1.
Irish mythology
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The mythology of pre-Christian Ireland did not entirely survive the conversion to Christianity. However, much of it was preserved in medieval Irish literature and this literature represents the most extensive and best preserved of all the branches of Celtic mythology. There are also a number of extant mythological texts that do not fit any of the cycles. Additionally, there are a number of recorded folk tales that, while not strictly mythological. Despite the dates of these sources, most of the material they contain predates their composition, the earliest of the prose can be dated on linguistic grounds to the 8th century, and some of the verse may be as old as the 6th century. The first of these part of the earliest known version of the Táin Bó Cúailnge and is housed in Trinity College. The other three are in the Royal Academy, when using these sources, it is, as always, important to question the impact of the circumstances in which they were produced. There was also a tendency to rework Irish genealogies to fit into the known schema of Greek or Biblical genealogy and it was once unquestioned that medieval Irish literature preserved truly ancient traditions in a form virtually unchanged through centuries of oral tradition back to the ancient Celts of Europe. A consensus has emerged which encourages the critical reading of the material, the Mythological Cycle, comprising stories of the former gods and origins of the Irish, is the least well preserved of the four cycles. The most important sources are the Metrical Dindshenchas or Lore of Places, Other manuscripts preserve such mythological tales as The Dream of Aengus, The Wooing Of Étain and Cath Maige Tuireadh, The Battle of Magh Tuireadh. One of the best known of all Irish stories, Oidheadh Clainne Lir, Lebor Gabála Érenn is a pseudo-history of Ireland, tracing the ancestry of the Irish back to before Noah. They faced opposition from their enemies, the Fomorians, led by Balor of the Evil Eye, Balor was eventually slain by Lug Lámfada at the second battle of Magh Tuireadh. With the arrival of the Gaels, the Tuatha Dé Danann retired underground to become the people of later myth. The Metrical Dindshenchas is the great work of early Ireland. It includes a lot of important information on Mythological Cycle figures and stories, including the Battle of Tailtiu, in which the Tuatha Dé Danann were defeated by the Milesians. It is important to note that by the Middle Ages the Tuatha Dé Danann were not viewed so much as gods as the shape-shifting magician population of an earlier Golden Age Ireland. Texts such as Lebor Gabála Érenn and Cath Maige Tuireadh present them as kings and heroes of the distant past, however, there is considerable evidence, both in the texts and from the wider Celtic world, that they were once considered deities. Even after they are displaced as the rulers of Ireland, characters such as Lug, a poem in the Book of Leinster lists many of the Tuatha Dé, but ends Although enumerates them, he does not worship them
2.
Mythological Cycle
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It is one of the four major cycles of early Irish literary tradition, the others being the Ulster Cycle, the Fenian Cycle and the Cycles of the Kings. The term Mythological Cycle seems to have gained currency with Arbois de Jubainville, 1881–1883, usage predating this applies the term generically, e. g. to Norse mythology. In the opinion of Mackillop, use of the term is somewhat awkward today, the characters appearing in the cycle are essentially gods from the pre-Christian pagan past in Ireland. Commentators exercising caution, however, qualify them as representing only godlike beings and this is because the Christian scribes who composed the writings were generally careful not to refer to the Tuatha Dé Danann and other beings explicitly as deities. The disguises are thinly veiled nonetheless, and these writings contain discernible vestiges of early Irish polytheistic cosmology, examples of works from the cycle include numerous prose tales, verse texts, as well as pseudo-historical chronicles found in medieval vellum manuscripts or later copies. Some of the romances are of later composition and found only in manuscripts dating to near-modern times. The god-folk of the invasions are euhemerised, i. e. described as having dwelt terrestrially. Afterwards, the Tuatha Dé Danann are said to have retreated into the sídhe, having disappeared but not died, the deities oftentimes make guest appearances in narratives categorised under other cycles. Collected #lore literature, while they do not belong to the cycle in entirety, in the list that follows, citations are generally only given if the wiki page for that work is not developed. Otherwise, citations are deferred to the article in question. See #External links for additional titles, aislinge Óenguso Altram Tige Dá Medar. Cath Muige Tuired Cunga Cath Maige Tuired Ceithri cathracha i r-robadar Tuatha De Danand De Gabáil in t-Sída Echtra Nera Eachtra Léithín How the Dagda Got His Magic Staff, Oidheadh Chloinne Lir Oidheadh Chloinne Tuirenn Scél Tuáin meic Chairill Tochomlod Nemid co hErin Tochomlod mac Miledh a hEspain i nErind. Besides independent verses, a number of poems are embedded in prose tales, a number of them are also preserved in the pseudohistorical LGE, Keating, etc. Arsaidh sin a eóuin Accla Coire Érmai / Coire Goriath Collected lore are not wholly of mythological content, the Fitness of Names provides interesting explanations on names of Dian Cecht among others. Irish onomastica, the Dindshenchas, also include stories about such as Boann. Genealogical tracts and the Roll of the Kings, various glosses may also be culled for information, banshenchus Dobbs 1932 Cóir Anmann, Stokes 1897 Dindsenchas Sanas Cormaic, Nes Triads of Ireland, mention of the indeoin Dagdai, ox of Díl, etc. Chronicon Scotorum Lebor Gabála Érenn Glas Gaibhnenn The euhemerised deities arrived in five sets of migrations, remnants of the migration tales are the summarised accounts given in the LGE. Apart from these are the tale of Tuan mac Cairill, Fintan mac Bóchra colloquy, Tuan and Fintan are ancient beings from the Antediluvian past, who have reincaranted into different creatures, and are referred to in the LGE as well
3.
Aengus
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In Irish mythology, Aengus is a member of the Tuatha Dé Danann and probably a god of love, youth and poetic inspiration. He is traditionally described as having singing birds circling his head, in Old Irish his name is spelled Oíngus or Óengus, from Proto-Celtic *oino- one and gus strength. In Middle Irish this became Áengus, and in Modern Irish Aengus or Aonghus and his parents were the Dagda and Boann. He was said to have lived at Newgrange by the River Boyne, the Dagda had an affair with the river goddess Boann, wife of Nechtan. To hide her pregnancy, the Dagda made the sun stand still for nine months so that Aengus was conceived, gestated, when he came of age Aengus dispossessed the Dagda of his home, Brú na Bóinne. Irish has no article, so a day and a night is the same as day and night, which covers all time. In a different version of story, appearing in The Wooing of Etain, Aengus uses the same ploy to trick Elcmar out of Brú na Bóinne. In this version, Midir is Aenguss foster-father, while Elcmar is the husband of Boann cuckolded by the Dagda, according to Death Tales of the Tuatha de Danaan, Aengus killed his stepfather Elcmar for killing Midir. Aengus also killed Lugh Lámhfhadas poet for lying about his brother Ogma an Cermait, the poet claimed that Ogma an Cermait was having an affair with one of Lughs wives. In The Wooing of Etain, Aengus was able to lift a spell against Étaín. Midirs wife Fuamnach in a jealous rage had turned Etain into a beautiful fly, turning her into a woman at night, Aengus made her his lover until Fuamnach found out about it and drove her away. Aengus killed his mother for her treachery. In the Tale of the Two Pails, a woman, foster daughter of Aengus, got lost. The girl converted to Christianity, and Aengus could not win her back and he left, and she died of grief. Aengus fell in love with a girl he had seen in his dreams. His mother, Boann, goddess of the River Boyne, and a cow goddess whose milk formed the Milky Way, searched Ireland for a year, then his father, finally, King Bodb Derg of Munster found her after a further year. Aengus went to the lake of the Dragons Mouth and found 150 girls chained in pairs, his girl, Caer Ibormeith, on November 1, Caer and the other girls would turn into swans for a year, every second Samhain. Aengus was told he could marry Caer if he could identify her in her swan form, Aengus turned himself into a swan and they flew away, singing beautiful music that put all listeners asleep for three days and nights
