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Baker River North (Quebec-New Brunswick)

The Baker River North is a tributary of the Baker River, flowing in Canada: Quebec: in administrative region of Bas-Saint-Laurent, in Temiscouata Regional County Municipality, in the municipality of Packington and Saint-Jean-de-la-Lande, Quebec. The "Baker River North" takes its source in "Lake Pelletier", the southwest side of the road North 8th and 9th, in the municipality of Packington, Quebec; this source is located at: 16.3 kilometres west of the border between New Brunswick. From the "lake Pelletier", the "Baker River North" flows over 28.1 kilometres as follow: 3.7 kilometres to the southeast, along the southwest side of the North 8th and 9th rank road to the bridge at Lake Road Jerry. The "Baker River North" flows into a river bend on the north bank of the Baker River at Baker Brook, New Brunswick, in Madawaska County. From the confluence of "Baker River North", the Baker River flows Southeast to the North shore of Saint John River, it passes through the New Brunswick to the southeast to the north bank of the Bay of Fundy, which opens to the southwest in the Atlantic Ocean.

The confluence of the "Baker River North" is located at: 11.7 kilometres Northwest of the confluence of the Baker River which flows into the city of Edmundston. The term "Baker" is an English original family surname. Packington, Quebec, a municipality of Quebec Saint-Jean-de-la-Lande, Quebec, a municipality of Quebec Temiscouata Regional County Municipality, a RCM Quebec Baker Brook, New Brunswick, a municipality of New Brunswick Madawaska County, a county of New Brunswick Baker River Saint John River List of rivers of Quebec List of rivers of New Brunswick

Pei Wenzhong

Pei Wenzhong, or W. C. Pei, was a Chinese paleontologist and anthropologist born in Fengnan, he is considered a founding figure of Chinese anthropology. Pei graduated from Peking University in 1928 and went to work for the Cenozoic Research Laboratory of the Geological Survey of China joining the excavations of the Peking Man Site at Zhoukoudian, where he was named the field director of the excavations the following year; the work at Zhoukoudian was carried out under difficult conditions: for example, the scientists had to ride there on mules, some 40 km southwest of the city of Beijing. The first fossil hominin skullcap was recovered by Pei "working in a 40-meter crevasse in frigid weather with a hammer in one hand and a candle in the other on December 2, 1929, at 16.00 hours. From 1933 to 1934, he supervised the excavation of the Upper Cave at Zhoukoudian and was director of the Zhoukoudian Office of the Cenozoic Research Laboratory of the Geological Survey of China. Here he discovered and classified the small, extinct "Zhoukoudian wolf".

He left the excavation in 1935 to pursue a doctoral degree at the University of Paris and was succeeded by Professor Jia Lanpo. He returned to the excavation in 1937, shortly before they ceased due to the Japanese invasion of north China. After Zhoukoudian, Pei worked at many other archaeological sites, including Djalainor in eastern Inner Mongolia and in Gansu. In 1955 he was elected to membership in the Chinese Academy of Sciences, became the first Chairman of Chinese Association of Natural Science Museums, the second director of Beijing Museum of Natural History; until his death in 1982, he worked at the Institute of Vertebrate Paleontology and Paleoanthropology of the Chinese Academy of Sciences. He wrote several books, including the first on Chinese prehistory written in Chinese, his cremated remains are interred behind the museum at the Zhoukoudian site alongside those of his colleagues, Yang Zhongjian and Jia Lanpo. Pei, W. C.. The carnivora from locality 1 of Choukoutien. Palaeontologia Sinica, Geological Survey of China, Beijing PEI, W. C.

REPORT ON THE EXCAVATION OF THE LOCALITY 13 IN CHOUKOUTIEN. Bulletin of the Geological Society of China, 13: 359–368. Doi: 10.1111/j.1755-6724.1934.mp13001021.x PEI, W. C. A PRELIMINARY REPORT ON THE LATE-PALÆOLITHIC CAVE OF CHOUKOUTIEN. Bulletin of the Geological Society of China, 13: 327–358. Doi: 10.1111/j.1755-6724.1934.mp13001020.x

Advayataraka Upanishad

Advayataraka Upanishad is an ancient Sanskrit text and a minor Upanishad of Hinduism. It is one of the 19 Upanishads attached to the Shukla Yajurveda, it is classified as a Yoga Upanishad. The Upanishad is notable for its discussion of Guru; the text discusses three goals of Taraka yoga and the nondual nature of Reality. The text includes verses on Raja yoga, Kundalini Tantra; the Upanishad states that maya or illusion is the reason for the "differentiation" of the living from God. It is listed 53 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads; the text is known as Advaya Taraka Upanishad and Advayatarakopanishad. Advayataraka is a composite Sanskrit word, consisting of Advaya which means "nondual, unity, not two, without a second", Taraka which means "liberate, carry over, rescuer"; the literal meaning of'taraka' is star and "pupil of the eye". In Raja Yoga parlance it is that light between and in front of the eyebrows, realized during meditation.

Gavin Flood dates this text, along with other Yoga Upanishads, to be from the 100 BCE to 300 CE period. The Advayataraka text is one of the rare Yoga Upanishads that contains a mix of prose and poetic verses, while others are in verse form, it consists of eighteen passages/verses with an epilogue nineteenth praise passage. The text opens declaring its target and stating ethics as the eligibility requirement for yogin, calling him as Yati. Yati is synonymous with Sanyasis, Pravrajita/Pravrajitā, Sramana and Parivrajaka in ancient and medieval Hindu texts; the first verse states, "then and for that reason, this knowledge is for Yati who has gained six behavioral qualities – Sama, Uparati, Samadhana, Śraddhā. Verse 2 of the text states that the yogin should always keep in mind, "my true form is consciousness", introspect on the transcendent Brahman whose true form is sat-cit-ananda, or "being-consciousness-bliss", it is this introspection, asserts the text, by which he becomes Brahman form himself.

It is through the use of Neti-Neti, or "not this, not this", states verse 3, does the yogin reach release from the fear of rebirth and the liberating knowledge of non-dual Brahman. The Upanishad discusses introspection objectives, from verse 4 to 7; the introspection is of three types, each yielding insights, signs or visions, is described as Taraka-yoga. The internal Lakshya is described in Tantra terminology, it is realizing the Sushumna nadi. Realizing this with his mind, he is released from bondage, he can see a blue radiant space with closed eyes. When kundalini is realized the knowledge of brahman is achieved, the only stage when one crosses the threshold of fear of the cycle of birth and death; the external Lakshya, the second type is described in the text's verse 6 as the brightness on top of his head, sensed by the Yogin. It is of blue color bordering with indigo color above, asserts the text, orange or golden in front, in any direction of earth he sees; the universe looks radiant to this accomplished Yogin.

The verse 7 mentions the middle or intermediate Lakshya. It is what the Yogin senses at dawn during sunrise, where he feels his self identical, translates Ayyangar, with "the vast disc of resplendent Sun", darkness brought into relief by the splendor of radiant Taraka form, transcendent lustre excelling all and within; these three types of visions, states Dhavamony, are part of the Ambhavi-mudra tantric practice. The text clarifies Taraka-yoga to be of two kinds: Know that Yoga is two fold, in the relationship of priority and posteriority; the former should be known the latter Amanaska. Verse 9 asserts that macrocosm of the universe is present inside the microcosm of human body, the Yogin should contemplate upon macrocosm and microcosm as one. Taraka can be distinguished into two, one Murti-Taraka and the other Amurti-Taraka, states verse 10; the Murti-Taraka can be perceived with sensory organs, the Amurti-Taraka is knowable by means of introspection with "the eye aided by the mind". The Taraka manifestation occurs when there is conjunction of the Atman, the Mind and the eyes, to perceive the inward truth, asserts the text.

In verse 11, the text states that the Taraka and Amanaska methods can be practiced by casting one's eyes, conjoint with one's mind by a Yogin. Sambhu mudra is described in verse 12; the praise for Guru, for Yoga practice, is first mentioned in verse 13, as the one who helps one guide the introspective stages, leading the Yogin to realize the consciousness and Turiya. Four often-cited verses from the Advayataraka Upanishad reverentially narrate teacher; the best Acharya, state verses 14-15, is one knows the Vedas, a devotee of the god Vishnu, has no spite, who knows yoga, has his own views on it, Yoga is part of how he lives his life, is clean, reveres his own Guru, who understands the concept of Purusha. The Upanishad explains the word "Guru" as follows: Thus, the role of a Guru is one of eliminating ignorance by helping the student reach knowledge; the Guru is the supreme goal, the transcende

David Hyman

David Hyman is an American entrepreneur. He is the co-founder and CEO of Unagi Scooters, a manufacturer of electric scooters, which launched December 2018. Hyman is the former CEO of Beats Music, MOG, Gracenote and Hyman was raised in Melville, New York; the son of Martin and Diane Hyman, he is the youngest of three siblings. His father Martin Hyman was Executive Vice President of Milgray Electronics. Hyman was educated on Long Island, graduating in 1985, he holds a bachelor's degree in Economics. Worked as a second assistant director in the cat in the hat movie. In November 2018, Hyman launched Unagi Scooters on Kickstarter. Unagi has been praised as the leading portable electric scooter by numerous publications including The Verge and Endgadget. In 2016 Hyman developed, the first augmented-reality mobile application enabling video segmentation, allowing anyone to superimpose their own video or image into any video using their built-in mobile phone camera. There, he oversaw development of a proprietary lightweight neural network to run on a mobile GPU with an inference engine trained to identify and separate humans from their background environments. closed its operations in September, 2017. Hyman wrote a eulogy to the company. In 2012, Hyman was CEO of Beats Music, the music subscription service created as an offshoot to Beats By Dre. Beats Music was subsequently sold to Apple along with Beats By Dre for $3 billion. In 2005 Hyman founded MOG in California; as founder and CEO of the award-winning music subscription service, Hyman developed what has been described as one of the world's best music listening services. MOG provided consumers with over 19 million songs for a flat rate of $10/month with an easy, intuitive interface and the highest quality audio. Hyman was responsible for creating the MOG Music Network, noted at the time as the largest music-centric advertising network, with over 1500 music publishers represented across 70 million unique visitors a month. While at MOG, Hyman worked with hundreds of publishers and labels to negotiate deals that would end up providing music catalogs that contained 19 million songs across every major label and hundreds of independent labels.

Hyman closed deals with large distribution partners across Carriers, ISPs, CE manufacturers, Auto, including Verizon, AT&T, Ford, BMW, Samsung, LG and many others. MOG was voted "Best Music Service" by countless review publications. In 2000 Hyman created Gracenote and was its original President and CEO. There, he took fledgling compact disc identification technology and turned it into the world's largest music identification and music management company. Hyman’s efforts helped to drive Gracenote to become core plumbing for all MP3 players & encoders in hardware and software. Gracenote was sold to Sony for $260 million in 2008. From 1996 to 1999 Hyman worked as the Senior Vice President of Marketing at Sonicnet. From 1999 to mid-2000 he worked at MTV Interactive as the Senior Vice President of Marketing, where he oversaw all marketing functions for,,, Sonicnet. Hyman started his online career in online advertising sales at Wired Digital in San Francisco, where he was an active participant in the web's constructs of online advertising.

While at Wired Digital he sold one of the first advertisements online and created the first platform for pioneering e-commerce entities to advertise. Hyman holds three patents: one in automatic meta-data sharing of existing media through social networking, another in automatic meta-data sharing of existing media, a third in multiple-step identification of recordings, he is a frequent speaker at conferences such as CES and Midem. In 2008, he founded Musica Tecnomica, a regular gathering of music-focused innovators in San Francisco. Gracenote MOG Gracenote Mog Chosen

Marche slave

The Marche slave in B-flat minor, Op. 31, is an orchestral tone poem by Pyotr Ilyich Tchaikovsky published in 1876. It has been published variously as Slavic March, Slavonic March, Serbo-Russian March, it was written to celebrate Russia's intervention in the Serbo-Turkish War. In June 1876, Serbia and the Ottoman Empire were engaged in the Serbo-Turkish War. Russia supported Serbia; the Russian Musical Society commissioned an orchestral piece from Tchaikovsky for a concert in aid of the Red Cross Society, for the benefit of wounded Serbian veterans. Many Russians sympathized with their fellow Slavs and Orthodox Christians and sent volunteer soldiers and aid to assist Serbia. Tchaikovsky referred to the piece as his "Serbo-Russian March", it was premiered in Moscow on November 17 1876, conducted by Nikolai Rubinstein. The march is programmatic in its form and organization; the first section describes the oppression of the Serbs by the Turks. It uses two Serbian folk songs, "Sunce jarko, ne sijaš jednako", by Isidor Ćirić and "Rado ide Srbin u vojnike", by Josip Runjanin - giving way to the second section in the relative major key, which describes the Russians rallying to help the Serbs.

This is based on a simple melody with the character of a rustic dance, passed around the orchestra until it gives way to a solemn statement of the Russian national anthem "God Save the Tsar". The third section of the piece is a repeat of Tchaikovsky's furious orchestral climax, reiterating the Serbian cry for help; the final section describes the Russian volunteers marching to assist the Serbs. It uses a Russian tune, this time in the tonic major key and includes another blazing rendition of "God Save the Tsar" prophesying the triumph of the Slavonic people over tyranny; the overture finishes with a virtuoso coda for the full orchestra. The piece is paired in performance with Tchaikovsky's "1812 Overture," which quotes "God Save the Tsar." The march is scored for two flutes, two piccolos, two oboes, two clarinets in B flat, two bassoons, four horns in F, two cornets in B flat, two trumpets in B flat, three trombones, three timpani, snare drum, bass drum and strings. Sir Adrian Boult conducting the London Philharmonic Orchestra Antal Doráti conducting the Detroit Symphony Orchestra Charles Dutoit conducting the Montreal Symphony Orchestra Herbert von Karajan conducting the Berlin Philharmonic Bernard Haitink conducting the Royal Concertgebouw Orchestra of Amsterdam Fritz Reiner conducting the Chicago Symphony Orchestra Leonard Slatkin conducting the Saint Louis Symphony Orchestra Leopold Stokowski conducting the London Symphony Orchestra Neeme Järvi conducting the Gothenburg Symphony Leonard Bernstein conducting the Israel Philharmonic Orchestra Eugene Ormandy conducting the Philadelphia Orchestra Gennady Rozhdestvensky conducting the London Symphony Orchestra Yuri Temirkanov conducting the Royal Philharmonic Orchestra Valery Gergiev conducting the Mariinsky Theatre Orchestra A theme from Marche slave was used by Accept in the title song for their album Metal Heart.

The piece has since been covered by Dimmu Borgir. The piece was featured in the 2015 videogame Fallout 4; the piece was used in the game Age of Ancient Empires. A remixed version of the piece was arranged by Ridiculon in the 2017 game The End is Nigh. Russo-Turkish War Brown D "Tchaikovsky: A Biographical and Critical Study, Volume 2 The Crisis Years 1874–1878" pp. 99–102 Victor Gollancz London. ISBN 0-575-03132-8 Garden E "Tchaikovsky" p. 67 JM Dent and Sons ISBN 0-460-03105-8 Marche Slave: Scores at the International Music Score Library Project Tchaikovsky Research oeke Downloadable recordings of the march Slavonic March on Youtube Slavonic March on Youtube