In historiography, ancient Rome is Roman civilization from the founding of the Italian city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD, encompassing the Roman Kingdom, Roman Republic and Roman Empire until the fall of the western empire. The civilization began as an Italic settlement in the Italian Peninsula, conventionally founded in 753 BC, that grew into the city of Rome and which subsequently gave its name to the empire over which it ruled and to the widespread civilisation the empire developed; the Roman Empire expanded to become one of the largest empires in the ancient world, though still ruled from the city, with an estimated 50 to 90 million inhabitants and covering 5.0 million square kilometres at its height in AD 117. In its many centuries of existence, the Roman state evolved from a monarchy to a classical republic and to an autocratic semi-elective empire. Through conquest and assimilation, it dominated the North African coast and most of Western Europe, the Balkans and much of the Middle East.
It is grouped into classical antiquity together with ancient Greece, their similar cultures and societies are known as the Greco-Roman world. Ancient Roman civilisation has contributed to modern language, society, law, government, art, literature and engineering. Rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the United States and France, it achieved impressive technological and architectural feats, such as the construction of an extensive system of aqueducts and roads, as well as the construction of large monuments and public facilities. The Punic Wars with Carthage were decisive in establishing Rome as a world power. In this series of wars Rome gained control of the strategic islands of Corsica and Sicily. By the end of the Republic, Rome had conquered the lands around the Mediterranean and beyond: its domain extended from the Atlantic to Arabia and from the mouth of the Rhine to North Africa.
The Roman Empire emerged with the dictatorship of Augustus Caesar. 721 years of Roman–Persian Wars started in 92 BC with their first war against Parthia. It would become the longest conflict in human history, have major lasting effects and consequences for both empires. Under Trajan, the Empire reached its territorial peak, it stretched from the entire Mediterranean Basin to the beaches of the North Sea in the north, to the shores of the Red and Caspian Seas in the East. Republican mores and traditions started to decline during the imperial period, with civil wars becoming a prelude common to the rise of a new emperor. Splinter states, such as the Palmyrene Empire, would temporarily divide the Empire during the crisis of the 3rd century. Plagued by internal instability and attacked by various migrating peoples, the western part of the empire broke up into independent "barbarian" kingdoms in the 5th century; this splintering is a landmark historians use to divide the ancient period of universal history from the pre-medieval "Dark Ages" of Europe.
The eastern part of the empire endured through the 5th century and remained a power throughout the "Dark Ages" and medieval times until its fall in 1453 AD. Although the citizens of the empire made no distinction, the empire is most referred to as the "Byzantine Empire" by modern historians during the Middle Ages to differentiate between the state of antiquity and the nation it grew into. According to the founding myth of Rome, the city was founded on 21 April 753 BC on the banks of the river Tiber in central Italy, by the twin brothers Romulus and Remus, who descended from the Trojan prince Aeneas, who were grandsons of the Latin King Numitor of Alba Longa. King Numitor was deposed by his brother, while Numitor's daughter, Rhea Silvia, gave birth to the twins. Since Rhea Silvia had been raped and impregnated by Mars, the Roman god of war, the twins were considered half-divine; the new king, feared Romulus and Remus would take back the throne, so he ordered them to be drowned. A she-wolf saved and raised them, when they were old enough, they returned the throne of Alba Longa to Numitor.
The twins founded their own city, but Romulus killed Remus in a quarrel over the location of the Roman Kingdom, though some sources state the quarrel was about, going to rule or give his name to the city. Romulus became the source of the city's name. In order to attract people to the city, Rome became a sanctuary for the indigent and unwanted; this caused a problem, in that Rome was bereft of women. Romulus visited neighboring towns and tribes and attempted to secure marriage rights, but as Rome was so full of undesirables he was refused. Legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins with the Sabines. Another legend, recorded by Greek historian Dionysius of Halicarnassus, says that Prince Aeneas led a group of Trojans on a sea voyage to found a new Troy, since the original was destroyed at the end of the Trojan War. After a long time in rough seas, they landed on the banks of the Tiber River. Not long after they landed, the men wanted to take to the sea again, but the women who were traveling with them did not want to leave.
One woman, named Roma, suggested that the women burn the ships out at sea to prevent their leaving
A niche in classical architecture is an exedra or an apse, reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedras; the word derives via the French niche. The Italian nicchio for a sea-shell may be involved, as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence the alternative term of "conch" for a semi-dome reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a richly decorated miniature house, such as might serve for a reliquary; the backings for the altars in churches can be embedded with niches for statues. Though a niche in either Classical or Gothic contexts may be empty and provide some articulation and variety to a section of wall, the cult origins of the niche suggested that it be filled with a statue. One of the earliest buildings which uses external niches containing statues is the Church of Orsanmichele in Florence, built between 1380 and 1404.
The Uffizi Palace in Florence modified the concept by setting the niche within the wall so it did not protrude. The Uffizi has two dozen or so such niches containing statues of great historical figures. In England the Uffizi style niches were adopted at Montacute House, where there are 9 exterior niches containing statues of the Nine Worthies. In Fra Filippo Lippi's Madonna, the trompe-l'oeil niche frames her as with the canopy of estate, positioned over a personage of importance in the late Middle Ages and Early Modern Europe. At the same time, the Madonna is represented as an iconic sculpture who has "come alive" with miraculous immediacy. Expanding from its primary sense as an architectural recess, a niche can be applied to a rocky hollow, crevice, or foothold; the sense of a niche as a defined narrow space led to its use describing the relational position of an organism's species, its ecological niche. List of monuments in MaltaAlcoveGrottoMihrabFormation of wave-cut platforms Sir John Summerson.
Heavenly Mansions, 1948. OCLC 10409612. Discussion of the Gothic aedicule
Hadrian's Wall called the Roman Wall, Picts' Wall, or Vallum Hadriani in Latin, was a defensive fortification in the Roman province of Britannia, begun in AD 122 in the reign of the emperor Hadrian. It ran from the banks of the River Tyne near the North Sea to the Solway Firth on the Irish Sea, was the northern limit of the Roman Empire north of which were the lands of the northern Ancient Britons, including the Picts, it had a stone wall. There were milecastles with two turrets in between. There was a fort about every five Roman miles. From north to south, the wall comprised a ditch, military way and vallum, another ditch with adjoining mounds, it is thought the milecastles were staffed with static garrisons, whereas the forts had fighting garrisons of infantry and cavalry. In addition to the wall's defensive military role, its gates may have been customs posts. A significant portion of the wall still stands and can be followed on foot along the adjoining Hadrian's Wall Path; the largest Roman archaeological feature anywhere, it runs a total of 73 miles in northern England.
Regarded as a British cultural icon, Hadrian's Wall is one of Britain's major ancient tourist attractions. It was designated as a UNESCO World Heritage Site in 1987. In comparison, the Antonine wall, thought by some to be based on Hadrian's wall, was not declared a World Heritage site until 2008, it is a common misconception that Hadrian's Wall marks the boundary between Scotland. In fact Hadrian's Wall lies within England and has never formed the Anglo-Scottish border. While it is less than 0.6 mi south of the border with Scotland in the west at Bowness-on-Solway, in the east at Wallsend it is as much as 68 miles away. Hadrian's Wall was 117.5 km long. East of the River Irthing, the wall was made from squared stone and measured 3 metres wide and 5 to 6 metres high, while west of the river the wall was made from turf and measured 6 metres wide and 3.5 metres high. These dimensions do not include the wall's ditches and forts; the central section measured eight Roman feet wide on a 3 m base. Some parts of this section of the wall survive to a height of 3 m.
South of the wall, a large ditch was dug, with adjoining parallel mounds, one on either side. This is known today as the Vallum though the word vallum in Latin is the origin of the English word wall, does not refer to a ditch. In many places – for example Limestone Corner – the Vallum is better preserved than the wall, robbed of much of its stone. Hadrian's Wall extended west from Segedunum at Wallsend on the River Tyne, via Carlisle and Kirkandrews-on-Eden, to the shore of the Solway Firth, ending a short but unknown distance west of the village of Bowness-on-Solway; the A69 and B6318 roads follow the course of the wall from Newcastle upon Tyne to Carlisle along the northern coast of Cumbria. Although the curtain wall ends near Bowness-on-Solway, this does not mark the end of the line of defensive structures; the system of milecastles and turrets is known to have continued along the Cumbria coast as far as Risehow, south of Maryport. For classification purposes, the milecastles west of Bowness-on-Solway are referred to as Milefortlets.
Hadrian's Wall was planned before Hadrian's visit to Britain in 122. According to restored sandstone fragments found in Jarrow which date from 118 or 119, it was Hadrian's wish to keep "intact the empire", imposed on him via "divine instruction". Although Hadrian's biographer wrote " was the first to build a wall 80 miles long to separate the Romans from the barbarians", reasons for the construction of the wall vary, no recording of an exact explanation survives. Theories have been presented by historians of an expression of Roman power and Hadrian's policy of defence before expansion. On his accession to the throne in 117, there was unrest and rebellion in Roman Britain and from the peoples of various conquered lands across the Empire, including Egypt, Judea and Mauritania; these troubles may have influenced Hadrian's plan to construct the wall as well as his construction of limites in other areas of the Empire, but to what extent is unknown. Scholars disagree over how much of a threat the inhabitants of northern Britain presented and whether there was any economic advantage in defending and garrisoning a fixed line of defences like the Wall, rather than conquering and annexing what has become the Scottish Lowlands and defending the territory with a loose arrangement of forts.
The limites of Rome were never expected to stop tribes from migrating or armies from invading, while a frontier protected by a palisade or stone wall would help curb cattle-raiders and the incursions of other small groups, the economic viability of constructing and keeping guarded a wall 72 miles long along a sparsely populated border to stop small-scale raiding is dubious. Another possible explanation for the wall is the degree of control it would have provided over immigration and customs. Limites did not mark the boundaries of the empire: Roman power and influence extended beyond the walls. People within and beyond the limites travelled through it each day when conducting business, organised check-points like those offered by Hadrian's Wall provided good opportunities for taxation. With watch towers only a short distance from gateways in the limites, patrolling legionaries could have kept track of
A mosaic is a piece of art or image made from the assembling of small pieces of colored glass, stone, or other materials. It is used in decorative art or as interior decoration. Most mosaics are made of small, flat square, pieces of stone or glass of different colors, known as tesserae; some floor mosaics, are made of small rounded pieces of stone, called "pebble mosaics". Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece. Early Christian basilicas from the 4th century onwards were decorated with ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique. Roman and Byzantine influence led Jewish artists to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was used on religious buildings and palaces in early Islamic art, including Islam's first great religious building, the Dome of the Rock in Jerusalem, the Umayyad Mosque in Damascus.
Mosaic went out of fashion in the Islamic world after the 8th century. Modern mosaics are made by professional artists, street artists, as a popular craft. Many materials other than traditional stone and ceramic tesserae may be employed, including shells and beads; the earliest known examples of mosaics made of different materials were found at a temple building in Abra and are dated to the second half of 3rd millennium BC. They consist of pieces of colored stones and ivory. Excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Roman influence. Bronze age pebble mosaics have been found at Tiryns. Mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the food left on a floor after a feast and of a group of doves drinking from a bowl.
Both of these themes were copied. Greek figural mosaics could have been copied or adapted paintings, a far more prestigious artform, the style was enthusiastically adopted by the Romans so that large floor mosaics enriched the floors of Hellenistic villas and Roman dwellings from Britain to Dura-Europos. Most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire. Splendid mosaic floors are found in Roman villas across North Africa, in places such as Carthage, can still be seen in the extensive collection in Bardo Museum in Tunis, Tunisia. There were two main techniques in Greco-Roman mosaic: opus vermiculatum used tiny tesserae cubes of 4 millimeters or less, was produced in workshops in small panels which were transported to the site glued to some temporary support; the tiny tesserae allowed fine detail, an approach to the illusionism of painting. Small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work.
The normal technique was opus tessellatum, using larger tesserae, laid on site. There was a distinct native Italian style using black on a white background, no doubt cheaper than coloured work. In Rome and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, wall mosaics are found at Pompeii and neighbouring sites; however it seems that it was not until the Christian era that figural wall mosaics became a major form of artistic expression. The Roman church of Santa Costanza, which served as a mausoleum for one or more of the Imperial family, has both religious mosaic and decorative secular ceiling mosaics on a round vault, which represent the style of contemporary palace decoration; the mosaics of the Villa Romana del Casale near Piazza Armerina in Sicily are the largest collection of late Roman mosaics in situ in the world, are protected as a UNESCO World Heritage Site. The large villa rustica, owned by Emperor Maximian, was built in the early 4th century.
The mosaics were covered and protected for 700 years by a landslide that occurred in the 12th Century. The most important pieces are the Circus Scene, the 64m long Great Hunting Scene, the Little Hunt, the Labours of Hercules and the famous Bikini Girls, showing women undertaking a range of sporting activities in garments that resemble 20th Century bikinis; the peristyle, the imperial apartments and the thermae were decorated with ornamental and mythological mosaics. Other important examples of Roman mosaic art in Sicily were unearthed on the Piazza Vittoria in Palermo where two houses were discovered; the most important scenes there depicted are an Orpheus mosaic, Alexander the Great's Hunt and the Four Seasons. In 1913 the Zliten mosaic, a Roman mosaic famous for its many scenes from gladiatorial contests and everyday life, was discovered in the Libyan town of Zliten. In 2000 archaeologists working
The Hellenistic period covers the period of Mediterranean history between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire as signified by the Battle of Actium in 31 BC and the subsequent conquest of Ptolemaic Egypt the following year. The Ancient Greek word Hellas is the original word for Greece, from which the word Hellenistic was derived. At this time, Greek cultural influence and power was at its peak in Europe, North Africa and Western Asia, experiencing prosperity and progress in the arts, literature, architecture, mathematics and science, it is considered a period of transition, sometimes of decadence or degeneration, compared to the enlightenment of the Greek Classical era. The Hellenistic period saw the rise of New Comedy, Alexandrian poetry, the Septuagint and the philosophies of Stoicism and Epicureanism. Greek science was advanced by the works of the polymath Archimedes; the religious sphere expanded to include new gods such as the Greco-Egyptian Serapis, eastern deities such as Attis and Cybele and a syncretism between Hellenistic culture and Buddhism in Bactria and Northwest India.
After Alexander the Great's invasion of the Achaemenid Empire in 330 BC and its disintegration shortly after, the Hellenistic kingdoms were established throughout south-west Asia, north-east Africa and South Asia. The Hellenistic period was characterized by a new wave of Greek colonization which established Greek cities and kingdoms in Asia and Africa; this resulted in the export of Greek culture and language to these new realms, spanning as far as modern-day India. However, these new kingdoms were influenced by the indigenous cultures, adopting local practices where beneficial, necessary, or convenient. Hellenistic culture thus represents a fusion of the Ancient Greek world with that of the Near East, Middle East, Southwest Asia; this mixture gave rise to a common Attic-based Greek dialect, known as Koine Greek, which became the lingua franca through the Hellenistic world. Scholars and historians are divided as to; the Hellenistic period may be seen to end either with the final conquest of the Greek heartlands by Rome in 146 BC following the Achean War, with the final defeat of the Ptolemaic Kingdom at the Battle of Actium in 31 BC, or the move by Roman emperor Constantine the Great of the capital of the Roman Empire to Constantinople in 330 AD.
"Hellenistic" is distinguished from "Hellenic" in that the first encompasses the entire sphere of direct ancient Greek influence, while the latter refers to Greece itself. The word originated from the German term hellenistisch, from Ancient Greek Ἑλληνιστής, from Ἑλλάς. "Hellenistic" is a 19th-century concept. Although words related in form or meaning, e.g. Hellenist, have been attested since ancient times, it was Johann Gustav Droysen in the mid-19th century, who in his classic work Geschichte des Hellenismus, coined the term Hellenistic to refer to and define the period when Greek culture spread in the non-Greek world after Alexander's conquest. Following Droysen and related terms, e.g. Hellenism, have been used in various contexts; the major issue with the term Hellenistic lies in its convenience, as the spread of Greek culture was not the generalized phenomenon that the term implies. Some areas of the conquered world were more affected by Greek influences than others; the term Hellenistic implies that the Greek populations were of majority in the areas in which they settled, but in many cases, the Greek settlers were the minority among the native populations.
The Greek population and the native population did not always mix. While a few fragments exist, there is no complete surviving historical work which dates to the hundred years following Alexander's death; the works of the major Hellenistic historians Hieronymus of Cardia, Duris of Samos and Phylarchus which were used by surviving sources are all lost. The earliest and most credible surviving source for the Hellenistic period is Polybius of Megalopolis, a statesman of the Achaean League until 168 BC when he was forced to go to Rome as a hostage, his Histories grew to a length of forty books, covering the years 220 to 167 BC. The most important source after Polybius is Diodorus Siculus who wrote his Bibliotheca historica between 60 and 30 BC and reproduced some important earlier sources such as Hieronymus, but his account of the Hellenistic period breaks off after the battle of Ipsus. Another important source, Plutarch's Parallel Lives although more preoccupied with issues of personal character and morality, outlines the history of important Hellenistic figures.
Appian of Alexandria wrote a history of the Roman empire that includes information of some Hellenistic kingdoms. Other sources include Justin's epitome of Pompeius Trogus' Historiae Philipicae and a summary of Arrian's Events after Alexander, by Photios I of Constantinople. Lesser supplementary sources include Curtius Rufus, Pausanias and the Byzantine encyclopedia the Suda. In the field of philosophy, Diogenes Laër
A nymph in Greek mythology is a supernatural being associated with many other minor female deities that are associated with the air, seas or water, or particular locations or landforms. Different from Greek goddesses, nymphs are more regarded as divine spirits who animate or maintain Nature for the environments where they live, are depicted as beautiful, young graceful maidens, they are divided into various broad subgroups, such as Aurai, Nereides and Dryades The Greek word νύμφη has the primary meaning of "young woman. Yet the etymology of the noun νύμφη remains uncertain; the Doric and Aeolic form is νύμφα. Modern usage more applies to young women at the peak of their attractiveness, contrasting with parthenos "a virgin", generically as kore "maiden, girl"; the term is sometimes used by women to address each other and remains the regular Modern Greek term for "bride". Nymphs were sometimes beloved by many and dwell in most specific areas related to the natural environment. E.g. mountainous forests by springs or rivers.
Other nymphs appeared in the shape of young maidens, were part of the retinue of a god, such as Dionysus, Hermes, or Pan, or a goddess the huntress Artemis. The Greek nymphs were spirits invariably bound to places, not unlike the Latin genius loci, sometimes this produced complicated myths like cult of Arethusa to Sicily. In some of the works of the Greek-educated Latin poets, the nymphs absorbed into their ranks the indigenous Italian divinities of springs and streams, while the Lymphae, Italian water-goddesses, owing to the accidental similarity of their names, could be identified with the Greek Nymphae; the classical mythologies of the Roman poets were unlikely to have affected the rites and cults of individual nymphs venerated by country people in the springs and clefts of Latium. Among the Roman literate class, their sphere of influence was restricted, they appear exclusively as divinities of the watery element; the ancient Greek belief in nymphs survived in many parts of the country into the early years of the twentieth century, when they were known as "nereids".
Nymphs tended to frequent areas distant from humans but could be encountered by lone travelers outside the village, where their music might be heard, the traveler could spy on their dancing or bathing in a stream or pool, either during the noon heat or in the middle of the night. They might appear in a whirlwind; such encounters could be dangerous, bringing dumbness, besotted infatuation, madness or stroke to the unfortunate human. When parents believed their child to be nereid-struck, they would pray to Saint Artemidos. A motif that entered European art during the Renaissance was the idea of a statue of a nymph sleeping in a grotto or spring; this motif came from an Italian report of a Roman sculpture of a nymph at a fountain above the River Danube. The report, an accompanying poem on the fountain describing the sleeping nymph, are now concluded to be a fifteenth-century forgery, but the motif proved influential among artists and landscape gardeners for several centuries after, with copies seen at neoclassical gardens such as the grotto at Stourhead.
As H. J. Rose states, all the names for various classes of nymphs are plural feminine adjectives agreeing with the substantive nymphai, there was no single classification that could be seen as canonical and exhaustive. Thus, the classes of nymphs tend to overlap. Rose mentions dryads and hamadryads as nymphs of trees meliai as nymphs of ash trees, naiads as nymphs of water, but no others specifically; the following is not the authentic Greek classification, but is intended as a guide: The following is a list of groups of nymphs associated with this or that particular location. Nymphs in such groupings could belong to any of the classes mentioned above; the following is a selection of names of the nymphs whose class was not specified in the source texts. For lists of Naiads, Dryades etc. See respective articles. Sabrina Burkert, Walter. Greek Religion. Cambridge, MA: Harvard University Press. ISBN 978-0-674-36281-9. Larson, Jennifer Lynn. Greek Nymphs: Myth, Lore. New York: Oxford University Press. ISBN 978-0-19-514465-9.
Lawson, John Cuthbert, Modern Greek Folklore and Ancient Greek Religion, Cambridge University Press, Cambridge, 1910, p. 131 Nereids paleothea.com homepage Tomkinson, John L.. Haunted Greece: Nymphs and Other Exotika. Athens: Anagnosis. ISBN 978-960-88087-0-6; this article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed.. "Nymphs". Encyclopædia Britannica. 19. Cambridge University Press. P. 930. Theoi.com: Nymphs Theoi Project – List of Nymphs
Dresden is the capital city and, after Leipzig, the second-largest city of the Free State of Saxony in Germany. It is situated near the border with the Czech Republic. Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendor, was once by personal union the family seat of Polish monarchs; the city was known as the Jewel Box, because of its baroque and rococo city centre. The controversial American and British bombing of Dresden in World War II towards the end of the war killed 25,000 people, many of whom were civilians, destroyed the entire city centre. After the war restoration work has helped to reconstruct parts of the historic inner city, including the Katholische Hofkirche, the Zwinger and the famous Semper Oper. Since German reunification in 1990 Dresden is again a cultural and political centre of Germany and Europe; the Dresden University of Technology is one of the 10 largest universities in Germany and part of the German Universities Excellence Initiative.
The economy of Dresden and its agglomeration is one of the most dynamic in Germany and ranks first in Saxony. It is dominated by high-tech branches called “Silicon Saxony”; the city is one of the most visited in Germany with 4.3 million overnight stays per year. The royal buildings are among the most impressive buildings in Europe. Main sights are the nearby National Park of Saxon Switzerland, the Ore Mountains and the countryside around Elbe Valley and Moritzburg Castle; the most prominent building in the city of Dresden is the Frauenkirche. Built in the 18th century, the church was destroyed during World War II; the remaining ruins were left for 50 years as a war memorial, before being rebuilt between 1994 and 2005. Dresden has nearly 560,000 inhabitants, the agglomeration is the largest in Saxony with 780,000 inhabitants. According to the Hamburgische Weltwirtschaftsinstitut and Berenberg Bank in 2017, Dresden has the fourth best prospects for the future of all cities in Germany. Although Dresden is a recent city of Germanic origin followed by settlement of Slavic people, the area had been settled in the Neolithic era by Linear Pottery culture tribes ca. 7500 BC.
Dresden's founding and early growth is associated with the eastward expansion of Germanic peoples, mining in the nearby Ore Mountains, the establishment of the Margraviate of Meissen. Its name etymologically derives from meaning people of the forest. Dresden evolved into the capital of Saxony. Around the late 12th century, a Slavic settlement called Drežďany had developed on the southern bank. Another settlement existed on the northern bank, it was known as Antiqua Dresdin by 1350, as Altendresden, both "old Dresden". Dietrich, Margrave of Meissen, chose Dresden as his interim residence in 1206, as documented in a record calling the place "Civitas Dresdene". After 1270, Dresden became the capital of the margraviate, it was given to Friedrich Clem after death of Henry the Illustrious in 1288. It was taken by the Margraviate of Brandenburg in 1316 and was restored to the Wettin dynasty after the death of Valdemar the Great in 1319. From 1485, it was the seat of the dukes of Saxony, from 1547 the electors as well.
The Elector and ruler of Saxony Frederick Augustus I became King Augustus II the Strong of Poland in 1697. He gathered many of the best musicians and painters from all over Europe to the newly named Royal-Polish Residential City of Dresden, his reign marked the beginning of Dresden's emergence as a leading European city for technology and art. During the reign of Kings Augustus II the Strong and Augustus III of Poland most of the city's baroque landmarks were built; these include the Zwinger Royal Palace, the Japanese Palace, the Taschenbergpalais, the Pillnitz Castle and the two landmark churches: the Catholic Hofkirche and the Lutheran Frauenkirche. In addition significant art collections and museums were founded. Notable examples include the Dresden Porcelain Collection, the Collection of Prints and Photographs, the Grünes Gewölbe and the Mathematisch-Physikalischer Salon. In 1726 there was a riot for two days after a Protestant clergyman was killed by a soldier who had converted from Catholicism.
In 1729, by decree of King Augustus II the first Polish Military Academy was founded in Dresden. In 1730, it was relocated to Warsaw. Dresden suffered heavy destruction in the Seven Years' War, following its capture by Prussian forces, its subsequent re-capture, a failed Prussian siege in 1760. Friedrich Schiller wrote his Ode to Joy for the Dresden Masonic lodge in 1785. During the decline of Poland Dresden was site of preparations for the Polish Kościuszko Uprising; the city of Dresden had a distinctive silhouette, captured in famous paintings by Bernardo Bellotto and by Norwegian painter Johan Christian Dahl. Between 1806 and 1918 the city was the capital of the Kingdom of Saxony. During the Napoleonic Wars the French emperor made it a base of operations, winning there the famous Battle of Dresden on 27 August 1813. Following the November Uprising many Poles, including writers Juliusz Słowacki, Stefan Florian Garczyński, Klementyna Hoffmanowa and composer Frédéric Chopin, fled from the Russian Partition of Poland to Dresden.
National poet Adam Mickiewicz stayed several months in Dresden, starting in March 1832. He wrote the poetic drama Dziady, P