1.
Greek language
–
Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
Greek language
–
Idealized portrayal of
Homer
Greek language
–
regions where Greek is the official language
Greek language
–
Greek language road sign, A27 Motorway, Greece
2.
Greek mythology
–
It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
Greek mythology
–
Bust of
Zeus,
Otricoli (Sala Rotonda,
Museo Pio-Clementino,
Vatican).
Greek mythology
–
Greek Mythology
Greek mythology
–
Prometheus (1868 by
Gustave Moreau). The myth of Prometheus first was attested by
Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of
Prometheus Bound,
Prometheus Unbound, and
Prometheus Pyrphoros.
Greek mythology
–
The Roman poet
Virgil, here depicted in the fifth-century manuscript, the
Vergilius Romanus, preserved details of Greek mythology in many of his writings.
3.
Ancient Thessaly
–
Thessaly or Thessalia was one of the traditional regions of Ancient Greece. During the Mycenaean period, Thessaly was known as Aeolia, a name that continued to be used for one of the tribes of Greece, the Aeolians. At its greatest extent, ancient Thessaly was an area stretching from Mount Olympos to the north to the Spercheios Valley to the south. Thessaly is a diverse region consisting of broad central plains surrounded by mountains. The plains are bounded by the Pindos Mountains to the west, Mount Othrys to the south, the Pelion and Ossa ranges to the east, and Mount Olympos to the North. The central plains consist of two basins, the Larisa basin and the Karditsa basin, drained by the Pineios River into the Vale of Tempe, the Pagasetic Gulf in southeastern Thessaly was and is the only body of water suitable for harbours in region. Strictly speaking, Thessaly refers primarily to the central plains inhabited by the Thessalians in antiquity, the plains were divided in antiquity into four administrative regions called tetrads, Pelasgiotis, Phthiotis, Thessaliotis, and Histiaeotis. The perioikoi were composed of Perrhaibia, Magnesia, Achaea Phthiotis, Dolopia, Ainis, Malis, the three largest cities in Thessaly were Larisa, Pherai, and Pharsalos. The Thessalian plains were ideally suited for cultivating grains and cereals, Alexander the Greats horse, Bucephalus, was originally from Pharsalos. The surrounding mountainous regions, however, were suitable for agriculture. Thessaly was home to extensive Neolithic and Chalcolithic cultures around 6000 BC–2500 BC, Mycenaean settlements have also been discovered in Thessaly unearthing, at the Kastron of Palaia Hill, in Volos, tablets bearing Mycenaean Greek inscriptions, written in Linear B. In mythology, Thessaly was homeland of the heroes Achilles and Jason, as well of mythological creatures and peoples, Centaurs, Lapiths, Ancient tribes in Thessaly mentioned by Homer or other poets were, Aeolians, Magnetes, Perrhaebi and Pelasgians. The Thessalians were a Thesprotian tribe, and originally came from the Thesprotian Ephyra, like Laconica, the population of Thessaly therefore consisted of three distinct classes, The Penestae, whose condition was nearly the same as that of the Helots. The subject people, who inhabited the districts not occupied by the Thessalian invaders and they paid tribute, as stated above, but were personally free, though they had no share in the government. They corresponded to the Perioeci of Laconica, by which name they are called by Xenophon, the Thessalian conquerors, who alone had any share in the public administration, and whose lands were cultivated by the Penestae. Each district may have regulated its affairs by some kind of provincial council, when occasion required, a chief magistrate was elected under the name of tagus, whose commands were obeyed by all four districts. He is sometimes called king, and sometimes archon He levied soldiers from the states in each district, when Thessaly was not united under the government of a tagus, the subject towns possessed more independence. In later times, some states called their ordinary magistrates tagoi, however, Thessaly was hardly ever united under one government
Ancient Thessaly
–
Ancient theatre in
Larissa
Ancient Thessaly
–
Map of ancient Thessaly
Ancient Thessaly
–
silver hemidrachm of
Pharsalos struck 450–400 BC
Ancient Thessaly
–
silver hemidrachm of
Trikka struck 440–400 BC
4.
Achilles
–
In Greek mythology, Achilles was a Greek hero of the Trojan War and the central character and greatest warrior of Homers Iliad. His mother was the immortal nymph Thetis, and his father, Achilles’ most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, later legends state that Achilles was invulnerable in all of his body except for his heel. Alluding to these legends, the term Achilles heel has come to mean a point of weakness, Achilles name can be analyzed as a combination of ἄχος grief and λαός a people, tribe, nation. In other words, Achilles is an embodiment of the grief of the people, Achilles role as the hero of grief forms an ironic juxtaposition with the conventional view of Achilles as the hero of κλέος kleos. Laos has been construed by Gregory Nagy, following Leonard Palmer, to mean a corps of soldiers, a muster. With this derivation, the name would have a meaning in the poem, when the hero is functioning rightly, his men bring grief to the enemy. The poem is in part about the misdirection of anger on the part of leadership, R. S. P. Beekes has suggested a Pre-Greek origin of the name. The name Achilleus was a common and attested name among the Greeks soon after the 7th century BC. It was also turned into the female form Ἀχιλλεία attested in Attica in the 4th century BC and, in the form Achillia, Achilles was the son of the Nereid Thetis and Peleus, the king of the Myrmidons. Zeus and Poseidon had been rivals for the hand of Thetis until Prometheus, for this reason, the two gods withdrew their pursuit, and had her wed Peleus. Thetis, although a daughter of the sea-god Nereus, was brought up by Hera. According to the Achilleid, written by Statius in the 1st century AD, and to no surviving previous sources, however, he was left vulnerable at the part of the body by which she held him, his heel. It is not clear if this version of events was known earlier, in another version of this story, Thetis anointed the boy in ambrosia and put him on top of a fire, to burn away the mortal parts of his body. She was interrupted by Peleus and abandoned both father and son in a rage, however, none of the sources before Statius makes any reference to this general invulnerability. To the contrary, in the Iliad Homer mentions Achilles being wounded, in Book 21 the Paeonian hero Asteropaeus, son of Pelagon and he cast two spears at once, one grazed Achilles elbow, drawing a spurt of blood. Peleus entrusted Achilles to Chiron the Centaur, on Mt. Pelion, Achilles consuming rage is at times wavering, but at other times he cannot be cooled. Thetis foretold that her sons fate was either to gain glory and die young, or to live a long, Achilles chose the former, and decided to take part in the Trojan war
Achilles
–
Achilles and the
Nereid Cymothoe: Attic red-figure
kantharos from
Volci (
Cabinet des Médailles, Bibliothèque nationale, Paris)
Achilles
–
Head of Achilles depicted on a 4th-century BC coin from
Kremaste,
Phthia. Reverse:
Thetis, wearing
chiton and holding shield of Achilles with his AX monogram.
Achilles
–
Greek Mythology
Achilles
–
Thetis Dipping the Infant Achilles into the River Styx (ca. 1625),
Peter Paul Rubens
5.
Homer
–
Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
Homer
–
Idealized portrayal of Homer dating to the
Hellenistic period.
British Museum.
Homer
–
Part of an 11th-century manuscript, "the Townley Homer". The writing on the top and right side are
scholia.
Homer
–
Homer and His Guide, by
William-Adolphe Bouguereau (1825–1905), portraying Homer on
Mount Ida, beset by dogs and guided by the goatherder Glaucus (as told in
Pseudo-Herodotus)
Homer
–
Raphael 's inspired Homer on
Mount Parnassus.
6.
Iliad
–
The iLiad was an electronic handheld device, or e-Reader, which could be used for document reading and editing. Like the Barnes and Noble nook, Sony Reader or Amazon Kindle, in 2010, sales of the iLiad ended when its parent company, iRex, filed for bankruptcy. The display used is an active matrix display, which uses E Ink Vizplex Imaging Film manufactured by E Ink Corporation. Underneath the E Ink screen is a tablet by WACOM which requires a stylus for input. When it was introduced, the Iliad had largest screen size of existing e-paper products, the iLiad can display document files in several formats, including PDF, Mobipocket, XHTML and plain text. It can also display JPEG, BMP and PNG images, as of May 3,2007 Mobipocket is supported, making the mobipocket digital rights management content available on this platform. IRexs product page for the states that Support for additional E-book formats will become available over the coming months. Through its wireless service, iDS, the iLiad can also download content. Les Echos, a French financial newspaper, is distributed this way, users can connect to their computer over a wireless network to sync new data onto the iLiads internal memory or an inserted MMC, SD, or CF card. The distributor of the iLiad is iRex Technologies, a Philips spin-off company and it was initially advertised in December 2005, to be launched in April 2006, but was delayed until July, when it started to be sold as a beta product. It was released to the public near the end of July. Its list price in Europe is €649, and in US $699, one of the advanced features of the iLiad is the ability to add notes to existing documents. With the integrated Wacom tablet and stylus, it is possible to directly on almost any document. Using the desktop software, those notes can be merged into the original document and this provides malleability, an important feature of physical books that is missing from most ebook products, allowing users to annotate, highlight, and personalize the text. Because of its open Linux operating system, the iLiad is able to run third party applications created for it, developers and users wishing to create or run third party applications can request shell access from the manufacturer. Developers have been able to improve on the devices functionality by porting viewers such as FBReader, full screen PDF reading is made available by community-supported iPDF releases. Programs for recreation, including audio playback, sudoku, and calendars, are rapidly growing community content available for use on the iLiad, independent users have also reported successful porting of mobile web browsers to iLiads Linux platform, although with limited functionality and many bugs. IRex as a company has had a relationship with its Open Source developers
Iliad
–
iRex iLiad
Iliad
Iliad
–
iLiad in sunlight
Iliad
–
iLiad e-book reader equipped with e-paper display
7.
Zeus
–
Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
Zeus
–
The Jupiter de Smyrne, discovered in
Smyrna in 1680
Zeus
–
The Chariot of Zeus, from an 1879 Stories from the Greek Tragedians by Alfred Church.
Zeus
–
Zeus, at the Getty Villa, A.D. 1 - 100 by unknown.
Zeus
–
"
Cave of Zeus ",
Mount Ida (Crete).
8.
Ant
–
Ants are eusocial insects of the family Formicidae and, along with the related wasps and bees, belong to the order Hymenoptera. Ants evolved from ancestors in the Cretaceous period, about 99 million years ago. More than 12,500 of an total of 22,000 species have been classified. They are easily identified by their antennae and the distinctive node-like structure that forms their slender waists. Larger colonies consist mostly of sterile, wingless females forming castes of workers, soldiers, nearly all ant colonies also have some fertile males called drones and one or more fertile females called queens. The colonies are described as superorganisms because the ants appear to operate as a unified entity, Ants have colonised almost every landmass on Earth. The only places lacking indigenous ants are Antarctica and a few remote or inhospitable islands, Ants thrive in most ecosystems and may form 15–25% of the terrestrial animal biomass. Their success in so many environments has been attributed to their organisation and their ability to modify habitats, tap resources. Their long co-evolution with other species has led to mimetic, commensal, parasitic, Ant societies have division of labour, communication between individuals, and an ability to solve complex problems. These parallels with human societies have long been an inspiration and subject of study, many human cultures make use of ants in cuisine, medication, and rituals. Some species are valued in their role as biological pest control agents and their ability to exploit resources may bring ants into conflict with humans, however, as they can damage crops and invade buildings. Some species, such as the red imported fire ant, are regarded as invasive species, all of these words come from West Germanic *ēmaitijǭ, and the original meaning of the word was the biter. The family Formicidae belongs to the order Hymenoptera, which also includes sawflies, bees, Ants evolved from a lineage within the aculeate wasps, and a 2013 study suggests that they are a sister group of the Apoidea. In 1966, E. O. Wilson and his colleagues identified the remains of an ant that lived in the Cretaceous period. The specimen, trapped in amber dating back to around 92 million years ago, has found in some wasps. Sphecomyrma possibly was a ground forager, while Haidomyrmex and Haidomyrmodes, older ants in the genus Sphecomyrmodes have been found in 99 million year-old amber from Myanmar. After the rise of flowering plants about 100 million years ago they diversified and assumed ecological dominance around 60 million years ago. Some groups, such as the Leptanillinae and Martialinae, are suggested to have diversified from early primitive ants that were likely to have been predators underneath the surface of the soil, during the Cretaceous period, a few species of primitive ants ranged widely on the Laurasian supercontinent
Ant
Ant
–
Ants fossilised in
Baltic amber
Ant
–
Bull ant showing the powerful mandibles and the relatively large compound eyes that provide excellent vision
Ant
–
Seven
Leafcutter ant workers of various castes (left) and two Queens (right)
9.
Etiology
–
Etiology is the study of causation, or origination. The word is derived from the Greek αἰτιολογία, aitiologia, giving a reason for, an etiological myth is a myth intended to explain a name or create a mythic history for a place or family, an origin story. In medicine, etiology refers to the many factors coming together to cause an illness and it is normally the focus of epidemiological studies. The etiology of scurvy is a good example, with scurvy, sailors going to sea often lacked fresh vegetables. Without knowing the cause, Captain James Cook suspected scurvy was caused by the lack of vegetables in the diet. It was only two centuries later, in 1926, that it was discovered that it was the lack of vitamin C in a sailors diet that was the basic cause of scurvy. From modern knowledge we can see that the sauerkraut was probably much less effective than Cook supposed, an etiological myth, or origin myth, is a myth intended to explain the origins of cult practices, natural phenomena, proper names and the like. While Delphi is actually related to the word delphus, many myths are similarly based on folk etymology. In the Aeneid, Virgil claims the descent of Augustus Caesars Julian clan from the hero Aeneas through his son Ascanius, also called Iulus. In Ovids Pyramus and Thisbe, the origin of the color of mulberries is explained, backstory Bradford Hill criteria Creation myth Just-so story Just So Stories Pathology The dictionary definition of etiology at Wiktionary
Etiology
–
Time Portal
10.
Ovid
–
Publius Ovidius Naso, known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists and he enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, a poem and a mistake and his poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology, Ovid talks more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, other sources include Seneca the Elder and Quintilian. Ovid was born in Sulmo, in an Apennine valley east of Rome, to an important equestrian family and that was a significant year in Roman politics. He was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro with his brother who excelled at oratory and his father wanted him to study rhetoric toward the practice of law. According to Seneca the Elder, Ovid tended to the emotional, after the death of his brother at 20 years of age, Ovid renounced law and began travelling to Athens, Asia Minor, and Sicily. Ovids first recitation has been dated to around 25 BC, when he was eighteen and he was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. 4.10. 41–54, Ovid mentions friendships with Macer, Propertius, Horace, Ovid was very popular at the time of his early works, but was later exiled by Augustus in AD8. He married three times and divorced twice by the time he was thirty years old and he had one daughter, who eventually bore him grandchildren. His last wife was connected in some way to the influential gens Fabia, the first 25 years of Ovids literary career were spent primarily writing poetry in elegiac meter with erotic themes. The chronology of early works is not secure, tentative dates. 2.18. 19–26 that seems to describe the collection as a published work. The authenticity of some of these poems has been challenged, between the publications of the two editions of the Amores can be dated the premiere of his tragedy Medea, which was admired in antiquity but is no longer extant. Ovid may identify this work in his poetry as the carmen, or song. The Ars Amatoria was followed by the Remedia Amoris in the same year and this corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member
Ovid
–
Statue (1887) by
Ettore Ferrari commemorating Ovid's exile in Tomis (present-day
Constanța, Romania)
Ovid
–
A second statue of Ovid by
Ettore Ferrari in the Piazza XX Settembre,
Sulmona, Italy.
Ovid
–
Ovid Banished from Rome (1838) by
J.M.W. Turner.
Ovid
–
Medea in a fresco from
Herculaneum.
11.
Metamorphoses
–
The Metamorphoses is a Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising fifteen books and over 250 myths, the chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework. Although meeting the criteria for an epic, the poem defies simple classification by its use of varying themes and tones. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, numerous episodes from the poem have been depicted in acclaimed works of sculpture, painting, and music. The work has been the subject of numerous translations into English, Ovids decision to make myth the dominant subject of the Metamorphoses was influenced by the predisposition of Alexandrian poetry. However, whereas it served in that tradition as the cause for reflection or insight, he made it instead the object of play. There are three examples of the Metamorphoses by later Hellenistic writers, but little is known of their contents, the Heteroioumena by Nicander of Colophon is better known, and clearly an influence on the poem —21 of the stories from this work were treated in the Metamorphoses. However, in a way that was typical for writers of the period, the Metamorphoses was longer than any previous collection of metamorphosis myths and positioned itself within a historical framework. Some of the Metamorphoses derives from literary and poetic treatment of the same myths. This material was of varying quality and comprehensiveness — while some of it was finely worked, scholars have found it difficult to place the Metamorphoses in a genre. However, the handles the themes and employs the tone of virtually every species of literature, ranging from epic and elegy to tragedy. Commenting on the debate, G. Karl Galinsky has opined that. It would be misguided to pin the label of any genre on the Metamorphoses and it begins with the ritual invocation of the muse, and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, the recurring theme, as with nearly all of Ovids work, is love—be it personal love or love personified in the figure of Amor. Apollo comes in for particular ridicule as Ovid shows how love can confound the god out of reason. The work as a whole inverts the order, elevating humans and human passions while making the gods and their desires. The Metamorphoses ends with an epilogue, one of two surviving Latin epics to do so. Book I – The Creation, the Ages of Mankind, the flood, Deucalion and Pyrrha, Apollo and Daphne, Io, Book II – Phaëton, Callisto, the raven and the crow, Ocyrhoe, Mercury and Battus, the envy of Aglauros, Jupiter and Europa
Metamorphoses
–
Title page of 1556 edition published by Joannes Gryphius (decorative border added subsequently). Hayden White Rare Book Collection, University of California, Santa Cruz.
Metamorphoses
–
A
woodcut from
Virgil Solis illustrating the
apotheosis of
Julius Caesar, the final event of the poem (XV.745–850).
Metamorphoses
–
A depiction of the story of
Pygmalion by
Jean Raoux (1717).
Metamorphoses
–
Apollo and Daphne by
Antonio Pollaiuolo, one tale of transformation in the Metamorphoses —he lusts after her and she escapes him by turning into a
bay laurel.
12.
Aegina
–
Aegina is one of the Saronic Islands of Greece in the Saronic Gulf,27 kilometres from Athens. Tradition derives the name from Aegina the mother of the hero Aeacus, during ancient times Aegina was a rival of Athens, the great sea power of the era. The municipality of Aegina consists of the island of Aegina and a few offshore islets and it is part of the Islands regional unit, Attica region. The municipality is subdivided into the five communities, Aegina Kypseli Mesagros Perdika Vathy The capital is the town of Aegina. Due to its proximity to Athens, it is a vacation place during the summer months. The province of Aegina was one of the provinces of the Piraeus Prefecture and its territory corresponded with that of the current municipalities Aegina and Agkistri. Aegina is roughly triangular in shape, approximately 15 km from east to west and 10 km from north to south, with an area of 87.41 km2, an extinct volcano constitutes two thirds of Aegina. Economically, the fisheries are of notable importance. The southern volcanic part of the island is rugged and mountainous and its highest rise is the conical Mount Oros in the south, and the Panhellenian ridge stretches northward with narrow fertile valleys on either side. The beaches are also a popular tourist attraction, hydrofoil ferries from Piraeus take only forty minutes to reach Aegina, the regular ferry takes about an hour, with ticket prices for adults within the 4–15 euro range. There are regular bus services from Aegina town to destinations throughout the island such as Agia Marina, portes is a fishing village on the east coast. Aegina, according to Herodotus, was a colony of Epidaurus and its placement between Attica and the Peloponnesus made it a site of trade even earlier, and its earliest inhabitants allegedly came from Asia Minor. Minoan ceramics have been found in contexts of ca.2000 BC, the famous Aegina Treasure, now in the British Museum is estimated to date between 1700 and 1500 BC. It is probable that the island was not doricised before the 9th century BC. e. not later than the half of the 7th century BC. Its early history reveals that the importance of the island dates back to pre-Dorian times. It is usually stated on the authority of Ephorus, that Pheidon of Argos established a mint in Aegina, the first city-state to issue coins in Europe, one stamped stater can be seen in the Bibliothèque Nationale of Paris. It is an electrum stater of a turtle, a sacred to Aphrodite. The fact that the Aeginetic standard of weights and measures was one of the two standards in use in the Greek world is sufficient evidence of the early commercial importance of the island
Aegina
–
View of Aegina's seafront
Aegina
–
A panorama of the island of Aegina, from the Mediterranean sea.
Aegina
–
Silver
stater of Aegina, 550-530 BC. Obv.
Sea turtle with large pellets down center. Rev. incuse square with eight sections.
Aegina
–
Silver
drachma of Aegina, 404-340 BC. Obverse: Land
tortoise. Reverse: inscription ΑΙΓ(INA) "Aegina" and dolphin.
13.
Hera
–
Hera is the goddess of women and marriage in Greek mythology and religion. She is the daughter of the Titans Cronus and Rhea, Hera is married to her brother Zeus and is titled as the Queen of Heaven. One of her characteristics is her jealous and vengeful nature against Zeuss other lovers and offspring, Hera is commonly seen with the animals she considers sacred including the cow, lion and the peacock. Scholar of Greek mythology Walter Burkert writes in Greek Religion, Nevertheless, there are memories of an aniconic representation, as a pillar in Argos. Her counterpart in the religion of ancient Rome was Juno, According to Plutarch, Hera was an allegorical name and an anagram of aēr. So begins the section on Hera in Walter Burkerts Greek Religion, in a note, he records other scholars arguments for the meaning Mistress as a feminine to Heros, Master. John Chadwick, a decipherer of Linear B, remarks her name may be connected with hērōs, ἥρως, hero, a. J. van Windekens, offers young cow, heifer, which is consonant with Heras common epithet βοῶπις. R. S. P. Beekes has suggested a Pre-Greek origin and her name is attested in Mycenaean Greek written in the Linear B syllabic script as
Hera
–
The
Campana Hera, a
Roman copy of a
Hellenistic original, from the
Louvre
Hera
–
Jupiter and
Juno by
Annibale Carracci.
Hera
–
The Temple of Hera at
Agrigento,
Magna Graecia.
Hera
–
Roman copy of a Greek 5th century Hera of the "
Barberini Hera " type, from the
Museo Chiaramonti
14.
Aegina (mythology)
–
Aegina was a figure of Greek mythology, the nymph of the island that bears her name, Aegina, lying in the Saronic Gulf between Attica and the Peloponnesos. The archaic Temple of Aphaea, the Invisible Goddess, on the island was subsumed by the cult of Athena. Aphaia may be read as an attribute of Aegina that provides an epithet, Aegina bore at least two children, Menoetius by Actor, and Aeacus by Zeus, both of whom became kings. The mortal son Menoetius was king of Opus, and was counted among the Argonauts and his son was Patroclus, Achilles first cousin once removed through their paternal family connection to Aegina, and his intimate companion. The son made immortal, Aeacus, was the king of Aegina, through him Aegina was the great-grandmother of Achilles, who was son of Peleus, son of Aeacus. It was often said that Zeus took the form of an eagle and abducted Aegina, taking her to an island near Attica, then called Oenone, aeginas father Asopus chased after them, his search took him to Corinth, where Sisyphus was king. Sisyphus, having chanced to see a great bird bearing a maiden away to a nearby island, though Asopus pursued them, Zeus threw down his thunderbolts sending Asopus back to his own waters. Aegina eventually gave birth to her son Aeacus, who became king of the island, robert Graves, The Greek Myths 1960,66. b.1,67. f,138. b
Aegina (mythology)
–
Aegina Awaiting the Arrival of Zeus. Painting by
Ferdinand Bol.
15.
Aeacus
–
Aeacus was a mythological king of the island of Aegina in the Saronic Gulf. He was the father of Peleus, Telamon and Phocus and was the grandfather of Achilles, Aeacus was the son of Zeus and Aegina, a daughter of the river-god Asopus. He was born on the island of Oenone or Oenopia, where Aegina had been carried by Zeus to secure her from the anger of her parents, afterward, according to some accounts, Aeacus was a son of Zeus and Europa. Afterward, Zeus restored the population by changing the ants into men, while he reigned in Aegina, Aeacus was renowned in all Greece for his justice and piety, and was frequently called upon to settle disputes not only among men, but even among the gods themselves. Aeacus prayed, and as a result, the drought ceased, Aeacus was believed in later times to be buried under the altar of this sacred enclosure. A legend preserved in Pindar relates that Apollo and Poseidon took Aeacus as their assistant in building the walls of Troy, thereafter, Apollo prophesied that Troy would fall at the hands of Aeacuss descendants, the Aeacidae. Aeacus was also believed by the Aeginetans to have surrounded their island with high cliffs in order to protect it against pirates, several other incidents connected to the story of Aeacus are mentioned by Ovid. After his death, Aeacus became one of the three judges in Hades and, according to Plato, was concerned with the shades of Europeans upon their arrival to the underworld. In works of art he was depicted bearing a sceptre and the keys of Hades, Aeacus had sanctuaries in both Athens and in Aegina, and the Aeginetans regarded him as the tutelary deity of their island by celebrating the Aeacea in his honor. In The Frogs by Aristophanes, Dionysus descends to Hades and proclaims himself to be Heracles, Aeacus, lamenting the fact that Heracles had stolen Cerberus, sentences Dionysus to Acheron to be tormented by the hounds of Cocytus, the Echidna, the Tartesian eel, and Tithrasian Gorgons. Alexander the Great traced his ancestry to Aeacus and this article incorporates text from a publication now in the public domain, Smith, William, ed. article name needed. Dictionary of Greek and Roman Biography and Mythology
Aeacus
–
Aeacus and
Telamon by
Jean-Michel Moreau le Jeune.
16.
Catalogue of Women
–
The Catalogue of Women — also known as the Ehoiai — is a fragmentary Greek epic poem that was attributed to Hesiod during Archaic Greece. The women of the title were in fact heroines, many of whom lay with gods, in contrast with the focus upon narrative in the Homeric Iliad and Odyssey, the Catalogue was structured around a vast system of genealogies stemming from these unions and, in M. L. Wests appraisal, covered the whole of the heroic age, still, the Catalogue is much better attested than most lost works, with some 1,300 whole or partial lines surviving, between a third and a quarter of the original poem, by one estimate. Ancient authors most commonly referred to the poem as the Catalogue of Women, or simply the Catalogue and this nickname also provided the standard title for a similar Hesiodic work, the Megalai Ehoiai or Great Ehoiai. As is reflected by its use as a title, the ē hoiē-formula was one of the poems most recognizable features. A characteristic example is found in the introduction of the daughters of Porthaon at Cat. fr. 26. 5–9, The preceding section of the poem had dealt at length with the extended family of Porthaons sister Demodice. Here ē hoiai is used to jump backwards in order to complete the account of the descendants of Porthaon, elsewhere the formula is used in transitions to more distant branches. The Ehoie of Mestra, for example, ultimately serves to reintroduce the family of Sisyphus, although that marriage does not take place, the descendants of Sisyphus are soon presented. According to the Suda, the Catalogue was five books long, the length of each is unknown, but it is likely that the entire poem consisted of anywhere from 4000 to over 5000 lines. One papyrus includes line numbers which, taken together with the system of overlaps among the other sources, immortals who slept with mortal men, bearing children like gods. The first allowed for the liaisons that are the ostensible subject, gods. A further significant detail about the condition is offered next in one of the most puzzling passages of the Catalogue. The differing fates of the heroes are described, some appear to have lived a long life characterized by perpetual youth. The papyrus is damaged at this point, and the implications of these comparisons are unknown. The Muses are next addressed again, asked to sing of however many lay with, siring the race of glorious kings. the repeated use of the introductory phrase or such as. And it is likely that this first woman treated was Pyrrha, Zeus unsurprisingly had first pick from the catalogue of women, and sired Hellen by Pyrrha. Pyrrha also had three daughters by Deucalion, Thyia, Protogeneia and Pandora, who was named for her maternal grandmother, like their mother, these three lay with Zeus, bearing sons from whom several early Greek tribes were said to descend
Catalogue of Women
–
A
papyrus fragment containing the beginning of the Atlantid Electra's family from book 3 or 4 (Cat. fr. 177 =
P.Oxy. XI 1359 fr. 2, second century CE,
Oxyrhynchus)
Catalogue of Women
–
Louis Billotey's Iphigénie (1935) depicting Iphigenia (center) in embrace with Clytemnestra, with Artemis gazing at the girl. In
Euripides '
Iphigeneia in Aulis, Iphigeneia was turned into a deer to save her from being sacrificed so that the Achaean fleet could sail for Troy. In the Catalogue, the goddess saved Iphigenia (called Iphimede) and enfranchised her as "Artemis Enodia", or
Hecate.
Catalogue of Women
–
Erysichthon sells his daughter Mestra. An engraving from among
Johann Wilhelm Baur 's illustrations of Ovid's Metamorphoses, which included a version the myth that differed from Mestra's story in the Catalogue.
Catalogue of Women
–
The beginning of the Atalanta-Ehoie (Cat. fr. 73. 1–7 = P.Lit.Lond. 32, third century BC, Gurob)
17.
Eponym
–
An eponym is a person, place, or thing for whom or for which something is named, or believed to be named. For example, Elizabeth I of England is the eponym of the Elizabethan era, recent usage, especially in the recorded-music industry, also allows eponymous to mean named after its central character or creator. In ancient Greece, the eponymous archon was the highest magistrate in classical Athens, Eponymous archons served a term of one year which took the name of that particular archon. Later historians provided yet another case of eponymy by referring to the period of Fifth-century Athens as The Age of Pericles after its most influential statesman Pericles. In Ptolemaic Egypt, the head priest of the Cult of Alexander, the Hebrew Bible explains the origins of peoples through individuals who bear their name. In most cases, the experiences and behavior of the ancestor is meant to indicate the characteristics of the people who take their name, in ancient Rome, one of the two formal ways of indicating a year was to cite the two annual consuls who served in that year. For example, the year we know as 59 BC would have described as the consulship of Marcus Calpurnius Bibulus and Gaius Julius Caesar. Under the empire, the consuls would change as often as two months, but only the two consuls at the beginning of the year would lend their names to that year. During the Christian era, itself eponymous, many households used eponymous dating by regnal years. The Roman Catholic Church, however, eventually used the Anno Domini dating scheme based on the birth of Christ on both the public and royalty. Government administrations may become referred to eponymously, such as Kennedys Camelot, British monarchs have become eponymous throughout the English-speaking world for time periods, fashions, etc. Elizabethan, Georgian, Victorian, and Edwardian are examples of these, trends Political trends or movements often become eponymous with a government leader. Examples include Jacksonian democracy, Stalinism, Maoism, Obamacare, in intellectual property law an eponym can refer to a generic trademark or brand name, a form of metonymy, such as aspirin, heroin and thermos in the United States. In geography, places and towns can also be given a name through a relationship to an important figure. Peloponnesus, for instance, was said to derive its name from the Greek hero Pelops, in historical times, new towns have often been named after their founders, discoverers, or notable individuals. In science and technology, discoveries and innovations are often named after the discoverer or a figure influential in their advance, examples are Avogadros number, the Diesel engine, meitnerium, Alzheimers disease, and the Apgar score. For a different view of the process see Stiglers law of eponymy, the term is also applied to music, usually with regard to record titles, where it is prevalent and leads to confusion. For example, Bad Companys first album was entitled Bad Company, titled a 1988 compilation album Eponymous
Eponym
–
The mythological Greek hero
Orion is the eponym of the
constellation Orion, shown here, and thus indirectly of the
Orion spacecraft.
18.
Trojan War
–
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
Trojan War
–
Achilles tending the wounded
Patroclus (
Attic red-figure kylix, c. 500 BC)
Trojan War
–
The Burning of Troy (1759/62),
oil painting by Johann Georg Trautmann
Trojan War
–
The Judgment of Paris (1904) by
Enrique Simonet
Trojan War
–
Thetis gives her son Achilles weapons forged by Hephaestus (detail of Attic
black-figure hydria, 575–550 BC)
19.
Achaeans (Homer)
–
The Achaeans constitute one of the collective names for the Greeks in Homers Iliad and Odyssey. In the historical period, the Achaeans were the inhabitants of the region of Achaea, the city-states of this region later formed a confederation known as the Achaean League, which was influential during the 3rd and 2nd centuries BC. The Homeric long-haired Achaeans would have been a part of the Mycenaean civilization that dominated Greece from circa 1600 BC until 1100 BC, later, by the Archaic and Classical periods, the term Achaeans referred to inhabitants of the much smaller region of Achaea. Herodotus identified the Achaeans of the northern Peloponnese as descendants of the earlier, according to Pausanias, writing in the 2nd century CE, the term Achaean was originally given to those Greeks inhabiting the Argolis and Laconia. Pausanias and Herodotus both recount the legend that the Achaeans were forced from their homelands by the Dorians, during the legendary Dorian invasion of the Peloponnese and they then moved into the region later called Achaea. A scholarly consensus has not yet been reached on the origin of the historic Achaeans relative to the Homeric Achaeans and is hotly debated. Karl Beloch suggested there was no Dorian invasion, but rather that the Peloponnesian Dorians were the Achaeans, eduard Meyer, disagreeing with Beloch, instead put forth the suggestion that the real-life Achaeans were mainland pre-Dorian Greeks. His conclusion is based on his research on the similarity between the languages of the Achaeans and pre-historic Arcadians and his conclusions at the time were challenged by other Hittitologists, as well as by Ferdinand Sommer, who published his Die Ahhijava-Urkunden in 1932. Some Hittite texts mention a nation lying to the west called Ahhiyawa, in the earliest reference to this land, a letter outlining the treaty violations of the Hittite vassal Madduwatta, it is called Ahhiya. It also refers to an earlier Wilusa episode involving hostility on the part of Ahhiyawa, Ahhiya has been identified with the Achaeans of the Trojan War and the city of Wilusa with the legendary city of Troy. It has been proposed that Ekwesh of the Egyptian records may relate to Achaea, whereas Denyen, Tanaju is also listed in an inscription at the Mortuary Temple of Amenhotep III. The latter ruled Egypt in circa 1382–1344 BC, moreover, a list of the cities and regions of the Tanaju is also mentioned in this inscription, among the cities listed are Mycenae, Nauplion, Kythera, Messenia and the Thebaid. During the 5th year of Pharaoh Merneptah, a confederation of Libyan, included amongst the ethnic names of the repulsed invaders is the Ekwesh or Eqwesh, whom some have seen as Achaeans, although Egyptian texts specifically mention these Ekwesh to be circumcised. Homer mentions an Achaean attack upon the delta, and Menelaus speaks of the same in Book IV of the Odyssey to Telemachus when he recounts his own home from the Trojan War. Later Greek myths also say Helen had spent the time of the Trojan War in Egypt, and not at Troy, cadmus from Phoenicia, Danaus from Egypt, and Pelops from Anatolia each gained a foothold in mainland Greece and were assimilated and Hellenized. Sons of Hellen and the nymph Orseis were Dorus, Xuthos, sons of Xuthos and Kreousa, daughter of Erechthea, were Ion and Achaeus. According to Hyginus,22 Achaeans killed 362 Trojans during their ten years at Troy, according to Margalit Finkelberg, the name Ἀχαιοί/Ἀχαιϝοί is derived from Hittite Aḫḫiyawā. However, Robert S. P. Beekes doubted the validity of this derivation, the etymology of Danaoi is uncertain, according to Beekes the name is certainly Pre-Greek
Achaeans (Homer)
–
Achilles tending the wounded
Patroclus (
Attic red-figure kylix, c. 500 BC)
20.
Patroclus
–
In Greek mythology, as recorded in Homers Iliad, Patroclus was the son of Menoetius, grandson of Actor, King of Opus, and Achilles beloved and brother-in-arms. According to Hyginus, Patroclus is the child of Menoetius and Philomela, Homer also references Menoetius as the individual who gave Patroclus to Peleus. Menoetius is the son of Actor, King of Opus in Locris by Aegina, Aegina was a daughter of Asopus and mother of Aeacus by Zeus. Aeacus was father of Peleus, Telamon and Phocus, Actor was a son of Deioneus, King of Phocis and Diomede. His paternal grandparents were Aeolus of Thessaly and Enarete and his maternal grandparents were Xuthus and Creusa, daughter of Erechtheus and Praxithea. During his childhood, Patroclus had killed another child in anger over a game, Menoetius gave Patroclus to Peleus, Achilles father, who named Patroclus one of Achilles henchmen as Patroclus and Achilles grew up together. Patroclus acted as a role model for Achilles, as he was both older than Achilles and wise regarding counsel. According to the Iliad, when the tide of war had turned against the Greeks, Achilles consented, giving Patroclus the armor Achilles had received from his father, in order for Patroclus to impersonate Achilles. Achilles then told Patroclus to return after beating the Trojans back from their ships, Patroclus defied Achilles order and pursued the Trojans back to the gates of Troy. Patroclus killed many Trojans, including a son of Zeus, Sarpedon, while battling, Patroclus wits were removed by Apollo, after which Patroclus was hit with the spear of Euphorbos. Hector then killed Patroclus by stabbing him in the stomach with a spear, Achilles retrieved the body, which had been stripped of armor by Hector and protected on the battlefield by Menelaus and Ajax. Achilles did not allow for the burial of Patroclus body until the ghost of Patroclus appeared and demanded burial in order to pass into Hades, Patroclus was then cremated on a funeral pyre, which was covered in the hair of his sorrowful companions. As the cutting of hair was a sign of grief while also acting as a sign of the separation of the living and the dead, the ashes of Achilles were said to have been buried in a golden urn along with those of Patroclus by the Hellespont. Although Homer does not mention it, there is whether or not Achilles. Morales and Mariscal continue stating, there is a tradition concerning the nature of the relationship between the two heroes. According to Grace Ledbetter, there is a train of thought that Patroclus could have been a representation of the side of Achilles. In fact, the first line of Homers Iliad mentions Achilles anger, Ledbetter does so by comparing how Thetis comforts the weeping Achilles in Book 1 of the Iliad to how Achilles comforts Patroclus as he weeps in Book 16. Achilles uses a simile containing a young girl looking at her mother to complete the comparison
Patroclus
–
A cup depicting
Achilles bandaging Patroklos' arm, by the Sosias Painter.
Patroclus
–
The body of Patroclus is lifted by
Menelaus and
Meriones while
Odysseus and others look on (Etruscan relief, 2nd century BC)
21.
Aeschylus
–
Aeschylus was an ancient Greek tragedian. He is often described as the father of tragedy, academics knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater allowing conflict among them, fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work. He was probably the first dramatist to present plays as a trilogy, at least one of his plays was influenced by the Persians second invasion of Greece. This work, The Persians, is the surviving classical Greek tragedy concerned with contemporary events. Despite this, Aeschylus work – particularly the Oresteia – is generally acclaimed by modern critics and scholars. As soon as he woke from the dream, the young Aeschylus began to write a tragedy, and his first performance took place in 499 BC and he won his first victory at the City Dionysia in 484 BC. In 510 BC, when Aeschylus was 15 years old, Cleomenes I expelled the sons of Peisistratus from Athens, Cleisthenes reforms included a system of registration that emphasized the importance of the deme over family tradition. In the last decade of the 6th century, Aeschylus and his family were living in the deme of Eleusis, the Persian Wars played a large role in the playwrights life and career. In 490 BC, Aeschylus and his brother Cynegeirus fought to defend Athens against the army of Darius I of Persia at the Battle of Marathon. The Athenians emerged triumphant, a victory celebrated across the city-states of Greece, Cynegeirus, however, died in the battle, receiving a mortal wound while trying to prevent a Persian ship retreating from the shore, for which his countrymen extolled him as a hero. In 480, Aeschylus was called into service again, this time against Xerxes Is invading forces at the Battle of Salamis. Ion of Chios was a witness for Aeschyluss war record and his contribution in Salamis, Salamis holds a prominent place in The Persians, his oldest surviving play, which was performed in 472 BC and won first prize at the Dionysia. Aeschylus was one of many Greeks who were initiated into the Eleusinian Mysteries, initiates gained secret knowledge through these rites, likely concerning the afterlife. Firm details of specific rites are sparse, as members were sworn under the penalty of not to reveal anything about the Mysteries to non-initiates. Nevertheless, according to Aristotle, Aeschylus was accused of revealing some of the secrets on stage. Other sources claim that a mob tried to kill Aeschylus on the spot. Heracleides of Pontus asserts that the tried to stone Aeschylus
Aeschylus
–
Bust of Aeschylus from the
Capitoline Museums,
Rome
Aeschylus
–
Bust of Aeschylus at
North Carolina Museum of Art
Aeschylus
–
Modern picture of the
Theatre of Dionysus in
Athens, where many of Aeschylus's plays were performed
Aeschylus
–
Mosaic of
Orestes, main character in Aeschylus's only surviving trilogy,
The Oresteia
22.
Manichaeism
–
Manichaeism was a major religious movement that was founded by the Iranian prophet Mani in the Sasanian Empire. Manichaeism taught a dualistic cosmology describing the struggle between a good, spiritual world of light, and an evil, material world of darkness. Through an ongoing process which takes place in history, light is gradually removed from the world of matter and returned to the world of light. Its beliefs were based on local Mesopotamian gnostic and religious movements, Manichaeism was quickly successful and spread far through the Aramaic-Syriac speaking regions. It thrived between the third and seventh centuries, and at its height was one of the most widespread religions in the world, Manichaean churches and scriptures existed as far east as China and as far west as the Roman Empire. It was briefly the main rival to Christianity in the competition to replace classical paganism, while most of Manichaeisms original writings have been lost, numerous translations and fragmentary texts have survived. An adherent of Manichaeism is called, especially in older sources, Mani, an Arsacid Persian by birth, was born 216 AD in Mesopotamia, which was ruled by Persia, then within the Sassanid Empire province of Asuristan. According to the Cologne Mani-Codex, Manis parents were members of the Jewish Christian Gnostic sect known as the Elcesaites, Mani composed seven writings, six of which were written in Syriac Aramaic. The seventh, the Shabuhragan, was written by Mani in Middle Persian and presented by him to the contemporary King of Sassanid Persia, Shapur I, in the Persian capital of Ctesiphon. Although there is no proof Shapur I was a Manichaean, he tolerated the spread of Manichaeism, while Manichaeism was spreading, existing religions such as Zoroastrianism were still popular and Christianity was gaining social and political influence. Although having fewer adherents, Manichaeism won the support of many high-ranking political figures, with the assistance of the Persian Empire, Mani began missionary expeditions. The date of his death is estimated at AD 276–277, Mani believed that the teachings of Buddha, Zoroaster, and Jesus were incomplete, and that his revelations were for the entire world, calling his teachings the Religion of Light. Manichaean writings indicate that Mani received revelations when he was 12 and again when he was 24, with the discovery of the Mani-Codex, it also became clear that he was raised in a Jewish-Christian baptism sect, the Elcesaites, and was influenced by their writings as well. It taught him truths which he developed into a religion and his divine Twin or true Self brought Mani to self-realization. He claimed to be the Paraclete of the Truth, as promised in the New Testament, Manichaeisms views on Jesus are described by historians, Jesus in Manichaeism possessed three separate identities, Jesus the Luminous, Jesus the Messiah and Jesus patibilis. Jesus the Messiah was a historical being who was the prophet of the Jews, however, the Manichaeans believed he was wholly divine. He never experienced human birth as notions of physical conception and birth filled the Manichaeans with horror, since he was the light of the world, where was this light, they asked, when he was in the womb of the Virgin. Jesus the Messiah was truly born at his baptism as it was on occasion that the Father openly acknowledged his sonship
Manichaeism
–
Manichaean priests, writing at their desks. Manuscript from
Gaochang (Khocho),
Tarim Basin, China.
Manichaeism
–
10th century Manichaean Electae in
Gaochang (Khocho), China.
Manichaeism
–
The spread of Manichaeism (a.d. 300–500). World History Atlas, Dorling Kindersly.
23.
Troilus and Cressida
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Troilus and Cressida is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeares problem plays, the play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. The work has in recent years stimulated exceptionally lively critical debate and this is tragedy of a special sort—the tragedy the basis of which is the impossibility of conventional tragedy. Troilus and Cressida is set during the years of the Trojan War. Essentially, two plots are followed in the play, in one, Troilus, a Trojan prince, woos Cressida, another Trojan. They have sex, professing their love, before Cressida is exchanged for a Trojan prisoner of war. As he attempts to visit her in the Greek camp, Troilus glimpses Diomedes flirting with his beloved Cressida, while this plot gives the play its name, it accounts for only a small part of the plays run time. The majority of the play revolves around the leaders of the Greek and Trojan forces, Agamemnon, Ajax is originally chosen as this combatant, but makes peace with Hector before they are able to fight. Achilles is prompted to return to only after his dear friend and possible lover. A series of skirmishes conclude the play, during which Achilles catches Hector and has the Myrmidons kill him, the conquest of Troy is left unfinished, as the Trojans learn of the death of their hero. The story was a one for dramatists in the early 17th century. Thomas Heywoods two-part play The Iron Age also depicts the Trojan war and the story of Troilus and Cressida, but it is not certain whether his or Shakespeares play was written first. In addition, Thomas Dekker and Henry Chettle wrote a play called Troilus and Cressida at around the time as Shakespeare. The play is believed to have written around 1602, shortly after the completion of Hamlet. It was published in quarto in two editions, both in 1609. No publication followed, however, until 1609, the stationers Richard Bonian,1609, and later that year issued the first quarto, but in two states. Some commentators have attempted to reconcile these contradictory claims by arguing that the play was composed originally around 1600–02, but heavily revised shortly before its 1609 printing. The play is noteworthy for its bitter and caustic nature, similar to the works that Shakespeare was writing in the 1605–08 period, King Lear, Coriolanus, in this view, the original version of the play was a more positive romantic comedy of the type Shakespeare wrote ca
Troilus and Cressida
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Troilus and Cressida, Act V, Scene II. 1795 engraving by
Luigi Schiavonetti after a painting of 1789 by
Angelica Kauffman.
Troilus and Cressida
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Cressida by
Edward Poynter
Troilus and Cressida
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The first page of Troilus and Cressida, printed in the
First Folio of 1623
Troilus and Cressida
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Title page, 1609
quarto edition
24.
William Shakespeare
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William Shakespeare was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the worlds pre-eminent dramatist. He is often called Englands national poet, and the Bard of Avon and his extant works, including collaborations, consist of approximately 38 plays,154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright, Shakespeare was born and brought up in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children, Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a career in London as an actor, writer. He appears to have retired to Stratford around 1613, at age 49, Shakespeare produced most of his known work between 1589 and 1613. His early plays were primarily comedies and histories, which are regarded as some of the best work ever produced in these genres. He then wrote mainly tragedies until about 1608, including Hamlet, Othello, King Lear, in his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and it was prefaced with a poem by Ben Jonson, in which Shakespeare is hailed, presciently, as not of an age, but for all time. In the 20th and 21st centuries, his works have been adapted and rediscovered by new movements in scholarship. His plays remain highly popular and are studied, performed. William Shakespeare was the son of John Shakespeare, an alderman and a successful glover originally from Snitterfield, and Mary Arden and he was born in Stratford-upon-Avon and baptised there on 26 April 1564. His actual date of birth unknown, but is traditionally observed on 23 April. This date, which can be traced back to an 18th-century scholars mistake, has proved appealing to biographers because Shakespeare died on 23 April 1616 and he was the third child of eight and the eldest surviving son. At the age of 18, Shakespeare married 26-year-old Anne Hathaway, the consistory court of the Diocese of Worcester issued a marriage licence on 27 November 1582. The next day, two of Hathaways neighbours posted bonds guaranteeing that no lawful claims impeded the marriage, twins, son Hamnet and daughter Judith, followed almost two years later and were baptised 2 February 1585. Hamnet died of unknown causes at the age of 11 and was buried 11 August 1596, after the birth of the twins, Shakespeare left few historical traces until he is mentioned as part of the London theatre scene in 1592. The exception is the appearance of his name in the bill of a law case before the Queens Bench court at Westminster dated Michaelmas Term 1588 and 9 October 1589
William Shakespeare
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The
Chandos portrait, artist and authenticity unconfirmed.
National Portrait Gallery, London.
William Shakespeare
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John Shakespeare's house, believed to be
Shakespeare's birthplace, in
Stratford-upon-Avon.
William Shakespeare
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Shakespeare's coat of arms, as it appears on the rough draft of the application to grant a coat-of-arms to John Shakespeare. It features a spear as a
pun on the family name.
William Shakespeare
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Shakespeare's funerary monument in Stratford-upon-Avon.
