Virtual International Authority File
The Virtual International Authority File is an international authority file. It is a joint project of several national libraries and operated by the Online Computer Library Center. Discussion about having a common international authority started in the late 1990s. After a series of failed attempts to come up with a unique common authority file, the new idea was to link existing national authorities; this would present all the benefits of a common file without requiring a large investment of time and expense in the process. The project was initiated by the US Library of Congress, the German National Library and the OCLC on August 6, 2003; the Bibliothèque nationale de France joined the project on October 5, 2007. The project transitioned to being a service of the OCLC on April 4, 2012; the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together. A VIAF record receives a standard data number, contains the primary "see" and "see also" records from the original records, refers to the original authority records.
The data are available for research and data exchange and sharing. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol; the file numbers are being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAF's clustering algorithm is run every month; as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records. Authority control Faceted Application of Subject Terminology Integrated Authority File International Standard Authority Data Number International Standard Name Identifier Wikipedia's authority control template for articles Official website VIAF at OCLC
National Endowment for the Arts
The National Endowment for the Arts is an independent agency of the United States federal government that offers support and funding for projects exhibiting artistic excellence. It was created by an act of the U. S. Congress in 1965 as an independent agency of the federal government; the NEA has its offices in Washington, D. C, it was awarded Tony Honors for Excellence in Theatre in 1995, as well as the Special Tony Award in 2016. The NEA is "dedicated to supporting excellence in the arts, both established. Between 1965 and 2008, the agency has made in excess of 128,000 grants, totaling more than $5 billion. From the mid-1980s to the mid-1990s, Congress granted the NEA an annual funding of between $160 and $180 million. In 1996, Congress cut the NEA funding to $99.5 million as a result of pressure from conservative groups, including the American Family Association, who criticized the agency for using tax dollars to fund controversial artists such as Barbara DeGenevieve, Andres Serrano, Robert Mapplethorpe, the performance artists known as the "NEA Four".
Since 1996, the NEA has rebounded with a 2015 budget of $146.21 million. For FY 2010, the budget reached the level it was at during the mid-1990s at $167.5 million but fell again in FY 2011 with a budget of $154 million. The NEA is governed by a Chairman appointed by the President to a four-year term and confirmed by Congress; the NEA's advisory committee, the National Council on the Arts, advises the Chairman on policies and programs, as well as reviewing grant applications, fundraising guidelines, leadership initiative. This body consists of 14 individuals appointed by the President for their expertise and knowledge in the arts, in addition to six ex officio members of Congress who serve in a non-voting capacity. On June 12, 2014, Dr. Jane Chu was confirmed as the 11th Chair of the NEA by the Senate, after having been nominated by President Barack Obama in February of the same year; the NEA offers grants in the categories of: 1) Grants for Arts Projects, 2) National Initiatives, 3) Partnership Agreements.
Grants for Arts Projects support exemplary projects in the discipline categories of artist communities, arts education, design and traditional arts, local arts agencies, media arts, music, musical theater, presenting and visual arts. The NEA grants individual fellowships in literature to creative writers and translators of exceptional talent in the areas of prose and poetry; the NEA has partnerships in the areas of state and regional, international activities, design. The state arts agencies and regional arts organizations are the NEA's primary partners in serving the American people through the arts. Forty percent of all NEA funding goes to regional arts organizations. Additionally, the NEA awards three Lifetime Honors: NEA National Heritage Fellowships to master folk and traditional artists, NEA Jazz Masters Fellowships to jazz musicians and advocates, NEA Opera Honors to individuals who have made extraordinary contributions to opera in the United States; the NEA manages the National Medal of Arts, awarded annually by the President.
Artist William Powhida has noted that "in one single auction, wealthy collectors bought a billion dollars in contemporary art at Christie's in New York." He further commented: "If you had a 2 percent tax just on the auctions in New York you could double the NEA budget in two nights." The NEA is the federal agency responsible for recognizing outstanding achievement in the arts. It does this by awarding three lifetime achievement awards; the NEA Jazz Masters Fellowships is awarded to individuals who have made significant contributions to the art of jazz. The NEA National Heritage Fellowships is awarded for artistic excellence and accomplishments for American's folk and traditional arts; the National Medal of Arts is awarded by the President of the United States and NEA for outstanding contributions to the excellence, growth and availability of the arts in the United States. Upon entering office in 1981, the incoming Ronald Reagan administration intended to push Congress to abolish the NEA over a three-year period.
Reagan's first director of the Office of Management and Budget, David A. Stockman, thought the NEA and the National Endowment for the Humanities were "good to bring to a halt because they went too far, they would be easy to defeat." Another proposal would have halved the arts endowment budget. However, these plans were abandoned when the President's special task force on the arts and humanities, which included close Reagan allies such as conservatives Charlton Heston and Joseph Coors, discovered "the needs involved and benefits of past assistance," concluding that continued federal support was important. Frank Hodsoll became the chairman of the NEA in 1981, while the department's budget decreased from $158.8 million in 1981 to $143.5 million, by 1989 it was $169.1 million, the highest it had been. In 1989, Donald Wildmon of the American Family Association held a press conference attacking what he called "anti-Christian bigotry," in an exhibition by photographer Andres Serrano; the work at the center of the controversy was Piss Christ, a photo of a plastic crucifix submerged in a vial of an amber fluid described by the artist as his own urine.
Republican Senators Jesse Helms and Al D'Amato began to rally against the NEA, expanded the attack to include other artists. Prominent conservative Christian figures including Pat Robertson of the 700 Club and Pat Buchanan joined the attacks. Republican representative Dick Armey, an opponent of federal arts funding, began
University of Wisconsin–Madison
The University of Wisconsin–Madison is a public research university in Madison, Wisconsin. Founded when Wisconsin achieved statehood in 1848, UW–Madison is the official state university of Wisconsin, the flagship campus of the University of Wisconsin System, it was the first public university established in Wisconsin and remains the oldest and largest public university in the state. It became a land-grant institution in 1866; the 933-acre main campus, located on the shores of Lake Mendota, includes four National Historic Landmarks. The University owns and operates a historic 1,200-acre arboretum established in 1932, located 4 miles south of the main campus. UW–Madison is organized into 20 schools and colleges, which enrolled 30,361 undergraduate and 14,052 graduate students in 2018, its comprehensive academic program offers 136 undergraduate majors, along with 148 master's degree programs and 120 doctoral programs. A major contributor to Wisconsin's economy, the University is the largest employer in the state, with over 21,600 faculty and staff.
The UW is one of America's Public Ivy universities, which refers to top public universities in the United States capable of providing a collegiate experience comparable with the Ivy League. UW–Madison is categorized as a Doctoral University with the Highest Research Activity in the Carnegie Classification of Institutions of Higher Education. In 2012, it had research expenditures of more than $1.1 billion, the third highest among universities in the country. Wisconsin is a founding member of the Association of American Universities; as of October 2018, 25 Nobel laureates and 2 Fields medalists have been associated with UW–Madison as alumni, faculty, or researchers. Additionally, as of November 2018, the current CEOs of 14 Fortune 500 companies have attended UW–Madison, the most of any university in the United States. Among the scientific advances made at UW–Madison are the single-grain experiment, the discovery of vitamins A and B by Elmer McCollum and Marguerite Davis, the development of the anticoagulant medication warfarin by Karl Paul Link, the first chemical synthesis of a gene by Har Gobind Khorana, the discovery of the retroviral enzyme reverse transcriptase by Howard Temin, the first synthesis of human embryonic stem cells by James Thomson.
UW–Madison was the home of both the prominent "Wisconsin School" of economics and of diplomatic history, while UW–Madison professor Aldo Leopold played an important role in the development of modern environmental science and conservationism, articulating his philosophy of a "land ethic" in his influential book A Sand County Almanac. The Wisconsin Badgers compete in 25 intercollegiate sports in the NCAA Division I Big Ten Conference and have won 28 national championships. Wisconsin students and alumni have won 50 Olympic medals; the university had its official beginnings when the Wisconsin Territorial Legislature in its 1838 session passed a law incorporating a "University of the Territory of Wisconsin", a high-ranking Board of Visitors was appointed. However, this body never accomplished anything before Wisconsin was incorporated as a state in 1848; the Wisconsin Constitution provided for "the establishment of a state university, at or near the seat of state government..." and directed by the state legislature to be governed by a board of regents and administered by a Chancellor.
On July 26, 1848, Nelson Dewey, Wisconsin's first governor, signed the act that formally created the University of Wisconsin. John H. Lathrop became the university's first chancellor, in the fall of 1849. With John W. Sterling as the university's first professor, the first class of 17 students met at Madison Female Academy on February 5, 1849. A permanent campus site was soon selected: an area of 50 acres "bounded north by Fourth lake, east by a street to be opened at right angles with King street", "south by Mineral Point Road, west by a carriage-way from said road to the lake." The regents' building plans called for a "main edifice fronting towards the Capitol, three stories high, surmounted by an observatory for astronomical observations." This building, University Hall, now known as Bascom Hall, was completed in 1859. On October 10, 1916, a fire destroyed the building's dome, never replaced. North Hall, constructed in 1851, was the first building on campus. In 1854, Levi Booth and Charles T. Wakeley became the first graduates of the university, in 1892 the university awarded its first PhD to future university president Charles R. Van Hise.
Research and service at the UW is influenced by a tradition known as "the Wisconsin Idea", first articulated by UW–Madison President Charles Van Hise in 1904, when he declared "I shall never be content until the beneficent influence of the University reaches every home in the state." The Wisconsin Idea holds that the boundaries of the university should be the boundaries of the state, that the research conducted at UW–Madison should be applied to solve problems and improve health, quality of life, the environment, agriculture for all citizens of the state. The Wisconsin Idea permeates the university's work and helps forge close working relationships among university faculty and students, the state's industries and government. Based in Wisconsin's populist history, the Wisconsin Idea continues to inspire the work of the faculty and students who aim to solve real-world problems by working together across disciplines and demographics. During World War II, University
The Albertina is a museum in the Innere Stadt of Vienna, Austria. It houses one of the largest and most important print rooms in the world with 65,000 drawings and 1 million old master prints, as well as more modern graphic works and architectural drawings. Apart from the graphics collection the museum has acquired on permanent loan two significant collections of Impressionist and early 20th-century art, some of which will be on permanent display; the museum houses temporary exhibitions. The Albertina was erected on one of the last remaining sections of the fortifications of Vienna, the Augustinian Bastion; the Hofbauamt, built in the second half of the 17th century, stood in that location. In 1744 it was refurbished by the director of the Hofbauamt, Emanuel Teles Count Silva-Tarouca, to become his palace; the building was taken over by Duke Albert of Saxen-Teschen who used it as his residence. He brought his graphics collection there from Brussels, where he had acted as the governor of the Habsburg Netherlands.
He had the building extended by Louis Montoyer. Since the palace has bordered the Hofburg; the collection was expanded by Albert's successors. The collection was created by Duke Albert with the Genoese count Giacomo Durazzo, the Austrian ambassador in Venice. In 1776 the count presented nearly 1,000 pieces of art to his wife Maria Christina. Count Durazzo, the brother of Marcello Durazzo, the Doge of Genoa – "wanted to create a collection for posterity that served higher purposes than all others: education and the power of morality should distinguish his collection...." In the 1820s Archduke Charles, Duke Albert and Maria Christina's foster son, initiated further modifications to the building by Joseph Kornhäusel, which affected its interior decoration. After Archduke Charles, his son Archduke Albrecht Albrecht's nephew Archduke Friedrich, Duke of Teschen lived in the building. In early 1919, ownership of both the building and the collection passed from the Habsburgs to the newly founded Republic of Austria.
In 1920 the collection of prints and drawings was united with the collection of the former imperial court library. The name Albertina was established in 1921. In March 1945, the Albertina was damaged by Allied bomb attacks; the building was rebuilt in the years after the war and was refurbished and modernized from 1998 to 2003. #Modifications of the exterior entrance sequence, including a signature roof by Hans Hollein were completed 2008, when the graphics collection reopened. In 2018, the Albertina acquired the Essl Collection of 1,323 contemporary artworks, including pieces by Alex Katz, Cindy Sherman, Georg Baselitz, Hermann Nitsch, Maria Lassnig. See Category:Collections of the Albertina, Vienna. Media related to Albertina, Vienna at Wikimedia Commons Official website Some pictures of the repository Audioguide of the introduction
Oakland is the largest city and the county seat of Alameda County, United States. A major West Coast port city, Oakland is the largest city in the East Bay region of the San Francisco Bay Area, the third largest city overall in the San Francisco Bay Area, the eighth most populated city in California, the 45th largest city in the United States. With a population of 425,195 as of 2017, it serves as a trade center for the San Francisco Bay Area. An act to incorporate the city was passed on May 4, 1852, incorporation was approved on March 25, 1854, which made Oakland a city. Oakland is a charter city. Oakland's territory covers what was once a mosaic of California coastal terrace prairie, oak woodland, north coastal scrub, its land served as a rich resource when its hillside oak and redwood timber were logged to build San Francisco. Oakland's fertile flatland soils helped. In the late 1860s, Oakland was selected as the western terminal of the Transcontinental Railroad. Following the 1906 San Francisco earthquake, many San Francisco citizens moved to Oakland, enlarging the city's population, increasing its housing stock and improving its infrastructure.
It continued to grow in the 20th century with its busy port, a thriving automobile manufacturing industry. The earliest known inhabitants were the Huchiun Indians; the Huchiun belonged to a linguistic grouping called the Ohlone. In Oakland, they were concentrated around Lake Merritt and Temescal Creek, a stream that enters the San Francisco Bay at Emeryville. In 1772, the area that became Oakland was colonized, with the rest of California, by Spanish settlers for the King of Spain. In the early 19th century, the Spanish crown granted the East Bay area to Luis María Peralta for his Rancho San Antonio; the grant was confirmed by the successor Mexican republic upon its independence from Spain. Upon his death in 1842, Peralta divided his land among his four sons. Most of Oakland fell within the shares given to Antonio Vicente; the portion of the parcel, now Oakland was called Encinal—Spanish for "oak grove"—due to the large oak forest that covered the area, which led to the city's name. During the 1850s—just as gold was discovered in California—Oakland started growing and developing because land was becoming too expensive in San Francisco.
The Chinese were struggling financially, as a result of the First Opium War, the Second Opium War, the Taiping Rebellion, so they began migrating to Oakland in an effort to provide for their families in China. However, the Chinese struggled to settle because they were discriminated against by the white community and their living quarters were burned down on several occasions; the majority of the Chinese migrants lived in unhealthy conditions in China and they had diseases, so plague spread into San Francisco though the Chinese were inspected for diseases upon their arrival to San Francisco. In 1851, three men—Horace Carpentier, Edson Adams, Andrew Moon—began developing what is now downtown Oakland. In 1852, the Town of Oakland became incorporated by the state legislature. During this time, Oakland had 75-100 inhabitants, two hotels, a wharf, two warehouses, only cattle trails. Two years on March 25, 1854, Oakland re-incorporated as the City of Oakland, with Horace Carpentier elected the first mayor, though a scandal ended his mayorship in less than a year.
The city and its environs grew with the railroads, becoming a major rail terminal in the late 1860s and 1870s. In 1868, the Central Pacific constructed the Oakland Long Wharf at Oakland Point, the site of today's Port of Oakland. A number of horsecar and cable car lines were constructed in Oakland during the latter half of the 19th century; the first electric streetcar set out from Oakland to Berkeley in 1891, other lines were converted and added over the course of the 1890s. The various streetcar companies operating in Oakland were acquired by Francis "Borax" Smith and consolidated into what became known as the Key System, the predecessor of today's publicly owned AC Transit. Oakland was one of the worst affected cities in California, impacted by the plague epidemic. Quarantine measures were set in place at the Oakland ports requiring the authorities at the port to inspect the arriving vessels for the presence of infected rats. Quarantine authorities at these ports inspected over a thousand vessels per year for plague and yellow fever.
By 1908, over 5,000 people were detained in quarantine. Hunters were sent to poison the affected areas in Oakland and shoot the squirrels, but the eradication work was limited in its range because the State Board of Health and the United States Public Health Service were only allotted about $60,000 a year to eradicate the disease. During this period Oakland did not have sufficient health facilities, so some of the infected patients were treated at home; the State Board of Health along with Oakland advised physicians to promptly report any cases of infected patients. Yet, in 1919 it still resulted in a small epidemic of Pneumonic plague which killed a dozen people in Oakland; this started when a man killed a squirrel. After eating the squirrel, he fell ill four days and another household member contracted the plague; this in turn was passed on either indirectly to about a dozen others. The officials in Oakland acted by issuing death certificates to monitor the spread of plague. At the time of incorporation in 1852, Oaklan
Roy Fox Lichtenstein was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, James Rosenquist among others, he became a leading figure in the new art movement, his work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied in a tongue-in-cheek manner, his work was influenced by the comic book style. He described pop art as "not'American' painting but industrial painting", his paintings were exhibited at the Leo Castelli Gallery in New York City. Whaam! and Drowning Girl are regarded as Lichtenstein's most famous works, with Oh, Jeff... I Love You, Too... But... arguably third. Drowning Girl, Whaam! and Look Mickey are regarded as his most influential works. His most expensive piece is Masterpiece, sold for $165 million in January 2017. Lichtenstein was born into an upper-middle-class Jewish family, his father, was a real estate broker, his mother, Beatrice, a homemaker. He attended public school until the age of twelve.
He attended New York's Dwight School, graduating from there in 1940. Lichtenstein first became interested in art and design through school, he was an avid jazz fan attending concerts at the Apollo Theater in Harlem. He drew portraits of the musicians playing their instruments. In his last year of high school, 1939, Lichtenstein enrolled in summer classes at the Art Students League of New York, where he worked under the tutelage of Reginald Marsh. Lichtenstein left New York to study at Ohio State University, which offered studio courses and a degree in fine arts, his studies were interrupted by a three-year stint in the Army during and after World War II between 1943 and 1946. After being in training programs for languages and pilot training, all of which were cancelled, he served as an orderly and artist. Lichtenstein returned home to visit his dying father and was discharged from the Army with eligibility for the G. I. Bill, he returned to studies in Ohio under the supervision of one of his teachers, Hoyt L. Sherman, regarded to have had a significant impact on his future work.
Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. In 1949 Lichtenstein received a Master of Fine Arts degree from Ohio State University. In 1951, Lichtenstein had his first solo exhibition at the Carlebach Gallery in New York, he moved to Cleveland in the same year, where he remained for six years, although he traveled back to New York. During this time he undertook jobs as varied as a draftsman to a window decorator in between periods of painting, his work at this time fluctuated between Expressionism. In 1954, his first son, David Hoyt Lichtenstein, now a songwriter, was born, his second son, Mitchell Lichtenstein, was born in 1956. In 1957, he began teaching again, it was at this time that he adopted the Abstract Expressionism style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into his abstract works.
In 1960, he started teaching at Rutgers University where he was influenced by Allan Kaprow, a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing; this phase would continue to 1965, included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey; this piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said. In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. In 1961, Leo Castelli started displaying Lichtenstein's work at his gallery in New York. Lichtenstein had his first one-man show at the Castelli gallery in 1962. A group of paintings produced between 1961 and 1962 focused on solitary household objects such as sneakers, hot dogs, golf balls.
In September 1963 he took a leave of absence from his teaching position at Douglass College at Rutgers. It was at this time, he moved back to New York to be at the center of the art scene and resigned from Rutgers University in 1964 to concentrate on his painting. Lichtenstein used oil and Magna paint in his best known works, such as Drowning Girl, appropriated from the lead story in DC Comics' Secret Hearts No. 83. Drowning Girl features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks different, but the nature of putting down lines pretty much is the same.
MusicBrainz is a project that aims to create an open data music database, similar to the freedb project. MusicBrainz was founded in response to the restrictions placed on the Compact Disc Database, a database for software applications to look up audio CD information on the Internet. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become a structured open online database for music. MusicBrainz captures information about artists, their recorded works, the relationships between them. Recorded works entries capture at a minimum the album title, track titles, the length of each track; these entries are maintained by volunteer editors. Recorded works can store information about the release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text and other metadata; as of 21 September 2018, MusicBrainz contained information about 1.4 million artists, 2 million releases, 19 million recordings. End-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as FLAC, MP3, Ogg Vorbis or AAC.
MusicBrainz allows contributors to upload cover art images of releases to the database. Internet Archive provides the bandwidth and legal protection for hosting the images, while MusicBrainz stores metadata and provides public access through the web and via an API for third parties to use; as with other contributions, the MusicBrainz community is in charge of maintaining and reviewing the data. Cover art is provided for items on sale at Amazon.com and some other online resources, but CAA is now preferred because it gives the community more control and flexibility for managing the images. Besides collecting metadata about music, MusicBrainz allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this. In 2000, MusicBrainz started using Relatable's patented TRM for acoustic fingerprint matching; this feature allowed the database to grow quickly. However, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions.
This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, replacing TRM with MusicDNS. TRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND; some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free identification service was uncertain, a replacement for it was sought; the Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský. While AcoustID and Chromaprint are not MusicBrainz projects, they are tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second. Additional post-processing is applied to compress this fingerprint while retaining patterns; the AcoustID search server searches from the database of fingerprints by similarity and returns the AcoustID identifier along with MusicBrainz recording identifiers if known.
Since 2003, MusicBrainz's core data are in the public domain, additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL; the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, which allows use of the code by proprietary software products. In December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye. On 20 January 2006, the first commercial venture to use MusicBrainz data was the Barcelona, Spain-based Linkara in their Linkara Música service. On 28 June 2007, BBC announced that it has licensed MusicBrainz's live data feed to augment their music Web pages; the BBC online music editors will join the MusicBrainz community to contribute their knowledge to the database. On 28 July 2008, the beta of the new BBC Music site was launched, which publishes a page for each MusicBrainz artist.
Amarok – KDE audio player Banshee – multi-platform audio player Beets – automatic CLI music tagger/organiser for Unix-like systems Clementine – multi-platform audio player CDex – Microsoft Windows CD ripper Demlo – a dynamic and extensible music manager using a CLI iEatBrainz – Mac OS X deprecated foo_musicbrainz component for foobar2000 – Music Library/Audio Player Jaikoz – Java mass tag editor Max – Mac OS X CD ripper and audio transcoder Mp3tag – Windows metadata editor and music organizer MusicBrainz Picard – cross-platform album-oriented tag editor MusicBrainz Tagger – deprecated Microsoft Windows tag editor puddletag – a tag editor for PyQt under the GPLv3 Rhythmbox music player – an audio player for Unix-like systems Sound Juicer – GNOME CD ripper Zortam Mp3 Media Studio – Windows music organizer and ID3 Tag Editor. Freedb clients can access MusicBrainz data through the freedb protocol by using the MusicBrainz to FreeDB gateway service, mb2freedb. List of online music databases Making Metadata: The Case of Mus