1.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
2.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
3.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
4.
Felidae
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Felidae is the family of cats. A member of family is also called a felid. They are sometimes referred to as hypercarnivores because of the large proportion of protein they require in their diet. Of the 13 terrestrial families in the order Carnivora, they are the strictest carnivores, the first cats emerged during the Oligocene, about 25 million years ago. In prehistoric times, there was a subfamily, the Machairodontinae. Other superficially cat-like mammals, such as the metatherians Thylacosmilus and Thylacoleo, the 42 known cat species in the world today are all descended from a common ancestor. Cats originated in Asia and spread across continents by crossing land bridges, about 60% of the modern cat species are estimated to have developed within the last million years. Felidaes closest relatives are thought to be the Asiatic linsangs, together with the Viverridae, hyenas, mongooses, and Madagascar carnivores, they form the suborder Feliformia. Most cat species share a genetic anomaly that prevents them from tasting sweetness, most cat species have a haploid number of 18 or 19. New World cats have a number of 18, possibly due to the combination of two smaller chromosomes into a larger one. Domestic cats may either have a long or short tail, at one point, biologists had to consider whether the short tail also found in the lynx was the ancestral or derived trait. Without looking at the record, researchers were able to look at the character states found in their outgroups. Because all animals belonging to Felidae’s sister taxa, Viverridae, have long tails, some domestic cats display a rosette pattern on their coats. This character state, however, is not related to the rosettes found on big cats, domestic cats and big cats underwent convergent evolution for this trait. The most common ancestor to all cats had a flecked coat, the jaguarundi lost this character state secondarily. The most common recent ancestor of snow leopards, tigers, jaguars, lions, tigers and lions, however, do not display rosettes as adults. They both have lost this character state over time. Adult tigers actually display elongated rosettes that now appear as stripes, adult lions seem to lack any distinctive markings altogether
5.
Mongoose
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Mongoose is the popular English name for 29 of the 34 species in the 14 genera of the family Herpestidae, which are small feliform carnivorans native to southern Eurasia and mainland Africa. The other five species in the family are the four kusimanses in the genus Crossarchus, Herpestidae is placed within the suborder Feliformia, together with the cat, hyena, and civet families. The word mongoose is likely derived from the Marathi name mungūs or probably ultimately from Telugu name mangisu, the form of the English name was altered to its -goose ending by folk-etymology. It has no connection with the word goose. Historically, it has also been spelled mungoose, the plural form is mongooses, or, rarely, mongeese. Mongooses live in southern Asia, Africa, and southern Europe, as well in Fiji, Puerto Rico, and some Caribbean and Hawaiian islands, the 34 species range from 24 to 58 cm in length, excluding the tail. Mongooses range in weight from the dwarf mongoose, at 320 g, to the cat-sized white-tailed mongoose. Some species lead predominantly solitary lives, seeking out food only for themselves, while others travel in groups, sharing food among group members and offspring. Mongooses bear a resemblance to mustelids, having long faces and bodies, small, rounded ears, short legs. Most are brindled or grizzly, a few have strongly marked coats and their nonretractile claws are used primarily for digging. Mongooses, much like goats, have narrow, ovular pupils, most species have a large anal scent gland, used for territorial marking and signaling reproductive status. The dental formula of mongooses is similar to that of viverrids,3.1. 3-4. 1-23.1. 3-4. 1-2. Mongooses also have receptors for acetylcholine that, like the receptors in snakes, are shaped so that it is impossible for snake venom to attach to them. Mongooses are one of four known species with mutations in the nicotinic acetylcholine receptor that protect against snake venom. Pigs, honey badgers, hedgehogs, and mongooses all have modifications to the pocket that prevents the snake venom α-neurotoxin from binding. These represent four separate, independent mutations, in the mongoose, this change is effected uniquely, by glycosylation. Researchers are investigating whether similar mechanisms protect the mongoose from hemotoxic snake venoms, in contrast to the arboreal, nocturnal viverrids, mongooses are more commonly terrestrial and many are active during the day. The Egyptian mongoose is sometimes held as an example of a solitary mongoose, Mongooses mostly feed on insects, crabs, earthworms, lizards, birds, and rodents
6.
Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
7.
Capital punishment
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Capital punishment, also known as the death penalty, is a government sanctioned practice whereby a person is put to death by the state as a punishment for a crime. The sentence that someone be punished in such a manner is referred to as a death sentence, etymologically, the term capital in this context alluded to execution by beheading. Fifty-six countries retain capital punishment,103 countries have abolished it de jure for all crimes, six have abolished it for ordinary crimes. Capital punishment is a matter of controversy in various countries and states. In the European Union, Article 2 of the Charter of Fundamental Rights of the European Union prohibits the use of capital punishment, also, the Council of Europe, which has 47 member states, prohibits the use of the death penalty by its members. The United Nations General Assembly has adopted, in 2007,2008,2010,2012 and 2014, non-binding resolutions calling for a moratorium on executions. Although most nations have abolished capital punishment, over 60% of the population live in countries where executions take place, such as China, India. Execution of criminals and political opponents has been used by nearly all societies—both to punish crime, in most countries that practise capital punishment it is reserved for murder, terrorism, war crimes, espionage, treason, defection or as part of military justice. In many countries use the death penalty, drug trafficking is also a capital offence. In China, human trafficking and serious cases of corruption are punished by the death penalty, in militaries around the world courts-martial have imposed death sentences for offences such as cowardice, desertion, insubordination, and mutiny. The use of formal execution extends to the beginning of recorded history, most historical records and various primitive tribal practices indicate that the death penalty was a part of their justice system. Communal punishment for wrongdoing generally included compensation by the wrongdoer, corporal punishment, shunning, banishment, usually, compensation and shunning were enough as a form of justice. The response to crime committed by neighbouring tribes or communities included a formal apology, a blood feud or vendetta occurs when arbitration between families or tribes fails or an arbitration system is non-existent. This form of justice was common before the emergence of a system based on state or organized religion. It may result from crime, land disputes or a code of honour, acts of retaliation underscore the ability of the social collective to defend itself and demonstrate to enemies that injury to property, rights, or the person will not go unpunished. However, in practice, it is difficult to distinguish between a war of vendetta and one of conquest. Elaborations of tribal arbitration of feuds included peace settlements often done in a religious context, compensation was based on the principle of substitution which might include material compensation, exchange of brides or grooms, or payment of the blood debt. Settlement rules could allow for animal blood to replace human blood, the person offered for execution did not have to be an original perpetrator of the crime because the system was based on tribes, not individuals
8.
Venom
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Venom is a form of toxin secreted by an animal for the purpose of causing harm to another. The potency of different venoms varies, lethal venoms are often characterised by the lethal dose, expressed in terms of mass fraction. Utilization of venom across a number of species demonstrates an example of convergent evolution. It is difficult to exactly how this trait came to be so intensely widespread. The multigene families that encode the toxins of venomous animals are actively selected on, venoms adapt to their environment and victims and accordingly evolve to become maximally efficient on a predator’s particular prey. Consequently, venoms become specialized to a standard diet. Venomous animals resulted in 57,000 human deaths in 2013, in insects such as bees and wasps, the stinger is a modified egg-laying device — the ovipositor. In Polistes fuscatus, the female releases a venom that contains a sex pheromone that induces copulatory behavior in males. In Polistes exclamans, venom is used as a pheromone, coordinating a response with from the nest. In Dolichovespula arenaria, the spraying of venom out of their sting that has been seen from workers in large colonies. In other cases like Parischnogaster striatula, the venom is applied all over their body in order to make themselves immune to certain harmful diseases. Some cases like the venom from Agelaia pallipes have significant inhibitory effects on biological processes like chemotaxis and hemolysis which can lead to organ failure. This prevents the spread of disease throughout the colony, the use of venom is much more widespread than just these examples. Other insects, such as bugs and many ants, also produce venom. At least one ant species has shown to use venom topically for the sterilisation of pathogens. There are many other invertebrates, including jellyfish, cone snails. The box jellyfish is the most venomous jellyfish in the world, there are only a few known species of venomous amphibians, certain salamandrid salamanders can extrude sharp venom-tipped ribs. The reptiles most known to use venom are snakes, some species of which inject venom into their prey via fangs, snake venom is produced by glands below the eye and delivered to the victim through tubular or channeled fangs
9.
Maat
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Maat or Maat was the ancient Egyptian concept of truth, balance, order, harmony, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, cuneiform texts indicate that the word mˤ3t was pronounced /múʕʔa/ during the New Kingdom period, having lost the feminine ending t. Sound shifts from u to e later produced the cognate Coptic word ⲙⲉⲉ/ⲙⲉ truth, later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth, as their attributes are similar. In other accounts, Thoth was paired off with Seshat, goddess of writing and measure and her feather was the measure that determined whether the souls of the departed would reach the paradise of afterlife successfully. Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws of the Creator, Maat represents the ethical and moral principle that every Egyptian citizen was expected to follow throughout their daily lives. They were expected to act with honor and truth in manners that involve family, the community, the nation, the environment, Maat as a principle was formed to meet the complex needs of the emergent Egyptian state that embraced diverse peoples with conflicting interests. The development of such rules sought to avert chaos and it became the basis of Egyptian law, from an early period the King would describe himself as the Lord of Maat who decreed with his mouth the Maat he conceived in his heart. The ancient Egyptians had a conviction of an underlying holiness. Cosmic harmony was achieved by public and ritual life. Any disturbance in cosmic harmony could have consequences for the individual as well as the state, an impious King could bring about famine or blasphemy blindness to an individual. In opposition to the order expressed in the concept of Maat is the concept of Isfet, chaos, lies. In one Middle Kingdom text the Creator declares I made every man like his fellow, a passage in the Instruction of Ptahhotep presents Maat as follows, Maat is good and its worth is lasting. It has not been disturbed since the day of its creator and it lies as a path in front even of him who knows nothing. Wrongdoing has never yet brought its venture to port and it is true that evil may gain wealth but the strength of truth is that it lasts, a man can say, It was the property of my father. There is little surviving literature that describes the practice of ancient Egyptian law, Maat was the spirit in which justice was applied rather than the detailed legalistic exposition of rules. Maat represented the normal and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness. From the 5th dynasty onwards the Vizier responsible for justice was called the Priest of Maat, later scholars and philosophers also would embody concepts from the wisdom literature, or Sebayt. These spiritual texts dealt with social or professional situations and how each was best to be resolved or addressed in the spirit of Maat
10.
Scorpion
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Scorpions are predatory arachnids of the order Scorpiones. Scorpions range in size from 9 mm /0.3 in. to 23 cm /9 in, the evolutionary history of scorpions goes back to the Silurian era 430 million years ago. They have adapted to a range of environmental conditions and can now be found on all continents except Antarctica. Scorpions number about 1750 described species, with 13 extant families recognised to date, only about 25 of these species are known to have venom capable of killing a human being. The taxonomy has undergone changes and is likely to change further, Scorpion stings are painful but are usually harmless to humans. For stings from species found in North America, no treatment is normally needed for healthy adults, although care should be sought for children. More harmful stings from species found in South America, Africa, Scorpions are found on all major land masses except Antarctica. The greatest diversity of scorpions in the Northern Hemisphere is to be found in the areas lying between latitudes 23° N and 38° N. Above these latitudes, the diversity decreases, with the northernmost natural occurrence of scorpions being the northern scorpion Paruroctonus boreus at Medicine Hat, Alberta, five colonies of scorpions have established themselves in Sheerness on the Isle of Sheppey in the United Kingdom. This small population has been resident since the 1860s, having arrived with imported fruit from Africa. This scorpion species is small and completely harmless to humans, at just over 51° N, this marks the northernmost limit where scorpions live in the wild. There are thirteen families and about 1,750 described species and subspecies of scorpions, in addition, there are 111 described taxa of extinct scorpions. This classification is based on that of Soleglad & Fet, which replaced the older, additional taxonomic changes are from papers by Soleglad et al. The following classification covers extant taxa to the rank of family, L. Koch,1837 Family Buthidae C. L. The oldest known scorpions lived around 430 million years ago in the Silurian period and these first scorpions were believed to have had gills instead of the present forms book lungs though this has subsequently been refuted. The oldest Gondwanan scorpiones comprise the earliest known terrestrial animals from Gondwana, currently,111 fossil species of scorpion are known. Unusually for arachnids, there are species of Palaeozoic scorpion than Mesozoic or Cenozoic ones. The eurypterids, marine creatures that lived during the Palaeozoic era, share several traits with scorpions
11.
Snake
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Snakes are elongated, legless, carnivorous reptiles of the suborder Serpentes that can be distinguished from legless lizards by their lack of eyelids and external ears. Like all squamates, snakes are ectothermic, amniote vertebrates covered in overlapping scales, many species of snakes have skulls with several more joints than their lizard ancestors, enabling them to swallow prey much larger than their heads with their highly mobile jaws. To accommodate their bodies, snakes paired organs appear one in front of the other instead of side by side. Some species retain a pelvic girdle with a pair of claws on either side of the cloaca. Additionally, sea snakes are widespread throughout the Indian and Pacific Oceans, more than 20 families are currently recognized, comprising about 500 genera and about 3,400 species. They range in size from the tiny,10.4 cm -long thread snake to the reticulated python of 6.95 meters in length, the fossil species Titanoboa cerrejonensis was 12.8 meters long. Snakes are thought to have evolved from either burrowing or aquatic lizards, perhaps during the Jurassic period, the diversity of modern snakes appeared during the Paleocene period. The oldest preserved descriptions of snakes can be found in the Brooklyn Papyrus, most species are nonvenomous and those that have venom use it primarily to kill and subdue prey rather than for self-defense. Some possess venom potent enough to cause injury or death to humans. Nonvenomous snakes either swallow prey alive or kill by constriction, the word ousted adder, as adder went on to narrow in meaning, though in Old English næddre was the general word for snake. The other term, serpent, is from French, ultimately from Indo-European *serp-, the fossil record of snakes is relatively poor because snake skeletons are typically small and fragile making fossilization uncommon. Fossils readily identifiable as snakes first appear in the record during the Cretaceous period. The earliest known snake fossils come from the marine simoliophiids. Based on comparative anatomy, there is consensus that snakes descended from lizards, pythons and boas—primitive groups among modern snakes—have vestigial hind limbs, tiny, clawed digits known as anal spurs, which are used to grasp during mating. The families Leptotyphlopidae and Typhlopidae also possess remnants of the pelvic girdle, front limbs are nonexistent in all known snakes. This is caused by the evolution of Hox genes, controlling limb morphogenesis, the axial skeleton of the snakes’ common ancestor, like most other tetrapods, had regional specializations consisting of cervical, thoracic, lumbar, sacral, and caudal vertebrae. Early in snake evolution, the Hox gene expression in the axial skeleton responsible for the development of the thorax became dominant, as a result, the vertebrae anterior to the hindlimb buds all have the same thoracic-like identity. In other words, most of a skeleton is an extremely extended thorax
12.
Cat
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The domestic cat is a small, typically furry, carnivorous mammal. They are often called house cats when kept as pets or simply cats when there is no need to distinguish them from other felids. Cats are often valued by humans for companionship and for their ability to hunt vermin, there are more than 70 cat breeds, though different associations proclaim different numbers according to their standards. Cats are similar in anatomy to the felids, with a strong flexible body, quick reflexes, sharp retractable claws. Cat senses fit a crepuscular and predatory ecological niche, cats can hear sounds too faint or too high in frequency for human ears, such as those made by mice and other small animals. They can see in near darkness, like most other mammals, cats have poorer color vision and a better sense of smell than humans. Cats, despite being solitary hunters, are a species and cat communication includes the use of a variety of vocalizations. Cats have a high breeding rate, under controlled breeding, they can be bred and shown as registered pedigree pets, a hobby known as cat fancy. Failure to control the breeding of pet cats by neutering, as well as the abandonment of former household pets, has resulted in numbers of feral cats worldwide. In certain areas outside cats native range, this has contributed, along with destruction and other factors. Cats have been known to extirpate a bird species within specific regions, a genetic study in 2007 concluded that domestic cats are descended from Near Eastern wildcats, having diverged around 8,000 BC in the Middle East. As of a 2007 study, cats are the second most popular pet in the US by number of pets owned, in a 2010 study they were ranked the third most popular pet in the UK, after fish and dogs, with around 8 million being owned. The domestic cat is believed to have evolved from the Near Eastern wildcat, the felids are a rapidly evolving family of mammals that share a common ancestor only 10–15 million years ago and include lions, tigers, cougars and many others. Within this family, domestic cats are part of the genus Felis, members of the genus are found worldwide and include the jungle cat of southeast Asia, European wildcat, African wildcat, the Chinese mountain cat, and the Arabian sand cat, among others. The domestic cat was first classified as Felis catus by Carl Linnaeus in the 10th edition of his Systema Naturae published in 1758, because of modern phylogenetics, domestic cats are usually regarded as another subspecies of the wildcat, F. silvestris. This has resulted in mixed usage of the terms, as the cat can be called by its subspecies name. Wildcats have also referred to as various subspecies of F. catus, but in 2003. The most common name in use for the cat remains F. catus
13.
Civet
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A civet /ˈsɪvᵻt/ is a small, lithe-bodied, mostly nocturnal mammal native to tropical Asia and Africa, especially the tropical forests. The term civet applies to over a dozen different mammal species, most of the species diversity is found in southeast Asia. The best-known civet species is the African civet, Civettictis civetta, the word civet may also refer to the distinctive musky scent produced by the animals. A minority of writers use the name civet to cover Civettictis, Viverra, but in more common usage in English the name also covers Chrotogale, Cynogale, Diplogale, Hemigalus, Arctogalidia, Macrogalidia, Paguma, and Paradoxurus civets. The common name is used for a variety of mammalian species. The African palm civet is genetically distinct and belongs in its own monotypic family, civets are also called toddycats in English and musang in Malay. Civets have a broadly cat-like general appearance, though the muzzle is extended and often pointed and they range in length from about 43 to 71 cm and in weight from about 1.4 to 4.5 kg. The civet produces a highly valued as a fragrance and stabilizing agent for perfume. Both male and female civets produce the strong-smelling secretion, which is produced by the civets perineal glands and it is harvested by either killing the animal and removing the glands, or by scraping the secretions from the glands of a live animal. The latter is the preferred method today, Animal rights groups, such as World Animal Protection, express concern that harvesting musk is cruel to animals. Between these ethical concerns and the availability of substitutes, the practice of raising civets for musk is dying out. Chanel, maker of the popular perfume Chanel No,5, claims that natural civet has been replaced with a synthetic substitute since 1998. Viverrids are native to sub-Saharan Africa, Madagascar, the Iberian Peninsula, southern China, South, favoured habitats include woodland, savanna, and mountain biomes and, above all, tropical rainforest. In consequence, many are faced with loss of habitat, several species are considered vulnerable. In Sri Lanka, the Asian palm civet species is known as uguduwa by the Sinhala speaking community, the terms uguduwa and kalawedda are used interchangeably by the Sri Lankan community to refer to the same animal. However, the term kalawedda is mostly used to refer to species in the civet family. Sri Lanka also has an endemic civet species called golden palm civet, recently this species was split into 3 separate endemic species as Paradoxurus montanus, P. aureus, and P. stenocephalus. In Bangladesh and in Bangla speaking areas of India this animal is known as khatash and is now rare in all parts of Bangladesh
14.
Den (pharaoh)
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Den, also known as Hor-Den, Dewen and Udimu, is the Horus name of a pharaoh of the Early Dynastic Period who ruled during the First Dynasty of Egypt. He is the best archaeologically-attested ruler of this period, Den is said to have brought prosperity to his realm and numerous innovations are attributed to his reign. He was the first to use the title King of Lower and Upper Egypt, the floor of his tomb at Umm el-Qaab near Abydos is made of red and black granite, the first time in Egypt this hard stone was used as a building material. During his long reign he established many of the patterns of court ritual and royalty used by later rulers, egyptologists and historians generally believe that Den had a reign of 42 years, based on inscriptions on the Palermo Stone. Dens serekh name is attested on earthen seal impressions, on ivory labels and in inscriptions on vessels made of schist, diorite. The artifacts were found at Abydos, Sakkara and Abu Rawash, Dens name is also attested in later documents. For example, the Medical Papyrus of Berlin discusses several methods of treatment, some of these methods are said to originate from the reign of Den, but this statement may merely be trying to make the medical advice sound traditional and authoritative. Similarly, Den is mentioned in the Papyrus of Ani in chapter 64, Dens serekh name was Den or Dewen, most likely meaning he who brings the water. This is consistent with his name, which was “Khasty”. This is in accord with the introduction of the Nisut-Bity-title by Den and this royal title was designed to legitimise the ruler´s power over the whole of Egypt. Dens family has been the subject of significant research and his mother was queen Merneith, this conclusion is supported by contemporary seal impressions and by the inscription on the Palermo Stone. Dens wives were the queens Semat, Nakht-Neith and, possibly and he also had numerous sons and daughters, his possible successors could have been king Anedjib and king Semerkhet. Dens Royal Household is also well researched, subsidiary tombs and palatial mastabas at Sakkara belonged to high officials such as Ipka, Ankh-ka, Hemaka, Nebitka, Amka, Iny-ka and Ka-Za. In a subsidiary tomb at Dens necropolis, the stela of a dwarf named Ser-Inpu was found. The birth name of Den was misread in Ramesside times, the Abydos King List has “Sepatju” written with two symbols for “district”. This derives from the two desert symbols Den originally had used, the Turin King List refers to “Qenentj”, which is quite difficult to translate. The origin of the hieroglyphs used the Royal Canon of Turin remains unknown, the Saqqara Tablet mysteriously omits Den completely. According to archaeological records, at the beginning of his reign
15.
Palermo Stone
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The Palermo Stone is one of seven surviving fragments of a stele known as the Royal Annals of the Old Kingdom of Ancient Egypt. The stele contained a list of the kings of Egypt from the First Dynasty through to the part of the Fifth Dynasty. It was probably made during the Fifth dynasty, the Palermo Stone is held in the Regional Archeological Museum Antonio Salinas in the city of Palermo, Italy, from which it derives its name. The term Palermo Stone is sometimes applied to all seven surviving fragments of the Royal Annals, including held in museums in Cairo. The fragments are also sometimes described collectively as the Cairo Annals Stone, the Royal Annals stele, of which the Palermo Stone formed part, may originally have been about 60 cm high and 2. 1m wide. The fragments are composed of a hard black stone, probably a form of basalt. The Palermo Stone itself is an irregular shield-shaped fragment,43.5 cm high,25 cm wide and 6.5 cm thick, the inscription on the front of the Palermo Stone consists of 6 horizontal bands or registers of hieroglyphic text running right to left. The first register lists the names of kings of Lower Egypt. The second register on the Palermo Stone begins with the final year entries for a king of the First Dynasty whose name is not preserved, but who is generally assumed to be either Narmer or Aha. The rest of the register is taken up with the first nine annual entries for this kings successor, who is again not named on the fragment. The remainder of the inscription on this continues with royal annals down to the kings of the Fourth Dynasty. The text continues on the back of the Palermo Stone, cataloguing events during the reigns of pharaohs down to Neferirkare Kakai, from the surviving fragments it is unclear whether the Royal Annals originally continued beyond this point in time. Where a king is named, the name of his mother is also recorded, such as Betrest mother of the First Dynasty king Semerkhet and Meresankh I mother of the Fourth Dynasty king Seneferu. Information recorded in the Royal Annals includes measurements of the height of the annual Nile flood, the Inundation, details of festivals, taxation, sculpture, buildings, the original location of the stele is unknown and none of the surviving fragments have a secure archeological provenance. One fragment now in Cairo is said to have found at an archaeological site at Memphis. No find site for the Palermo Stone itself has been suggested, the Palermo Stone was purchased by a Sicilian lawyer, Ferdinand Guidano, in 1859 and it has been in Palermo since 1866. On 19 October 1877, it was presented to the Palermo Archaeological Museum by the Guidano family, there are five fragments of the Royal Annals in the Egyptian Museum in Cairo, four of which were acquired between 1895 and 1914. The fifth was purchased on the market in 1963
16.
Pyramid Texts
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The Pyramid Texts are a collection of ancient Egyptian religious texts from the time of the Old Kingdom. Written in Old Egyptian, the texts were carved on the walls. The oldest of the texts have been dated to between ca, unlike the later Coffin Texts and Book of the Dead, the pyramid texts were reserved only for the pharaoh and were not illustrated. The spells delineate all of the ways the pharaoh could travel, including the use of ramps, stairs, ladders, the spells could also be used to call the gods to help, even threatening them if they did not comply. The texts were first discovered in 1881 by Gaston Maspero, and translations were made by Kurt Heinrich Sethe, Louis Speleers, Raymond O. Faulkner, Samuel A. B. The oldest version consists of 228 spells and comes from the Pyramid of Unas, Pyramid Texts were also discovered on fragments of wood within in the tomb of queen Meretites II. Kurt Sethes first edition of the texts contained 714 distinct spells. No single collection uses all recorded spells, after death, the king must first rise from his tomb. Take your head, collect your bones, Gather your limbs, take your bread that rots not, your beer that sours not, Stand at the gates that bar the common people. The gatekeeper comes out to you, he grasps your hand, Takes you into heaven and he rejoices at your coming, gives you his hands, Kisses you, caresses you, Sets you before the spirits, the imperishable stars. The texts then describe several ways for the pharaoh to reach the heavens, in utterance 304 the king says, Hail, daughter of Anubis, above the hatches of heaven, Comrade of Thoth, above the ladders rails, Open Unass path, let Unas pass. If the boatman refuses to him, the king has other plans, If you fail to ferry Unas, He will leap and sit on the wing of Thoth. Apart from the burial of Unas, only the Pyramid of Teti displays the Cannibal Hymn, a god who lives on his fathers, who feeds on his mothers. Unas is the bull of heaven Who rages in his heart, Who lives on the being of every god, Who eats their entrails When they come, the cannibal hymn later reappeared in the Coffin Texts as Spell 573. It was dropped by the time the Book of the Dead was being copied, in the first scene of Philip Glasss opera Akhnaten, the phrase Open are the double doors of the horizon is a quotation from the Pyramid Texts. More specifically, it seems to come from Utterance 220, the American death metal band Nile made a song, Unas Slayer of the Gods which contains many references to the Pyramid Texts, including the Cannibal Hymn. In the 2001 action-adventure movie, The Mummy Returns, when Imhotep gets a jar full of dust and blows it, he part of the Utterance 373. In neuer deutscher Uebersetzung, vollständig bearbeitet und herausgegeben von Wolfgang Kosack Christoph Brunner, Berlin 2012, a New Concordance of the Pyramid Texts
17.
Old Kingdom of Egypt
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The term itself was coined by eighteenth-century historians and the distinction between the Old Kingdom and the Early Dynastic Period is not one which would have been recognized by Ancient Egyptians. The Old Kingdom is most commonly regarded as the period from the Third Dynasty through to the Sixth Dynasty, many Egyptologists also include the Memphite Seventh and Eighth Dynasties in the Old Kingdom as a continuation of the administration centralized at Memphis. During the Old Kingdom, the king of Egypt became a god who ruled absolutely and could demand the services. Under King Djoser, the first king of the Third Dynasty of the Old Kingdom, the capital of Egypt was moved to Memphis. A new era of building was initiated at Saqqara under his reign, King Djosers architect, Imhotep is credited with the development of building with stone and with the conception of the new architectural form—the Step Pyramid. Indeed, the Old Kingdom is perhaps best known for the number of pyramids constructed at this time as burial places for Egypts kings. For this reason, the Old Kingdom is frequently referred to as the Age of the Pyramids, the first king of the Old Kingdom was Djoser of the third dynasty, who ordered the construction of a pyramid in Memphis necropolis, Saqqara. An important person during the reign of Djoser was his vizier and it was in this era that formerly independent ancient Egyptian states became known as nomes, under the rule of the king. The former rulers were forced to assume the role of governors or otherwise work in tax collection, Egyptians in this era worshipped their king as a god, believing that he ensured the annual flooding of the Nile that was necessary for their crops. Egyptian views on the nature of time during this period held that the worked in cycles. They also perceived themselves as a specially selected people, the Old Kingdom and its royal power reached a zenith under the Fourth Dynasty, which began with Sneferu. Using more stones than any king, he built three pyramids, a now collapsed pyramid in Meidum, the Bent Pyramid at Dahshur. However, the development of the pyramid style of building was reached not at Saqqara. Sneferu was succeeded by his son, Khufu who built the Great Pyramid of Giza, after Khufus death, his sons Djedefra and Khafra may have quarrelled. The latter built the pyramid and the Sphinx in Giza. Recent reexamination of evidence has led Egyptologist Vassil Dobrev to propose that the Sphinx had been built by Djedefra as a monument to his father Khufu, alternatively, the Sphinx has been proposed to be the work of Khafra and Khufu himself. There were military expeditions into Canaan and Nubia, with Egyptian influence reaching up the Nile into what is today the Sudan, the later kings of the Fourth Dynasty were king Menkaure, who built the smallest pyramid in Giza, Shepseskaf and, perhaps, Djedefptah. The Fifth Dynasty began with Userkaf and was marked by the importance of the cult of sun god Ra
18.
Art
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In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art. The oldest documented forms of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Music, theatre, film, dance, and other performing arts, as well as literature, until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. Art may be characterized in terms of mimesis, expression, communication of emotion, during the Romantic period, art came to be seen as a special faculty of the human mind to be classified with religion and science. Though the definition of what art is disputed and has changed over time, general descriptions mention an idea of imaginative or technical skill stemming from human agency. The nature of art, and related such as creativity. One early sense of the definition of art is related to the older Latin meaning. English words derived from this meaning include artifact, artificial, artifice, medical arts, however, there are many other colloquial uses of the word, all with some relation to its etymology. Several dialogues in Plato tackle questions about art, Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness in the Phaedrus, and yet in the Republic wants to outlaw Homers great poetic art, in Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, the forms also differ in their object of imitation. Comedy, for instance, is an imitation of men worse than average. Lastly, the forms differ in their manner of imitation—through narrative or character, through change or no change, Aristotle believed that imitation is natural to mankind and constitutes one of mankinds advantages over animals. The second, and more recent, sense of the art as an abbreviation for creative art or fine art emerged in the early 17th century. The creative arts are a collection of disciplines which produce artworks that are compelled by a drive and convey a message, mood. Art is something that stimulates an individuals thoughts, emotions, beliefs, works of art can be explicitly made for this purpose or interpreted on the basis of images or objects. Often, if the skill is being used in a common or practical way, likewise, if the skill is being used in a commercial or industrial way, it may be considered commercial art instead of fine art. On the other hand, crafts and design are considered applied art
19.
Staff of office
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A staff of office is a staff, the carrying of which often denotes an officials position, a social rank or a degree of social prestige. Apart from the ecclesiastical and ceremonial usages mentioned below, there are less formal usages, a gold- or silver-topped cane can express social standing. Orchestral conductors have in their batons symbols of authority as well as tools of their trade, Church sidesmen bear sticks or rods or wands of office, bishops may use a crozier or crook. In the Eastern Orthodox Church and some of the Oriental Orthodox Churches an ecclesiastical walking stick is used by bishops, archimandrites and it is usually made of dark wood and is straight, rather than having a curved handle. The walking stick used by bishops and archimandrites is normally adorned with a grip at the top. The walking stick used by a hegumen or hegumenia is normally of plain wood, unadorned. The walking stick is not used in any context, except to the extent that when a bishop is formally received at the beginning of the service. An altar server will usually take it from him when he enters the narthex, monarchs often have a sceptre signifying their office. There are also offices which take their titles from their staff, such as Black Rod, White Rod and the Tipstaff
20.
Pharaoh
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The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
21.
New Kingdom of Egypt
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Radiocarbon dating places the exact beginning of the New Kingdom between 1570–1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period and it was Egypt’s most prosperous time and marked the peak of its power. The later part of period, under the Nineteenth and Twentieth Dynasties is also known as the Ramesside period. It is named after the pharaohs that took the name of Ramesses I. Egyptian armies fought Hittite armies for control of modern-day Syria, the Eighteenth Dynasty contained some of Egypts most famous Pharaohs, including Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. Queen Hatshepsut concentrated on expanding Egypts external trade by sending an expedition to the land of Punt. Thutmose III expanded Egypts army and wielded it with success to consolidate the empire created by his predecessors. This resulted in a peak in Egypts power and wealth during the reign of Amenhotep III, during the reign of Thutmose III, Pharaoh, originally referring to the kings palace, became a form of address for the person who was king. Akhenatens religious fervor is cited as the reason why he was written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained a level of realism. Towards the end of the 18th Dynasty, the situation had changed radically, Ramesses II sought to recover territories in the Levant that had been held by the 18th Dynasty. His campaigns of reconquest culminated in the Battle of Kadesh, where he led Egyptian armies against those of the Hittite king Muwatalli II. Ramesses was caught in historys first recorded military ambush, although he was able to rally his troops, the outcome of the battle was undecided with both sides claiming victory at their home front, ultimately resulting in a peace treaty between the two nations. The last great pharaoh from the New Kingdom is widely considered to be Ramesses III, in the eighth year of his reign the Sea Peoples invaded Egypt by land and sea. Ramesses III defeated them in two great land and sea battles and he incorporated them as subject peoples and settled them in Southern Canaan although there is evidence that they forced their way into Canaan. Their presence in Canaan may have contributed to the formation of new states, such as Philistia and he was also compelled to fight invading Libyan tribesmen in two major campaigns in Egypts Western Delta in his sixth year and eleventh year respectively. The heavy cost of this warfare slowly drained Egypts treasury and contributed to the decline of the Egyptian Empire in Asia. Something in the air prevented much sunlight from reaching the ground, one proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland but the dating of this remains disputed
22.
Duat
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Duat was the realm of the dead in ancient Egyptian mythology. It was the realm of the deity Osiris and the residence of other gods, the Duat was the region through which the sun god Ra traveled from west to east during the night, and where he battled Apep. It was also the place where peoples souls went after death for judgement, burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat. What is known of the Duat derives principally from funerary texts such as the Book of Gates, the Book of Caverns, the Coffin Texts, the Amduat, and the Book of the Dead. Each of these fulfilled a different purpose and gave a different perspective on the Duat. Surviving texts differ in age and origin, and there likely was never a single interpretation of the Duat. The geography of Duat is similar in outline to the world the Egyptians knew, there are realistic features like rivers, islands, fields, lakes, mounds and caverns, along with fantastic lakes of fire, walls of iron and trees of turquoise. In the Book of Two Ways, one of the Coffin Texts, the Book of the Dead and Coffin Texts were intended to guide people who had recently died through the Duats dangerous landscape and to a life as an akh or blessed spirit amongst the gods. The dead person must pass a series of gates guarded by dangerous spirits, depicted as human bodies with heads of animals, insects. These beings have equally grotesque names, for instance Blood-drinker who comes from the Slaughterhouse or One who eats the excrement of his hindquarters, other features emphasised in these texts are mounds and caverns, inhabited by gods or supernatural animals, which threatened the spirits of the dead. The purpose of the books is not to lay out a geography, if the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. In this ritual, the heart of the deceased was weighed by Anubis, using a feather, representing Maat, any hearts heavier than her feather were rejected and eaten by the Ammit, the Devourer of Souls. Those souls that were lighter than a feather passed the test would be allowed to travel toward the paradise of Aaru, in spite of the unpleasant inhabitants of the Duat, this was no Hell to which souls were condemned, the nature of Duat is more complex than that. The grotesque spirits of the underworld were not evil, but under the control of the Gods. The Duat was also a residence of gods themselves, as well as Osiris, Anubis, Thoth, Horus, Hathor and Maat all appear as a dead soul makes its way toward judgement. It was also in the underworld that the sun, Ra, travelled under the Earth upon his Atet barge from west to east and was transformed from its aged Atum form into Khepri, the new dawning Sun. Just as a person faced many challenges in the Duat. The Egyptian Book of the Dead, The Book of Going Forth by Day, chronicle Books,2000 Pinch, G. Magic in Ancient Egypt
23.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
24.
Egyptian mythology
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Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion, Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain an account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat, events from the present that might be regarded as myths include Ras daily journey through the world and its otherworldly counterpart, the Duat. The details of these sacred events differ greatly from one text to another, Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians understanding of the gods and it inspired or influenced many religious rituals and provided the ideological basis for kingship. Scenes and symbols from myth appeared in art in tombs, temples, in literature, myths or elements of them were used in stories that range from humor to allegory, demonstrating that the Egyptians adapted mythology to serve a wide variety of purposes. The development of Egyptian myth is difficult to trace, Egyptologists must make educated guesses about its earliest phases, based on written sources that appeared much later. One obvious influence on myth is the Egyptians natural surroundings, thus the Egyptians saw water and the sun as symbols of life and thought of time as a series of natural cycles. This orderly pattern was at constant risk of disruption, unusually low floods resulted in famine, the hospitable Nile valley was surrounded by harsh desert, populated by peoples the Egyptians regarded as uncivilized enemies of order. For these reasons, the Egyptians saw their land as an place of stability, or maat. These themes—order, chaos, and renewal—appear repeatedly in Egyptian religious thought, another possible source for mythology is ritual. Many rituals make reference to myths and are based directly on them. But it is difficult to determine whether a cultures myths developed before rituals or vice versa, questions about this relationship between myth and ritual have spawned much discussion among Egyptologists and scholars of comparative religion in general. In ancient Egypt, the earliest evidence of religious practices predates written myths, rituals early in Egyptian history included only a few motifs from myth. For these reasons, some scholars have argued that, in Egypt, but because the early evidence is so sparse, the question may never be resolved for certain. In private rituals, which are often called magical, the myth, many of the myth-like stories that appear in the rituals texts are not found in other sources
25.
Paganism
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Paganism is a term that derives from Latin word pagan, which means nonparticipant, one excluded from a more distinguished, professional group. The term was used in the 4th century, by early Christian community, the term competed with polytheism already in use in Judaism, by Philo in the 1st century. Pagans and paganism was a pejorative for the same polytheistic group, Paganism has broadly connoted religion of the peasantry, and for much of its history a derogatory term. Alternate terms in Christian texts for the group was hellene. In and after the Middle Ages, paganism was a pejorative that was applied to any non-Abrahamic or unfamiliar religion, there has been much scholarly debate as to the origin of the term paganism, especially since no one before the 20th century self-identified as a pagan. In the 19th century, paganism was re-adopted as a self-descriptor by members of various artistic groups inspired by the ancient world. Forms of these religions, influenced by various historical pagan beliefs of pre-modern Europe, exist today and are known as contemporary or modern paganism, while most pagan religions express a worldview that is pantheistic, polytheistic, or animistic, there are some monotheistic pagans. It is crucial to stress right from the start that until the 20th century people did not call themselves pagans to describe the religion they practised, the notion of paganism, as it is generally understood today, was created by the early Christian Church. It was a label that Christians applied to others, one of the antitheses that were central to the process of Christian self-definition, as such, throughout history it was generally used in a derogatory sense. The term pagan is from Late Latin paganus, revived during the Renaissance and it is related to pangere and ultimately comes from Proto-Indo-European *pag-. The evolution occurred only in the Latin west, and in connection with the Latin church, elsewhere, Hellene or gentile remained the word for pagan, and paganos continued as a purely secular term, with overtones of the inferior and the commonplace. However, this idea has multiple problems, first, the words usage as a reference to non-Christians pre-dates that period in history. Second, paganism within the Roman Empire centered on cities, the concept of an urban Christianity as opposed to a rural paganism would not have occurred to Romans during Early Christianity. Third, unlike words such as rusticitas, paganus had not yet acquired the meanings used to explain why it would have been applied to pagans. Paganus more likely acquired its meaning in Christian nomenclature via Roman military jargon, Early Christians adopted military motifs and saw themselves as Milites Christi. As early as the 5th century, paganos was metaphorically used to persons outside the bounds of the Christian community. In response, Augustine of Hippo wrote De Civitate Dei Contra Paganos, in it, he contrasted the fallen city of Man to the city of God of which all Christians were ultimately citizens. Hence, the invaders were not of the city or rural
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Pantheism
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Pantheism is the belief that all reality is identical with divinity, or that everything composes an all-encompassing, immanent god. Pantheists thus do not believe in a personal or anthropomorphic god. The term pantheism was not coined until after Spinozas death, and his work, Ethics, was the major source from which Western pantheism spread. Pantheistic concepts may date back thousands of years, and some religions in the East continue to contain pantheistic elements, Pantheism derives from the Greek πᾶν pan and θεός theos. There are a variety of definitions of pantheism, some consider it a theological and philosophical position concerning God. As a religious position, some describe pantheism as the polar opposite of atheism, from this standpoint, pantheism is the view that everything is part of an all-encompassing, immanent God. All forms of reality may then be considered either modes of that Being, some hold that pantheism is a non-religious philosophical position. To them, pantheism is the view that the Universe and God are identical, pantheistic tendencies existed in a number of early Gnostic groups, with pantheistic thought appearing throughout the Middle Ages. These included a section of Johannes Scotus Eriugenas 9th-century work De divisione naturae, the Roman Catholic Church has long regarded pantheistic ideas as heresy. Giordano Bruno, an Italian monk who evangelized about an immanent and he has since become known as a celebrated pantheist and martyr of science. Bruno influenced many later thinkers including Baruch Spinoza, in the West, pantheism was formalized as a separate theology and philosophy based on the work of the 17th-century philosopher Baruch Spinoza. Spinoza was a Dutch philosopher of Sephardi Portuguese origin, whose book Ethics was an answer to Descartes famous dualist theory that the body, Spinoza held the monist view that the two are the same, and monism is a fundamental part of his philosophy. He was described as a God-intoxicated man, and used the word God to describe the unity of all substance, although the term pantheism was not coined until after his death, Spinoza is regarded as its most celebrated advocate. His work, Ethics, was the source from which Western pantheism spread. The breadth and importance of Spinozas work was not fully realized until years after his death. Spinozas magnum opus, the posthumous Ethics, in which he opposed Descartes mind–body dualism, has earned him recognition as one of Western philosophys most important thinkers, Hegel said, You are either a Spinozist or not a philosopher at all. His philosophical accomplishments and moral character prompted 20th-century philosopher Gilles Deleuze to name him the prince of philosophers, Spinoza was raised in the Portuguese Jewish community in Amsterdam. He developed highly controversial ideas regarding the authenticity of the Hebrew Bible, the Jewish religious authorities issued a cherem against him, effectively excluding him from Jewish society at age 23
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Polytheism
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Polytheism is the worship of or belief in multiple deities, which are usually assembled into a pantheon of gods and goddesses, along with their own religions and rituals. Polytheism is a type of theism, within theism, it contrasts with monotheism, the belief in a singular God, in most cases transcendent. Polytheists do not always worship all the gods equally, but they can be henotheists, other polytheists can be kathenotheists, worshiping different deities at different times. Polytheism was the form of religion during the Bronze Age and Iron Age up to the Axial Age and the development of Abrahamic religions. Important polytheistic religions practiced today include Chinese traditional religion, Hinduism, Japanese Shinto, the term comes from the Greek πολύ poly and θεός theos and was first invented by the Jewish writer Philo of Alexandria to argue with the Greeks. When Christianity spread throughout Europe and the Mediterranean, non-Christians were just called Gentiles or pagans or by the pejorative term idolaters. The modern usage of the term is first revived in French through Jean Bodin in 1580, a central, main division in polytheism is between soft polytheism and hard polytheism. Hard polytheism is the belief that gods are distinct, separate, real divine beings, hard polytheists reject the idea that all gods are one god. Hard polytheists do not necessarily consider the gods of all cultures as being equally real, Polytheism cannot be cleanly separated from the animist beliefs prevalent in most folk religions. The gods of polytheism are in cases the highest order of a continuum of supernatural beings or spirits. In some cases these spirits are divided into celestial or chthonic classes, since divinity is intellectual, and all intellect returns into itself, this myth expresses in allegory the essence of divinity. Myths may be regarded physically when they express the activities of gods in the world, the psychological way is to regard the activities of the soul itself and or the souls acts of thought. The material is to regard material objects to actually be gods, for example, to call the earth Gaia, ocean Okeanos, Some well-known historical polytheistic pantheons include the Sumerian gods and the Egyptian gods, and the classical-attested pantheon which includes the ancient Greek religion and Roman religion. Post-classical polytheistic religions include Norse Æsir and Vanir, the Yoruba Orisha, the Aztec gods, an example of a religious notion from this shared past is the concept of *dyēus, which is attested in several distinct religious systems. In many civilizations, pantheons tended to grow over time, deities first worshipped as the patrons of cities or places came to be collected together as empires extended over larger territories. Conquests could lead to the subordination of the elder cultures pantheon to a one, as in the Greek Titanomachia. Most ancient belief systems held that gods influenced human lives, epicurus believed that these gods were material, human-like, and that they inhabited the empty spaces between worlds. Though it is suggested that Hestia stepped down when Dionysus was invited to Mount Olympus, robert Graves The Greek Myths cites two sources that obviously do not suggest Hestia surrendered her seat, though he suggests she did
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Ancient Egyptian concept of the soul
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The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
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Ancient Egyptian funerary practices
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The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals and protocols included mummifying the body, casting of magic spells, the burial process used by the ancient Egyptians evolved throughout time as old customs were discarded and new ones adopted, but several important elements of the process persisted. Although specific details changed over time, the preparation of the body, the rituals involved. Though no writing survives from Predynastic Egypt, scholars believe the importance of the physical body and this would explain why people of that time did not follow the common practice of cremation, but rather buried the dead. Some also believe they may have feared the bodies would rise again if mistreated after death, early bodies were buried in simple, shallow oval pits, with a few burial goods. Sometimes multiple people and animals were placed in the same grave, over time, graves became more complex, with the body placed in a wicker basket, then later in wooden or terracotta coffins. The latest tombs Egyptians made were sarcophaguses and these graves contained burial goods like jewelry, food, games and sharpened splint. This demonstrates that this ancient period had a sense of the afterlife and this may be because admission required that the deceased must be able to serve a purpose there. The pharaoh was allowed in because of his role in life, human sacrifices found in early royal tombs reinforce this view. These people were meant to serve the pharaoh during his eternal life. Eventually, figurines and wall paintings begin to replace human victims, some of these figurines may have been created to resemble certain people, so they could follow the pharaoh after their lives ended. Note that not only the classes had to rely on the pharaoh’s favor. They believed that when he died, the became a type of god. This belief existed from the period through the Old Kingdom. In the First Intermediate Period, however, the importance of the pharaoh declined, funerary texts, previously restricted to royal use, became more widely available. The first farmers in Egypt are known from the villages of Omari, the people of these villages buried their dead in a simple, round graves with one pot. The body was neither treated nor arranged in a way as would be the case later in the historical period. Without any written evidence, there is little to provide information about contemporary beliefs concerning the afterlife except for the inclusion of a single pot in the grave
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Mortuary temple
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Mortuary temples were temples that were erected adjacent to, or in the vicinity of, royal tombs in Ancient Egypt. The temples were designed to commemorate the reign of the Pharaoh by whom they were constructed, mortuary temples were built around pyramids in the Old Kingdom and Middle Kingdom. However, once the New Kingdom pharaohs began constructing tombs in the Valley of the Kings and these New Kingdom temples were called mansions of millions of years by the Egyptians. These temples were used as a resting place for the boat of Amun at the time of the Beautiful Festival of the Valley. The first mortuary temple was built for Amenhotep I of the 18th dynasty during the New Kingdom, later rulers of the 18th Dynasty either failed to build here at all or, in the case of Tutankhamun, Ay and Horemheb, their construction was not completed. The 19th Dynasty ruler Seti I constructed his temple at what is now known as Gurna. Ramesses II constructed his own temple, referred to as the Ramesseum, Temple of a years of Usermaatre Setepenre which is linked with Thebes-the-Quoted in the Field of Amun. Much later, during the 20th Dynasty, Ramesses III constructed his own temple at Medinet Habu
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Ancient Egyptian offering formula
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The Ancient Egyptian offering formula, generally referred to as the ḥtp-dỉ-nsw formula by Egyptologists, was written as an offering for the deceased in the ancient Egyptian religion. All ancient Egyptian offering formulas share the basic structure, but there is a great deal of variety in which deities and offerings are mentioned. That he may give a voice-offering of bread, beer, oxen, birds, alabaster, clothing, for the ka of the revered Senwosret, True of Voice. The offering formula is found carved or painted onto funerary stelae, false doors, coffins. Each person would, of course, have their own name, the offering formula was not a royal prerogative like some of the other religious texts such as the Litany of Re, and was used by anyone who could afford to have one made. The offering formula always begins with the phrase, ḥtp dỉ nsw This phrase comes from Old Egyptian, because the king was seen as an intermediary between the people of Egypt and the gods, the offering was made through him. Next the formula names a god of the dead and several of his epithets, usually Osiris, Anubis, or Geb or another deity. The following phrase is an invocation of Osiris, wsỉr nb ḏdw, nṯr ꜥꜣ, nb ꜣbḏw which means Osiris, the lord of Busiris, the great god. There was apparently no set rule about what epithets were used, however Lord of Busiris, Great God, after the list of deities and their titles, the formula proceeds with a list of the ḫrt-prw, or invocation offerings. The list is always preceded by the phrase, or dỉ=f prt-ḫrw or dỉ=sn prt-ḫrw which means He give invocation offerings, the last part of the offering formula lists the name and titles of the recipient of the invocation offerings. For example, n kꜣ n ỉmꜣḫy s-n-wsrt, mꜣꜥ-ḫrw which means for the ka of the revered Senwosret, Egyptian mythology Egyptian soul Ancient Egyptian burial customs Ancient Egyptian funerary texts Bennett, C. Growth of the ḤTP-DI-NSW Formula in the Middle Kingdom, the Middle Kingdom Offering Formulas—A Challenge. Die Opferformel des Alten Reiches unter Berücksichtigung einiger später Formen, mainz am Rhein, Verlag Philipp von Zabern. The Writing of the ḤTP-DI-NSW Formula in the Middle and New Kingdoms, telford, Mark Patrick, Death And The Afterlife
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Egyptian temple
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Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated and these rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance from the god dwelling within. The most important part of the temple was the sanctuary, which contained a cult image. These edifices are among the largest and most enduring examples of Egyptian architecture and their typical design consisted of a series of enclosed halls, open courts, and massive entrance pylons aligned along the path used for festival processions. Beyond the temple proper was a wall enclosing a wide variety of secondary buildings. A large temple also owned sizable tracts of land and employed thousands of laymen to supply its needs, temples were therefore key economic as well as religious centers. The priests who managed these powerful institutions wielded considerable influence, temple-building in Egypt continued despite the nations decline and ultimate loss of independence to the Roman Empire. With the coming of Christianity, however, Egyptian religion faced increasing persecution, for centuries, the ancient buildings suffered destruction and neglect. Dozens of temples survive today, and some have become world-famous tourist attractions that contribute significantly to the modern Egyptian economy, Egyptologists continue to study the surviving temples and the remains of destroyed ones, as they are invaluable sources of information about ancient Egyptian society. Ancient Egyptian temples were meant as places for the gods to reside on earth, indeed, the term the Egyptians most commonly used to describe the temple building, ḥwt-nṯr, means mansion of a god. A gods presence in the temple linked the human and divine realms and these rituals, it was believed, sustained the god and allowed it to continue to play its proper role in nature. They were therefore a key part of the maintenance of maat, maintaining maat was the entire purpose of Egyptian religion, and it was the purpose of a temple as well. Because he was credited with divine power himself, the pharaoh, as a king, was regarded as Egypts representative to the gods. Thus, it was theoretically his duty to perform the temple rites, the pharaoh was nevertheless obligated to maintain, provide for, and expand the temples throughout his realm. Although the pharaoh delegated his authority, the performance of rituals was still an official duty. The participation of the populace in most ceremonies was prohibited. Much of the lay religious activity in Egypt instead took place in private and community shrines, however, as the primary link between the human and divine realms, temples attracted considerable veneration from ordinary Egyptians
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Veneration of the dead
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The veneration of the dead, including ones ancestors, is based on love and respect for the deceased. In some cultures, it is related to beliefs that the dead have a continued existence, the social or non-religious function of ancestor veneration is to cultivate kinship values, such as filial piety, family loyalty, and continuity of the family lineage. Ancestor veneration occurs in societies with every degree of social, political, and technological complexity, ancestor reverence is not the same as the worship of a deity or deities. In some Afro-diasporic cultures, ancestors are seen as being able to intercede on behalf of the living, as spirits who were once human themselves, they are seen as being better able to understand human needs than would a divine being. In other cultures, the purpose of ancestor veneration is not to ask for favors, some cultures believe that their ancestors actually need to be provided for by their descendants, and their practices include offerings of food and other provisions. Others do not believe that the ancestors are even aware of what their descendants do for them, most cultures who practice ancestor veneration do not call it ancestor worship. In English, the word usually refers to the reverent love. However, in cultures, this act of worship does not confer any belief that the departed ancestors have become some kind of deity. Rather, the act is a way to respect, honor, in this regard, many cultures and religions have similar practices. Some may visit the graves of their parents or other ancestors, leave flowers and pray to them in order to honor and remember them, however, this would not be considered as worshipping them since the term worship shows no such meaning. This is consistent with the meaning of the veneration in English. Although there is no accepted theory concerning the origins of ancestor veneration. Although some historians claim that ancient Egyptian society was a “death cult” because of its tombs and mummification rituals. The philosophy that “this world is but a vale of tears” and this was not to say that they were unacquainted with the harshness of life, rather, their ethos included a sense of continuity between this life and the next. Tombs were housing in the Hereafter and so they were constructed and decorated. Mummification was a way to preserve the corpse so the ka of the deceased could return to receive offerings of the things s/he enjoyed while alive, if mummification was not affordable, a “ka-statue” in the likeness of the deceased was carved for this purpose. The Blessed Dead were collectively called the akhu, or “shining ones” and they were described as “shining as gold in the belly of Nut and were indeed depicted as golden stars on the roofs of many tombs and temples. If the heart was in balance with the Feather of Maat, at this point only was the ka deemed worthy to be venerated by the living through rites and offerings
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Ogdoad (Egyptian)
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In Egyptian mythology, the Ogdoad were eight primordial deities worshipped in Hermopolis during the Old Kingdom period. Budge compares the concept to a group of four pairs of primeval gods mentioned in the Babylonian Enûma Eliš, texts of the Late Period describe them as having the heads of frogs and serpents, and they are often depicted in this way in reliefs of the Greco-Roman period. The eight deities were arranged in four pairs, as follows. The names of Nu and Nut are written with the determiners for sky and water, but from the context of a number of passages in which Ḥeḥu is mentioned, Brugsch also suggested that he may be a personification of the atmosphere between heaven and earth. The fourth pair appears with varying names, sometimes the name Qerḥ is replaced by Ni, Nenu, Nut, or Amun, the common meaning of qerḥ is night, but the determinative also suggests the principle of inactivity or repose. There is no way to attribute four functions to the four pairs of gods. Ennead Butler, Edward P. Hermopolitan Ogdoad
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Amun
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Amun was a major Ancient Egyptian deity. He was attested since the Old Kingdom together with his wife Amaunet, with the 11th dynasty, he rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom. Amun-Ra in this period held the position of transcendental, self-created creator deity par excellence, he was the champion of the poor or troubled and his position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods, as the chief deity of the Egyptian Empire, Amun-Ra also came to be worshipped outside of Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified with Zeus in Greece, Amun and Amaunet are mentioned in the Old Egyptian Pyramid Texts. The name Amun meant something like the one or invisible. Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, as the patron of Thebes, his spouse was Mut. In Thebes, Amun as father, Mut as mother and the Moon god Khonsu formed a family or Theban Triad. The history of Amun as the god of Thebes begins in the 20th century BC. The city of Thebes does not appear to have been of great significance before the 11th dynasty, major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified ancient Egypt. Construction of the Hypostyle Hall may have begun during the 18th dynasty, though most building was undertaken under Seti I. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court and this Great Inscription shows the kings campaigns and eventual return with booty and prisoners. Next to this inscription is the Victory Stela, which is largely a copy of the more famous Israel Stela found in the complex of Merenptah on the west bank of the Nile in Thebes. Merenptahs son Seti II added 2 small obelisks in front of the Second Pylon, and this was constructed of sandstone, with a chapel to Amun flanked by those of Mut and Khonsu. The last major change to the Precinct of Amun-Res layout was the addition of the first pylon, the local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their enterprises to Amun. The victory accomplished by pharaohs who worshipped Amun against the rulers, brought him to be seen as a champion of the less fortunate
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Amunet
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Amunet was a primordial goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun and her name, meaning the female hidden one, was simply the feminine form of Amuns own name. It is possible that she was never an independent deity, as the first mention of either of them is in a pair, at Karnak, Amuns cult center, priests were dedicated to Amunets service. The goddess also played a part in ceremonies such as the Sed festival. Amunet was depicted as a woman wearing the Red Crown and carrying a staff of papyrus, in late texts from Karnak she was syncretized with Neith, although she remained a distinct deity as late as the Ptolemaic period. In the TV series Penny Dreadful, the character of Vanessa Ives is implied to be an incarnation of Amunet, in the TV series Stargate SG-1, Amaunet is a recurring Goauld character and consort of Apophis. Amunet will appear portrayed by Sofia Boutella in a fictionalized characterization, the film will serve as the first official installment in the Universal Monsters Cinematic Universe
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Heh (god)
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Ḥeḥ was in Egyptian mythology, the deification of infinity or eternity in the Ogdoad, his name itself meaning endlessness. His female counterpart was known as Hauhet, which is simply the feminine form of his name, like the other concepts in the Ogdoad, his male form was often depicted as a frog, or a frog-headed human, and his female form as a snake or snake-headed human. Depictions of this also had a shen ring at the base of each palm stem. Depictions of Huh were also used in hieroglyphs to represent one million, thus this deity is also known as the god of millions of years. The primary meaning of the term ḥeḥ was million or millions, subsequently, together with his female counterpart Ḥauḥet, Ḥeḥ represented a member of the Ogdoad of eight primeval deities whose worship was centred at Hermopolis Magna. The other members of the Ogdoad are Nu and Naunet, Amun and Amaunet, Kuk, the god Ḥeḥ was usually depicted anthropomorphically, as in the hieroglyphic character, as a male figure with divine beard and lappet wig. Normally kneeling, the god typically holds in each hand a palm branch. Occasionally, a palm branch is worn on the gods head. The personified, somewhat abstract god of eternity Ḥeḥ possessed no known cult centre or sanctuary, rather, his veneration revolved around symbolism, barta, Winfried, Die Bedeutung der Personifikation Huh im Unterschied zu den Personifikationen Hah und Nun, Göttinger Miszellen 127, pp. 7–12
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Kek (mythology)
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Kek is the deification of the concept of primordial darkness in the Ancient Egyptian Ogdoad cosmogony. As a concept, Kek was viewed as androgynous, his form being known as Keket. Kek and Keket in some aspects also represent night and day, and were called raiser up of the light, the name is written as kk or kkwy with a variant of the sky hieroglyph in ligature with the staff associated with the word for darkness kkw. In the oldest representations, Kekui is given the head of a serpent, and Kekuit the head of either a frog or a cat. In one scene, they are identified with Ka and Kait, in this scene, Ka-Kekui has the head of a frog surmounted by a beetle and Kait-Kekuit has the head of a serpent surmounted by a disk. In the Greco-Roman period, Keks male form was depicted as a man. In relation to the 2016 United States presidential election, individuals associated with message boards, such as 4chan. This resulted in a resurgence of interest of the ancient deity, some members of 4chan jokingly attribute the victory of Donald J. Trump in the 2016 United States presidential election to meme magic. Kek and Kauket, Deities of Darkness, Obscurity and Night
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Nu (mythology)
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Nu, feminine Nut, is the deification of the primordial watery abyss in the Hermopolitan Ogdoad cosmogony of ancient Egyptian religion. The name is paralleled with nen inactivity in a play of words in, I raised them up out of the watery mass. The name has also been compared Coptic noun abyss, deep, Nut is also the name of the sky goddess of the Ennead of Heliopolis. The Ancient Egyptians envisaged the oceanic abyss of the Nun as surrounding a bubble in which the sphere of life is encapsulated, in Ancient Egyptian creation accounts the original mound of land comes forth from the waters of the Nun. The Nun is the source of all that appears in a world, encompassing all aspects of divine. In the Ennead cosmogony Nun is perceived as transcendent at the point of creation alongside Atum the creator god, beginning with the Middle Kingdom Nun is described as the Father of the Gods and he is depicted on temple walls throughout the rest of Ancient Egyptian religious history. The Ogdoad includes along with Naunet and Nun, Amaunet and Amun, Hauhet and Heh, like the other Ogdoad deities, Nu did not have temples or any center of worship. Even so, Nu was sometimes represented by a lake, or, as at Abydos. In the 12th Hour of the Book of Gates Nu is depicted with upraised arms holding a solar bark, the boat is occupied by eight deities, with the scarab deity Khepri standing in the middle surrounded by the seven other deities. During the late period when Egypt became occupied, the aspect of the Nun became the dominant perception. Abzu Benben stone E. A. Wallis Budge, The Gods of the Egyptians, Or, Studies in Egyptian Mythology, vol
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Ennead
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The Great Ennead was only one of several such groupings of nine deities in ancient Egypt and its claims to preëminence by its Heliopolitan priests were not respected throughout Egypt. As close as Memphis, the priests of Ptah celebrated him as superior to the Nine, Ennead is borrowing via Latin of the Greek name Enneás, meaning the Nine. The term was a calque of the Egyptian name, written Psḏt and its original pronunciation is uncertain, since hieroglyphs do not record vowels, but Egyptologists conventionally transcribe it as Pesedjet. The ancient Egyptians created several enneads as their unification under Dynasty I brought numerous local cults into contact with one another, the Pyramid Texts of Dynasties V and VI mention the Great Ennead, the Lesser Ennead, the Dual Ennead, and the Seven Enneads. Some pharaohs established enneads that incorporated themselves as gods, the most notable case is Seti I of Dynasty XIX, whose temple at Redesiyah celebrated an ennead of six major gods and three deified forms of himself. In the Calendar of Lucky and Unlucky Days, the ennead mentioned may reference the Pleiades, the most important was the Great or Heliopolitan Ennead of Awanu, known under the Greeks and Romans as Heliopolis. It celebrated the family of the sun god Atum and thrived from the Old Kingdom to the Ptolemaic period and its development remains uncertain, although it appears to have first appeared when Ras cult—supreme under Dynasty V—declined in importance under Dynasty VI. The most prominent of such deities was Osiris, god of vegetation and the afterlife, however, in the 20th century, some Egyptologists question the whole scenario. After the Great Ennead was well established, the cult of Ra—identified with Atum—recovered much of its importance until superseded by the cult of Horus, the two were then combined as Ra–Horus of the Horizons. According to the story of the Heliopolitan priests, the world originally consisted of the primeval waters personified as Nun. From it arose a mound, separately identified by the Memphite priests as Ptah, upon the mound sat the self-begotten god Atum, who was equated with the sun god Ra. Bored and alone, Atum either spat or masturbated, producing air personified as Shu, the siblings Shu and Tefnut mated to produce the earth personified as Geb and the nighttime sky personified as Nut. These siblings engaged in continuous copulation until separated by their father Shu, Geb and Nut were the parents of Osiris and Isis and of Set and Nephthys, who became respective couples in turn. Shifting Milestones of Natural Sciences, The Ancient Egyptian Discovery of Algols Period Confirmed, PLOS One, Vol.10, No
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Atum
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Atum, sometimes rendered as Atem or Tem, is an important deity in Egyptian mythology. Atums name is thought to be derived from the word tem which means to complete or finish, thus he has been interpreted as being the complete one and also the finisher of the world, which he returns to watery chaos at the end of the creative cycle. As creator he was seen as the substance of the world. In the Heliopolitan creation myth, Atum was considered to be the first god, having created himself, sitting on a mound, early myths state that Atum created the god Shu and goddess Tefnut by spitting them out of his mouth. To explain how Atum did this, the uses the metaphor of masturbation. Other interpretations state that he has made union with his shadow, in the Old Kingdom the Egyptians believed that Atum lifted the dead kings soul from his pyramid to the starry heavens. He was also a deity, associated with the primary sun god Ra. Atum was linked specifically with the sun, while Ra or the closely linked god Khepri were connected with the sun at morning. Atum is the god of pre-existence and post-existence, in the binary solar cycle, the serpentine Atum is contrasted with the ram-headed scarab Khepri—the young sun god, whose name is derived from the Egyptian hpr to come into existence. Khepri-Atum encompassed sunrise and sunset, thus reflecting the solar cycle. Atum was a deity, the first being to emerge from the darkness and endless watery abyss that existed before creation. A product of the energy and matter contained in this chaos, he created his children—the first deities and he produced from his own sneeze, or in some accounts, semen, Shu, the god of air, and Tefnut, the goddess of moisture. The brother and sister, curious about the waters that surrounded them, went to explore the waters. Unable to bear his loss, Atum sent a fiery messenger, the tears of joy he shed on their return were the first human beings. He is usually depicted as a man wearing either the royal head-cloth or the white and red crown of Upper Egypt and Lower Egypt. Sometimes he also is shown as a serpent, the form he returns to at the end of the creative cycle, atums cult centered on the city of Heliopolis. The only surviving remnant of Heliopolis is the Temple of Re-Atum obelisk located in Al-Masalla of Al-Matariyyah and it was erected by Senusret I of the Twelfth dynasty, and still stands in its original position. The 68 ft high red granite obelisk weighs 120 tons, band I, Die heiligen Tiere des Atum
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Shu (Egyptian god)
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Shu was one of the primordial Egyptian gods, a personification of air, one of the Ennead of Heliopolis. In some myths, Shu was the son of Atum and Iusaaset, in other versions, Shu and his sister Tefnut were created by Atum alone, via parthenogenesis. With Tefnut, Shu was the father of Nut and Geb and grandfather of Osiris, Isis, Set and his great-grandsons are Horus and Anubis. As the air, Shu was considered to be cooling, and thus calming, influence, due to the association with air, calm, and thus Maat, Shu was portrayed in art as wearing an ostrich feather. Shu was seen with one and four feathers. The ostrich feather was symbolic of lightness and emptiness, fog and clouds were also Shus elements and they were often called his bones. Because of his position between the sky and earth, he was known as the wind. In a much later myth, representing a terrible weather disaster at the end of the Old Kingdom, it was said that Tefnut and Shu once argued, and Tefnut left Egypt for Nubia. It was said that Shu quickly decided that he missed her, thoth, disguised, eventually succeeded in convincing her to return. The Greeks associated Shu with Atlas, the primordial Titan who held up the celestial spheres, according to the Heliopolitan cosmology, Shu and Tefnut, the first pair of cosmic elements, created the sky goddess, Nut, and the earth god, Geb. Shu separated Nut from Geb as they were in the act of love, creating duality in the manifest world, above and below, light and dark, good and evil. Prior to their separation, however, Nut had given birth to the gods Isis, Osiris, Nephthys, the Egyptians believed that if Shu did not hold Nut and Geb apart there would be no way for physically-manifest life to exist. Shu is mostly represented as a man, only in his function as a fighter and defender as the sun god does he sometimes receive a lions head. He carries an ankh, the symbol of life
