
Braunschweig
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Braunschweig, also called Brunswick in English, is a city of 252,768 people, in the state of Lower Saxony, Germany. It is located north of the Harz mountains at the furthest navigable point of the Oker river, today, Braunschweig is the second largest city in Lower Saxony and a major centre of scientific research and development. The date and circumstances of the foundation are unknown. The towns original name of Brunswik is a combination of the name Bruno and Low German wik, the towns name therefore indicates an ideal resting-place, as it lay by a ford across the Oker River. Another explanation of the name is that it comes from Brand. The city was first mentioned in documents from the St. Magni Church from 1031, up to the 12th century, Braunschweig was ruled by the Saxon noble family of the Brunonids, then, through marriage, it fell to the House of Welf. In 1142 Henry the Lion of the House of Welf became duke of Saxony and he turned Dankwarderode Castle, the residence of the counts of Brunswick, into his own Pfalz and developed the city further to represent his authority. Under Henrys rule the Cathedral of St. Blasius was built and he also had the statue of a lion, his heraldic animal, the lion subsequently became the citys landmark. Henry the Lion became so powerful that he dared to refuse military aid to the emperor Frederick I Barbarossa, Henry went into exile in England. He had previously established ties to the English crown in 1168, through his marriage to King Henry II of Englands daughter Matilda, however, his son Otto, who could regain influence and was eventually crowned Holy Roman Emperor, continued to foster the citys development. By the year 1600, Braunschweig was the seventh largest city in Germany, the Princes of Brunswick-Wolfenbüttel didnt regain control over the city until the late 17th century, when Rudolph Augustus, Duke of Brunswick-Lüneburg, took the city by siege. In the 18th century Braunschweig was not only a political, influenced by the philosophy of the Enlightenment, dukes like Anthony Ulrich and Charles I became patrons of the arts and sciences. In 1745 Charles I founded the Collegium Carolinum, predecessor of the Braunschweig University of Technology, with this he attracted poets and thinkers such as Lessing, Leisewitz, and Jakob Mauvillon to his court and the city. Emilia Galotti by Lessing and Goethes Faust were performed for the first time in Braunschweig, in 1806, the city was captured by the French during the Napoleonic Wars and became part of the short-lived Napoleonic Kingdom of Westphalia in 1807. The exiled duke Frederick William raised a corps, the Black Brunswickers. After the Congress of Vienna in 1815, Braunschweig was made capital of the reestablished independent Duchy of Brunswick, in the aftermath of the July Revolution in 1830, in Brunswick duke Charles II was forced to abdicate. His absolutist governing style had alienated the nobility and bourgeoisie. During the night of 7–8 September 1830, the palace in Braunschweig was stormed by an angry mob, set on fire
12.
Szczecin
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Szczecin is the capital city of the West Pomeranian Voivodeship in Poland. Located near the Baltic Sea, it is a major seaport, as of June 2011, the population was 407,811. Szczecin is located on the Oder, south of the Szczecin Lagoon, the city is situated along the southwestern shore of Dąbie Lake, on both sides of the Oder and on several large islands between the western and eastern branches of the river. The citys recorded history began in the 8th century as a Slavic Pomeranian stronghold, in the 12th century, when Szczecin had become one of Pomeranias main urban centres, it lost its independence to Piast Poland, the Duchy of Saxony, the Holy Roman Empire and Denmark. At the same time, the House of Griffins established themselves as rulers, the population was Christianized. The native Slavic population was subjected to discrimination and Germanization in the following centuries, between 1237 and 1243, the town was rebuilt, granted extensive autonomy rights and eventually joined the Hanseatic League. After the Treaty of Stettin in 1630, the town came under the control of the Swedish Empire, in the late-19th century Stettin became an industrial town, vastly increasing in size and population, and served as a major port for Berlin. During the Nazi era, opposition groups and minorities were persecuted and treated as enemies, by the end of World War II Stettins status was in doubt, and the Soviet occupation authorities at first appointed officials from the citys almost entirely German pre-war population. In July 1945, however, Polish authorities were permitted to take power, Stettin was renamed Szczecin and became part of the newly established the Polish Peoples Republic, and from 1989 the Republic of Poland. From 1999 onwards, Szczecin has served as the site of the headquarters of NATOs Multinational Corps Northeast, the names Szczecin and Stettin are of Slavic origin, though the exact etymology is the subject of ongoing research. Other medieval names for the town are Burstaborg and Burstenburgh and these names, which literally mean brush burgh, are likely derived from the translation of the citys Slavic name. The recorded history of Szczecin began in the century, when West Slavs settled Pomerania. Since the 9th century, the stronghold was fortified and expanded toward the Oder bank, Mieszko I of Poland took control of Pomerania between 960 and 967, and the region with the city of Szczecin became part of Poland in 967. Subsequent Polish rulers, the Holy Roman Empire, and the Liutician federation all aimed to control the territory, after the decline of the neighbouring regional centre Wolin in the 12th century, the city became one of the more important and powerful seaports of the Baltic Sea. In a campaign in the winter of 1121–1122, Bolesław III Wrymouth, the inhabitants were Christianized by two missions of Bishop Otto of Bamberg in 1124 and 1128. At this time, the first Christian church of Saints Peter, Polish minted coins were commonly used in trade in this period. The population of the city at that time is estimated to be at around 5, Polish rule ended with Boleslaws death in 1138. There, a Polish contingent supplied by Mieszko III the Old joined the crusaders, however, the citizens had placed crosses around the fortifications, indicating they already had been Christianised
13.
Freemasonry
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The degrees of freemasonry retain the three grades of medieval craft guilds, those of Apprentice, Journeyman or fellow, and Master Mason. These are the degrees offered by Craft Freemasonry, members of these organisations are known as Freemasons or Masons. There are additional degrees, which vary with locality and jurisdiction, the basic, local organisational unit of Freemasonry is the Lodge. The Lodges are usually supervised and governed at the level by a Grand Lodge or Grand Orient. There is no international, worldwide Grand Lodge that supervises all of Freemasonry, each Grand Lodge is independent, modern Freemasonry broadly consists of two main recognition groups. Continental Freemasonry is now the term for the liberal jurisdictions who have removed some, or all. The Masonic Lodge is the organisational unit of Freemasonry. The Lodge meets regularly to conduct the formal business of any small organisation. In addition to business, the meeting may perform a ceremony to confer a Masonic degree or receive a lecture, at the conclusion of the meeting, the Lodge might adjourn for a formal dinner, or festive board, sometimes involving toasting and song. The bulk of Masonic ritual consists of degree ceremonies, candidates for Freemasonry are progressively initiated into Freemasonry, first in the degree of Entered Apprentice. Some time later, in a ceremony, they will be passed to the degree of Fellowcraft. In all of ceremonies, the candidate is entrusted with passwords, signs. Another ceremony is the installation of the Master and officers of the Lodge. In some jurisdictions Installed Master is valued as a separate rank, in other jurisdictions, the grade is not recognised, and no inner ceremony conveys new secrets during the installation of a new Master of the Lodge. Most Lodges have some sort of calendar, allowing Masons. Often coupled with events is the obligation placed on every Mason to contribute to charity. This occurs at both Lodge and Grand Lodge level, Masonic charities contribute to many fields from education to disaster relief. These private local Lodges form the backbone of Freemasonry, and a Freemason will necessarily have been initiated into one of these, there also exist specialist Lodges where Masons meet to celebrate anything from sport to Masonic research
14.
Battle of Leipzig
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The Battle of Leipzig or Battle of the Nations was fought from 16 to 19 October 1813, at Leipzig, Saxony. Napoleons army also contained Polish and Italian troops, as well as Germans from the Confederation of the Rhine, the battle was the culmination of the 1813 German campaign and involved nearly 600,000 soldiers, making it the largest battle in Europe prior to World War I. Being decisively defeated for the first time in battle, Napoleon was compelled to return to France while the Coalition hurried to keep their momentum, Napoleon was forced to abdicate and was exiled to Elba in May 1814. However, the Russian Tsar refused to even as the French occupied the city. With this string of defeats, the armies of France were in retreat on all fronts across Europe, anti-French forces joined Russia as its troops pursued the remnants of the virtually destroyed Grande Armée across central Europe. He sought to regain the offensive by re-establishing his hold in Germany, the victories led to a brief armistice. He then won a victory at the Battle of Dresden on 27 August. This policy led to victories at Großbeeren, Kulm, Katzbach, after these defeats, the French emperor could not easily follow up on his victory at Dresden. With the intention of knocking Prussia out of the war as soon as possible, Oudinot was defeated at the Battle of Großbeeren, just south of the city. With the intact Prussian force threatening from the north, Napoleon was compelled to withdraw westward and he deployed his army around the city, but concentrated his force from Taucha through Stötteritz, where he placed his command. The Prussians advanced from Wartenburg, the Austrians and Russians from Dresden, the coalition had some 380,000 troops along with 1,500 guns, consisting of 145,000 Russians,115,000 Austrians,90,000 Prussians, and 30,000 Swedes. This made Leipzig the largest battle of the Napoleonic wars, surpassing Borodino, Wagram, Jena and Auerstadt, Ulm, Napoleon conscripted these men to be readied for an even larger campaign against the newly formed Sixth Coalition and its forces stationed in Germany. While he won several battles, his army was being steadily depleted as Coalition commanders, closely following the Trachenberg Plan. The Swedes also had under their command a company of the British Rocket Brigade armed with Congreve rockets, despite being outnumbered, Napoleon planned to take the offensive between the Pleisse and the Parthe rivers. The position at Leipzig held several advantages for his army and his battle strategy, the rivers that converged there split the surrounding terrain into many separate sectors. The northern front was defended by Marshals Michel Ney and Auguste de Marmont, the artillery reserve and parks, ambulances, and baggage stood near Leipzig, which Napoleon made his supply base for the battle. The bridges on the Pleisse and White Elster rivers were defended by infantry, the main battery stood in reserve, and during battle was to be deployed on the Gallows Height. This battery was to be commanded by the artillery expert Antoine Drouot, the western flank of the French positions at Wachau and Liebertwolkwitz was defended by Prince Joseph Poniatowski and Marshal Pierre Augereau and his young French conscripts
15.
Dresden
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Dresden is the capital city and, after Leipzig, the second-largest city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the border with the Czech Republic, Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendour. The city was known as the Jewel Box, because of its baroque, the controversial American and British bombing of Dresden in World War II towards the end of the war killed approximately 25,000, many of whom were civilians, and destroyed the entire city centre. After the war restoration work has helped to reconstruct parts of the inner city, including the Katholische Hofkirche, the Zwinger. Since German reunification in 1990 Dresden is again a cultural, educational and political centre of Germany, the Dresden University of Technology is one of the 10 largest universities in Germany and part of the German Universities Excellence Initiative. The economy of Dresden and its agglomeration is one of the most dynamic in Germany and it is dominated by high-tech branches, often called as “Silicon Saxony”. The city is one of the most visited in Germany with 4,3 million overnight stays per year. The royal buildings are among the most impressive buildings in Europe, main sights are also the nearby National Park of Saxon Switzerland, the Ore Mountains and the countryside around Elbe Valley and Moritzburg Castle. The most prominent building in the city of Dresden is the Frauenkirche, built in the 18th century, the church was destroyed during World War II. The remaining ruins were left for 50 years as a war memorial, the church was rebuilt from 1994 to 2005. Although Dresden is a relatively recent city of Germanic origin followed by settlement of Slavic people, Dresdens founding and early growth is associated with the eastward expansion of Germanic peoples, mining in the nearby Ore Mountains, and the establishment of the Margraviate of Meissen. Its name etymologically derives from Old Sorbian Drežďany, meaning people of the forest, Dresden later evolved into the capital of Saxony. Around the late 12th century, a Slavic settlement called Drežďany had developed on the southern bank, another settlement existed on the northern bank, but its Slavic name is unknown. It was known as Antiqua Dresdin by 1350, and later as Altendresden, dietrich, Margrave of Meissen, chose Dresden as his interim residence in 1206, as documented in a record calling the place Civitas Dresdene. After 1270, Dresden became the capital of the margraviate and it was given to Friedrich Clem after death of Henry the Illustrious in 1288. It was taken by the Margraviate of Brandenburg in 1316 and was restored to the Wettin dynasty after the death of Valdemar the Great in 1319, from 1485, it was the seat of the dukes of Saxony, and from 1547 the electors as well. The Elector and ruler of Saxony Frederick Augustus I became King Augustus II the Strong of Poland in personal union and he gathered many of the best musicians, architects and painters from all over Europe to the newly named Royal-Polish Residential City of Dresden. His reign marked the beginning of Dresdens emergence as a leading European city for technology, during the reign of Kings Augustus II the Strong and Augustus III of Poland the Zwinger Royal Palace, the Hofkirche and the Frauenkirche were built
16.
Carl Maria von Weber
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Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school. Webers operas Der Freischütz, Euryanthe and Oberon greatly influenced the development of the Romantische Oper in Germany, a brilliant pianist himself, Weber composed four sonatas, two concertos and the Konzertstück in F minor, which influenced composers such as Chopin, Liszt and Mendelssohn. The Konzertstück provided a new model for the one-movement concerto in several contrasting sections, Webers shorter piano pieces, such as the Invitation to the Dance, were later orchestrated by Berlioz, while his Polacca Brillante was later set for piano and orchestra by Liszt. Webers compositions for clarinet, bassoon, and horn occupy an important place in the musical repertoire. His compositions for the clarinet, which include two concertos, a concertino, a quintet, a duo concertante, and variations on a theme from his opera Silvana, are performed today. His Concertino for Horn and Orchestra requires the performer to simultaneously produce two notes by humming while playing—a technique known as multiphonics and his bassoon concerto and the Andante e Rondo ungarese are also popular with bassoonists. Webers contribution to vocal and choral music is also significant and his body of Catholic religious music was highly popular in 19th-century Germany, and he composed one of the earliest song cycles, Die Temperamente beim Verluste der Geliebten. Weber was also notable as one of the first conductors to conduct without a piano or violin and his operas influenced the work of later opera composers, especially in Germany, such as Marschner, Meyerbeer and Wagner, as well as several nationalist 19th-century composers such as Glinka. Homage has been paid to Weber by 20th-century composers such as Debussy, Stravinsky, Mahler, Weber also wrote music journalism and was interested in folksong, and learned lithography to engrave his own works. Weber was born in Eutin, Bishopric of Lübeck, the eldest of the three children of Franz Anton von Weber and his wife, Genovefa Weber, a Viennese singer. The von was an affectation, Franz Anton von Weber was not actually an aristocrat, both his parents were Catholic and originally came from the far south of Germany. Franz Anton began his career as a officer in the service of the Duchy of Holstein. In 1787 Franz Anton went on to Hamburg where he founded a theatrical company, Franz Antons half-brother, Fridolin, married Cäcilia Stamm and had four musical daughters, Josepha, Aloysia, Constanze and Sophie, all of whom became notable singers. Wolfgang Amadeus Mozart attempted to woo Aloysia, composing pieces for her. But after she rejected his advances, Mozart went on to marry Constanze, a gifted violinist, Franz Anton had ambitions of turning Carl into a child prodigy like Franzs nephew-by-marriage, Mozart. Carl was born with a hip disease and did not begin to walk until he was four. But by then, he was already a singer and pianist. Webers father gave him an education, which was however interrupted by the familys constant moves
17.
Richard Avenarius
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Richard Ludwig Heinrich Avenarius was a German-Swiss philosopher. He formulated the radical positivist doctrine of criticism or empirio-criticism. Avenarius attended the Nicolaischule in Leipzig and studied athe University of Zurich, Berlin, at the University of Leipzig, he received the Doctor of Philosophy in 1868 with his thesis on Baruch Spinoza and his pantheism, obtained the habilitation in 1876 and taught there as Privatdozent. One year later, he became professor at the University of Zurich and he died in Zurich in 1896. Avenarius believed that philosophy must be concerned with purely descriptive definitions of experience. His opposition to the materialist assertions of Karl Vogt resulted in an attack upon empirio-criticism by Vladimir Lenin in the latters Materialism and Empirio-criticism. Avenarius principal works are the famously difficult Kritik der reinen Erfahrung and Der menschliche Weltbegriff which influenced Ernst Mach, Ber Borochov and, to a lesser extent and he taught Anatoly Lunacharsky and was also influential on Alexander Bogdanov. Avenarius was the son of the German publisher Eduard Avenarius and Cäcilie née Geyer, a daughter of the actor and painter Ludwig Geyer. However, there are speculations in science that her father was the father of Richard Wagner too. Richards brother, Ferdinand Avenarius, led the cultural organization Dürerbund, ueber die beiden ersten Phasen des Spinozischen Pantheismus und das Verhältnis der zweiten zur dritten Phase. Philosophie als Denken der Welt gemäß dem Prinzip des kleinsten Kraftmaßes, prolegomena zu einer Kritik der reinen Erfahrung. Fues, Leipzig 1876, 2nd ed.1903, Kritik der reinen Erfahrung,2 vols. Fues, Leipzig 1888/1890, 2nd ed. 1907/1908, reisland, Leipzig 1891, 2nd ed.1905, 3rd ed.1912. ^ See John Deathridge, Introduction p. XXXIII in Richard Wagner, the Family Letters of Richard Wagner, University of Michigan Press,1991
18.
Ferdinand Avenarius
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Ferdinand Avenarius was a lyric poet, a leading representative of the culture reform movement of his time and the first popularizer of Sylt. His father, Eduard Avenarius, a publisher from Leipzig, founded a joint subsidiary company with the Brockhaus publishing house and his mother, Cäcilie née Geyer, was a daughter of the actor and painter Ludwig Geyer. However, there are speculations in science that Ludwig Geyer was not only the stepfather, Ferdinand Avenarius attended schools in Berlin and Dresden and studied in Leipzig and Zurich medicine, natural sciences, art and literature history as well as philosophy. Avenarius married Else Doehn divorced Schumann and his father-in-law, Dr. Rudolf Doehn, was a German writer and an American representative in Missouri. In 1895, Schilling & Graebner built a first villa for Avenarius in Blasewitz, Avenarius was member of Deutscher Werkbund and belonged to the directorate of the German garden city movement. From 1903, Avenarius spent the months on Sylt, which he made popular. Kampen made him its first honorary citizen and the University of Heidelberg appointed him honorary doctor, Avenarius became especially known as editor and publisher. He supported young authors like Hermann Häfker and painters, but fought heavily against all appearances of low taste or little value, works by Ferdinand Avenarius at Projekt Gutenberg-DE Avenarius in the Open Library Gerhard Kratzsch. Ein Beitrag zur Geschichte der Gebildeten im Zeitalter des Imperialismus
19.
Mein Leben (Wagner)
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Mein Leben is the title given by the composer Richard Wagner to his autobiography, covering the years from his birth in 1813 to 1864. Wagner began dictating Mein Leben to his wife Cosima on 17 July 1865 in Munich, Wagner was indebted to the King, who had rescued him from a life of exile and financial harassment in the previous year. At around the time in 1864, Wagner had been given the news of the death of his hate-figure. The book therefore ends on a triumphant note with the exaltation of Wagner at the death of his supposed enemy, the book is amongst the most readable of Wagners prose writings, generally free of the complex syntax that is typical of his theoretical works. His complex and frequently tempestuous career, friendships and controversies make for a racy, nonetheless the book is a major source for Wagners life and indeed for musical and cultural life of Europe in the period which it covers. The final section of the book, covering 1861 to 1864, was not completed until 1880, however, Wagner and Cosima had already determined to print a few copies for private circulation. The first volume was printed in 1870 in an edition of fifteen, volumes 2 and 3 were printed in 1872 and 1875, in editions of eighteen copies. Wagner recruited the young Friedrich Nietzsche to act as proof-reader and to see the book though a press in Basel, volume 4 was printed in 1880 in Bayreuth. There was no intention to distribute the book beyond a circle of trusted friends, for this reason. I was bold enough to assert that you too would have asked him to do it and this is despite the fact that Wagner, in dictating to Cosima, had watered down some of his past, particularly his love life and his involvement in the 1849 Revolution in Dresden. Following a suggestion by Nietzsche, Wagner included a symbolic crest as a frontispiece to the first volume and this showed a vulture holding a shield with the constellation of The Plough, thus referring both to Wagners natural father Carl and to his beloved stepfather, Ludwig Geyer. This was later the source for Nietzsches taunt, that Wagner might have been Jewish, both Geyer and Adler were common Jewish surnames, although Ludwig Geyer was not in fact Jewish. Over the years, and particularly after Wagners death, Cosima attempted to recall all the copies that had been distributed, many of these were apparently burnt by Cosima. The first complete edition appeared in 1963. The edition translated by Andrew Gray is based on this and is the first complete English translation
20.
Jews
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The Jews, also known as the Jewish people, are an ethnoreligious group originating from the Israelites, or Hebrews, of the Ancient Near East. Jews originated as a national and religious group in the Middle East during the second millennium BCE, the Merneptah Stele appears to confirm the existence of a people of Israel, associated with the god El, somewhere in Canaan as far back as the 13th century BCE. The Israelites, as an outgrowth of the Canaanite population, consolidated their hold with the emergence of the Kingdom of Israel, some consider that these Canaanite sedentary Israelites melded with incoming nomadic groups known as Hebrews. The worldwide Jewish population reached a peak of 16.7 million prior to World War II, but approximately 6 million Jews were systematically murdered during the Holocaust. Since then the population has risen again, and as of 2015 was estimated at 14.3 million by the Berman Jewish DataBank. According to the report, about 43% of all Jews reside in Israel and these numbers include all those who self-identified as Jews in a socio-demographic study or were identified as such by a respondent in the same household. The exact world Jewish population, however, is difficult to measure, Israel is the only country where Jews form a majority of the population. The modern State of Israel was established as a Jewish state and defines itself as such in its Declaration of Independence and its Law of Return grants the right of citizenship to any Jew who requests it. The English word Jew continues Middle English Gyw, Iewe, according to the Hebrew Bible, the name of both the tribe and kingdom derive from Judah, the fourth son of Jacob. The Hebrew word for Jew, יְהוּדִי ISO 259-3 Yhudi, is pronounced, with the stress on the syllable, in Israeli Hebrew. The Ladino name is ג׳ודיו, Djudio, ג׳ודיוס, Djudios, Yiddish, ייִד Yid, ייִדן, Yidn. The etymological equivalent is in use in languages, e. g. but derivations of the word Hebrew are also in use to describe a Jew, e. g. in Italian. The German word Jude is pronounced, the corresponding adjective jüdisch is the origin of the word Yiddish, in such contexts Jewish is the only acceptable possibility. Some people, however, have become so wary of this construction that they have extended the stigma to any use of Jew as a noun, a factual reconstruction for the origin of the Jews is a difficult and complex endeavor. It requires examining at least 3,000 years of ancient human history using documents in vast quantities, as archaeological discovery relies upon researchers and scholars from diverse disciplines, the goal is to interpret all of the factual data, focusing on the most consistent theory. In this case, it is complicated by long standing politics and religious, Jacob and his family migrated to Ancient Egypt after being invited to live with Jacobs son Joseph by the Pharaoh himself. The patriarchs descendants were later enslaved until the Exodus led by Moses, traditionally dated to the 13th century BCE, Modern archaeology has largely discarded the historicity of the Patriarchs and of the Exodus story, with it being reframed as constituting the Israelites inspiring national myth narrative. The growth of Yahweh-centric belief, along with a number of practices, gradually gave rise to a distinct Israelite ethnic group
21.
Wagner controversies
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The German composer Richard Wagner was a controversial figure during his lifetime, and has continued to be so after his death. Even today he is associated in the minds of many with Nazism, most of these perceptions arise from Wagners published opinions on a number of topics. Wagner was a writer and published essays and pamphlets on a wide range of subjects throughout his life. Wagners writing style is verbose, unclear and turgid, which has added to the confusion about his opinions. Several of his writings have achieved notoriety, in particular his essay Das Judenthum in der Musik. The essays he wrote in his years were also controversial. Some commentators also believe some of Wagners operas contain adverse caricatures of Jews. Wagner was promoted during the Nazi era as one of Adolf Hitlers favourite composers, Historical perception of Wagner has been tainted with this association ever since, and there is debate over how Wagners writings and operas might have influenced the creation of Nazi Germany. Finally there is controversy over both extremes of Wagners life, his paternity and his death. It is suggested that he was the son of Ludwig Geyer, rather than his legal father Carl Friedrich Wagner, and some of his biographers have proposed that Wagner himself believed that Geyer was Jewish. A belief also exists that his heart attack followed an argument with his wife Cosima over the singer Carrie Pringle. Richard Wagner was born on May 22,1813, the child of Carl Friedrich Wagner. Johanna and Geyer married in August 1814, and for the first 14 years of his life, Wagner in his later years discovered letters from Geyer to his mother which led him to suspect that Geyer was in fact his biological father, and furthermore speculated that Geyer was Jewish. According to Cosimas diaries Wagner did not believe that Ludwig Geyer was his real father, at the same time Cosima noted a resemblance between Wagners son Siegfried and Geyer. The philosopher Friedrich Nietzsche was one of Wagners closest acolytes, despite these conjectures on the part of Wagner and Nietzsche, there is no evidence that Geyer was Jewish, and the question of Wagners paternity is unlikely to be settled without DNA evidence. Prior to 1850 there is no record of Wagner expressing any particular antisemitic sentiment, Wagners first and most controversial essay on the subject was Das Judenthum in der Musik, originally published under the pen-name K. Freigedank in 1850 in the Neue Zeitschrift für Musik. In a previous issue Theodor Uhlig had attacked the success in Paris of Meyerbeers Le prophète, the essay purported to explain popular dislike of Jewish composers, in particular Mendelssohn and Meyerbeer, who is not mentioned by name but is clearly a target. He argued that Jewish musicians were capable of producing music that was shallow and artificial
22.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
23.
Wayback Machine
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The Internet Archive launched the Wayback Machine in October 2001. It was set up by Brewster Kahle and Bruce Gilliat, and is maintained with content from Alexa Internet, the service enables users to see archived versions of web pages across time, which the archive calls a three dimensional index. Since 1996, the Wayback Machine has been archiving cached pages of websites onto its large cluster of Linux nodes and it revisits sites every few weeks or months and archives a new version. Sites can also be captured on the fly by visitors who enter the sites URL into a search box, the intent is to capture and archive content that otherwise would be lost whenever a site is changed or closed down. The overall vision of the machines creators is to archive the entire Internet, the name Wayback Machine was chosen as a reference to the WABAC machine, a time-traveling device used by the characters Mr. Peabody and Sherman in The Rocky and Bullwinkle Show, an animated cartoon. These crawlers also respect the robots exclusion standard for websites whose owners opt for them not to appear in search results or be cached, to overcome inconsistencies in partially cached websites, Archive-It. Information had been kept on digital tape for five years, with Kahle occasionally allowing researchers, when the archive reached its fifth anniversary, it was unveiled and opened to the public in a ceremony at the University of California, Berkeley. Snapshots usually become more than six months after they are archived or, in some cases, even later. The frequency of snapshots is variable, so not all tracked website updates are recorded, Sometimes there are intervals of several weeks or years between snapshots. After August 2008 sites had to be listed on the Open Directory in order to be included. As of 2009, the Wayback Machine contained approximately three petabytes of data and was growing at a rate of 100 terabytes each month, the growth rate reported in 2003 was 12 terabytes/month, the data is stored on PetaBox rack systems manufactured by Capricorn Technologies. In 2009, the Internet Archive migrated its customized storage architecture to Sun Open Storage, in 2011 a new, improved version of the Wayback Machine, with an updated interface and fresher index of archived content, was made available for public testing. The index driving the classic Wayback Machine only has a bit of material past 2008. In January 2013, the company announced a ground-breaking milestone of 240 billion URLs, in October 2013, the company announced the Save a Page feature which allows any Internet user to archive the contents of a URL. This became a threat of abuse by the service for hosting malicious binaries, as of December 2014, the Wayback Machine contained almost nine petabytes of data and was growing at a rate of about 20 terabytes each week. Between October 2013 and March 2015 the websites global Alexa rank changed from 162 to 208, in a 2009 case, Netbula, LLC v. Chordiant Software Inc. defendant Chordiant filed a motion to compel Netbula to disable the robots. Netbula objected to the motion on the ground that defendants were asking to alter Netbulas website, in an October 2004 case, Telewizja Polska USA, Inc. v. Echostar Satellite, No.02 C3293,65 Fed. 673, a litigant attempted to use the Wayback Machine archives as a source of admissible evidence, Telewizja Polska is the provider of TVP Polonia and EchoStar operates the Dish Network
24.
Die Feen
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Die Feen is an opera in three acts by Richard Wagner. The German libretto was written by the composer after Carlo Gozzis La donna serpente, Die Feen was Wagners first completed opera, but remained unperformed in his lifetime. It has never established itself firmly in the operatic repertory although it receives occasional performances, on stage or in concert, the opera is available on CD and in a DVD. The overture has been separately recorded, although the music of Die Feen shows the influences of Carl Maria von Weber and other composers of the time, commentators have recognised embryonic features of the mature Wagnerian opera. The fantasy plot also anticipates themes such as redemption that were to reappear in his later works, Die Feen was Wagners first completed opera, composed in 1833, when he was 20 years old and working as a part-time chorus master in Würzburg. He gave it the description of Grosse romantische Oper, the year before he started composition, Wagner had abandoned his first attempt at writing an opera, Die Hochzeit. There were a number of facing new German-language opera in the 1830s. First there was deemed to be a lack of good quality libretti to set and this may have influenced Wagners decision to write the libretto for Die Feen himself. Second, there was a fear among the authorities in Germany and Austria that the performance of operas in German would attract nationalist and this would have added to the difficulties faced by a novice composer seeking an opportunity for his new opera to be performed. Although Gozzis La donna serpente was the source for Wagners plot, the libretto also introduced a fantastic theme that was not in the original play. The libretto displays themes and patterns that were to recur in Wagners more mature works and these include redemption, a mysterious stranger demanding that their lover not ask their name, and long expository narratives. Wagner revised the score of Die Feen in 1834, when he hoped for a production, among the changes in the 1834 version was the rewriting from scratch of Adas grand scene Weh mir, so nah die fürchterliche Stunde. However, it remained unperformed during his lifetime, Wagner personally gave the original manuscript of Die Feen to King Ludwig II of Bavaria. The manuscript was given as a gift to Adolf Hitler. A draft, in Wagners hand, of dialogue he wrote to substitute for some of the recitatives, is in the Stefan Zweig Collection at the British Library. Die Feen was premiered in Munich on 29 June 1888 with a cast including several singers who had created roles in Wagners later operas and it is the only Wagner opera that has not been recorded for broadcast television or video. There are some recordings, the one with the best known performers being a live performance conducted by Wolfgang Sawallisch as part of the celebrations of the centenary of the composers death. The English premiere was in Birmingham on 17 May 1969 and the American concert premiere was at the New York City Opera on 24 February 1982, in 1981 Friedrich Meyer-Oertel staged Die Feen at the Opernhaus Wuppertal
25.
Das Liebesverbot
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Das Liebesverbot, is an early opera in two acts by Richard Wagner, with the libretto written by the composer after Shakespeares Measure for Measure. Described as a Große komische Oper, it was composed in 1834 and it was never performed again in Wagners lifetime. Restrained sexuality versus eroticism plays an important role in Das Liebesverbot, themes recur throughout much of Wagners output, most notably in Tannhäuser, Die Walküre. In each opera, the self-abandonment to love brings the lovers into mortal combat with the social order. In Das Liebesverbot, because it is a comedy, the outcome is a happy one, Wagners second opera, and his first to be performed, has many signs of an early work, the style is modelled closely on contemporary French and Italian comic opera. It is also referred to as the comedy, in that only two of Wagners works are comedies, the other being Die Meistersinger von Nürnberg. The opera was performed in the following hundred years. In the United Kingdom, the first performance was given on 16 February 1965 at the Collegiate Theatre of the University of London, the cast was led by Mark Schnaible as Friedrich and Claudia Waite as Isabella, Corrado Rovaris conducted. In 1994 Das Liebesverbot was performed at the Wexford Opera Festival, the first fully staged performance in the United States was at Glimmerglass Opera in Cooperstown, NY, in the summer of 2008. In 2009, a production was presented at the International Festival of Young Singers at the Kammeroper Schloss Rheinsberg plus a staged production at the Staatstheater Braunschweig in October. In 2013,200 years after the birth, it was performed in Bayreuth for the first time. A production of the Oper Leipzig was shown in the Oberfrankenhalle and it was staged by Aron Stiehl with elements of operetta and revue, Constantin Trinks conducted the Gewandhausorchester. Since 2011 a production of work has formed part of the repertoire of Helikon Opera Moscow. In Romania it was staged at the Cluj-Napoca Hungarian Opera, in 2016 it was staged by the Teatro Real, Madrid. The synopsis is Wagners own description of his scenario, in a translation by William Ashton Ellis published in 1898, Luzio promises to go at once to Isabella in the cloister of the Elisabethans, where she has lately entered her novitiate. A convent Within the quiet cloister walls we make the acquaintance of this sister, in confidential converse with her friend Marianne, Marianne discloses to her friend, from whom she has long been parted, the sad fate that has brought her hither. Isabellas horror finds vent in a tempest of wrath, only to be allayed by the resolve to leave a world where such monstrosities can go unpunished. Her violence unwittingly exhibits her to Luzio in the most seductive light, fired by sudden love, he implores her to leave the nunnery for ever and take his hand
26.
Rienzi
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Rienzi, der Letzte der Tribunen is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lyttons novel of the same name. The title is shortened to Rienzi. Written between July 1838 and November 1840, it was first performed at the Hofoper, Dresden, on 20 October 1842, in the end the populace burns the Capitol, in which Rienzi and a few adherents have made a last stand. Each act ends with an extended finale ensemble and is replete with solos, duets, trios, there is also an extended ballet in act 2 according to the accepted Grand Opera format. Hans von Bülow was later to joke that Rienzi is Meyerbeers best opera, Wagner began to draft the opera in Riga in 1837, after reading Lyttons novel. In 1839, meeting Meyerbeer by chance in Boulogne, he was able to read the latter the first three acts of the libretto, and to gain his interest. Meyerbeer also introduced Wagner to Ignaz Moscheles, who was staying at Boulogne, as Ernest Newman comments. When the opera was completed in 1840, Wagner had hoped for it to be premiered at the Paris Opéra, several circumstances, including his lack of influence, prevented this. The full score of Rienzi was completed on 19 November 1840 and this, with the proposed staging of The Flying Dutchman in Berlin, also supported by Meyerbeer, persuaded Wagner to return to Germany in April 1842. No one suspected that what was a joke for them was the means of buying an extra morsel of sorely-needed food. The premiere of Rienzi took place on 20 October in the new Dresden Opera House, designed by the architect Gottfried Semper and opened on 14 April 1841. Semper and Wagner were later to friends in Dresden, a connection which eventually led to Semper providing designs which became a basis of Wagners Festspielhaus in Bayreuth. The first performance of Rienzi was well received in Dresden despite running over six hours, one legend is that, fearful of the audience departing, Wagner stopped the clock above the stage. In his later memoirs, Mein Leben, Wagner recalled, No subsequent experience has given me feelings even remotely similar to those I had on this day of the first performance of Rienzi, the initial success of Rienzi was no doubt assured beforehand. But the uproarious way in which the public declared its partiality for me was extraordinary, the public had been forcibly predisposed to accept it, because everyone connected with the theatre had been spreading such favourable reports. That the entire population was looking forward to what was heralded as a miracle, in trying to recall my condition that evening, I can remember it only as possessing all the features of a dream. Subsequently, Wagner experimented with giving the opera over two evenings, and making cuts to enable a more reasonable performance in a single evening, despite Wagners reservations, Rienzi remained one of his most successful operas until the early 20th century. The Paris premiere of Rienzi finally took place on 6 April 1869 at the Théâtre Lyrique under the baton of Jules Pasdeloup
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The Flying Dutchman (opera)
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The Flying Dutchman, WWV63, is a German-language opera, with libretto and music by Richard Wagner. Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write the following a stormy sea crossing he made from Riga to London in July. In his 1843 Autobiographic Sketch, Wagner acknowledged he had taken the story from Heinrich Heines retelling of the legend in his 1833 satirical novel The Memoirs of Mister von Schnabelewopski, the central theme is redemption through love. Wagner conducted the premiere at the Semper Oper in Dresden in 1843 and this work shows early attempts at operatic styles that would characterise his later music dramas. In Der fliegende Holländer Wagner uses a number of associated with the characters. The leitmotifs are all introduced in the overture, which begins with an ocean or storm motif before moving into the Dutchman. By the beginning of 1839, the now 26-year-old Richard Wagner was employed as a conductor at the Court Theatre in Riga. His extravagant lifestyle plus the retirement from the stage of his actress wife, Minna, Wagner was writing Rienzi and hatched a plan to flee his creditors in Riga, escape to Paris via London and make his fortune by putting Rienzi on to the stage of the Paris Opéra. Boarding the ship Thetis, whose captain had agreed to them without passports, their sea journey was hindered by storms. The ship at one point took refuge in the Norwegian fjords at Tvedestrand, Wagners experience of Paris was also disastrous. He was unable to get work as a conductor, and the Opéra did not want to produce Rienzi, the Wagners were reduced to poverty, relying on handouts from friends and from the little income that Wagner could make writing articles on music and copying scores. Wagner hit on the idea of an opera on the theme of the Flying Dutchman. Wagner wrote the first prose draft of the story in Paris early in May 1840, in Heines tale, the narrator watches a performance of a fictitious stage play on the theme of the sea captain cursed to sail forever for blasphemy. In Heines version, this is presented as a means for ironic humour, however, Wagner took this literally and in his draft. By the end of May 1841 Wagner had completed the libretto or poem as he preferred to call it and these were composed for an audition at the Paris Opéra, along with the sketch of the plot. Wagner actually sold the sketch to the Director of the Opéra, Léon Pillet, for 500 francs, but was unable to convince him that the music was worth anything. Wagner composed the rest of the Der Fliegende Holländer during the summer of 1841, with the Overture being written last, while this score was designed to be played continuously in a single act, Wagner later divided the piece into a three-act work. In doing so, however, he did not alter the music significantly, in his original draft Wagner set the action in Scotland, but he changed the location to Norway shortly before the first production staged in Dresden and conducted by himself in January 1843
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Lohengrin (opera)
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Lohengrin, WWV75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. It is part of the Knight of the Swan tradition, the opera has inspired other works of art. King Ludwig II of Bavaria named his fairy-tale castle New Swan Castle, or Neuschwanstein and it was King Ludwigs patronage that later gave Wagner the means and opportunity to compose, build a theatre for, and stage his epic cycle The Ring of the Nibelung. The most popular and recognizable part of the opera is the Bridal Chorus, better known as Here Comes the Bride, the literary figure of Lohengrin first appeared as a supporting character in the final chapter of the middle-age epic poem Parzival of Wolfram von Eschenbach. The Grail Knight Lohengrin, son of the Grail King Parzival, is sent to the duchess of Brabant to defend her and his protection comes under the condition that she must never ask his name. If she violates this requirement, he will be forced to leave her, Wagner attempted at the same time to weave elements of Greek tragedy into the plot. He wrote the following in Mitteilungen an meine Freunde about his Lohengrin plans, Who doesnt know Zeus, the god is in love with a human woman and approaches her in human form. The lover finds that she cannot recognize the god in this form, Zeus knows that she would be destroyed by the sight of his real self. He suffers in this awareness, suffers knowing that he must fulfill this demand and he will seal his own doom when the gleam of his godly form destroys his lover. Is the man who craves for God not destroyed, in composing Lohengrin Wagner created a new form of opera, the through-composed music drama. The composition is not divided into numbers, but is played from act to act without any interruption. This style of composition contrasts with that of the conventional number opera, which is divided into arias, recitatives, Lohengrin still contains lengthy performances—for example, Elsas Alone in dark days and Lohengrins Grail aria—which harken back to the classical solo aria form. Wagner made extensive use of leitmotives in his composition and these motives allowed Wagner to precisely narrate the inner thoughts of the characters on stage, even without speech. The first production of Lohengrin was in Weimar, Germany, on 28 August 1850 at the Staatskapelle Weimar under the direction of Franz Liszt, Liszt chose the date in honour of Weimars most famous citizen, Johann Wolfgang von Goethe, who was born on 28 August 1749. Despite the inadequacies of the lead tenor Karl Beck, it was a popular success. Wagner himself was unable to attend the first performance, having been exiled because of his part in the 1849 May Uprising in Dresden. Although he conducted various extracts in concert in Zurich, London, Paris and Brussels, the operas first performance outside German-speaking lands was in Riga on 5 February 1855. The Austrian premiere took place in Vienna at the Theater am Kärntnertor on 19 August 1858, the work was produced in Munich for the first time at the National Theatre on 16 June 1867, with Heinrich Vogl in the title role and Mathilde Mallinger as Elsa
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Tristan und Isolde
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Tristan und Isolde is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the romance by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hof- und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the not as an opera, but called it eine Handlung. Wagners composition of Tristan und Isolde was inspired by the philosophy of Arthur Schopenhauer, widely acknowledged as one of the peaks of the operatic repertoire, Tristan was notable for Wagners unprecedented use of chromaticism, tonality, orchestral colour and harmonic suspension. Other composers like Claude Debussy, Maurice Ravel and Igor Stravinsky formulated their styles in contrast to Wagners musical legacy. Many see Tristan as the beginning of the move away from common practice harmony and tonality, both Wagners libretto style and music were also profoundly influential on the Symbolist poets of the late 19th century and early 20th century. Wagner was forced to abandon his position as conductor of the Dresden Opera in 1849 and he left his wife, Minna, in Dresden, and fled to Zürich. There, in 1852, he met the wealthy silk trader Otto Wesendonck, Wesendonck became a supporter of Wagner and bankrolled the composer for several years. Wesendoncks wife, Mathilde, became enamoured of the composer, though Wagner was working on his epic Der Ring des Nibelungen, he found himself intrigued by the legend of Tristan and Iseult. The story of Tristan and Isolde is a romance of the Middle Ages. Several versions of the story exist, the earliest dating to the middle of the 12th century, gottfrieds version, part of the courtly branch of the legend, had a huge influence on later German literature. It was some such mood that inspired the conception of a Tristan und Isolde. I have devised in my mind a Tristan und Isolde, the simplest, yet most full-blooded musical conception imaginable, by the end of 1854, Wagner had sketched out all three acts of an opera on the Tristan theme, based on Gottfried von Strassburgs telling of the story. On 20 August he began the prose sketch for the opera, Wagner, at this time, had moved into a cottage built in the grounds of Wesendoncks villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain, one evening in September of that year, Wagner read the finished poem of Tristan to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress, Cosima von Bülow. By October 1857, Wagner had begun the composition sketch of the first Act, during November, however, he set five of Mathildes poems to music known today as the Wesendonck Lieder. This was a move by Wagner, who almost never set to music poetic texts other than his own. But Wagner resolved to write Tristan only after he had secured a deal with the Leipzig-based firm Breitkopf & Härtel
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Der Ring des Nibelungen
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Der Ring des Nibelungen, WWV86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from the Norse sagas, the composer termed the cycle a Bühnenfestspiel, structured in three days preceded by a Vorabend. It is often referred to as the Ring Cycle, Wagners Ring, Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The first performance as an opened the first Bayreuth Festival in 1876, beginning with Das Rheingold on 13 August. Wagners title is most literally rendered in English as The Ring of the Nibelung, the Nibelung of the title is the dwarf Alberich, and the ring in question is the one he fashions from the Rhine Gold. The title therefore denotes Alberichs Ring, Nibelungen is occasionally mistaken as a plural, but the Ring of the Nibelungs is incorrect. The cycle is a work of extraordinary scale, the first and shortest work, Das Rheingold, typically lasts two and a half hours, while the final and longest, Götterdämmerung, takes up to five hours, excluding intervals. The cycle is modelled after ancient Greek dramas that were presented as three tragedies and one satyr play, the Ring proper begins with Die Walküre and ends with Götterdämmerung, with Rheingold as a prelude. Wagner called Das Rheingold a Vorabend or Preliminary Evening, and Die Walküre, Siegfried and Götterdämmerung were subtitled First Day, Second Day and Third Day, respectively, the scale and scope of the story is epic. It follows the struggles of gods, heroes, and several mythical creatures over the magic ring that grants domination over the entire world. The drama and intrigue continue through three generations of protagonists, until the final cataclysm at the end of Götterdämmerung, the music of the cycle is thick and richly textured, and grows in complexity as the cycle proceeds. Wagner wrote for an orchestra of gargantuan proportions, including a greatly enlarged brass section with new instruments such as the Wagner tuba, bass trumpet and contrabass trombone. Remarkably, he uses a chorus only relatively briefly, in acts 2 and 3 of Götterdämmerung and he eventually had a purpose-built theatre constructed, the Bayreuth Festspielhaus, in which to perform this work. The theatre has a stage that blends the huge orchestra with the singers voices. The result was that the singers did not have to strain themselves vocally during the long performances. The plot revolves around a ring that grants the power to rule the world. Wotans schemes to regain the ring, spanning generations, drive much of the action in the story, Hagen is drowned as he attempts to recover the ring. In the process, the gods and Valhalla are destroyed, details of the storylines can be found in the articles on each music drama
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Das Rheingold
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Das Rheingold, WWV 86A, is the first of the four music dramas that constitute Richard Wagners Der Ring des Nibelungen, or in English, The Ring of the Nibelung. Das Rheingold premiered at the National Theatre Munich on 22 September 1869, with August Kindermann in the role of Wotan, Heinrich Vogl as Loge, and Karl Fischer as Alberich. Wagner wanted this work to premiere as part of the entire cycle, the work was first performed as part of the complete cycle on 13 August 1876, in the Bayreuth Festspielhaus. Although Das Rheingold comes first in the sequence of Ring operas, so in August 1851, Wagner wrote in Eine Mittheilung an meine Freunde, I propose to produce my myth in three complete dramas. However, by October, he had decided that this required a prelude. To the sentence quoted above he added the words, which will be preceded by a great prelude, a letter Wagner wrote to Theodor Uhlig confirms that at this time the opera was intended to have three acts. Wagner continued to develop the text and storyline of the prelude in parallel with those of Die Walküre, the prose draft of Das Rheingold was completed between 21 March and 23 March 1852 and its verse draft between 15 September and 3 November. A fair copy of the text was finished by 15 December, during the early years of the 1850s Wagner produced some musical sketches for parts of the Ring and noted down various motifs that were to be used in the work. There also exist three sets of isolated musical sketches for Das Rheingold which were composed between 15 September 1852 and November 1853. The first of these was entered into the draft of the text, the second into Wagners copy of the 1853 printing of the text. All three were used by Wagner. Proper sequential development of the score started on 1 November 1853, by 14 January, Wagner had completed the first draft of the opera on between two and three staves. The next stage involved the development of a detailed draft that indicated most of the vocal and instrumental details. This was completed by 28 May, in parallel with this, Wagner started work on a fair copy of the score on 15 February, a task he completed on 26 September 1854, by which time he had also started work on the sketches of Die Walküre. Das Rheingold was first performed at Munich on 22 September 1869 and its first performance as part of the complete Ring cycle took place at Bayreuth on 13 August 1876. It continues to be performed on a regular basis both in Bayreuth and elsewhere, Das Rheingold, considerably shorter than its three successors, consists of four scenes performed without a break. It has been noted as one of the best-known drone examples in the concert repertory, the curtain rises to show, at the bottom of the Rhine, the three Rhine maidens, Woglinde, Wellgunde, and Flosshilde, playing together. The key shifts to A flat as Woglinde begins an innocent song whose melody is used to characterise the Rhine maidens later in the cycle
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Siegfried (opera)
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Siegfried, WWV 86C, is the third of the four music dramas that constitute Der Ring des Nibelungen, by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring cycle, the musical composition was commenced in 1856, but not finally completed until 1871. Having grappled with his text for Siegfrieds Tod, and indeed having undertaken some musical sketches for it during 1851, at this point he conceived that the prefatory opera, Der junge Siegfried, could act as a comic foil to the tragedy of Siegfrieds Tod. Its all growing out of the ground as if it were wild, shortly afterwards he wrote to Uhlig that he was now planning to tell the Siegfried story in the form of three dramas, plus a prologue in three acts—a clear prefiguring of the Ring cycle. The composition of Acts 1 and 2 was completed by August 1857, Wagner then left off work on Siegfried to write the operas Tristan und Isolde and Die Meistersinger. He did not resume work on Siegfried until 1869, when he composed the third act, the final revision of the score was undertaken in February 1871. Performance was withheld until the first complete production of the Ring cycle, elements of the plot of Siegfried come from a variety of sources. In a letter to Uhlig, Wagner recounted The Story of the Youth Who Went Forth to Learn What Fear Was and it concerns a boy so stupid he had never learned to be afraid. Wagner wrote that the boy and Siegfried are the same character, the boy is taught to fear by his wife, and Siegfried learns it when he discovers the sleeping Brünnhilde. Siegfrieds ability in Act Two to see through Mimes deceitful words seems to have derived from a 19th-century street theatre version of the story of Faust. Some elements of the story are derived from legends of Sigurd, notably the Völsunga saga, scene 1 of Act 3 has a parallel in the Eddic poem Baldrs draumar, in which Odin questions a völva about the future of the gods. A cave in rocks in the forest, as the curtain rises, Alberichs brother, the dwarf Mime, is forging a sword. Mime is plotting to obtain the ring of power created by his brother Alberich. Mime needs a sword for Siegfried to use, but the youth has contemptuously broken every sword Mime has made, Siegfried returns from his wanderings in the forest with a wild bear in tow, and immediately breaks the new sword. Mime is forced to explain how he took in Siegfrieds mother, Sieglinde and he shows Siegfried the broken pieces of the sword Nothung, which Mime had obtained from her. Siegfried orders him to reforge the sword, Mime, however, is unable to accomplish this, Siegfried departs, leaving Mime in despair. An old man arrives at the door and introduces himself as the Wanderer, in return for the hospitality due a guest, he wagers his head on answering any three questions of Mime. The dwarf asks the Wanderer to name the races that live beneath the ground, on the earth and these are the Nibelung, the Giants, and the Gods, as the Wanderer answers correctly
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Parsifal
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Parsifal is an opera in three acts by German composer Richard Wagner. It is loosely based on Parzival by Wolfram von Eschenbach, a 13th-century epic poem of the Arthurian knight Parzival, Wagner first conceived the work in April 1857 but did not finish it until twenty-five years later. It was Wagners last completed opera and in composing it he took advantage of the acoustics of his Bayreuth Festspielhaus. Parsifal was first produced at the second Bayreuth Festival in 1882, the Bayreuth Festival maintained a monopoly on Parsifal productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described Parsifal not as an opera, but as Ein Bühnenweihfestspiel, at Bayreuth a tradition has arisen that there be no applause after the first act of the opera. Wagner first read von Eschenbachs poem Parzival while taking the waters at Marienbad in 1845, after encountering Arthur Schopenhauers writings in 1854, Wagner became interested in oriental philosophies, especially Buddhism. Out of this interest came Die Sieger a sketch Wagner wrote for an opera based on a story from the life of Buddha, the themes which were later explored in Parsifal of self-renouncing, reincarnation, compassion, and even exclusive social groups were first introduced in Die Sieger. The composer and his wife Minna had moved into the cottage on 28 April, full of this sentiment, I suddenly remembered that the day was Good Friday, and I called to mind the significance this omen had already once assumed for me when I was reading Wolframs Parzival. The work may indeed have been conceived at Wesendoncks cottage in the last week of April 1857, but Good Friday that year fell on 10 April, when the Wagners were still living at Zeltweg 13 in Zürich. If the prose sketch which Wagner mentions in Mein Leben was accurately dated, it could settle the issue once and for all, Wagner did not resume work on Parsifal for eight years, during which time he completed Tristan und Isolde and began Die Meistersinger von Nürnberg. But once again the work was dropped and set aside for another eleven, during this time most of Wagners creative energy was devoted to the Ring cycle, which was finally completed in 1874 and given its first full performance at Bayreuth in August 1876. Only when this task had been accomplished did Wagner find the time to concentrate on Parsifal. By 23 February 1877 he had completed a second and more extensive prose draft of the work, in September 1877 he began the music by making two complete drafts of the score from beginning to end. The first of these was made in pencil on three staves, one for the voices and two for the instruments, the second complete draft was made in ink and on at least three, but sometimes as many as five, staves. This draft was more detailed than the first and contained a considerable degree of instrumental elaboration. The Gesamtentwurf of act 3 was completed on 16 April 1879, the full score was the final stage in the compositional process. It was made in ink and consisted of a copy of the entire opera, with all the voices. The prelude of act 1 was scored in August 1878, the rest of the opera was scored between August 1879 and 13 January 1882
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Die Laune des Verliebten
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Die Laune des Verliebten was Richard Wagners first attempt at an opera project. Written in about 1830, when Wagner was 17, the libretto was based on a play of the name by Johann Wolfgang Goethe. Wagner wrote a scene for three voices and a tenor aria before abandoning the project. There is no performance history for these fragments, and neither words nor music have survived
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Die Hochzeit
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Die Hochzeit is an unfinished opera by Richard Wagner which predates his completed works in the genre. Wagner completed the libretto, then started composing the music in the half of 1832 when he was just nineteen. He abandoned the project after his sister Rosalie, who was the main supporter, today, only three pieces survive from the opera. What is still known of the story is that it concerns the events surrounding the marriage of a young woman, Ada. This is a marriage, not one of love. On the eve of the wedding, Adas lover, Cadolt and she rejects his advances, preferring to defend her honour but, in the process, pushes him over the balcony to his death. Ada still loves Cadolt and collapses and dies at the next to his body. The only printed version of the musical score is the edition by Michael Balling. Very little musicological study has been carried out relating to Die Hochzeit, Ada and Arindal were later used as the names of the two principal characters in Die Feen, Wagners first completed opera. As there appear to be some textual commonalities with Die Feen, Die Hochzeit Leipzig, Breitkopf und Härtel
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Ride of the Valkyries
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The Ride of the Valkyries is the popular term for the beginning of act 3 of Die Walküre, the second of the four operas by Richard Wagner that constitute Der Ring des Nibelungen. As a separate piece, the Ride is often heard in an instrumental version. Together with the Bridal Chorus from Lohengrin, the Ride of the Valkyries is one of Wagners best-known pieces, the main theme of the Ride, the leitmotif labelled Walkürenritt, was first written down by the composer on 23 July 1851. The preliminary draft for the Ride was composed in 1854 as part of the composition of the entire opera, which was fully orchestrated by the end of the first quarter of 1856. As they are joined by the four, the familiar tune is carried by the orchestra, while, above it. Apart from the song of the Rhinemaidens in Das Rheingold, it is the ensemble piece in the first three operas of Wagners Ring cycle. The complete opera Die Walküre was first performed on 26 June 1870 in the National Theatre Munich against the composers intent, however, the piece was still printed and sold in Leipzig, and Wagner subsequently wrote a complaint to the publisher Schott. Once the Ring had been given in Bayreuth in 1876, Wagner lifted the embargo and he himself conducted it in London on 12 May 1877, repeating it as an encore. Uses in film include the score for The Birth of a Nation. The Ride is the quick march of the British Parachute Regiment. Within the concert repertoire, the Ride of the Valkyries remains a popular encore, apart from where the Ride is included in the recordings of the Walküre opera, it is a very popular piece, included in various popular classics anthologies. Edited and annotated by Martin Gregor-Dellin and Dietrich Mack, translated by Geoffrey Skelton, Ride of the Valkyries, Scores at the International Music Score Library Project Ride of the Valkyries at Project Gutenberg Fantasie from Die Walkure, WWV 86B on Musopen
