In Greco-Roman mythology, Aeneas was a Trojan hero, the son of the prince Anchises and the goddess Aphrodite. His father was a first cousin of King Priam of Troy, making Aeneas a second cousin to Priam's children, he is mentioned in Homer's Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's Aeneid, where he is cast as an ancestor of Romulus and Remus, he became the first true hero of Rome. Snorri Sturluson identifies him with the Norse Æsir Vidarr. Aeneas is the Latin spelling of Greek Αἰνείας. In the Homeric Hymn to Aphrodite, Aeneas is first introduced with Aphrodite naming him Αἰνείας for the αὶνóν ἄχος he caused her, where Aineías derives from the adjective αὶνóν, it is a popular etymology for the name exploited by Homer in the Iliad. In the Medieval period there were writers who held that, because the Aeneid was written by a philosopher it is meant to be read philosophically; as such, in the "natural order", the meaning of Aeneas' name combines Greek ennos and demas, which becomes ennaios, meaning "in-dweller".
However, there is no certainty regarding the origin of his name. In imitation of the Iliad, Virgil borrows epithets of Homer. Though he borrows many, Virgil pius; the epithets applied by Virgil are an example of an attitude different from that of Homer, for whilst Odysseus is poikilios, Aeneas is described as pius, which conveys a strong moral tone. The purpose of these epithets seems to enforce the notion of Aeneas' divine hand as father and founder of the Roman race, their use seem circumstantial: when Aeneas is praying he refers to himself as pius, is referred to as such by the author only when the character is acting on behalf of the gods to fulfill his divine mission. Aeneas is called pater when acting in the interest of his men; the story of the birth of Aeneas is told in one of the major Homeric Hymns. Aphrodite has caused Zeus to fall in love with mortal women. In retaliation, Zeus puts desire in her heart for Anchises, tending his cattle among the hills near Mount Ida; when Aphrodite sees him she is smitten.
She appears before him. He is overcome by her beauty, believing that she is a goddess, but Aphrodite identifies herself as a Phrygian princess. After they make love, Aphrodite reveals her true identity to him and Anchises fears what might happen to him as a result of their liaison. Aphrodite assures him that he will be protected, tells him that she will bear him a son to be called Aeneas. However, she warns him; when Aeneas is born, Aphrodite takes him to the nymphs of Mount Ida. She directs them to raise the child to age five take him to Anchises. According to other sources, Anchises brags about his encounter with Aphrodite, as a result is struck in the foot with a thunderbolt by Zeus. Thereafter he is lame in that foot. Aeneas is a minor character in the Iliad, where he is twice saved from death by the gods as if for an as-yet-unknown destiny, but is an honorable warrior in his own right. Having held back from the fighting, aggrieved with Priam because in spite of his brave deeds he was not given his due share of honour, he leads an attack against Idomeneus to recover the body of his brother-in-law Alcathous at the urging of Deiphobus.
He is the leader of the Trojans' Dardanian allies, as well as a second cousin and principal lieutenant of Hector, son of the Trojan king Priam. Aeneas's mother Aphrodite comes to his aid on the battlefield, he is a favorite of Apollo. Aphrodite and Apollo rescue Aeneas from combat with Diomedes of Argos, who nearly kills him, carry him away to Pergamos for healing. Poseidon, who favors the Greeks, comes to Aeneas's rescue after he falls under the assault of Achilles, noting that Aeneas, though from a junior branch of the royal family, is destined to become king of the Trojan people. Bruce Louden presents Aeneas as a "type" in the tradition of Utnapishtim and Philemon, Lot. Apollodorus explains that "...the Greeks let him alone on account of his piety". The Roman mythographer Gaius Julius Hyginus in his Fabulae credits Aeneas with killing 28 enemies in the Trojan War. Aeneas appears in the Trojan narratives attributed to Dares Phrygius and Dictys of Crete The history of Aeneas was continued by Roman authors.
One influential source was the account of Rome's founding in Cato the Elder's Origines. The Aeneas legend was well known in Virgil's day and appeared in various historical works, including the Roman Antiquities of the Greek historian Dionysius of Halicarnassus, Ab Urbe Condita by Livy, Gnaeus Pompeius Trogus; the Aeneid explains that Aeneas is one of the few Trojans who were not killed or enslaved when Troy fell. Aeneas, after being commanded by the gods to flee, gathered a group, collectively known as the Aeneads, who traveled to Italy and became progenitors of Romans; the Aeneads included Aeneas's trumpeter Misenus, his father Anchises, his friends Achates and Acmon, the healer Iapyx, the helmsman Pal
The gens Memmia was a plebeian family at Rome. The first member of the gens to achieve prominence was Gaius Memmius Gallus, praetor in 172 BC. From the period of the Jugurthine War to the age of Augustus they contributed numerous tribunes to the Republic; the poet Vergil linked the family of the Memmii with the Trojan hero Mnestheus. This late tradition suggests that by the end of the Republic, the gens had become a conspicuous part of the Roman nobility; the nomen Memmius is classified by Chase with those gentilicia that either originated at Rome, or cannot be shown to have come from anywhere else. From its morphology, the name could be derived from a cognomen, the significance of, unknown; the use of Quirinus, a Sabine deity, on the denarii of Gaius Memmius in 56 BC alludes to a Sabine origin of the gens. The main praenomina of the Memmii were Gaius, Lucius and Publius. There is at least one example of Titus; the Memmii of the Republic do not appear to have been divided into distinct families, but they used a number of personal surnames, including Quirinus, thought to have been the name of a Sabine god, who came to be equated with both Janus and Romulus.
Other cognomina are found in imperial times, including Maximus, given to an eldest brother, or someone notable. This list includes abbreviated praenomina. For an explanation of this practice, see filiation. Gaius Memmius C. f. Quirinus, plebeian aedile prior to 210 BC, was the first to exhibit the Cerealia at Rome. Gaius Memmius Gallus, praetor in 172 BC, obtained Sicily as his province. Titus Memmius, commissioner sent by the senate to hear the complaints of the Achaeans and Macedonians against the Roman magistrates, in 170 BC. Quintus Memmius, legate sent by the senate to the Jews circa 164 BC. Lucius Memmius C. f. A senator in 129 BC the son of Gaius Memmius, the praetor of 172, he was the senator who visited Egypt in 112 BC. Gaius Memmius, nicknamed Mordax, was tribune of the plebs in 111 BC. A candidate for the consulship in 100, he was bludgeoned to death by the supporters of Lucius Appuleius Saturninus and Gaius Servilius Glaucia. Lucius Memmius, triumvir monetalis circa 109 BC, brother of Gaius Memmius, the tribune of the plebs of 111.
Cicero describes them as mediocre but aggressive orators. He was a supporter of Marcus Livius Drusus and his daughter married Gaius Scribonius Curio, the consul of 76. Lucius Memmius, triumvir monetalis in 106 BC, pictured Venus on his denarii, an allusion to the gens' claim of Trojan descent. Gaius Memmius L. f. triumvir monetalis in 87 BC, together with his brother, Lucius. Lucius Memmius L. f. triumvir monetalis in 87 BC, together with his brother, Gaius. Gaius Memmius, married a sister of Gnaeus Pompeius, under whom he served in Sicily in 81 BC, in Hispania, where he died in 75, he was the son of Gaius Memmius, the tribune of 111. Publius Memmius, a witness for the defense at the trial of Aulus Caecina in 69 BC. Gaius Memmius L. f. Geminus, son of Lucius Memmius, the triumvir monetalis of 109 BC, was an eloquent speaker and poet, he was tribune of the plebs in 66 BC, praetor in 58, propraetor in Bithynia and Pontus the following year. He was the first husband of the daughter of Sulla. Gaius Memmius C. f. L. n. triumvir monetalis in 56 BC, tribune of the plebs in 54 BC, prosecuted various officials for corruption.
Lucius Memmius C. f. L. n. of the tribe Galeria, a tribune of the plebs at an uncertain date, distributed lands to the veterans of the 7th and 26th legions in 41 BC. Publius Memmius P. f. Regulus, consul suffectus ex Kal. Oct. in AD 31, subsequently governor of Macedonia, was the first husband of Lollia Paullina, afterwards the empress of Caligula, who compelled them to divorce so that he could marry her. Lucius Memmius Pollio, consul suffectus in AD 49. Gaius Memmius Regulus the son of Publius Regulus and Lollia Paullina, was consul in AD 63. Senecio Memmius Afer, consul suffectus in AD 99. Lucius Memmius Tuscillus Senecio, son of the consul of AD 99. Quintus Aurelius Memmius Symmachus, consul in AD 485. List of Roman gentes Lucius Cornelius Sisenna, Historiae. Marcus Tullius Cicero, Brutus, De Oratore, Epistulae ad Quintum Fratrem, In Catilinam, Pro Balbo, Pro Caecina, Pro Fonteio, Pro Gaio Rabirio Postumo. Gaius Sallustius Crispus, Bellum Jugurthinum. Titus Livius, History of Rome. Valerius Maximus, Factorum ac Dictorum Memorabilium.
Marcus Fabius Quintilianus, Institutio Oratoria. Publius Cornelius Tacitus, Annales. Plutarchus, Lives of the Noble Greeks and Romans. Gaius Suetonius Tranquillus, De Vita Caesarum. Lucius Annaeus Florus, Epitome de T. Livio Bellorum Omnium Annorum DCC. Appianus Alexandrinus, Bellum Civile. Lucius Cassius Dio Cocceianus, Roman History. Paulus Orosius, Historiarum Adversum Paganos. Jan Gruter, Inscriptiones Antiquae Totius Orbis Romani, Heidelberg. Dictionary of Greek and Roman Biography and Mythology, William Smith, ed. Little and Company, Boston. George Davis Chase, "The Origin of Roman Praenomina", in Harvard Studies in Classical Philology, vol. VIII, pp. 103–184
The Aeneid is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter; the first six of the poem's twelve books tell the story of Aeneas's wanderings from Troy to Italy, the poem's second half tells of the Trojans' victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was known to Greco-Roman legend and myth, having been a character in the Iliad. Virgil took the disconnected tales of Aeneas's wanderings, his vague association with the foundation of Rome and his description as a personage of no fixed characteristics other than a scrupulous pietas, fashioned the Aeneid into a compelling founding myth or national epic that tied Rome to the legends of Troy, explained the Punic Wars, glorified traditional Roman virtues, legitimized the Julio-Claudian dynasty as descendants of the founders and gods of Rome and Troy.
The Aeneid is regarded as Virgil's masterpiece and one of the greatest works of Latin literature. The Aeneid can be divided into two halves based on the disparate subject matter of Books 1–6 and Books 7–12; these two halves are regarded as reflecting Virgil's ambition to rival Homer by treating both the Odyssey's wandering theme and the Iliad's warfare themes. This is, however, a rough correspondence, the limitations of which should be borne in mind. Virgil begins his poem with a statement of his theme and an invocation to the Muse, falling some seven lines after the poem's inception, he explains the reason for the principal conflict in the story: the resentment held by the goddess Juno against the Trojan people. This is consistent with her role throughout the Homeric epics. In the manner of Homer, the story proper begins in medias res, with the Trojan fleet in the eastern Mediterranean, heading in the direction of Italy; the fleet, led by Aeneas, is on a voyage to find a second home. It has been foretold that in Italy he will give rise to a race both noble and courageous, a race which will become known to all nations.
Juno is wrathful, because she had not been chosen in the judgment of Paris, because her favorite city, will be destroyed by Aeneas's descendants. Ganymede, a Trojan prince, was chosen to be the cupbearer to her husband, Jupiter—replacing Juno's daughter, Hebe. Juno proceeds to Aeolus, King of the Winds, asks that he release the winds to stir up a storm in exchange for a bribe. Aeolus agrees to carry out Juno's orders. Neptune takes notice: although he himself is no friend of the Trojans, he is infuriated by Juno's intrusion into his domain, stills the winds and calms the waters, after making sure that the winds would not bother the Trojans again, lest they be punished more harshly than they were this time; the fleet takes shelter on the coast of Africa, where Aeneas rouses the spirits of his men, reassuring them that they have been through worse situations before. There, Aeneas's mother, Venus, in the form of a huntress similar to the goddess Diana, encourages him and recounts to him the history of Carthage.
Aeneas ventures into the city, in the temple of Juno he seeks and gains the favor of Dido, queen of the city. The city has only been founded by refugees from Tyre and will become a great imperial rival and enemy to Rome. Meanwhile, Venus has her own plans, she goes to her son, Aeneas's half-brother Cupid, tells him to imitate Ascanius. Disguised as such, Cupid offers the gifts expected from a guest. With Dido's motherly love revived as she cradles the boy during a banquet given in honour of the Trojans, Cupid secretly weakens her sworn fidelity to the soul of her late husband, murdered by her brother, Pygmalion. In books 2 and 3, Aeneas recounts the events, he begins the tale shortly after the war described in the Iliad. Cunning Ulysses devised a way for Greek warriors to gain entry into the walled city of Troy by hiding in a large wooden horse; the Greeks pretended to sail away, leaving a warrior, Sinon, to mislead the Trojans into believing that the horse was an offering and that if it were taken into the city, the Trojans would be able to conquer Greece.
The Trojan priest Laocoön saw through the Greek plot and urged the horse's destruction, but his protests fell on deaf ears, so he hurled his spear at the horse. In what would be seen by the Trojans as punishment from the gods, two serpents emerged from the sea and devoured Laocoön, along with his two sons; the Trojans took the horse inside the fortified walls, after nightfall the armed Greeks emerged from it, opening the city's gates to allow the returned Greek army to slaughter the Trojans. In a dream, the fallen Trojan prince, advised Aeneas to flee with his family. Aeneas saw with horror what was happening to his beloved city. At first he tried to fight the enemy, but soon he lost his comrades and was left alone to fend off the Greeks, he witnessed the murder of Priam by Achilles' son Pyrrhus. His mother, appeared to him and led him back to his house. Aeneas tells of his escape with his son, his wife Creusa, his father, after the occurrence
Myth is a folklore genre consisting of narratives or stories that play a fundamental role in a society, such as foundational tales or origin myths. The main characters in myths are gods, demigods or supernatural humans. Stories of everyday human beings, although of leaders of some type, are contained in legends, as opposed to myths. Myths are endorsed by rulers and priests or priestesses, are linked to religion or spirituality. In fact, many societies group their myths and history together, considering myths and legends to be true accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its form. Other myths explain how a society's customs and taboos were established and sanctified. There is a complex relationship between recital of myths and enactment of rituals; the study of myth began in ancient history. Rival classes of the Greek myths by Euhemerus and Sallustius were developed by the Neoplatonists and revived by Renaissance mythographers.
Today, the study of myth continues in a wide variety of academic fields, including folklore studies and psychology. The term mythology may either refer to the study of myths in general, or a body of myths regarding a particular subject; the academic comparisons of bodies of myth is known as comparative mythology. Since the term myth is used to imply that a story is not objectively true, the identification of a narrative as a myth can be political: many adherents of religions view their religion's stories as true and therefore object to the stories being characterised as myths. Scholars now speak of Christian mythology, Jewish mythology, Islamic mythology, Hindu mythology, so forth. Traditionally, Western scholarship, with its Judaeo-Christian heritage, has viewed narratives in the Abrahamic religions as being the province of theology rather than mythology. Labelling all religious narratives as myths can be thought of as treating different traditions with parity. Definitions of myth to some extent vary by scholar.
Finnish folklorist Lauri Honko offers a cited definition: Myth, a story of the gods, a religious account of the beginning of the world, the creation, fundamental events, the exemplary deeds of the gods as a result of which the world and culture were created together with all parts thereof and given their order, which still obtains. A myth expresses and confirms society's religious values and norms, it provides a pattern of behavior to be imitated, testifies to the efficacy of ritual with its practical ends and establishes the sanctity of cult. Scholars in other fields use the term myth in varied ways. In a broad sense, the word can refer to any traditional story, popular misconception or imaginary entity. However, while myth and other folklore genres may overlap, myth is thought to differ from genres such as legend and folktale in that neither are considered to be sacred narratives; some kinds of folktales, such as fairy stories, are not considered true by anyone, may be seen as distinct from myths for this reason.
Main characters in myths are gods, demigods or supernatural humans, while legends feature humans as their main characters. However, many exceptions or combinations exist, as in the Iliad and Aeneid. Moreover, as stories spread between cultures or as faiths change, myths can come to be considered folktales, their divine characters recast as either as humans or demihumans such as giants and faeries. Conversely and literary material may acquire mythological qualities over time. For example, the Matter of Britain and the Matter of France, seem distantly to originate in historical events of the fifth and eighth-centuries and became mythologised over the following centuries. In colloquial use, the word myth can be used of a collectively held belief that has no basis in fact, or any false story; this usage, pejorative, arose from labeling the religious myths and beliefs of other cultures as incorrect, but it has spread to cover non-religious beliefs as well. However, as used by folklorists and academics in other relevant fields, such as anthropology, the term myth has no implication whether the narrative may be understood as true or otherwise.
In present use, mythology refers to the collected myths of a group of people, but may mean the study of such myths. For example, Greek mythology, Roman mythology and Hittite mythology all describe the body of myths retold among those cultures. Folklorist Alan Dundes defines myth as a sacred narrative that explains how the world and humanity evolved into their present form. Dundes classified a sacred narrative as "a story that serves to define the fundamental worldview of a culture by explaining aspects of the natural world and delineating the psychological and social practices and ideals of a society". Anthropologist Bruce Lincoln defines myth as "ideology in narrative form." The compilation or description of myths is sometimes known as mythography, a term which can be used of a scholarly anthology of myths. Key mythographers in the Classical tradition include Ovid, whose tellings of myths have been profoundingly influential.
Roman mythology is the body of traditional stories pertaining to ancient Rome's legendary origins and religious system, as represented in the literature and visual arts of the Romans. "Roman mythology" may refer to the modern study of these representations, to the subject matter as represented in the literature and art of other cultures in any period. The Romans treated their traditional narratives as historical when these have miraculous or supernatural elements; the stories are concerned with politics and morality, how an individual's personal integrity relates to his or her responsibility to the community or Roman state. Heroism was an important theme; when the stories illuminate Roman religious practices, they are more concerned with ritual and institutions than with theology or cosmogony. The study of Roman religion and myth is complicated by the early influence of Greek religion on the Italian peninsula during Rome's protohistory, by the artistic imitation of Greek literary models by Roman authors.
In matters of theology, the Romans were curiously eager to identify their own gods with those of the Greeks, to reinterpret stories about Greek deities under the names of their Roman counterparts. Rome's early myths and legends have a dynamic relationship with Etruscan religion, less documented than that of the Greeks. While Roman mythology may lack a body of divine narratives as extensive as that found in Greek literature and Remus suckling the she-wolf is as famous as any image from Greek mythology except for the Trojan Horse; because Latin literature was more known in Europe throughout the Middle Ages and into the Renaissance, the interpretations of Greek myths by the Romans had a greater influence on narrative and pictorial representations of "classical mythology" than Greek sources. In particular, the versions of Greek myths in Ovid's Metamorphoses, written during the reign of Augustus, came to be regarded as canonical; because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology.
This perception is a product of Romanticism and the classical scholarship of the 19th century, which valued Greek civilization as more "authentically creative." From the Renaissance to the 18th century, Roman myths were an inspiration for European painting. The Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city; these narratives focus on human actors, with only occasional intervention from deities but a pervasive sense of divinely ordered destiny. In Rome's earliest period and myth have a mutual and complementary relationship; as T. P. Wiseman notes: The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600 and the founding fathers of the United States in 1776. What does it take to be a free citizen? Can a superpower still be a republic? How does well-meaning authority turn into murderous tyranny? Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livy's history as well as Dionysius' s Roman Antiquities.
Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, the fourth book of elegies by Propertius. Scenes from Roman myth appear in Roman wall painting and sculpture reliefs; the Aeneid and Livy's early history are the best extant sources for Rome's founding myths. Material from Greek heroic legend was grafted onto this native stock at an early date; the Trojan prince Aeneas was cast as husband of Lavinia, daughter of King Latinus, patronymical ancestor of the Latini, therefore through a convoluted revisionist genealogy as forebear of Romulus and Remus. By extension, the Trojans were adopted as the mythical ancestors of the Roman people; the characteristic myths of Rome are political or moral, that is, they deal with the development of Roman government in accordance with divine law, as expressed by Roman religion, with demonstrations of the individual's adherence to moral expectations or failures to do so. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, the growth of Rome through conflict and alliance.
Numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Rome's legal and religious institutions. Servius Tullius, the sixth king of Rome, whose mysterious origins were mythologized and, said to have been the lover of the goddess Fortuna; the Tarpeian Rock, why it was used for the execution of traitors. Lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic. Cloelia, A Roman woman taken hostage by Lars Porsena, she escaped the Clusian camp with a group of Roman virgins. Horatius at the bridge, on the importance of individual valor. Mucius Scaevola, who thrust his right hand into the fire to prove his loyalty to Rome. Caeculus and the founding of Praeneste. Manlius and the geese, about divine intervention at the Gallic siege of Rome. Stories pertaining to the Nonae Caprotinae and Poplifugia festivals. Coriolanus, a story of politics and morality; the Etruscan city of Corythus as the "cradle" of Trojan and Italian civilization.
The arrival of the Great Mother in Rome. Narratives of divine activity played a more important role in the system of Greek religious belief than among the Romans, for whom ritual and cult were primary. Although Roman religion did not have a basis in scriptures and exegesis, priestly literature was one of the earliest written forms of Latin prose; the books and commentaries of the College of Pontiffs and
In historiography, ancient Rome is Roman civilization from the founding of the Italian city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD, encompassing the Roman Kingdom, Roman Republic and Roman Empire until the fall of the western empire. The civilization began as an Italic settlement in the Italian Peninsula, conventionally founded in 753 BC, that grew into the city of Rome and which subsequently gave its name to the empire over which it ruled and to the widespread civilisation the empire developed; the Roman Empire expanded to become one of the largest empires in the ancient world, though still ruled from the city, with an estimated 50 to 90 million inhabitants and covering 5.0 million square kilometres at its height in AD 117. In its many centuries of existence, the Roman state evolved from a monarchy to a classical republic and to an autocratic semi-elective empire. Through conquest and assimilation, it dominated the North African coast and most of Western Europe, the Balkans and much of the Middle East.
It is grouped into classical antiquity together with ancient Greece, their similar cultures and societies are known as the Greco-Roman world. Ancient Roman civilisation has contributed to modern language, society, law, government, art, literature and engineering. Rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the United States and France, it achieved impressive technological and architectural feats, such as the construction of an extensive system of aqueducts and roads, as well as the construction of large monuments and public facilities. The Punic Wars with Carthage were decisive in establishing Rome as a world power. In this series of wars Rome gained control of the strategic islands of Corsica and Sicily. By the end of the Republic, Rome had conquered the lands around the Mediterranean and beyond: its domain extended from the Atlantic to Arabia and from the mouth of the Rhine to North Africa.
The Roman Empire emerged with the dictatorship of Augustus Caesar. 721 years of Roman–Persian Wars started in 92 BC with their first war against Parthia. It would become the longest conflict in human history, have major lasting effects and consequences for both empires. Under Trajan, the Empire reached its territorial peak, it stretched from the entire Mediterranean Basin to the beaches of the North Sea in the north, to the shores of the Red and Caspian Seas in the East. Republican mores and traditions started to decline during the imperial period, with civil wars becoming a prelude common to the rise of a new emperor. Splinter states, such as the Palmyrene Empire, would temporarily divide the Empire during the crisis of the 3rd century. Plagued by internal instability and attacked by various migrating peoples, the western part of the empire broke up into independent "barbarian" kingdoms in the 5th century; this splintering is a landmark historians use to divide the ancient period of universal history from the pre-medieval "Dark Ages" of Europe.
The eastern part of the empire endured through the 5th century and remained a power throughout the "Dark Ages" and medieval times until its fall in 1453 AD. Although the citizens of the empire made no distinction, the empire is most referred to as the "Byzantine Empire" by modern historians during the Middle Ages to differentiate between the state of antiquity and the nation it grew into. According to the founding myth of Rome, the city was founded on 21 April 753 BC on the banks of the river Tiber in central Italy, by the twin brothers Romulus and Remus, who descended from the Trojan prince Aeneas, who were grandsons of the Latin King Numitor of Alba Longa. King Numitor was deposed by his brother, while Numitor's daughter, Rhea Silvia, gave birth to the twins. Since Rhea Silvia had been raped and impregnated by Mars, the Roman god of war, the twins were considered half-divine; the new king, feared Romulus and Remus would take back the throne, so he ordered them to be drowned. A she-wolf saved and raised them, when they were old enough, they returned the throne of Alba Longa to Numitor.
The twins founded their own city, but Romulus killed Remus in a quarrel over the location of the Roman Kingdom, though some sources state the quarrel was about, going to rule or give his name to the city. Romulus became the source of the city's name. In order to attract people to the city, Rome became a sanctuary for the indigent and unwanted; this caused a problem, in that Rome was bereft of women. Romulus visited neighboring towns and tribes and attempted to secure marriage rights, but as Rome was so full of undesirables he was refused. Legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins with the Sabines. Another legend, recorded by Greek historian Dionysius of Halicarnassus, says that Prince Aeneas led a group of Trojans on a sea voyage to found a new Troy, since the original was destroyed at the end of the Trojan War. After a long time in rough seas, they landed on the banks of the Tiber River. Not long after they landed, the men wanted to take to the sea again, but the women who were traveling with them did not want to leave.
One woman, named Roma, suggested that the women burn the ships out at sea to prevent their leaving
Publius Vergilius Maro called Virgil or Vergil in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature: the Eclogues, the Georgics, the epic Aeneid. A number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him. Virgil is traditionally ranked as one of Rome's greatest poets, his Aeneid has been considered the national epic of ancient Rome since the time of its composition. Modeled after Homer's Iliad and Odyssey, the Aeneid follows the Trojan refugee Aeneas as he struggles to fulfill his destiny and reach Italy, where his descendants Romulus and Remus were to found the city of Rome. Virgil's work has had wide and deep influence on Western literature, most notably Dante's Divine Comedy, in which Virgil appears as Dante's guide through Hell and Purgatory. Virgil's biographical tradition is thought to depend on a lost biography by Varius, Virgil's editor, incorporated into the biography by Suetonius and the commentaries of Servius and Donatus, the two great commentators on Virgil's poetry.
Although the commentaries no doubt record much factual information about Virgil, some of their evidence can be shown to rely on inferences made from his poetry and allegorizing. The tradition holds that Virgil was born in the village near Mantua in Cisalpine Gaul. Analysis of his name has led to beliefs. Modern speculation is not supported by narrative evidence either from his own writings or his biographers. Macrobius says, he attended schools in Cremona, Mediolanum and Naples. After considering a career in rhetoric and law, the young Virgil turned his talents to poetry. According to Robert Seymour Conway, the only ancient source which reports the actual distance between Andes and Mantua is a surviving fragment from the works of Marcus Valerius Probus. Probus flourished during the reign of Nero. Probus reports. Conway translated this to a distance of 28 English miles. Little is known about the family of Virgil, his father belonged to gens Vergilia, his mother belonged to gens Magia. According to Conway, gens Vergilia is poorly attested in inscriptions from the entire Northern Italy, where Mantua is located.
Among thousands of surviving ancient inscriptions from this region, there are only 8 or 9 mentions of individuals called "Vergilius" or "Vergilia". Out of these mentions, three appear in inscriptions from Verona, one in an inscription from Calvisano. Conway theorized. Calvisano is located 30 Roman miles from Mantua, would fit with Probus' description of Andes; the inscription in this case is a votive offering to the Matronae by a woman called Vergilia, asking the goddesses to deliver from danger another woman, called Munatia. Conway notes that the offering belongs to a common type for this era, where women made requests for deities to preserve the lives of female loved ones who were pregnant and were about to give birth. In most cases, the woman making the request was the mother of a woman, pregnant or otherwise in danger. Though there is another inscription from Calvisano, where a woman asks the deities to preserve the life of her sister. Munatia, the woman who Vergilia wished to protect, was a close relative of Vergilia or Vergilia's daughter.
The name "Munatia" indicates that this woman was a member of gens Munatia, makes it that Vergilia married into this family. According to the commentators, Virgil received his first education when he was five years old and he went to Cremona and Rome to study rhetoric and astronomy, which he soon abandoned for philosophy. From Virgil's admiring references to the neoteric writers Pollio and Cinna, it has been inferred that he was, for a time, associated with Catullus' neoteric circle. According to Servius, schoolmates considered Virgil shy and reserved, he was nicknamed "Parthenias" or "maiden" because of his social aloofness. Virgil seems to have suffered bad health throughout his life and in some ways lived the life of an invalid. According to the Catalepton, he began to write poetry while in the Epicurean school of Siro the Epicurean at Naples. A group of small works attributed to the youthful Virgil by the commentators survive collected under the title Appendix Vergiliana, but are considered spurious by scholars.
One, the Catalepton, consists of fourteen short poems, some of which may be Virgil's, another, a short narrative poem titled the Culex, was attributed to Virgil as early as the 1st century AD. The biographical tradition asserts that Virgil began the hexameter Eclogues in 42 BC and it is thought that the collection was published around 39–38 BC, although this is controversial; the Eclogues are a group of ten poems modeled on the bucolic hexameter poetry of the Hellenistic poet Theocritus. After his victory in the Battle of Philippi in 42 BC, fought against the army led by the assassins of Julius Caesar, Octavian tried to pay off his veterans with land expropriated from towns in northern Italy including, according to the traditi