Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is faster and more aggressive than other forms of punk rock, its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was inspired by New York punk rock and early proto-punk. New York punk had a harder-edged sound than its San Francisco counterpart, featuring anti-art expressions of masculine anger and subversive humor. Hardcore punk disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and addresses social and political topics with "confrontational, politically-charged lyrics."Hardcore sprouted underground scenes across the United States in the early 1980s in Washington, D. C. New York, New Jersey, Boston—as well as in Australia and the United Kingdom. Hardcore has spawned the straight edge movement and its associated submovements and youth crew.
Hardcore was involved in the rise of the independent record labels in the 1980s and with the DIY ethics in underground music scenes. It has influenced various music genres that have experienced widespread commercial success, including alternative rock and thrash metal. While traditional hardcore has never experienced mainstream commercial success, some of its early pioneers have garnered appreciation over time. Black Flag's Damaged, Minutemen's Double Nickels on the Dime and Hüsker Dü's New Day Rising were included in Rolling Stone's list of The 500 Greatest Albums of All Time in 2003 and Dead Kennedys have seen one of their albums reach gold status over a period of 25 years. In 2011, Rolling Stone writer David Fricke placed Greg Ginn of Black Flag 99th place in his 100 Greatest Guitarists list. Although the music genre started in English-speaking western countries, notable hardcore scenes have existed in Italy, Japan and the Middle East. Steven Blush states that the Vancouver-based band D. O.
A.'s 1981 album, Hardcore'81 "...was where the genre got its name." This album helped to make people aware of the term "hardcore". Konstantin Butz states that while the origin of the expression "hardcore" "...cannot be ascribed to a specific place or time", the term is "...usually associated with the further evolution of California's L. A. Punk Rock scene". A September 1981 article by Tim Sommer shows the author applying the term to the "15 or so" punk bands gigging around the city at that time, which he considered a belated development relative to Los Angeles, San Francisco, Washington D. C. Hardcore historian Steven Blush said that the term "hardcore" is a reference to the sense of being "fed up" with the existing punk and new wave music. Blush states that the term refers to "an extreme: the absolute most Punk."Kelefa Sanneh states that the term "hardcore" referred to an attitude of "turning inwards" towards the scene and "ignoring broader society", all with the goal of achieving a sense of "shared purpose" and being part of a community.
Sanneh cites Agnostic Front's band member selection approach as an example of hardcore's emphasis on "scene citizenship". An article in Drowned in Sound argues that 1980s-era "hardcore is the true spirit of punk", because "after all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics", the punk scene consisted only of people "completely dedicated to the DIY ethics". One definition of the genre is "a form of exceptionally harsh punk rock." Like the Oi! subgenre of the UK, hardcore punk can be considered an internal music reaction. Hardcore has been called a "...faster, meaner genre" of punk, a "stern refutation" of punk rock. Steven Blush states that though punk rock had an "unruly edge", "Reagan-era kids demanded something more primal and immediate, with speed and aggression as the starting point."According to one writer, "distressed by the'art'ificiality of much post-punk and the emasculated sellouts of new wave, hardcore sought to strengthen its core punk principles."
Lacking the art-school grace of post-punk, hardcore punk "favor low key visual aesthetic over extravagance and breaking with original punk rock song patterns." Hardcore "...disavows...synthetic technological effects... the recording industry." Around 1980, as punk became "moribund" and radio-friendly, angry "shorn-headed suburban teenagers" discarded new wave's artistic statements and pop music influences and created a new genre, for which there were no places to play, which forced the performers to create independent and DIY venues. Music writer Barney Hoskyns compared punk rock with hardcore and stated that hardcore was "younger and angrier, full of the pent up rage of dysfunctional Orange County adolescents" who were sick of their life in a "bland Republican" area. While the hardcore scene was young white males, both onstage and in the audience, there are notable exceptions, such as the all-African-American band Bad Brains and notable women such as Crass singer Joy de Vivre and Black Flag's second bassist, Kira Roessler.
Steven Blush states that Minor Threat's Ian MacKaye "set in motion a die-hard mindset that begat everything we now call Hardcore" with his "virulent anti- industry, anti-star, pro-scene exhortations." One of the important philosophies in the hardcore scene is authenticity. The
Poland the Republic of Poland, is a country located in Central Europe. It is divided into 16 administrative subdivisions, covering an area of 312,696 square kilometres, has a temperate seasonal climate. With a population of 38.5 million people, Poland is the sixth most populous member state of the European Union. Poland's capital and largest metropolis is Warsaw. Other major cities include Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin. Poland is bordered by the Baltic Sea, Russia's Kaliningrad Oblast and Lithuania to the north and Ukraine to the east and Czech Republic, to the south, Germany to the west; the establishment of the Polish state can be traced back to AD 966, when Mieszko I, ruler of the realm coextensive with the territory of present-day Poland, converted to Christianity. The Kingdom of Poland was founded in 1025, in 1569 it cemented its longstanding political association with the Grand Duchy of Lithuania by signing the Union of Lublin; this union formed the Polish–Lithuanian Commonwealth, one of the largest and most populous countries of 16th and 17th century Europe, with a uniquely liberal political system which adopted Europe's first written national constitution, the Constitution of 3 May 1791.
More than a century after the Partitions of Poland at the end of the 18th century, Poland regained its independence in 1918 with the Treaty of Versailles. In September 1939, World War II started with the invasion of Poland by Germany, followed by the Soviet Union invading Poland in accordance with the Molotov–Ribbentrop Pact. More than six million Polish citizens, including 90% of the country's Jews, perished in the war. In 1947, the Polish People's Republic was established as a satellite state under Soviet influence. In the aftermath of the Revolutions of 1989, most notably through the emergence of the Solidarity movement, Poland reestablished itself as a presidential democratic republic. Poland is regional power, it has the fifth largest economy by GDP in the European Union and one of the most dynamic economies in the world achieving a high rank on the Human Development Index. Additionally, the Polish Stock Exchange in Warsaw is the largest and most important in Central Europe. Poland is a developed country, which maintains a high-income economy along with high standards of living, life quality, safety and economic freedom.
Having a developed school educational system, the country provides free university education, state-funded social security, a universal health care system for all citizens. Poland has 15 UNESCO World Heritage Sites. Poland is a member state of the European Union, the Schengen Area, the United Nations, NATO, the OECD, the Three Seas Initiative, the Visegrád Group; the origin of the name "Poland" derives from the West Slavic tribe of Polans that inhabited the Warta river basin of the historic Greater Poland region starting in the 6th century. The origin of the name "Polanie" itself derives from the early Slavic word "pole". In some languages, such as Hungarian, Lithuanian and Turkish, the exonym for Poland is Lechites, which derives from the name of a semi-legendary ruler of Polans, Lech I. Early Bronze Age in Poland begun around 2400 BC, while the Iron Age commenced in 750 BC. During this time, the Lusatian culture, spanning both the Bronze and Iron Ages, became prominent; the most famous archaeological find from the prehistory and protohistory of Poland is the Biskupin fortified settlement, dating from the Lusatian culture of the early Iron Age, around 700 BC.
Throughout the Antiquity period, many distinct ancient ethnic groups populated the regions of what is now Poland in an era that dates from about 400 BC to 500 AD. These groups are identified as Celtic, Slavic and Germanic tribes. Recent archeological findings in the Kujawy region, confirmed the presence of the Roman Legions on the territory of Poland; these were most expeditionary missions sent out to protect the amber trade. The exact time and routes of the original migration and settlement of Slavic peoples lacks written records and can only be defined as fragmented; the Slavic tribes who would form Poland migrated to these areas in the second half of the 5th century AD. Up until the creation of Mieszko's state and his subsequent conversion to Christianity in 966 AD, the main religion of Slavic tribes that inhabited the geographical area of present-day Poland was Slavic paganism. With the Baptism of Poland the Polish rulers accepted Christianity and the religious authority of the Roman Church.
However, the transition from paganism was not a smooth and instantaneous process for the rest of the population as evident from the pagan reaction of the 1030s. Poland began to form into a recognizable unitary and territorial entity around the middle of the 10th century under the Piast dynasty. Poland's first documented ruler, Mieszko I, accepted Christianity with the Baptism of Poland in 966, as the new official religion of his subjects; the bulk of the population converted in the course of the next few centuries. In 1000, Boleslaw the Brave, continuing the policy of his father Mieszko, held a Congress of Gniezno and created the metropolis of Gniezno and the dioceses of Kraków, Kołobrzeg, Wrocław. However, the pagan unrest led to the transfer of the capital to Kraków in 1038 by Casimir I the Restorer. In 1109, Prince Bolesław III Wrymouth defeated the King of Germany Henry V at the Battle of Hundsfeld, stopping the Ge
Punk rock is a rock music genre that developed in the mid-1970s in the United States, United Kingdom and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock, they produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, political, anti-establishment lyrics. Punk embraces a DIY ethic; the term "punk rock" was first used by certain American rock critics in the early 1970s to describe 1960s garage bands and subsequent acts perceived as stylistic inheritors. Between 1974 and 1976 the movement now called. By late 1976, bands such as Television and the Ramones in New York City, the Sex Pistols, the Clash, the Damned in London, the Saints in Brisbane were recognized as forming its vanguard; as 1977 approached, punk became a major and controversial cultural phenomenon in the UK. It spawned a punk subculture expressing youthful rebellion through distinctive styles of clothing and adornment and a variety of anti-authoritarian ideologies.
In 1977 the influence of the music and subculture became more pervasive. It took root in a wide range of local scenes that rejected affiliation with the mainstream. In the late 1970s, punk experienced a second wave as new acts that were not active during its formative years adopted the style. By the early 1980s, faster and more aggressive subgenres such as hardcore punk, street punk and anarcho-punk became the predominant modes of punk rock. Musicians identifying with or inspired by punk pursued other musical directions, giving rise to spinoffs such as post-punk, new wave, indie pop, alternative rock, noise rock. By the 1990s, punk re-emerged in the mainstream with the success of punk rock and pop punk bands such as Green Day, The Offspring, Blink-182; the first wave of punk rock was "aggressively modern" and differed from what came before. According to Ramones drummer Tommy Ramone, "In its initial form, a lot of stuff was innovative and exciting. What happens is that people who could not hold a candle to the likes of Hendrix started noodling away.
Soon you had endless solos. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock'n' roll." John Holmstrom, founding editor of Punk magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans and roll meant this wild and rebellious music." In critic Robert Christgau's description, "It was a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth." Technical accessibility and a Do. UK pub rock from 1972-1975 contributed to the emergence of punk rock by developing a network of small venues, such as pubs, where non-mainstream bands could play. Pub rock introduced the idea of independent record labels, such as Stiff Records, which put out basic, low-cost records. Pub rock bands put out small pressings of their records. In the early days of punk rock, this DIY ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands.
Musical virtuosity was looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have many skills as musicians but still felt the need to express themselves through music". In December 1976, the English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band"; the title of a 1980 single by the New York punk band Stimulators, "Loud Fast Rules!", inscribed a catchphrase for punk's basic musical approach. Some of British punk rock's leading figures made a show of rejecting not only contemporary mainstream rock and the broader culture it was associated with, but their own most celebrated music predecessors: "No Elvis, Beatles or the Rolling Stones in 1977", declared the Clash song "1977"; the previous year, when the punk rock revolution began in Great Britain, was to be both a musical and a cultural "Year Zero". As nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future".
While "self-imposed alienation" was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass, who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do."The issue of authenticity is important in the punk subculture—the pejorative term "poseur" is applied to those who associate with punk and adopt its stylistic attributes but are deemed not to share or understand the underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult".
MusicBrainz is a project that aims to create an open data music database, similar to the freedb project. MusicBrainz was founded in response to the restrictions placed on the Compact Disc Database, a database for software applications to look up audio CD information on the Internet. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become a structured open online database for music. MusicBrainz captures information about artists, their recorded works, the relationships between them. Recorded works entries capture at a minimum the album title, track titles, the length of each track; these entries are maintained by volunteer editors. Recorded works can store information about the release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text and other metadata; as of 21 September 2018, MusicBrainz contained information about 1.4 million artists, 2 million releases, 19 million recordings. End-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as FLAC, MP3, Ogg Vorbis or AAC.
MusicBrainz allows contributors to upload cover art images of releases to the database. Internet Archive provides the bandwidth and legal protection for hosting the images, while MusicBrainz stores metadata and provides public access through the web and via an API for third parties to use; as with other contributions, the MusicBrainz community is in charge of maintaining and reviewing the data. Cover art is provided for items on sale at Amazon.com and some other online resources, but CAA is now preferred because it gives the community more control and flexibility for managing the images. Besides collecting metadata about music, MusicBrainz allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this. In 2000, MusicBrainz started using Relatable's patented TRM for acoustic fingerprint matching; this feature allowed the database to grow quickly. However, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions.
This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, replacing TRM with MusicDNS. TRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND; some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free identification service was uncertain, a replacement for it was sought; the Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský. While AcoustID and Chromaprint are not MusicBrainz projects, they are tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second. Additional post-processing is applied to compress this fingerprint while retaining patterns; the AcoustID search server searches from the database of fingerprints by similarity and returns the AcoustID identifier along with MusicBrainz recording identifiers if known.
Since 2003, MusicBrainz's core data are in the public domain, additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL; the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, which allows use of the code by proprietary software products. In December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye. On 20 January 2006, the first commercial venture to use MusicBrainz data was the Barcelona, Spain-based Linkara in their Linkara Música service. On 28 June 2007, BBC announced that it has licensed MusicBrainz's live data feed to augment their music Web pages; the BBC online music editors will join the MusicBrainz community to contribute their knowledge to the database. On 28 July 2008, the beta of the new BBC Music site was launched, which publishes a page for each MusicBrainz artist.
Amarok – KDE audio player Banshee – multi-platform audio player Beets – automatic CLI music tagger/organiser for Unix-like systems Clementine – multi-platform audio player CDex – Microsoft Windows CD ripper Demlo – a dynamic and extensible music manager using a CLI iEatBrainz – Mac OS X deprecated foo_musicbrainz component for foobar2000 – Music Library/Audio Player Jaikoz – Java mass tag editor Max – Mac OS X CD ripper and audio transcoder Mp3tag – Windows metadata editor and music organizer MusicBrainz Picard – cross-platform album-oriented tag editor MusicBrainz Tagger – deprecated Microsoft Windows tag editor puddletag – a tag editor for PyQt under the GPLv3 Rhythmbox music player – an audio player for Unix-like systems Sound Juicer – GNOME CD ripper Zortam Mp3 Media Studio – Windows music organizer and ID3 Tag Editor. Freedb clients can access MusicBrainz data through the freedb protocol by using the MusicBrainz to FreeDB gateway service, mb2freedb. List of online music databases Making Metadata: The Case of Mus
Moscow is the capital and most populous city of Russia, with 13.2 million residents within the city limits, 17 million within the urban area and 20 million within the metropolitan area. Moscow is one of Russia's federal cities. Moscow is the major political, economic and scientific center of Russia and Eastern Europe, as well as the largest city on the European continent. By broader definitions, Moscow is among the world's largest cities, being the 14th largest metro area, the 18th largest agglomeration, the 14th largest urban area, the 11th largest by population within city limits worldwide. According to Forbes 2013, Moscow has been ranked as the ninth most expensive city in the world by Mercer and has one of the world's largest urban economies, being ranked as an alpha global city according to the Globalization and World Cities Research Network, is one of the fastest growing tourist destinations in the world according to the MasterCard Global Destination Cities Index. Moscow is the coldest megacity on Earth.
It is home to the Ostankino Tower, the tallest free standing structure in Europe. By its territorial expansion on July 1, 2012 southwest into the Moscow Oblast, the area of the capital more than doubled, going from 1,091 to 2,511 square kilometers, resulting in Moscow becoming the largest city on the European continent by area. Moscow is situated on the Moskva River in the Central Federal District of European Russia, making it Europe's most populated inland city; the city is well known for its architecture its historic buildings such as Saint Basil's Cathedral with its colorful architectural style. With over 40 percent of its territory covered by greenery, it is one of the greenest capitals and major cities in Europe and the world, having the largest forest in an urban area within its borders—more than any other major city—even before its expansion in 2012; the city has served as the capital of a progression of states, from the medieval Grand Duchy of Moscow and the subsequent Tsardom of Russia to the Russian Empire to the Soviet Union and the contemporary Russian Federation.
Moscow is a seat of power of the Government of Russia, being the site of the Moscow Kremlin, a medieval city-fortress, today the residence for work of the President of Russia. The Moscow Kremlin and Red Square are one of several World Heritage Sites in the city. Both chambers of the Russian parliament sit in the city. Moscow is considered the center of Russian culture, having served as the home of Russian artists and sports figures and because of the presence of museums and political institutions and theatres; the city is served by a transit network, which includes four international airports, nine railway terminals, numerous trams, a monorail system and one of the deepest underground rapid transit systems in the world, the Moscow Metro, the fourth-largest in the world and largest outside Asia in terms of passenger numbers, the busiest in Europe. It is recognized as one of the city's landmarks due to the rich architecture of its 200 stations. Moscow has acquired a number of epithets, most referring to its size and preeminent status within the nation: The Third Rome, the Whitestone One, the First Throne, the Forty Soroks.
Moscow is one of the twelve Hero Cities. The demonym for a Moscow resident is "москвич" for male or "москвичка" for female, rendered in English as Muscovite; the name "Moscow" is abbreviated "MSK". The name of the city is thought to be derived from the name of the Moskva River. There have been proposed several theories of the origin of the name of the river. Finno-Ugric Merya and Muroma people, who were among the several Early Eastern Slavic tribes which inhabited the area, called the river Mustajoki, it has been suggested. The most linguistically well grounded and accepted is from the Proto-Balto-Slavic root *mŭzg-/muzg- from the Proto-Indo-European *meu- "wet", so the name Moskva might signify a river at a wetland or a marsh, its cognates include Russian: музга, muzga "pool, puddle", Lithuanian: mazgoti and Latvian: mazgāt "to wash", Sanskrit: májjati "to drown", Latin: mergō "to dip, immerse". In many Slavic countries Moskov is a surname, most common in Bulgaria, Russia and North Macedonia. There exist as well similar place names in Poland like Mozgawa.
The original Old Russian form of the name is reconstructed as *Москы, *Mosky, hence it was one of a few Slavic ū-stem nouns. As with other nouns of that declension, it had been undergoing a morphological transformation at the early stage of the development of the language, as a result the first written mentions in the 12th century were Московь, Moskovĭ, Москви, Moskvi, Москвe/Москвѣ, Moskve/Moskvě. From the latter forms came the modern Russian name Москва, a result of morphological generalisation with the numerous Slavic ā-stem nouns. However, the form Moskovĭ has left some traces in many other languages, such as English: Moscow, German: Moskau, French: Moscou, Georgian: მოსკოვი, Latvian: Maskava, Ottoman Turkish: Moskov, Tatar: Мәскәү, Mäskäw, Kazakh: Мәскеу, Mäskew, Chuvash: Мускав, etc. In a similar manner the Latin name Moscovia has been formed it became a collo