1.
Pantheon, Rome
–
The Pantheon is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus. The present building was completed by the emperor Hadrian and probably dedicated about 126 AD and he retained Agrippas original inscription, which has confused its date of construction as the original Pantheon burnt down so it is not certain when the present one was built. The building is circular with a portico of large granite Corinthian columns under a pediment, a rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening to the sky. Almost two thousand years after it was built, the Pantheons dome is still the worlds largest unreinforced concrete dome, the height to the oculus and the diameter of the interior circle are the same,43.3 metres. Mary and the Martyrs but informally known as Santa Maria Rotonda, the square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a property, ruled by Italys Ministry of Cultural Heritage and Activities and Tourism through the Polo Museale del Lazio. The Pantheons large circular domed cella, with a temple portico front, is unique in Roman architecture. Nevertheless, it became a standard exemplar when classical styles were revived, Pantheon is derived from the Ancient Greek Pantheion meaning of, relating to, or common to all the gods. His uncertainty strongly suggests that Pantheon was merely a nickname, not the name of the building. In fact, the concept of a dedicated to all the gods is questionable. The only definite pantheon recorded earlier than Agrippas was at Antioch in Syria and it seems highly significant that Dio does not quote the simplest explanation for the name—that the Pantheon was dedicated to all the gods. Godfrey and Hemsoll maintain that the word Pantheon need not denote a group of gods, or, indeed, even all the gods. Certainly the word pantheus or pantheos, could be applicable to individual deities…, bearing in mind also that the Greek word θεῖος need not mean of a god but could mean superhuman, or even excellent. It seems likely that the Pantheon and the Basilica of Neptune were Agrippas sacra privata and this less solemn designation would help explain how the building could have so easily lost its original name and purpose in such a relatively short period of time. However, archaeological excavations have shown that the Pantheon of Agrippa had been destroyed except for the façade. Lise Hetland argues that the present construction began in 114, under Trajan and her argument is particularly interesting in light of Heilmeyers argument that, based on stylistic evidence, Apollodorus of Damascus, Trajans architect, was the obvious architect. The form of Agrippas Pantheon is debated and this description was widely accepted until the late 20th century. The only passages referring to the decoration of the Agrippan Pantheon written by an eyewitness are in Plinys Natural History, from him we know that the capitals, too, of the pillars, which were placed by M
Pantheon, Rome
–
Pantheon
Pantheon, Rome
Pantheon, Rome
–
The Pantheon and the Fontana del Pantheon.
Pantheon, Rome
–
The Pantheon dome. The concrete for the
coffered dome was poured in moulds, probably mounted on temporary scaffolding. The oculus is the main source of natural light.
2.
Latin
–
Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
Latin
–
Latin inscription, in the
Colosseum
Latin
–
Julius Caesar 's
Commentarii de Bello Gallico is one of the most famous classical Latin texts of the Golden Age of Latin. The unvarnished, journalistic style of this
patrician general has long been taught as a model of the urbane Latin officially spoken and written in the floruit of the
Roman republic.
Latin
–
A multi-volume Latin dictionary in the
University Library of Graz
Latin
–
Latin and Ancient Greek Language - Culture - Linguistics at
Duke University in 2014.
3.
Ancient history
–
Ancient history is the aggregate of past events from the beginning of recorded human history and extending as far as the Early Middle Ages or the Postclassical Era. The span of recorded history is roughly 5,000 years, beginning with Sumerian Cuneiform script, the term classical antiquity is often used to refer to history in the Old World from the beginning of recorded Greek history in 776 BC. This roughly coincides with the date of the founding of Rome in 753 BC, the beginning of the history of ancient Rome. In India, ancient history includes the period of the Middle Kingdoms, and, in China. Historians have two major avenues which they take to better understand the ancient world, archaeology and the study of source texts, primary sources are those sources closest to the origin of the information or idea under study. Primary sources have been distinguished from secondary sources, which cite, comment on. Archaeology is the excavation and study of artefacts in an effort to interpret, archaeologists excavate the ruins of ancient cities looking for clues as to how the people of the time period lived. The study of the ancient cities of Harappa, Mohenjo-daro, the city of Pompeii, an ancient Roman city preserved by the eruption of a volcano in AD79. Its state of preservation is so great that it is a window into Roman culture and provided insight into the cultures of the Etruscans. The Terracotta Army, the mausoleum of the First Qin Emperor in ancient China, the discovery of Knossos by Minos Kalokairinos and Sir Arthur Evans. The discovery of Troy by Heinrich Schliemann, most of what is known of the ancient world comes from the accounts of antiquitys own historians. Although it is important to take account the bias of each ancient author. Some of the more notable ancient writers include Herodotus, Thucydides, Arrian, Plutarch, Polybius, Sima Qian, Sallust, Livy, Josephus, Suetonius, furthermore, the reliability of the information obtained from these surviving records must be considered. Few people were capable of writing histories, as literacy was not widespread in almost any culture until long after the end of ancient history, the earliest known systematic historical thought emerged in ancient Greece, beginning with Herodotus of Halicarnassus. He was also the first to distinguish between cause and immediate origins of an event, the Roman Empire was one of the ancient worlds most literate cultures, but many works by its most widely read historians are lost. Indeed, only a minority of the work of any major Roman historian has survived, prehistory is the period before written history. The early human migrations in the Lower Paleolithic saw Homo erectus spread across Eurasia 1.8 million years ago, the controlled use of fire occurred 800,000 years ago in the Middle Paleolithic. 250,000 years ago, Homo sapiens emerged in Africa, 60–70,000 years ago, Homo sapiens migrated out of Africa along a coastal route to South and Southeast Asia and reached Australia
Ancient history
–
Khafre's Pyramid (
4th dynasty) and
Great Sphinx of Giza (c. 2500 BC or perhaps earlier)
Ancient history
–
The Mediterranean in c. the 4th century BC. Phoenician cities are labelled in yellow, Greek cities in red, and other cities in grey.
Ancient history
–
Eastern Hemisphere in 500 BC.
4.
Byzantine architecture
–
Byzantine architecture is the architecture of the Byzantine Empire, also known as the Later Roman or Eastern Roman Empire. Byzantine architecture was influenced by Roman and Greek architecture and later Sassanian. Early Byzantine architecture drew upon earlier elements of Roman architecture, stylistic drift, technological advancement, and political and territorial changes meant that a distinct style gradually resulted in the Greek cross plan in church architecture. Most of the structures are sacred in nature, with secular buildings mostly known only through contemporaneous descriptions. Prime examples of early Byzantine architecture date from Justinian Is reign and survive in Ravenna and Istanbul, secular structures include the ruins of the Great Palace of Constantinople, the innovative walls of Constantinople and Basilica Cistern. A frieze in the Ostrogothic palace in Ravenna depicts an early Byzantine palace, remarkable engineering feats include the 430 m long Sangarius Bridge and the pointed arch of Karamagara Bridge. The period of the Macedonian dynasty, traditionally considered the epitome of Byzantine art, has not left a legacy in architecture. The cross-in-square type also became predominant in the Slavic countries which were Christianized by Salonikas missionaries during the Macedonian period, only national forms of architecture can be found in abundance due to this. Those styles can be found in many Transcaucasian countries, such as Russia, Bulgaria, Serbia, Croatia and other Slavic lands, the Paleologan period is well represented in a dozen former churches in Istanbul, notably St Saviour at Chora and St Mary Pammakaristos. Unlike their Slavic counterparts, the Paleologan architects never accented the vertical thrust of structures, as a result, there is little grandeur in the late medieval architecture of Byzantium. Other churches from the years predating the fall of Constantinople survive on Mount Athos. Those of the type we must suppose were nearly always vaulted. The most famous church of this type was that of the Holy Apostles, vaults appear to have been early applied to the basilican type of plan, for instance, at Hagia Irene, Constantinople, the long body of the church is covered by two domes. At Saint Sergius, Constantinople, and San Vitale, Ravenna, churches of the central type, finally, at Hagia Sophia a combination was made which is perhaps the most remarkable piece of planning ever contrived. This unbroken area, about 260 ft long, the part of which is over 100 ft wide, is entirely covered by a system of domical surfaces. Above the conchs of the small apses rise the two great semi-domes which cover the hemicycles, and between these bursts out the vast dome over the central square. On the two sides, to the north and south of the dome, it is supported by vaulted aisles in two storeys which bring the form to a general square. At the Holy Apostles five domes were applied to a cruciform plan, after the 6th century there were no churches built which in any way competed in scale with these great works of Justinian, and the plans more or less tended to approximate to one type
Byzantine architecture
–
Hagia Sophia Church,
Sofia,
Bulgaria
Byzantine architecture
–
The
basilica of
Sant'Apollinare Nuovo in
Ravenna
Byzantine architecture
–
The 11th-century monastery of
Hosios Loukas in Greece is representative of the Byzantine art during the rule of the
Macedonian dynasty.
Byzantine architecture
–
Interior of the
Hagia Sophia under renovation, showing many features of the grandest Byzantine architecture.
5.
Neoclassical architecture
–
Neoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century. In its purest form, it is a style derived from the architecture of classical antiquity, the Vitruvian principles. In form, Neoclassical architecture emphasizes the wall rather than chiaroscuro, Neoclassical architecture is still designed today, but may be labelled New Classical Architecture for contemporary buildings. In Central and Eastern Europe, the style is referred to as Classicism. Many early 19th-century neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée, the many graphite drawings of Boullée and his students depict spare geometrical architecture that emulates the eternality of the universe. There are links between Boullées ideas and Edmund Burkes conception of the sublime, the baroque style had never truly been to the English taste. The most popular was the four-volume Vitruvius Britannicus by Colen Campbell, the book contained architectural prints of famous British buildings that had been inspired by the great architects from Vitruvius to Palladio. At first the book featured the work of Inigo Jones. Palladian architecture became well established in 18th-century Britain, at the forefront of the new school of design was the aristocratic architect earl, Richard Boyle, 3rd Earl of Burlington, in 1729, he and William Kent, designed Chiswick House. This House was a reinterpretation of Palladios Villa Capra, but purified of 16th century elements and this severe lack of ornamentation was to be a feature of the Palladianism. In 1734 William Kent and Lord Burlington designed one of Englands finest examples of Palladian architecture with Holkham Hall in Norfolk, the main block of this house followed Palladios dictates quite closely, but Palladios low, often detached, wings of farm buildings were elevated in significance. This classicising vein was also detectable, to a degree, in the Late Baroque architecture in Paris. This shift was even visible in Rome at the redesigned façade for S, by the mid 18th century, the movement broadened to incorporate a greater range of Classical influences, including those from Ancient Greece. The shift to neoclassical architecture is conventionally dated to the 1750s, in France, the movement was propelled by a generation of French art students trained in Rome, and was influenced by the writings of Johann Joachim Winckelmann. The style was adopted by progressive circles in other countries such as Sweden. A second neoclassic wave, more severe, more studied and more consciously archaeological, is associated with the height of the Napoleonic Empire, in France, the first phase of neoclassicism was expressed in the Louis XVI style, and the second in the styles called Directoire or Empire. The Scottish architect Charles Cameron created palatial Italianate interiors for the German-born Catherine II the Great in St. Petersburg, indoors, neoclassicism made a discovery of the genuine classic interior, inspired by the rediscoveries at Pompeii and Herculaneum. These had begun in the late 1740s, but only achieved an audience in the 1760s
Neoclassical architecture
–
The
Cathedral of Vilnius
Neoclassical architecture
–
Woburn Abbey, an excellent example of English Palladianism, designed by
Burlington's student
Henry Flitcroft in 1746.
Neoclassical architecture
–
Altes Museum, built by
Karl Friedrich Schinkel in
Berlin.
Neoclassical architecture
–
Château de Malmaison, 1800, room for the
Empress Joséphine, on the cusp between
Directoire style and
Empire style
6.
French language
–
French is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages, French has evolved from Gallo-Romance, the spoken Latin in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues doïl—languages historically spoken in northern France and in southern Belgium, French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the Frankish language of the post-Roman Frankish invaders. Today, owing to Frances past overseas expansion, there are numerous French-based creole languages, a French-speaking person or nation may be referred to as Francophone in both English and French. French is a language in 29 countries, most of which are members of la francophonie. As of 2015, 40% of the population is in Europe, 35% in sub-Saharan Africa, 15% in North Africa and the Middle East, 8% in the Americas. French is the fourth-most widely spoken mother tongue in the European Union, 1/5 of Europeans who do not have French as a mother tongue speak French as a second language. As a result of French and Belgian colonialism from the 17th and 18th century onward, French was introduced to new territories in the Americas, Africa, most second-language speakers reside in Francophone Africa, in particular Gabon, Algeria, Mauritius, Senegal and Ivory Coast. In 2015, French was estimated to have 77 to 110 million native speakers, approximately 274 million people are able to speak the language. The Organisation internationale de la Francophonie estimates 700 million by 2050, in 2011, Bloomberg Businessweek ranked French the third most useful language for business, after English and Standard Mandarin Chinese. Under the Constitution of France, French has been the language of the Republic since 1992. France mandates the use of French in official government publications, public education except in specific cases, French is one of the four official languages of Switzerland and is spoken in the western part of Switzerland called Romandie, of which Geneva is the largest city. French is the language of about 23% of the Swiss population. French is also a language of Luxembourg, Monaco, and Aosta Valley, while French dialects remain spoken by minorities on the Channel Islands. A plurality of the worlds French-speaking population lives in Africa and this number does not include the people living in non-Francophone African countries who have learned French as a foreign language. Due to the rise of French in Africa, the total French-speaking population worldwide is expected to reach 700 million people in 2050, French is the fastest growing language on the continent. French is mostly a language in Africa, but it has become a first language in some urban areas, such as the region of Abidjan, Ivory Coast and in Libreville. There is not a single African French, but multiple forms that diverged through contact with various indigenous African languages, sub-Saharan Africa is the region where the French language is most likely to expand, because of the expansion of education and rapid population growth
French language
–
The
"arrêt" signs (French for "stop") are used in
Canada while the international stop, which is also a valid French word, is used in France as well as other French-speaking countries and regions.
French language
–
Regions where French is the main language
French language
–
Town sign in
Standard Arabic and French at the entrance of
Rechmaya in
Lebanon.
French language
–
An obsolete 100
Lebanese pound note with the French language inscriptions "Banque du Liban" and "Cent livres".
7.
Ancient Rome
–
In its many centuries of existence, the Roman state evolved from a monarchy to a classical republic and then to an increasingly autocratic empire. Through conquest and assimilation, it came to dominate the Mediterranean region and then Western Europe, Asia Minor, North Africa and it is often grouped into classical antiquity together with ancient Greece, and their similar cultures and societies are known as the Greco-Roman world. Ancient Roman civilisation has contributed to modern government, law, politics, engineering, art, literature, architecture, technology, warfare, religion, language and society. Rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the United States and France. By the end of the Republic, Rome had conquered the lands around the Mediterranean and beyond, its domain extended from the Atlantic to Arabia, the Roman Empire emerged with the end of the Republic and the dictatorship of Augustus Caesar. 721 years of Roman-Persian Wars started in 92 BC with their first war against Parthia and it would become the longest conflict in human history, and have major lasting effects and consequences for both empires. Under Trajan, the Empire reached its territorial peak, Republican mores and traditions started to decline during the imperial period, with civil wars becoming a prelude common to the rise of a new emperor. Splinter states, such as the Palmyrene Empire, would divide the Empire during the crisis of the 3rd century. Plagued by internal instability and attacked by various migrating peoples, the part of the empire broke up into independent kingdoms in the 5th century. This splintering is a landmark historians use to divide the ancient period of history from the pre-medieval Dark Ages of Europe. King Numitor was deposed from his throne by his brother, Amulius, while Numitors daughter, Rhea Silvia, because Rhea Silvia was raped and impregnated by Mars, the Roman god of war, the twins were considered half-divine. The new king, Amulius, feared Romulus and Remus would take back the throne, a she-wolf saved and raised them, and when they were old enough, they returned the throne of Alba Longa to Numitor. Romulus became the source of the citys name, in order to attract people to the city, Rome became a sanctuary for the indigent, exiled, and unwanted. This caused a problem for Rome, which had a large workforce but was bereft of women, Romulus traveled to the neighboring towns and tribes and attempted to secure marriage rights, but as Rome was so full of undesirables they all refused. Legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins, after a long time in rough seas, they landed at the banks of the Tiber River. Not long after they landed, the men wanted to take to the sea again, one woman, named Roma, suggested that the women burn the ships out at sea to prevent them from leaving. At first, the men were angry with Roma, but they realized that they were in the ideal place to settle. They named the settlement after the woman who torched their ships, the Roman poet Virgil recounted this legend in his classical epic poem the Aeneid
Ancient Rome
–
Senātus Populus que Rōmānus
Ancient Rome
–
Roman Republic
Ancient Rome
–
According to legend,
Rome was founded in 753 BC by
Romulus and Remus, who were raised by a she-wolf.
Ancient Rome
–
This bust from the
Capitoline Museums is traditionally identified as a portrait of
Lucius Junius Brutus.
8.
Byzantine Empire
–
It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until it fell to the Ottoman Turks in 1453. During most of its existence, the empire was the most powerful economic, cultural, several signal events from the 4th to 6th centuries mark the period of transition during which the Roman Empires Greek East and Latin West divided. Constantine I reorganised the empire, made Constantinople the new capital, under Theodosius I, Christianity became the Empires official state religion and other religious practices were proscribed. Finally, under the reign of Heraclius, the Empires military, the borders of the Empire evolved significantly over its existence, as it went through several cycles of decline and recovery. During the reign of Maurice, the Empires eastern frontier was expanded, in a matter of years the Empire lost its richest provinces, Egypt and Syria, to the Arabs. This battle opened the way for the Turks to settle in Anatolia, the Empire recovered again during the Komnenian restoration, such that by the 12th century Constantinople was the largest and wealthiest European city. Despite the eventual recovery of Constantinople in 1261, the Byzantine Empire remained only one of several small states in the area for the final two centuries of its existence. Its remaining territories were annexed by the Ottomans over the 15th century. The Fall of Constantinople to the Ottoman Empire in 1453 finally ended the Byzantine Empire, the term comes from Byzantium, the name of the city of Constantinople before it became Constantines capital. This older name of the city would rarely be used from this point onward except in historical or poetic contexts. The publication in 1648 of the Byzantine du Louvre, and in 1680 of Du Canges Historia Byzantina further popularised the use of Byzantine among French authors, however, it was not until the mid-19th century that the term came into general use in the Western world. The Byzantine Empire was known to its inhabitants as the Roman Empire, the Empire of the Romans, Romania, the Roman Republic, Graikia, and also as Rhōmais. The inhabitants called themselves Romaioi and Graikoi, and even as late as the 19th century Greeks typically referred to modern Greek as Romaika and Graikika. The authority of the Byzantine emperor as the legitimate Roman emperor was challenged by the coronation of Charlemagne as Imperator Augustus by Pope Leo III in the year 800. No such distinction existed in the Islamic and Slavic worlds, where the Empire was more seen as the continuation of the Roman Empire. In the Islamic world, the Roman Empire was known primarily as Rûm, the Roman army succeeded in conquering many territories covering the entire Mediterranean region and coastal regions in southwestern Europe and north Africa. These territories were home to different cultural groups, both urban populations and rural populations. The West also suffered heavily from the instability of the 3rd century AD
Byzantine Empire
–
Tremissis with the image of
Justinian the Great (r. 527–565) (see
Byzantine insignia)
Byzantine Empire
–
Byzantine
lamellar armour klivanium (Κλιβάνιον) - a predecessor of Ottoman krug
mirror armour
Byzantine Empire
–
The Baptism of Constantine painted by
Raphael 's pupils (1520–1524,
fresco, Vatican City,
Apostolic Palace);
Eusebius of Caesarea records that (as
was common among converts of early Christianity) Constantine delayed receiving
baptism until shortly before his death
Byzantine Empire
–
Restored section of the Theodosian Walls.
9.
Syria
–
Syrias capital and largest city is Damascus. Religious groups include Sunnis, Christians, Alawites, Druze, Mandeans, Shiites, Salafis, Sunni Arabs make up the largest religious group in Syria. Its capital Damascus and largest city Aleppo are among the oldest continuously inhabited cities in the world, in the Islamic era, Damascus was the seat of the Umayyad Caliphate and a provincial capital of the Mamluk Sultanate in Egypt. The post-independence period was tumultuous, and a number of military coups. In 1958, Syria entered a union with Egypt called the United Arab Republic. Syria was under Emergency Law from 1963 to 2011, effectively suspending most constitutional protections for citizens, Bashar al-Assad has been president since 2000 and was preceded by his father Hafez al-Assad, who was in office from 1970 to 2000. Mainstream modern academic opinion strongly favours the argument that the Greek word is related to the cognate Ἀσσυρία, Assyria, in the past, others believed that it was derived from Siryon, the name that the Sidonians gave to Mount Hermon. However, the discovery of the inscription in 2000 seems to support the theory that the term Syria derives from Assyria. The area designated by the word has changed over time, since approximately 10,000 BC, Syria was one of centers of Neolithic culture where agriculture and cattle breeding appeared for the first time in the world. The following Neolithic period is represented by houses of Mureybet culture. At the time of the pre-pottery Neolithic, people used vessels made of stone, gyps, finds of obsidian tools from Anatolia are evidences of early trade relations. Cities of Hamoukar and Emar played an important role during the late Neolithic, archaeologists have demonstrated that civilization in Syria was one of the most ancient on earth, perhaps preceded by only those of Mesopotamia. The earliest recorded indigenous civilisation in the region was the Kingdom of Ebla near present-day Idlib, gifts from Pharaohs, found during excavations, confirm Eblas contact with Egypt. One of the earliest written texts from Syria is an agreement between Vizier Ibrium of Ebla and an ambiguous kingdom called Abarsal c.2300 BC. The Northwest Semitic language of the Amorites is the earliest attested of the Canaanite languages, Mari reemerged during this period, and saw renewed prosperity until conquered by Hammurabi of Babylon. Ugarit also arose during this time, circa 1800 BC, close to modern Latakia, Ugaritic was a Semitic language loosely related to the Canaanite languages, and developed the Ugaritic alphabet. The Ugarites kingdom survived until its destruction at the hands of the marauding Indo-European Sea Peoples in the 12th century BC, Yamhad was described in the tablets of Mari as the mightiest state in the near east and as having more vassals than Hammurabi of Babylon. Yamhad imposed its authority over Alalakh, Qatna, the Hurrians states, the army of Yamhad campaigned as far away as Dēr on the border of Elam
Syria
–
Female figurine, 5000 BC.
Ancient Orient Museum.
Syria
–
Flag
Syria
–
God head, the kingdom of
Yamhad (c. 1600 BC)
Syria
–
Ebla royal palace c. 2400 BC
10.
Constantinople
–
Constantinople was the capital city of the Roman/Byzantine Empire, and also of the brief Latin, and the later Ottoman empires. It was reinaugurated in 324 AD from ancient Byzantium as the new capital of the Roman Empire by Emperor Constantine the Great, after whom it was named, Constantinople was famed for its massive and complex defences. The first wall of the city was erected by Constantine I, Constantinople never truly recovered from the devastation of the Fourth Crusade and the decades of misrule by the Latins. The origins of the name of Byzantion, more known by the later Latin Byzantium, are not entirely clear. The founding myth of the city has it told that the settlement was named after the leader of the Megarian colonists, Byzas. The later Byzantines of Constantinople themselves would maintain that the city was named in honour of two men, Byzas and Antes, though this was likely just a play on the word Byzantion. During this time, the city was also called Second Rome, Eastern Rome, and Roma Constantinopolitana. As the city became the remaining capital of the Roman Empire after the fall of the West, and its wealth, population, and influence grew. In the language of other peoples, Constantinople was referred to just as reverently, the medieval Vikings, who had contacts with the empire through their expansion in eastern Europe used the Old Norse name Miklagarðr, and later Miklagard and Miklagarth. In Arabic, the city was sometimes called Rūmiyyat al-kubra and in Persian as Takht-e Rum, in East and South Slavic languages, including in medieval Russia, Constantinople was referred to as Tsargrad or Carigrad, City of the Caesar, from the Slavonic words tsar and grad. This was presumably a calque on a Greek phrase such as Βασιλέως Πόλις, the modern Turkish name for the city, İstanbul, derives from the Greek phrase eis tin polin, meaning into the city or to the city. In 1928, the Turkish alphabet was changed from Arabic script to Latin script, in time the city came to be known as Istanbul and its variations in most world languages. In Greece today, the city is still called Konstantinoúpolis/Konstantinoúpoli or simply just the City, apart from this, little is known about this initial settlement, except that it was abandoned by the time the Megarian colonists settled the site anew. A farsighted treaty with the emergent power of Rome in c.150 BC which stipulated tribute in exchange for independent status allowed it to enter Roman rule unscathed. The site lay astride the land route from Europe to Asia and the seaway from the Black Sea to the Mediterranean, and had in the Golden Horn an excellent and spacious harbour. He would later rebuild Byzantium towards the end of his reign, in which it would be briefly renamed Augusta Antonina, fortifying it with a new city wall in his name, Constantine had altogether more colourful plans. Rome was too far from the frontiers, and hence from the armies and the imperial courts, yet it had been the capital of the state for over a thousand years, and it might have seemed unthinkable to suggest that the capital be moved to a different location. Constantinople was built over 6 years, and consecrated on 11 May 330, Constantine divided the expanded city, like Rome, into 14 regions, and ornamented it with public works worthy of an imperial metropolis
Constantinople
–
Constantinople in the Byzantine era
Constantinople
–
Map of Byzantine Constantinople
Constantinople
–
Emperor
Constantine I presents a representation of the city of Constantinople as tribute to an enthroned Mary and Christ Child in this church mosaic.
Hagia Sophia, c. 1000
Constantinople
–
Coin struck by Constantine I to commemorate the founding of Constantinople
11.
Bodrum Mosque
–
Bodrum Mosque in Istanbul, Turkey, is a former Eastern Orthodox church converted into a mosque by the Ottomans. The church was known under the Greek name of Myrelaion, the palace of Myrelaion was built on top of a giant fifth century rotunda which, with an external diameter of 41.8 metres, was the second largest, after the Roman Pantheon, in the ancient world. Near the palace the Emperor built a church, which he intended from the beginning to use as place for his family. The first person to be buried there was his wife Theodora, in December 922, followed by his eldest son and co-emperor Christopher, who died in 931. By doing so, Romanos interrupted a six-century old tradition, whereby almost all the Byzantine emperors since Constantine I were buried in the Church of the Holy Apostles. Later the Emperor converted his palace into a nunnery and, after his deposition and death in exile as monk in the island of Prote in June 948, the shrine was ravaged by fire in 1203, during the Fourth Crusade. Abandoned during the Latin occupation of Constantinople, the building was repaired at the end of the thirteenth century, during the period of the Palaiologan restoration. After the Ottoman conquest of Constantinople in 1453, the Myrelaion was converted into a mosque by Grand Vizier Mesih Paşa around the year 1500, the mosque was named after its substructure, but was also known under the name of its founder. The edifice was damaged again by fires in 1784 and 1911, in 1930, an excavation led by David Talbot Rice discovered the round cistern. In 1964-1965, a restoration led by the Archaeological Museum of Istanbul replaced almost all the external masonry of the edifice. In 1965, two parallel excavations led by art historian Cecil L. Striker and by R. Naumann focused respectively on the substructure, the building was finally restored in 1986 when it was reopened as mosque. In 1990, the cistern was restored too, and it has hosted a shopping mall for a few years, now the cistern is used by the women to pray. The central nave is surmounted by a dome, with a drum interrupted by arched windows. The four side naves are covered by barrel vaults, the edifice has a narthex to the west and a sanctuary to the east. The central bay of the narthex is covered by a dome, the nave is partitioned by four piers, which substituted in the Ottoman period the original columns. Many openings – windows, oeil-de-boeufs and arches – give light to the structure, the exterior of the building is characterized by the half cylindrical buttresses which articulate its façades. Originally an exonarthex existed too, but in the Ottoman period it was replaced by a wooden portico, the building has three polygonal apses. The central one belongs to the sanctuary, while the lateral are parts of two clover-shaped side chapels, prothesis and diakonikon, the Ottomans built a stone minaret close to the narthex
Bodrum Mosque
–
The mosque viewed from northwest as of 2007
Bodrum Mosque
–
The mosque in 1877
Bodrum Mosque
–
Plan of the building, one of the first examples of a
cross-in-square church.
Bodrum Mosque
12.
Stringcourse
–
A belt course, also called a stringcourse or sillcorse, is a continuous row or layer of stones or brick set in a wall. Set in line with window sills, it helps to make the line of the sills visually more prominent. Set between the floors of a house, it helps to make the separate floors distinguishable from the exterior of the building, the belt course often projects from the side of the building. Georgian architecture is notable for the use of belt courses, although the belt course has its origins as a structural component of a building, by the 18th century it was almost purely a decorative element and had no functional purpose. In brick or stone buildings taller than three stories, however, an angle is usually used to transfer the load of the wall to a hidden. Flashing is used to cover the space exposed by the angle to help limit the intrusion of water. Where flashing is considered aesthetically unpleasing, a course is often used
Stringcourse
–
Styles [edit]
13.
Renaissance architecture
–
Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the style was carried to France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Italy of the 15th century, and the city of Florence in particular, was home to the Renaissance, the scholarly approach to the architecture of the ancient coincided with the general revival of learning. A number of factors were influential in bringing this about, Italian architects had always preferred forms that were clearly defined and structural members that expressed their purpose. Many Tuscan Romanesque buildings demonstrate these characteristics, as seen in the Florence Baptistery, Italy had never fully adopted the Gothic style of architecture. In the 15th century, Florence, Venice and Naples extended their power through much of the area that surrounded them and this enabled Florence to have significant artistic influence in Milan, and through Milan, France. Successive Popes, especially Julius II, 1503–13, sought to extend the Pope’s temporal power throughout Italy, in the early Renaissance, Venice controlled sea trade over goods from the East. Trade brought wool from England to Florence, ideally located on the river for the production of fine cloth, by dominating Pisa, Florence gained a seaport, and also maintained dominance of Genoa. In this commercial climate, one family in particular turned their attention from trade to the business of money-lending. The Medici became the chief bankers to the princes of Europe, becoming virtually princes themselves as they did so, along the trade routes, and thus offered some protection by commercial interest, moved not only goods but also artists, scientists and philosophers. This commenced in the mid 15th century and gained momentum in the 16th century, the construction of the Sistine Chapel with its uniquely important decorations and the entire rebuilding of St Peters, one of Christendoms most significant churches, were part of this process. In wealthy republican Florence, the impetus for church-building was more civic than spiritual, the unfinished state of the enormous cathedral dedicated to the Blessed Virgin Mary did no honour to the city under her patronage. The dome inspired further religious works in Florence, through Humanism, civic pride and the promotion of civil peace and order were seen as the marks of citizenship. Some major ecclesiastical building works were commissioned, not by the church. During the Renaissance, architecture became not only a question of practice, printing played a large role in the dissemination of ideas. The first treatise on architecture was De re aedificatoria by Leon Battista Alberti in 1450 and it was to some degree dependent on Vitruviuss De architectura, a manuscript of which was discovered in 1414 in a library in Switzerland. De re aedificatoria in 1485 became the first printed book on architecture, Sebastiano Serlio produced the next important text, the first volume of which appeared in Venice in 1537, it was entitled Regole generali darchitettura. It is known as Serlios Fourth Book since it was the fourth in Serlios original plan of a treatise in seven books, in all, five books were published
Renaissance architecture
–
Tempietto di
San Pietro in Montorio, Rome, 1502, by
Bramante. This small temple marks the place where
St Peter was put to death.
Renaissance architecture
–
Temple of Vesta,
Rome, 205 AD. As the most important temple of Ancient Rome, it became the model for Bramante's Tempietto.
Renaissance architecture
–
Renaissance
Renaissance architecture
–
The Romanesque Baptistery of Florence was the object of Brunelleschi's studies of perspective
14.
Florence Cathedral
–
The Cattedrale di Santa Maria del Fiore is the main church of Florence, Italy. The exterior of the basilica is faced with marble panels in various shades of green. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and these three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major attraction to tourists visiting Tuscany. The basilica is one of Italys largest churches, and until development of new materials in the modern era. It remains the largest brick dome ever constructed, the cathedral is the mother church of the Roman Catholic Archdiocese of Florence, whose archbishop is currently Giuseppe Betori. Santa Maria del Fiore was built on the site of a cathedral dedicated to Saint Reparata. The new church was designed by Arnolfo di Cambio and approved by city council in 1294, di Cambio was also architect of the church of Santa Croce and the Palazzo Vecchio. He designed three wide naves ending under the dome, with the middle nave covering the area of Santa Reparata. The first stone was laid on September 9,1296, by Cardinal Valeriana, the building of this vast project was to last 140 years, Arnolfos plan for the eastern end, although maintained in concept, was greatly expanded in size. After Arnolfo died in 1310, work on the cathedral slowed for thirty years, when the relics of Saint Zenobius were discovered in 1330 in Santa Reparata, the project gained a new impetus. In 1331, the Arte della Lana, the guild of merchants, took over patronage for the construction of the cathedral. Assisted by Andrea Pisano, Giotto continued di Cambios design and his major accomplishment was the building of the campanile. When Giotto died in 1337, Andrea Pisano continued the building work was halted due to the Black Death in 1348. In 1359, Talenti was succeeded by Giovanni di Lapo Ghini who divided the nave in four square bays. Other architects were Alberto Arnoldi, Giovanni dAmbrogio, Neri di Fioravante, by 1375, the old church Santa Reparata was pulled down. The nave was finished by 1380, and by 1418, only the dome remained incomplete, on 18 August 1418, the Arte della Lana announced an architectural design competition for erecting Neris dome. The two main competitors were two master goldsmiths, Lorenzo Ghiberti and Filippo Brunelleschi, the latter of whom was supported by Cosimo de Medici. Ghiberti had been the winner of a competition for a pair of doors for the Baptistery in 1401
Florence Cathedral
–
Cathedral of Saint Mary of the Flower Cattedrale di Santa Maria del Fiore (Italian) Cathedral Sanctae Mariae Floris (Latin)
Florence Cathedral
–
Florence Cathedral
Florence Cathedral
–
Giotto's bell tower (campanile)
Florence Cathedral
–
The Duomo, as if completed, in a fresco by Andrea di Bonaiuto, painted in the 1360s, before the commencement of the dome
15.
Clerestorey
–
In architecture, a clerestory is a high section of wall that contains windows above eye level. The purpose is to light, fresh air, or both. Similar structures have been used in vehicles to provide additional lighting, ventilation. The technology of the clerestory appears to originate in the temples of ancient Egypt, Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, according to Biblical accounts, the Hebrew temple built by King Solomon featured clerestory windows made possible by the use of a tall, angled roof and a central ridgepole. The clerestory was used in the Hellenistic architecture of the periods of ancient Greek civilization. The Romans applied clerestories to basilicas of justice and to the basilica-like bath-houses and palaces, early Christian churches and some Byzantine churches, particularly in Italy, are based closely on the Roman basilica, and maintained the form of a central nave flanked by lower aisles on each side. The nave and aisles are separated by columns or piers, above which rises a wall pierced by clerestory windows, during the Romanesque period, many churches of the basilica form were constructed all over Europe. Many of these churches have wooden roofs with clerestories below them, some Romanesque churches have barrel vaulted ceilings with no clerestory. The development of the vault and ribbed vault made possible the insertion of clerestory windows. Initially the nave of an aisled and clerestoried church was of two levels, arcade and clerestory. During the Romanesque period a third level was inserted between them, a called the triforium. The triforium generally opens into space beneath the roof of the aisle. This became a feature of later Romanesque and Gothic large abbey. Sometimes another gallery set into the space above the triforium. This feature is found in some late Romanesque and early Gothic buildings in France, in smaller churches, clerestory windows may be trefoils or quatrefoils. In some Italian churches they are ocular, in most large churches, they are an important feature, both for beauty and for utility. The ribbed vaulting and flying buttresses of Gothic architecture concentrated the weight and thrust of the roof, in Gothic masterpieces, the clerestory is generally divided into bays by the vaulting shafts that continue the same tall columns that form the arcade separating the aisles from the nave
Clerestorey
–
The church of St Nicolai,
Stralsund. The clerestory is the level between the two green roofs, reinforced here by
flying buttress.
Clerestorey
–
The walls of the clerestory of the "basilica" style
Monreale cathedral are covered with
mosaic.
Clerestorey
–
Malmesbury Abbey,
Wiltshire,
England. The nave wall is divided into three stages: the upper stage with windows is the clerestory, beneath it is the triforium, and the lowest stage is the arcade.
Clerestorey
–
The clerestory of
Amiens Cathedral
16.
Italian Renaissance
–
The term Renaissance is in essence a modern one that came into currency in the 19th century, in the work of historians such as Jules Michelet and Jacob Burckhardt. The French word renaissance means Rebirth, and the era is best known for the renewed interest in the culture of classical antiquity after the period that Renaissance humanists labeled the Dark Ages. Though today perhaps best known for Italian Renaissance art and architecture, the period saw major achievements in literature, music, philosophy, Italy became the recognized European leader in all these areas by the late 15th century, and to varying degrees retained this lead until about 1600. This was despite a turbulent and generally disastrous period in Italian politics, the European Renaissance began in Tuscany, and centred in the city of Florence. It later spread to Venice, where the remains of ancient Greek culture were brought together, the Renaissance later had a significant effect on Rome, which was ornamented with some structures in the new allantico mode, then was largely rebuilt by humanist sixteenth-century popes. The Italian Renaissance peaked in the century as foreign invasions plunged the region into the turmoil of the Italian Wars. However, the ideas and ideals of the Renaissance endured and spread into the rest of Europe, setting off the Northern Renaissance, the Italian Renaissance is best known for its cultural achievements. Accounts of Renaissance literature usually begin with Petrarch and his friend, famous vernacular poets of the 15th century include the renaissance epic authors Luigi Pulci, Matteo Maria Boiardo, and Ludovico Ariosto. 15th century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek, the same is true for architecture, as practiced by Brunelleschi, Leon Battista Alberti, Andrea Palladio, and Bramante. Their works include Florence Cathedral, St. Peters Basilica in Rome, yet cultural contributions notwithstanding, some present-day historians also see the era as one of the beginning of economic regression for Italy. By the Late Middle Ages, Latium, the heartland of the Roman Empire. Rome was a city of ancient ruins, and the Papal States were loosely administered, and vulnerable to external interference such as that of France, and later Spain. The Papacy was affronted when the Avignon Papacy was created in southern France as a consequence of pressure from King Philip the Fair of France, in the south, Sicily had for some time been under foreign domination, by the Arabs and then the Normans. Sicily had prospered for 150 years during the Emirate of Sicily, in contrast Northern and Central Italy had become far more prosperous, and it has been calculated that the region was among the richest of Europe. The Crusades had built lasting trade links to the Levant, the main trade routes from the east passed through the Byzantine Empire or the Arab lands and onwards to the ports of Genoa, Pisa, and Venice. Luxury goods bought in the Levant, such as spices, dyes, moreover, the inland city-states profited from the rich agricultural land of the Po valley. From France, Germany, and the Low Countries, through the medium of the Champagne fairs, land and river trade routes brought goods such as wool, wheat, and precious metals into the region. The extensive trade that stretched from Egypt to the Baltic generated substantial surpluses that allowed significant investment in mining, thus, while northern Italy was not richer in resources than many other parts of Europe, the level of development, stimulated by trade, allowed it to prosper
Italian Renaissance
–
Renaissance
Italian Renaissance
–
Pandolfo Malatesta (1417–1468), lord of
Rimini, by
Piero della Francesca. Malatesta was a capable
condottiere, following the tradition of his family. He was hired by the
Venetians to fight against the
Turks (unsuccessfully) in 1465, and was patron of
Leone Battista Alberti, whose
Tempio Malatestiano at Rimini is one of the first entirely classical buildings of the Renaissance.
Italian Renaissance
–
Leonardo da Vinci, Italian
Renaissance Man
Italian Renaissance
–
Giulio Clovio,
Adoration of the Magi and
Solomon Adored by the
Queen of Sheba from the Farnese Hours, 1546.
17.
Cupola
–
In architecture, a cupola /ˈkjuːpələ/ is a small, most often dome-like, structure on top of a building. Often used to provide a lookout or to light and air. The word derives, via Italian, from the lower Latin cupula small cup indicating a vault resembling an upside down cup. The cupola is a development during the Renaissance of the oculus, an ancient device found in Roman architecture, the chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often appear as small buildings in their own right and they often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret, barns often have cupolas for ventilation. The square, dome-like segment of a North American railroad train caboose that contains the second-level or angel seats is called a cupola. Some armored fighting vehicles have cupolas, called commanders cupola, which is a dome or cylinder with armored glass to provide 360-degree vision around the vehicle
Cupola
–
Cupolas on the towers of
Montefiascone Cathedral, Italy.
Cupola
–
Interior of cupola ceiling in the old
Synagogue of
Győr,
Hungary.
Cupola
–
Ribbed cupola crowns the minaret of the
Mosque of Uqba, in Kairouan,
Tunisia.
Cupola
–
Inside of Armenian Orthodox church cupola in
Lviv,
Ukraine.
18.
Skylight (window)
–
Daylighting is the practice of placing windows or other openings and reflective surfaces so that during the day natural light provides effective internal lighting. Particular attention is given to daylighting while designing a building when the aim is to maximize visual comfort or to reduce energy use, Energy savings can be achieved from the reduced use of artificial lighting or from passive solar heating. Daylighting is a term given to a common centuries-old, geography. The amount of daylight received in a space can be analyzed by measuring illuminance on a grid or undertaking a daylight factor calculation. Today, the use of software, such as Radiance, can allow an architect or engineer to quickly undertake complex calculations to review the benefit of a particular design, the source of all daylight is the sun. The proportion of direct to diffuse light impacts the amount and quality of daylight, solar radiation that reaches a site without being scattered within the earth’s atmosphere is called direct sunlight. In contrast, light that is scattered in the atmosphere is referred to as diffused daylight, ground reflected light also contributes to the daylight. Each climate has different composition of these daylights and different cloud coverage, so daylighting strategies vary with site locations, traditionally, houses were designed with minimal windows on the polar side but more and larger windows on the equatorial-side. Equatorial-side windows receive at least some direct sunlight on any day of the year so they are effective at daylighting areas of the house adjacent to the windows. Even so, during mid-winter, light incidence is highly directional and this may be partially ameliorated through light diffusion, light pipes or tubes, and through somewhat reflective internal surfaces. In fairly low latitudes in summertime, windows that face east and west, windows are the most common way to admit daylight into a space. Their vertical orientation means that they selectively admit sunlight and diffuse daylight at different times of the day, therefore, windows on multiple orientations must usually be combined to produce the right mix of light for the building, depending on the climate and latitude. Different types and grades of glass and different window treatments can also affect the amount of transmission through the windows. The type of glazing is an important issue, expressed by its VT coefficient, as the name suggests, this coefficient measures how much visible light is admitted by the window. A low VT can reduce by half or more the coming into a room. But be also aware of high VT glass, high VT numbers can be a cause of glare, on the other hand, you should also take into account the undesirable effects of large windows. Another important element in creating daylighting is the use of clerestory windows and these are high, vertically placed windows. They can be used to increase direct solar gain when oriented towards the equator, when facing toward the sun, clerestories and other windows may admit unacceptable glare
Skylight (window)
–
A
skylight providing internal illumination
Skylight (window)
–
A conventional
window
Skylight (window)
–
Clerestory windows
Skylight (window)
–
Modern
skylight
19.
Palladio
–
Andrea Palladio was an Italian architect active in the Republic of Venice. Palladio, influenced by Roman and Greek architecture, primarily by Vitruvius, is considered to be the most influential individual in the history of architecture. All of his buildings are located in what was the Venetian Republic, the city of Vicenza and the Palladian Villas of the Veneto are UNESCO World Heritage Sites. Palladio was born on 30 November 1508 in Padua and was given the name and his father, Pietro, called Della Gondola, was a miller. From early on, Andrea Palladio was introduced into the work of building, in Padua he gained his first experiences as a stonecutter in the sculpture workshop of Bartolomeo Cavazza da Sossano, who is said to have imposed particularly hard working conditions. At the age of sixteen he moved to Vicenza where he would reside for most of his life, here he became an assistant in the Pedemuro studio, a leading workshop of stonecutters and masons. He joined a guild of stonemasons and bricklayers and he was employed as a stonemason to make monuments and decorative sculptures. These sculptures reflected the Mannerist style of the architect Michele Sanmicheli, perhaps the key moment that sparked Palladios career was being employed by the Humanist poet and scholar, Gian Giorgio Trissino, from 1538 to 1539. While Trissino was reconstructing the Villa Cricoli, he took interest in Palladios work, Trissino was heavily influenced by the studies of Vitruvius, who later influenced Palladios own ideals and attitudes toward classical architecture. It was also Trissino who gave him the name by which he became known, Palladio, indeed, the word Palladio means Wise one. The powerful Barbaros introduced Palladio to Venice, where he finally became Proto della Serenissima after Jacopo Sansovino, in addition to the Barbaros, the Corner, Foscari, and Pisani families supported Palladios career. Andrea Palladio began to develop his own architectural style around 1541, the Palladian style, named after him, adhered to classical Roman principles he rediscovered, applied, and explained in his works. Andrea Palladio is known to be one of the most influential architects in Western architecture and his architectural works have been valued for centuries as the quintessence of High Renaissance calm and harmony. He designed many palaces, villas, and churches, but Palladios reputation, initially, the palladian villas are located mainly in the province of Vicenza, while the palazzi are concentrated in the city of Vicenza and the churches in Venice. A number of his works are now protected as part of the World Heritage Site City of Vicenza, other buildings by Palladio are to be found within the Venice and its Lagoon World Heritage Site. Palladios first major public project began when his designs for building the loggias for the town hall and he proposed an addition of two-storey stone buttresses reflecting the Gothic style of the existing hall while using classical proportions. The construction was completed in 1617 after Palladios death, aside from Palladios designs, his publications contributed to Palladianism. During the second half of his life, Palladio published many books, above all, Palladio is most known for his designs of villas and palaces as well as his books
Palladio
–
Portrait of Palladio from 1576
Palladio
–
Façade of
Palazzo Chiericati in Vicenza
Palladio
–
Villa Foscari "La Malcontenta", 1550–60
Palladio
–
Statue of Palladio in Vicenza
20.
Villa Rotonda
–
Villa La Rotonda is a Renaissance villa just outside Vicenza in northern Italy, and designed by Andrea Palladio. The proper name is Villa Almerico Capra Valmarana, but it is known as La Rotonda, Villa Rotonda, Villa Capra. The name Capra derives from the Capra brothers, who completed the building after it was ceded to them in 1592, along with other works by Palladio, the building is conserved as part of the World Heritage Site City of Vicenza and the Palladian Villas of the Veneto. In 1565 a priest, Paolo Almerico, on his retirement from the Vatican, decided to return to his town of Vicenza in the Venetian countryside. This house, later known as La Rotonda, was to be one of Palladios best-known legacies to the architectural world, Villa Capra may have inspired a thousand subsequent buildings, but the villa was itself inspired by the Pantheon in Rome. The site selected was a hilltop just outside the city of Vicenza, unlike some other Palladian villas, the building was not designed from the start to accommodate a working farm. This sophisticated building was designed for a site which was, in modern terminology, Palladio classed the building as a palazzo rather than a villa. The design is for a symmetrical building having a square plan with four facades. The whole is contained within a circle which touches each corner of the building. The name La Rotonda refers to the circular hall with its dome. To describe the villa, as a whole, as a rotonda is technically incorrect, as the building is not circular, each portico has steps leading up, and opens via a small cabinet or corridor to the circular domed central hall. This and all rooms were proportioned with mathematical precision according to Palladios own rules of architecture which he published in the Quattro Libri dellArchitettura. Someone needs to add the dimensions of work of architecture. The design reflected the humanist values of Renaissance architecture, in order for each room to have some sun, the design was rotated 45 degrees from each cardinal point of the compass. Each of the four porticos has pediments graced by statues of classical deities, the pediments were each supported by six Ionic columns. Each portico was flanked by a single window, all principal rooms were on the second floor or piano nobile. Neither Palladio nor the owner, Paolo Almerico, were to see the completion of the villa, Palladio died in 1580 and a second architect, Vincenzo Scamozzi, was employed by the new owners to oversee the completion. One of the changes he made to the original plan was to modify the two-storey centre hall
Villa Rotonda
–
Villa Capra "La Rotonda" in Vicenza.
Villa Rotonda
–
Palladio's plan of Villa La Rotonda, in I Quattro Libri dell'Architettura 1570.
Villa Rotonda
–
Interior of the rotonda
Villa Rotonda
–
Front
21.
Baroque architecture
–
It was characterized by new explorations of form, light and shadow, and dramatic intensity. Baroque architecture and its embellishments were on the one hand more accessible to the emotions and on the other hand, the new style manifested itself in particular in the context of the new religious orders, like the Theatines and the Jesuits who aimed to improve popular piety. The architecture of the High Roman Baroque can be assigned to the reigns of Urban VIII, Innocent X and Alexander VII. Dissemination of Baroque architecture to the south of Italy resulted in variations such as Sicilian Baroque architecture or that of Naples. To the north, the Theatine architect Camillo-Guarino Guarini, Bernardo Vittone and Sicilian born Filippo Juvarra contributed Baroque buildings to the city of Turin and the Piedmont region. A synthesis of Bernini, Borromini and Cortona’s architecture can be seen in the late Baroque architecture of northern Europe which paved the way for the more decorative Rococo style. During the 17th century, Baroque architecture spread through Europe and Latin America, michelangelos late Roman buildings, particularly St. Peters Basilica, may be considered precursors to Baroque architecture. Colonialism required the development of centralized and powerful governments with Spain and France, the initial mismanagement of colonial wealth by the Spaniards bankrupted them in the 16th century, recovering only slowly in the following century. While this was good for the industries and the arts, the new wealth created an inflation. Rome was known just as much for its new sumptuous churches as for its vagabonds, one of the first Roman structures to break with the Mannerist conventions exemplified in the Gesù, was the church of Santa Susanna, designed by Carlo Maderno. The dynamic rhythm of columns and pilasters, central massing, there is an incipient playfulness with the rules of classic design, but it still maintains rigor. These concerns are more evident in his reworking of Santa Maria della Pace. Probably the most well known example of such an approach is Saint Peters Square, the piazza, designed by Gian Lorenzo Bernini, is formed principally by two colonnades of free standing columns centred on an Egyptian obelisk. Berninis own favourite design was his church of SantAndrea al Quirinale decorated with polychome marbles. His secular architecture included the Palazzo Barberini based on plans by Maderno, Berninis rival, the architect Francesco Borromini, produced designs that deviated dramatically from the regular compositions of the ancient world and Renaissance. His building plans were based on geometric figures, his architectural forms were unusual and inventive. Borrominis architectural spaces seem to expand and contract when needed, showing some affinity with the style of Michelangelo. A later work, the church of SantIvo alla Sapienza, displays the same playful inventiveness and antipathy to the flat surface, following the death of Bernini in 1680, Carlo Fontana emerged as the most influential architect working in Rome
Baroque architecture
–
Façade of the
Church of the Gesù, the first truly baroque façade
Baroque architecture
–
Elector's Palace in
Trier,
Germany
Baroque architecture
–
Santa Susanna in
Rome,
Italy
Baroque architecture
–
Church of Saints Peter and Paul in
Kraków,
Poland
22.
Neo-Palladian
–
Palladian architecture is a European style of architecture derived from and inspired by the designs of the Venetian architect Andrea Palladio. That which is recognised as Palladian architecture today is an evolution of Palladios original concepts, Palladios work was strongly based on the symmetry, perspective and values of the formal classical temple architecture of the Ancient Greeks and Romans. From the 17th century Palladios interpretation of classical architecture was adapted as the style known as Palladianism. It continued to develop until the end of the 18th century, Palladianism became popular briefly in Britain during the mid-17th century, but its flowering was cut short by the onset of the Civil War and the imposition of austerity which followed. In the early 18th century it returned to fashion, not only in England but also, the style continued to be popular in Europe throughout the 19th and early 20th centuries, where it was frequently employed in the design of public and municipal buildings. However, as a style it has continued to be popular and to evolve, its pediments, symmetry. Buildings entirely designed by Palladio are all in Venice and the Veneto, with an especially rich grouping of palazzi in Vicenza and they include villas, and churches such as Redentore in Venice. Palladio always designed his villas with reference to their setting, if on a hill, such as Villa Capra, facades were frequently designed to be of equal value so that occupants could have fine views in all directions. Also, in cases, porticos were built on all sides so that occupants could fully appreciate the countryside while being protected from the sun. Palladio sometimes used a loggia as an alternative to the portico and this can most simply be described as a recessed portico, or an internal single storey room, with pierced walls that are open to the elements. Occasionally a loggia would be placed at floor level over the top of a loggia below. Loggias were sometimes given significance in a facade by being surmounted by a pediment, Villa Godi has as its focal point a loggia rather than a portico, plus loggias terminating each end of the main building. Palladio would often model his villa elevations on Roman temple facades, the temple influence, often in a cruciform design, later became a trademark of his work. Palladian villas are built with three floors, a rusticated basement or ground floor, containing the service and minor rooms. The proportions of each room within the villa were calculated on simple mathematical ratios like 3,4 and 4,5, earlier architects had used these formulas for balancing a single symmetrical facade, however, Palladios designs related to the whole, usually square, villa. Palladio deeply considered the purpose of his villas as both farmhouses and palatial weekend retreats for wealthy merchant owners. These symmetrical temple-like houses often have symmetrical, but low, wings sweeping away from them to accommodate horses, farm animals. The wings, sometimes detached and connected to the villa by colonnades, were designed not only to be functional but also to complement, the Palladian, Serlian, or Venetian window features largely in Palladios work and is almost a trademark of his early career
Neo-Palladian
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A villa with a superimposed portico, from Book IV of Palladio's
I Quattro Libri dell'Architettura, in an English translation published in London, 1736.
Neo-Palladian
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Plan for Palladio's
Villa Rotonda. Features of the house were to become incorporated in numerous Palladian style houses throughout Europe over the following centuries.
Neo-Palladian
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"True Palladianism" in
Villa Godi by Palladio from the
Quattro Libri dell'Architettura. The extending wings are agricultural buildings and are not part of the villa. In the 18th century they became an important part of Palladianism—see photograph of
Woburn Abbey below.
Neo-Palladian
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Claydon House (begun 1757), here the Palladian window in the central bay is surrounded by a unifying blind arch. This house was intended to be one of two flanking wings to a vast Palladian house; the scheme was never completed.
23.
Colen Campbell
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Colen Campbell was a pioneering Scottish architect and architectural writer, credited as a founder of the Georgian style. For most of his career, he resided in Italy and England, a descendent of the Campbells of Cawdor Castle, he is believed to be the Colinus Campbell who graduated from the University of Edinburgh in July 1695. He initially trained as a lawyer, being admitted to the Faculty of Advocates on 29 July 1702 and he had travelled in Italy from 1695–1702 and is believed to be the Colinus Campbell who signed the visitors book at the University of Padua in 1697. He is believed to have trained in and studied architecture under James Smith and his major published work, Vitruvius Britannicus, or the British Architect. Appeared in three volumes between 1715 and 1725, Vitruvius Britannicus was the first architectural work to originate in England since John Shutes Elizabethan First Groundes. Buildings were shown in plan, section and elevation, but also some were in a birds-eye perspective, the drawings and designs contained in the book were under way before Campbell was drawn into the speculative scheme. The success of the volumes was instrumental in popularising neo-Palladian Architecture in Great Britain, Campbell was influenced as a young man by James Smith, the pre-eminent Scots architect of his day, and an early neo-Palladian whom Campbell called the most experienced architect of Scotland. The somewhat promotional volume, with its excellently rendered engravings, came at a moment at the beginning of a boom in country house. When Benson, the new Surveyor was turned out of office, remodelled the front and provided an entrance gateway for Richard Boyle, 3rd Earl of Burlington Stourhead, Wiltshire, 1721–24, as a seat for the London-based banker Henry Hoare. Wings were added in the later 18th century, and Campbells portico was not executed until 1841, the famous landscape garden round a lake, somewhat apart from the house, was developed after Campbells death, by Henry Flitcroft. Pembroke House, Whitehall, London, for Henry Herbert, 9th Earl of Pembroke,1723 and it was rebuilt in 1757 and demolished in 1913. Lord Herbert was inspired by it to design the similar Marble Hill at Twickenham for Henrietta Howard, Countess of Suffolk, houghton Hall, Norfolk, begun 1722, for Sir Robert Walpole, the Whig prime minister. Here Campbell was replaced by Gibbs, who capped the end pavilions with domes, and by William Kent. Mereworth Castle, Kent 1722 –25, Campbells most overtly palladian design, based on Villa La Rotonda, capped with a dome with no drum, waverley Abbey, Surrey ca 1723–25 for John Aislabie Nos 76 and 78 Brook Street, London W1,1725 –26. 76, which survives, was Campbells own house, the designs for its interiors published in his Five Orders of architecture and it carries a blue plaque commemorating him
Colen Campbell
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Wanstead House, as built, illustrated in
Nathaniel Spencer, The Complete English traveller, London 1771
Colen Campbell
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Marble Hill House, Twickenham
Colen Campbell
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Blue plaque on 76 Brook Street, London W1
Colen Campbell
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Title page, Vitruvius Britannicus; or, The British architect, containing the plans, elevations, and sections of the regular buildings, both publick and private in Great Britain, with variety of new designs, written by Colen Campbell
24.
Thomas Jefferson
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Thomas Jefferson was an American Founding Father who was the principal author of the Declaration of Independence and later served as the third President of the United States from 1801 to 1809. Previously, he was elected the second Vice President of the United States, Jefferson was primarily of English ancestry, born and educated in colonial Virginia. He graduated from the College of William & Mary and briefly practiced law and he became the United States Minister to France in May 1785, and subsequently the nations first Secretary of State in 1790–1793 under President George Washington. Jefferson and James Madison organized the Democratic-Republican Party to oppose the Federalist Party during the formation of the First Party System, as President, Jefferson pursued the nations shipping and trade interests against Barbary pirates and aggressive British trade policies. He also organized the Louisiana Purchase, almost doubling the countrys territory, as a result of peace negotiations with France, his administration reduced military forces. Jeffersons second term was beset with difficulties at home, including the trial of former Vice President Aaron Burr, American foreign trade was diminished when Jefferson implemented the Embargo Act of 1807, responding to British threats to U. S. shipping. In 1803, Jefferson began a process of Indian tribe removal to the newly organized Louisiana Territory. Jefferson mastered many disciplines, which ranged from surveying and mathematics to horticulture and he was a proven architect in the classical tradition. Jeffersons keen interest in religion and philosophy earned him the presidency of the American Philosophical Society and he shunned organized religion, but was influenced by both Christianity and deism. He was well versed in linguistics and spoke several languages and he founded the University of Virginia after retiring from public office. He was a letter writer and corresponded with many prominent and important people throughout his adult life. His only full-length book is Notes on the State of Virginia, Jefferson owned several plantations which were worked by hundreds of slaves. Most historians now believe that, after the death of his wife in 1782, he had a relationship with his slave Sally Hemings and fathered at least one of her children. Various modern scholars are more critical of Jeffersons private life, pointing out the discrepancy between his ownership of slaves and his political principles, for example. Presidential scholars, however, consistently rank Jefferson among the greatest presidents, Thomas Jefferson was born on April 13,1743, at the family home in Shadwell in the Colony of Virginia, the third of ten children. He was of English and possibly Welsh descent and was born a British subject and his father Peter Jefferson was a planter and surveyor who died when Jefferson was fourteen, his mother was Jane Randolph. Peter Jefferson moved his family to Tuckahoe Plantation in 1745 upon the death of a friend who had named him guardian of his children, the Jeffersons returned to Shadwell in 1752, where Peter died in 1757, his estate was divided between his sons Thomas and Randolph. Thomas inherited approximately 5,000 acres of land, including Monticello and he assumed full authority over his property at age 21
Thomas Jefferson
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Thomas Jefferson
Thomas Jefferson
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Wren Building (rear), College of William & Mary where Jefferson studied
Thomas Jefferson
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House of Burgesses in Williamsburg, Virginia, where Jefferson served 1769–1775
Thomas Jefferson
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Jefferson's home, Monticello
25.
The Rotunda (University of Virginia)
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The Rotunda is a building located on The Lawn in the original grounds of the University of Virginia. It was designed by Thomas Jefferson to represent the authority of nature, construction began in 1822 and was completed shortly after Jeffersons death in 1826. The grounds of the new university were unique in that they surrounded a library housed in the Rotunda rather than a church, as was common at other universities in the English-speaking world. The Rotunda is seen as a symbol of Jeffersons belief in the separation of church and education. It was designated a National Historic Landmark in 1966, and is part of the landmark University of Virginia Historic District, the original construction cost of the Rotunda was $57,773. The building stands 77 feet in height and diameter. Jeffersons design was influenced by the drawings of Andrea Palladio and is an example of Palladian architecture. The direct source for Jeffersons inspiration is believed to be a drawing of the Pantheon in the 1721 Leoni translation of Palladio, Jefferson used the detailed measurements of the Pantheon to guide the proportions of his Rotunda. The Pantheons dome is 143 feet in diameter, while Jeffersons Rotunda is 77 feet, being half that of the Pantheon and consequently one fourth in area, Jefferson also deferred to Palladios model for significant details of the building. In a letter to Thomas Appleton, then the United States consul in Liguria, half capitals of the same diam. for pilasters of 30 minutes projection from the wall, to be copied from those of the Rotunda, or Pantheon, of Rome, as represented in Palladio. This moved Jefferson, and he later had the phrase inscribed on his grave, a bust of Lafayette was given to the University in 1904 by the Government of France to honor the friendship between the two men. Today it stands in the North Oval Room and he went so far as to begin designing a new mechanism with which students would be able to float through the air and study heavenly bodies from closer different viewpoints. They would also be equipped with a control to move the stars around the Dome, the idea was eventually abandoned but would have been the first planetarium in the United States. The Transit of Venus of 1882 was observed from the steps of the Rotunda, a structure called the Annex, also known as New Hall, was added to the north side of the Rotunda in 1853 to provide additional classroom space needed due to overcrowding. In 1895, the Rotunda was entirely gutted by a fire that started in the Annex. University students saved what was, for them, the most important item within the Rotunda — a life-size likeness of Mr, in the new design, the wooden dome was replaced with a fireproof tile dome by the Guastavino Company of New York in 1898-1899. The Rotunda was rebuilt with a design by Stanford White. Whereas Jeffersons Rotunda had three floors, Whites had only two, but a larger Dome Room, in addition, the Annex was not rebuilt
The Rotunda (University of Virginia)
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Rotunda, University of Virginia
The Rotunda (University of Virginia)
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1819 draft of the Rotunda
The Rotunda (University of Virginia)
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The Great Rotunda Fire in 1895
The Rotunda (University of Virginia)
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Renovation underway on the Rotunda in 2011, with the
Jefferson statue in the foreground
26.
University of Virginia
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The University of Virginia, frequently referred to simply as Virginia, is a public research university and the flagship for the Commonwealth of Virginia. Founded in 1819 by Declaration of Independence author Thomas Jefferson, UVA is known for its foundations, student-run honor code. UNESCO designated UVA as Americas first and only collegiate World Heritage Site in 1987, the university was established in 1819, and its original governing Board of Visitors included Thomas Jefferson, James Madison, and James Monroe. Monroe was the sitting President of the United States at the time of its foundation, former Presidents Jefferson and Madison were UVAs first two rectors and the Academical Village and Jefferson conceived and designed the original courses of study. The universitys research endeavors are highly recognized, in 2015, Science honored UVA faculty for discovering two of its top 10 annual scientific breakthroughs, from the fields of Medicine and Psychology. UVA is one of 62 institutions in the Association of American Universities and it is the only AAU member university in Virginia. UVA is classified as a Research University with Very High Research by the Carnegie Foundation, the university was the first non-founding member, and the first university of the American South, to attain AAU membership in 1904. UVAs academic strength is broad, with 121 majors across the eight undergraduate, students compete in 26 collegiate sports and UVA leads the Atlantic Coast Conference in mens NCAA team national championships with 17. UVA is second in womens NCAA titles with 7, UVA was awarded the Capital One Cup in 2015 after fielding the top overall mens athletics programs in the nation. Students come to attend the university in Charlottesville from all 50 states and 147 countries, the historic 1, 682-acre campus is internationally protected by UNESCO and considered one of the most beautiful collegiate grounds in the country. UVA additionally maintains 2,913 acres southeast of the city, the university also manages the College at Wise in Southwest Virginia, and until 1972 operated George Mason University and the University of Mary Washington in Northern Virginia. In 1817, three Presidents and Chief Justice of the United States Supreme Court John Marshall joined 24 other dignitaries at a meeting held in the Mountain Top Tavern at Rockfish Gap, after some deliberation, they selected nearby Charlottesville as the site of the new University of Virginia. Farmland just outside Charlottesville was purchased from James Monroe by the Board of Visitors as Central College, the school laid its first buildings cornerstone late in that same year, and the Commonwealth of Virginia chartered the new university on January 25,1819. John Hartwell Cocke collaborated with James Madison, Monroe, and Joseph Carrington Cabell to fulfill Jeffersons dream to establish the university, Cocke and Jefferson were appointed to the building committee to supervise the construction. The universitys first classes met on March 7,1825, another innovation of the new university was that higher education would be separated from religious doctrine. Jefferson opined to philosopher Thomas Cooper that a professorship of theology should have no place in our institution, Jefferson was intimately involved in the university to the end, hosting Sunday dinners at his Monticello home for faculty and students until his death. Thus, he eschewed mention of his accomplishments, such as the Louisiana Purchase. This was a source of frustration for Jefferson, who assembled the students during the schools first year, on October 3,1825, to such behavior
University of Virginia
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Thomas Jefferson is the founder of the University of Virginia
University of Virginia
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University of Virginia
University of Virginia
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James Madison was the 2nd rector of the University of Virginia until 1836
University of Virginia
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Edwin Alderman was UVA's first president between 1904 and 1931, and instituted many reforms toward modernization
27.
Wambierzyce
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Wambierzyce, the Silesian Jerusalem, is one of the most popular pilgrimage sites in southern Poland. The village is situated at an altitude of 370–410 m in the picturesque Cedron valley on the slopes of the Table Mountains in Lower Silesian Voivodeship. The place was first mentioned in 1330 Alberndorf,1398 Alberdorf,1418 Alberti villa,1560 Alberichsdorf, czech pilgrims from Bohemia and Moravia called the place Vambeřice. When Lower Silesia became part of Poland in 1945/1946, the Polish name Wambierzyce became the name of the village. Today Wambierzyce is part of the district called Gmina Radków in Kłodzko County and it lies approximately 4 kilometres south-east of Radków,17 kilometres west of Kłodzko, and 84 kilometres south-west of the regional capital Wrocław. The wooden statue of Our Lady, dating from the century, was originally placed in a mighty linden tree located at this site. According to the legend a blind man regained his eyesight after praying before the statue, after that miracle a stone altar was erected in front of the tree. The first wooden chapel was built in 1263, a larger church was built in 1512 but was destroyed during the Thirty Years War. The present pilgrimage church Visitation of Our Lady goes back to a built in 1695–1710 following a design thought to resemble the Temple in Jerusalem. However, all but the mighty Renaissance façade had to be torn down already three years later because the structure had become unsafe, the fourth and present church in Baroque style was then built 1715–1723, and financed by the local nobleman and owner Count Franz Anton von Götzen. Around the church and village a huge calvary was built, in 1936 the church received the status of a Basilica minor from Pope Pius XI. Pope John Paul II awarded the Madonna of Wambierzyce the title of Queen of Families in 1980
Wambierzyce
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Basilica church
28.
Cartouche (design)
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A cartouche is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low relief design, in Early Modern design, since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian cartoccia. Such cartouches are characteristically stretched, pierced and scrolling, another cartouche figures prominently in the title page of Giorgio Vasaris Lives, framing a minor vignette with a device of pierced and scrolling papery cartoccia. The engraved trade card of the London clockmaker Percy Webster shows a vignette of the shop in a scrolling cartouche frame of Rococo design that is composed entirely of scrolling devices
Cartouche (design)
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Italian design for a cartouche frame, 16th century
Cartouche (design)
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Detail showing cartouche on the 1765 de l'Isle globe.
Cartouche (design)
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A cartouche framing device on a London clockmaker's tradecard, ca 1760. Such a "card" (engraved on paper) would be pasted into a clockcase
Cartouche (design)
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Forbidden City
29.
Beaux-Arts architecture
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Beaux-Arts architecture expresses the academic neoclassical architectural style taught at the École des Beaux-Arts in Paris. The style of instruction that produced Beaux-Arts architecture continued without interruption until 1968. The Beaux-Arts style heavily influenced the architecture of the United States in the period from 1880 to 1920, in contrast, many European architects of the period 1860–1914 outside France gravitated away from Beaux-Arts and towards their own national academic centers. American architects of the Beaux-Arts generation often returned to Greek models, for the first time, repertories of photographs supplemented meticulous scale drawings and on-site renderings of details. Beaux-Arts training emphasized the production of quick conceptual sketches, highly finished perspective presentation drawings, close attention to the program, site considerations tended toward social and urbane contexts. In the façade shown to the right, Diana grasps the cornice she sits on in an action typical of Beaux-Arts integration of sculpture with architecture. A sense of appropriate idiom at the craftsman level supported the teams of the first truly modern architectural offices. The prestige of the École gave the style Beaux-Arts a second wind in combining the new manner with the traditional training and they were followed by an entire generation. Henry Hobson Richardson absorbed Beaux-Arts lessons in massing and spatial planning and his Beaux-Arts training taught him to transcend slavish copying and recreate in the essential fully digested and idiomatic manner of his models. Richardson evolved a personal style freed of historicism that was influential in early Modernism. The White City of the Worlds Columbian Exposition of 1893 in Chicago was a triumph of the movement, the Beaux-Arts curriculum was subsequently begun at Columbia University, the University of Pennsylvania, and elsewhere. From 1916, the Beaux-Arts Institute of Design in New York City schooled architects, painters, bosworth, Carnegie Mellon University, designed by Henry Hornbostel, and the University of Texas, designed by Paul Philippe Cret. Beaux-Arts architecture also brought a civic face to the railroad, two of the best American examples of the Beaux-Arts tradition stand within a few blocks of each other, Grand Central Terminal and the New York Public Library. Another prominent U. S. example of the style is the largest academic dormitory in the world, in the late 1800s, during the years when Beaux-Arts architecture was at a peak in France, Americans were one of the largest groups of foreigners in Paris. Many of them were architects and students of architecture who brought this back to America. Beaux-Arts was very prominent in public buildings in Canada in the early 20th century, notably all three prairie provinces legislative buildings are in this style. Buenos Aires is a center of Beaux-Arts architecture which continued to be built as late as the 1950s, national Theatre, Melbourne General Post Office building, Forrest Place, Perth Argus Building. Beaux-Arts Architecture in New York, A Photographic Guide United States, sixteenth Street Architecture – profiles of Beaux-Arts architecture in Washington D. C
Beaux-Arts architecture
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The
Palais Garnier (1861-75), an example of
Second Empire Beaux Arts style, typically employing
Neo-Baroque decorative elements
Beaux-Arts architecture
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Farmer Palace in
Kazan,
Russia
Beaux-Arts architecture
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The
San Francisco War Memorial Opera House of 1932, among the last major American buildings constructed in the Beaux-Arts style
Beaux-Arts architecture
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Beaux-Arts building decoration presenting images of the Roman
goddesses Pomona and
Diana. Note the naturalism of the postures and the
channeled rustication of the stonework.
30.
Brooklyn
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Brooklyn is the most populous borough of New York City, with a Census-estimated 2,636,735 residents in 2015. It borders the borough of Queens at the end of Long Island. Today, if New York City dissolved, Brooklyn would rank as the third-most populous city in the U. S. behind Los Angeles, the borough continues, however, to maintain a distinct culture. Many Brooklyn neighborhoods are ethnic enclaves, Brooklyns official motto, displayed on the Borough seal and flag, is Eendraght Maeckt Maght which translates from early modern Dutch as Unity makes strength. Since 2010, Brooklyn has evolved into a hub of entrepreneurship and high technology startup firms. The history of European settlement in Brooklyn spans more than 350 years, the neighborhood of Marine Park was home to North Americas first tidal mill. It was built by the Dutch, and the foundation can be seen today, however, the area was not formally settled as a town. Many incidents and documents relating to this period are in Gabriel Furmans early compilation, what is today Brooklyn left Dutch hands after the final English conquest of New Netherland in 1664, a prelude to the Second Anglo–Dutch War. The English reorganized the six old Dutch towns on southwestern Long Island as Kings County on November 1,1683 and this tract of land was recognized as a political entity for the first time, and the municipal groundwork was laid for a later expansive idea of Brooklyn identity. On August 27,1776 was fought the Battle of Long Island, the first major engagement fought in the American Revolutionary War after independence was declared, and the largest of the entire conflict. British troops forced Continental Army troops under George Washington off the heights near the sites of Green-Wood Cemetery, Prospect Park. The fortified American positions at Brooklyn Heights consequently became untenable and were evacuated a few days later, One result of the Treaty of Paris in 1783 was the evacuation of the British from New York City, celebrated by residents into the 20th century. The New York Navy Yard operated in Wallabout Bay for the entire 19th century, the first center of urbanization sprang up in the Town of Brooklyn, directly across from Lower Manhattan, which saw the incorporation of the Village of Brooklyn in 1817. Reliable steam ferry service across the East River to Fulton Landing converted Brooklyn Heights into a town for Wall Street. Ferry Road to Jamaica Pass became Fulton Street to East New York, Town and Village were combined to form the first, kernel incarnation of the City of Brooklyn in 1834. Industrial deconcentration in mid-century was bringing shipbuilding and other manufacturing to the part of the county. Each of the two cities and six towns in Kings County remained independent municipalities, and purposely created non-aligning street grids with different naming systems and it later became the most popular and highest circulation afternoon paper in America. The publisher changed to L. Van Anden on April 19,1842, on May 14,1849 the name was shortened to The Brooklyn Daily Eagle, on September 5,1938 it was further shortened to Brooklyn Eagle
Brooklyn
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Clockwise from top left:
Brooklyn Bridge, Brooklyn brownstones,
Soldiers' and Sailors' Arch,
Brooklyn Borough Hall,
Coney Island
Brooklyn
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Currier and Ives print of Brooklyn, 1886.
Brooklyn
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Brooklyn Museum - Hooker's Map of the Village of Brooklyn
Brooklyn
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A typical dining table in the Dutch village of Brooklyn, c. 1664, from
The Brooklyn Museum.
