Secret Machines (album)
Secret Machines is the third album by the alternative group The Secret Machines. The band self-released the follow-up to 2006's Ten Silver Drops in the US on October 14 and it was scheduled for release in Europe in mid-January 2009; the album was produced by the band and Brandon Mason. It is their first album with the band's new guitarist Phil Karnats, who replaced Benjamin Curtis after he left the group in March 2007. All tracks written by Secret Machines."Atomic Heels" – 3:40 "Last Believer, Drop Dead" – 5:32 "Have I Run Out" – 7:40 "Underneath the Concrete" – 3:51 "Now You're Gone" – 5:22 "The Walls Are Starting to Crack" – 6:37 "I Never Thought to Ask" – 4:06 "The Fire Is Waiting" – 11:09UK bonus tracks "Daylight, Won't Be Long" "Dreaming of Dreaming" Brandon Curtis – vocals, bass guitar, keyboards Josh Garza – drums Phil Karnats – guitar
Ten Silver Drops
Ten Silver Drops is the second full-length album by the American rock band The Secret Machines. It was released through the iTunes Music Store on February 28, 2006, while the street date for the CD was April 25, 2006; the first single from the album, "Alone and Stoned", was released in the United Kingdom on January 16, 2006, in the US shortly thereafter. On January 29, 2006, Ten Silver Drops leaked onto file sharing websites following the release of the album's lead single in the UK; the album reached No. 43 on the UK Albums Chart. In the US, the album reached No. 159 on the Billboard 200. All tracks written by Secret Machines."Alone and Stoned" – 6:46 "All at Once" – 4:37 "Lightning Blue Eyes" – 5:31 "Daddy's in the Doldrums" – 8:23 "I Hate Pretending" – 5:15 "Faded Lines" – 4:59 "I Want to Know if It's Still Possible" – 5:00 "1,000 Seconds" – 5:15 Brandon Curtis – vocals, bass guitar, keyboards Benjamin Curtis – guitar, backing vocals Josh Garza – drumswith: Alejandra Deheza – vocals on "Faded Lines" Garth Hudson – accordion on "I Want to Know if It's Still Possible" Billboard.com Secret Machines official website The Secret Machines talk about the new album
School of Seven Bells
School of Seven Bells was an American indie rock band from New York City, formed in 2007. It consisted of Alejandra Deheza, her sister Claudia Deheza and Benjamin Curtis. Claudia Deheza left the group in 2010, Curtis died of lymphoma in 2013. Using demos of songs Curtis had written prior to and during his illness, the band's fourth and final album, SVIIB, was completed posthumously and released in February 2016; the band took its name from a mythical South American pickpocket training academy, in which trainees learned to remove valuables from the pockets of a dressed mannequin without ringing any of the bells attached to it. Benjamin Curtis met identical twin sisters Alejandra and Claudia Deheza while opening on an Interpol tour; the three decided to end their commitments to their old bands, move into a shared space and create a home recording studio together. The band had an unorthodox songwriting process that began with lyrics, which were supplemented by the music. Curtis said that this process was the most important part of the band, with "everything else accompaniment".
A before-and-after example was hosted by NPR's program Day to Day. Debut single. A 12-inch/digital EP, "Face to Face on High Places," was released in September 2007 on the Table of the Elements label, in addition to a single from producer Prefuse 73 called "Class of 73 Bells" that featured the band, they toured with Blonde Redhead as well as with Prefuse 73. School of Seven Bells' debut album, was released one year in 2008, they went on tour with Bat for Lashes on her UK Two Suns tour. The Alpinisms track "Chain" was featured on an Adult Swim and Ghostly International compilation album, Ghostly Swim, promoted by Adult Swim and available for free download; the band's second album, Disconnect from Desire was released in July 2010. It was hailed by Pitchfork. During the accompanying tour, they covered the Siouxsie and the Banshees song "Kiss Them for Me"; the band was awarded International Bet of the Year at the 2010 MTV Video Music Brasil, in October, Claudia Deheza left the band for "personal reasons".
On February 28, 2012, they released their third studio album and first as a duo. It included the singles "The Night", "Lafaye" and "Scavenger". On November 13, 2012, the EP Put. In February 2013, Curtis was diagnosed with T-cell lymphoblastic lymphoma after several weeks of displaying symptoms. Curtis did not recover and died on December 29, 2013 at Memorial Sloan–Kettering Cancer Center in New York City; the last piece of music produced by Curtis before his death, a cover of Joey Ramone's "I Got Knocked Down", was made available in June 2014. The group's fourth album, SVIIB, completed after Curtis's death, was released in February 2016, preceded by a single, "Open Your Eyes". School of Seven Bells' music was described as indie rock, dream pop and electronic, their sound was described as dreamy and ethereal, the lyrics as abstract. According to Benjamin Curtis, SVIIB was inspired by "everything from Kraftwerk, Beyoncé, New Order, Blonde Redhead, to Section 25 comes to mind, along with singers like Joni Mitchell and Robert Wyatt.
We're huge fans of pop, too because we're huge fans of smart songwriting". When touring, SVIIB utilized additional members including bassists James Daniel Duemer. Alpinisms Disconnect from Desire Ghostory SVIIB Face to Face on High Places Put Your Sad Down "My Cabal" "Half Asleep" "Iamundernodisguise" "Windstorm" "Heart Is Strange" "I L U" "Lafaye" "The Night" "Scavenger" "Open Your Eyes" "On My Heart" "Ablaze" "Signals" School of Seven Bells Official website School of Seven Bells at AllMusic Interview with Benjamin Curtis at musicOMH Interview with all band members at SUPERSWEET Interview at L. A. Record Interview at 4or the Record Interview with Alejandra Deheza on Disconnect from Desire at SUPERSWEET SuicideSqueeze.net Interview with Alejandra Deheza on NPR's Weekend Edition Saturday, 02/06/16
Rolling Stone is an American monthly magazine that focuses on popular culture. It was founded in San Francisco, California in 1967 by Jann Wenner, still the magazine's publisher, the music critic Ralph J. Gleason, it was first known for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a younger readership interested in youth-oriented television shows, film actors, popular music. In recent years, it has resumed its traditional mix of content. Rolling Stone Press is the magazine's associated book publishing imprint. Straight Arrow Press was the magazine's associated book publishing imprint, Straight Arrow Publishing Co. Inc. was the publishing company that published Rolling Stone. Rolling Stone magazine was founded in San Francisco in 1967 by Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim; the first issue carried a cover date of November 9, 1967, was in newspaper format with a lead article on the Monterey Pop Festival.
The cover price was 25¢. In the first issue, Wenner explained that the title of the magazine referred to the 1950 blues song "Rollin' Stone", recorded by Muddy Waters, Bob Dylan's hit single "Like a Rolling Stone": You're wondering what we're trying to do. It's hard to say: sort of a sort of a newspaper; the name of it is Rolling Stone which comes from an old saying, "A rolling stone gathers no moss." Muddy Waters used the name for a song. The Rolling Stones took their name from Muddy's song. "Like a Rolling Stone" was the title of Bob Dylan's first rock and roll record. We have begun a new publication reflecting what we see are the changes in rock and roll and the changes related to rock and roll."—Jann Wenner, Rolling Stone, November 9, 1967, p. 2 Some authors have attributed the name to Dylan's hit single: "At Gleason's suggestion, Wenner named his magazine after a Bob Dylan song." Rolling Stone identified with and reported the hippie counterculture of the era. However, it distanced itself from the underground newspapers of the time, such as Berkeley Barb, embracing more traditional journalistic standards and avoiding the radical politics of the underground press.
In the first edition, Wenner wrote that Rolling Stone "is not just about the music, but about the things and attitudes that music embraces". In the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazine's political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine helped launch the careers of many prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Ben Fong-Torres, Patti Smith and P. J. O'Rourke, it was at this point that the magazine ran some of its most famous stories, including that of the Patty Hearst abduction odyssey. One interviewer, speaking for a large number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus, describing it as a "rite of passage".
In 1977, the magazine moved its headquarters from San Francisco to New York City. Editor Jann Wenner said San Francisco had become "a cultural backwater". During the 1980s, the magazine began to shift towards being a general "entertainment" magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television and the pop culture of the day; the magazine initiated its annual "Hot Issue" during this time. Rolling Stone was known for its musical coverage and for Thompson's political reporting. In the 1990s, the magazine changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors and popular music; this led to criticism. In recent years, the magazine has resumed its traditional mix of content, including in-depth political stories, it has expanded content to include coverage of financial and banking issues. As a result, the magazine has seen its circulation increase and its reporters invited as experts to network television programs of note.
The printed format has gone through several changes. The first publications, in 1967–72, were in folded tabloid newspaper format, with no staples, black ink text, a single color highlight that changed each edition. From 1973 onwards, editions were produced on a four-color press with a different newsprint paper size. In 1979, the bar code appeared. In 1980, it became a large format magazine; as of edition of October 30, 2008, Rolling Stone has had a smaller, standard-format magazine size. After years of declining readership, the magazine experienced a major resurgence of interest and relevance with the work of two young journalists in the late 2000s, Michael Hastings and Matt Taibbi. In 2005, Dana Leslie Fields, former publisher of Rolling Stone, who had worked at the magazine for 17 years, was an inaugural inductee into the Magazine Hall of Fame. In 2009, Taibbi unleashed an acclaimed series of scathing reports on the financial meltdown of the time, he famously described Goldman Sachs as "a great vampire squid".
Bigger headlines came at the end of June 2010. Rolling Stone caused a controversy in the White House by publishing in the July issue an article by journalist Michael Hastings entitled, "The Runaway General", quoting criticism by General Stanley A. McChrystal, commander of the International Security Assistance Force and U. S. Forces-Afghanistan commander, about Vice President Joe Biden and oth
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Academics have argued that categorizing music by genre is inaccurate and outdated. Music can be divided into different genres in many different ways; the artistic nature of music means that these classifications are subjective and controversial, some genres may overlap. There are varying academic definitions of the term genre itself. In his book Form in Tonal Music, Douglass M. Green distinguishes between form, he lists madrigal, canzona and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre, Green writes, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511, the Agnus Dei from his Mass, K. 317 are quite different in genre but happen to be similar in form."
Some, like Peter van der Merwe, treat the terms genre and style as the same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language." Others, such as Allan F. Moore, state that genre and style are two separate terms, that secondary characteristics such as subject matter can differentiate between genres. A music genre or subgenre may be defined by the musical techniques, the style, the cultural context, the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will include a wide variety of subgenres. Timothy Laurie argues that since the early 1980s, "genre has graduated from being a subset of popular music studies to being an ubiquitous framework for constituting and evaluating musical research objects". Among the criteria used to classify musical genres are the trichotomy of art and traditional musics. Alternatively, music can be divided on three variables: arousal and depth.
Arousal reflects the energy level of the music. These three variables help explain why many people like similar songs from different traditionally segregated genres. Musicologists have sometimes classified music according to a trichotomic distinction such as Philip Tagg's "axiomatic triangle consisting of'folk','art' and'popular' musics", he explains that each of these three is distinguishable from the others according to certain criteria. The term art music refers to classical traditions, including both contemporary and historical classical music forms. Art music exists in many parts of the world, it emphasizes formal styles that invite technical and detailed deconstruction and criticism, demand focused attention from the listener. In Western practice, art music is considered a written musical tradition, preserved in some form of music notation rather than being transmitted orally, by rote, or in recordings, as popular and traditional music are. Most western art music has been written down using the standard forms of music notation that evolved in Europe, beginning well before the Renaissance and reaching its maturity in the Romantic period.
The identity of a "work" or "piece" of art music is defined by the notated version rather than by a particular performance, is associated with the composer rather than the performer. This is so in the case of western classical music. Art music may include certain forms of jazz, though some feel that jazz is a form of popular music. Sacred Christian music forms an important part of the classical music tradition and repertoire, but can be considered to have an identity of its own; the term popular music refers to any musical style accessible to the general public and disseminated by the mass media. Musicologist and popular music specialist Philip Tagg defined the notion in the light of sociocultural and economical aspects: Popular music, unlike art music, is conceived for mass distribution to large and socioculturally heterogeneous groups of listeners and distributed in non-written form, only possible in an industrial monetary economy where it becomes a commodity and in capitalist societies, subject to the laws of'free' enterprise... it should ideally sell as much as possible.
Popular music is found on most commercial and public service radio stations, in most commercial music retailers and department stores, in movie and television soundtracks. It is noted on the Billboard charts and, in addition to singer-songwriters and composers, it involves music producers more than other genres do; the distinction between classical and popular music has sometimes been blurred in marginal areas such as minimalist music and light classics. Background music for films/movies draws on both traditions. In this respect, music is like fiction, which draws a distinction between literary fiction and popular fiction, not always precise. Country music known as country and western, hillbilly music, is a genre of popular music that originated in the southern United States in the early 1920s; the polka is a Czech dance and genre of dance music familiar throughout Europe and the Americas. Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, developed into a range of different styles in the 1960s and particular
Led Zeppelin were an English rock band formed in London in 1968. The group consisted of guitarist Jimmy Page, singer Robert Plant, bassist/keyboardist John Paul Jones, drummer John Bonham. Along with Black Sabbath and Deep Purple, the band's heavy, guitar-driven sound has led them to be cited as one of the progenitors of heavy metal, their style drew from a wide variety of influences, including blues and folk music. After changing their name from the New Yardbirds, Led Zeppelin signed a deal with Atlantic Records that afforded them considerable artistic freedom. Although the group were unpopular with critics, they achieved significant commercial success with eight studio albums released over eleven years, from Led Zeppelin to In Through the Out Door, their untitled fourth studio album known as Led Zeppelin IV and featuring the song "Stairway to Heaven", is among the most popular and influential works in rock music, it helped to secure the group's popularity. Page wrote most of Led Zeppelin's music early in their career, while Plant supplied the lyrics.
Jones' keyboard-based compositions became central to the group's catalogue, which featured increasing experimentation. The latter half of their career saw a series of record-breaking tours that earned the group a reputation for excess and debauchery. Although they remained commercially and critically successful, their output and touring schedule were limited during the late 1970s, the group disbanded following Bonham's death from alcohol-related asphyxia in 1980. In the decades that followed, the surviving members sporadically collaborated and participated in one-off Led Zeppelin reunions; the most successful of these was the 2007 Ahmet Ertegun Tribute Concert in London, with Jason Bonham taking his late father's place behind the drums. Many critics consider Led Zeppelin to be one of the most successful and influential rock groups in history, they are one of the best-selling music artists in the history of audio recording. With RIAA-certified sales of 111.5 million units, they are the third-best-selling band in the US.
Each of their nine studio albums placed in the top 10 of the Billboard album chart and six reached the number-one spot. They achieved eight consecutive UK number-one albums. Rolling Stone magazine described them as "the heaviest band of all time", "the biggest band of the Seventies", "unquestionably one of the most enduring bands in rock history", they were inducted into the Rock and Roll Hall of Fame in 1995. In 1966, London-based session guitarist Jimmy Page joined the blues-influenced rock band the Yardbirds to replace bassist Paul Samwell-Smith. Page soon switched from bass to lead guitar. Following Beck's departure in October 1966, the Yardbirds, tired from constant touring and recording, began to wind down. Page wanted to form a supergroup with him and Beck on guitars, the Who's Keith Moon and John Entwistle on drums and bass, respectively. Vocalists Steve Winwood and Steve Marriott were considered for the project; the group never formed, although Page and Moon did record a song together in 1966, "Beck's Bolero", in a session that included bassist-keyboardist John Paul Jones.
The Yardbirds played their final gig in July 1968 at Luton College of Technology in Bedfordshire. They were still committed to several concerts in Scandinavia, so drummer Jim McCarty and vocalist Keith Relf authorised Page and bassist Chris Dreja to use "the Yardbirds" name to fulfill the band's obligations. Page and Dreja began putting a new line-up together. Page's first choice for the lead singer was Terry Reid, but Reid declined the offer and suggested Robert Plant, a singer for the Band of Joy and Hobbstweedle. Plant accepted the position, recommending former Band of Joy drummer John Bonham. John Paul Jones inquired about the vacant position of bass guitarist at the suggestion of his wife after Dreja dropped out of the project to become a photographer. Page had known Jones since they were both session musicians and agreed to let him join as the final member; the four played together for the first time in a room below a record store on Gerrard Street in London. Page suggested that they attempt "Train Kept A-Rollin'" a jump blues song popularised in a rockabilly version by Johnny Burnette, covered by the Yardbirds.
"As soon as I heard John Bonham play", Jones recalled, "I knew this was going to be great... We locked together as a team immediately". Before leaving for Scandinavia, the group took part in a recording session for the P. J. Proby album, Three Week Hero; the album's track "Jim's Blues", with Plant on harmonica, was the first studio track to feature all four future members of Led Zeppelin. The band completed the Scandinavian tour as the New Yardbirds, playing together for the first time in front of a live audience at Gladsaxe Teen Clubs in Gladsaxe, Denmark, on 7 September 1968; that month, they began recording their first album, based on their live set. The album was recorded and mixed in nine days, Page covered the costs. After the album's completion, the band were forced to change their name after Dreja issued a cease and desist letter, stating that Page was allowed to use the New Yardbirds moniker for the Scandinavian dates only. One account of how the new band's name was chosen held that Moon and Entwistle had suggested that a supergroup with Page and Beck would go down like a "lead balloon", an idiom for disastrous results.
The group dropped the'a' in lead at the suggestion