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Peabody Award

The George Foster Peabody Awards program, named for the American businessman and philanthropist George Peabody, honor the most powerful and invigorating stories in television and online media. Programs are recognized in seven categories: news, documentaries, children's programming, interactive programming, public service. Peabody Award winners include radio and television stations, online media, producing organizations, individuals from around the world. Established in 1940 by a committee of the National Association of Broadcasters, the Peabody Award was created to honor excellence in radio broadcasting, it is the oldest major electronic media award in the United States. Final Peabody Award winners are selected unanimously by the program's Board of Jurors. Reflecting excellence in quality storytelling, rather than popularity or commercial success, Peabody Awards are distributed annually to 30 out of 60 finalists culled from more than 1,000 entries; because submissions are accepted from a wide variety of sources and styles, deliberations seek "Excellence On Its Own Terms".

Each entry is evaluated on the achievement of standards established within its own context. Entries, for which a US$350 fee is required, are self-selected by those making submissions. In 1938, the National Association of Broadcasters formed a committee to recognize outstanding achievement in radio broadcasting. Committee member Lambdin Kay, public-service director for WSB radio in Atlanta, Georgia, at the time, is credited with creating the award, named for businessman and philanthropist George Foster Peabody, who donated the funds that made the awards possible. Fellow WSB employee Lessie Smithgall introduced Lambdin to John E. Drewry, of the University of Georgia's Henry W. Grady College of Journalism and Mass Communication, who endorsed the idea; the Peabody Award was established in 1940 with the Grady College of Journalism as its permanent home. The Peabody Awards were issued only for radio programming, but television awards were introduced in 1948. In the late 1990s additional categories for material distributed via the World Wide Web were added.

Materials created for theatrical motion picture release are not eligible. The Peabody Awards judging process is unusually rigorous; each year, more than 1,000 entries are evaluated by some 30 committees composed of a number of faculty and students from the University of Georgia and other higher education institutions across the country. Each committee is charged with screening or listening to a small number of entries and delivering written recommendations to the Peabody Board of Jurors, a ~17-member panel of scholars and media-industry professionals. Board members discuss recommended entries as well as their own selections at intensive preliminary meetings in California and Texas; the Board convenes at the University of Georgia in early April for final screenings and deliberations. Each entrant is judged on its own merit, only unanimously selected programs receive a Peabody Award. For many years, there was no set number of awards issued. However, in 2016 the program instituted the Peabody 30, representing the best programs out of a field of 60 nominees.

Prior to this, the all-time record for Peabody Award recipients in a single year was 46 in 2013. George Foster Peabody, namesake of the awards, was a successful investment banker who devoted much of his fortune to education and social enterprise. Lambdin Kay was the awards chairman for The National Association of Broadcasters when he was asked to create a prize to honor the nation's premier radio programs and performances. John E. Drewry was the first dean of the University of Georgia's Henry W. Grady College of Journalism and Mass Communication, he accepted the position of dean when it was created in 1940. That same year he helped Lambdin Kay, general manager of Atlanta's WSB Radio, create the Peabody Awards recognizing excellence in broadcasting. Dr. Worth McDougald served as Director of the Peabody Awards program from 1963 until his retirement in 1991. Barry Sherman was the Director of the George Foster Peabody Awards program at the University of Georgia from 1991 until his death in 2000. Horace Newcomb held the Lambdin Kay Chair for the Peabodys in the Grady College of Journalism and Mass Communication at the University of Georgia from 2001 to 2013.

Jeffrey P. Jones succeeded Horace Newcomb in July 2013 as the Lambdin Kay Chair for the Peabodys in the Grady College of Journalism and Mass Communication at the University of Georgia; each spring, the Peabody Awards Board of Jurors announce award recipients for work released during the previous year. Traditionally, the winners' announcements have been made via a simple press release and/or a press conference. In recent years, organizers have taken to television to reveal some Peabody Award recipients in an effort to expand public awareness of the awards. An April 2014 segment of CBS This Morning included an announcement of 2013 Peabody winners. In April 2015, the 2014 Peabodys were revealed over an 8-day period, with the entertainment-based recipients revealed on ABC's Good Morning America. Formal presentation of the Peabody Awards are traditionally held in early June. For many years, the awards were given during a luncheon in New York City; the ceremony moved to a red carpet evening event for the first time on May 31, 2015, with Fred Armisen serving as host.

Several famous names have served as Peabody Awards ceremony hosts over the years, among them Walter Cronkite, Lesley Stahl, Jackie Gleason, Jon Stewart, Morley Safer, Craig Ferguson, Larry King, Ira Glass. From 2014-2016, the Peabody Awards aired on a tape-delayed basis

Emulation Lodge of Improvement

Emulation Lodge of Improvement is a Lodge of Instruction which first met on 2 October 1823, is held under the sanction of Lodge of Unions No. 256 in the English Constitution. It restricts admission to Master Masons in good standing; the aim of the lodge is to preserve Masonic ritual as as is possible to that, formally accepted by the newly formed United Grand Lodge of England in 1816 and as amended since. After the Union of 1813 that formed the United Grand Lodge of England, it was necessary that the ritual be standardised, with approval of the Grand Lodges of Ireland and Scotland. A result of this was the International Compact, which governs relations between the three Grand Lodges; the ritual to be used in United Grand Lodge of England and in Lodges under that constitution were produced by the Lodge of Reconciliation, formed following the union of the Antients and Moderns Grand Lodges in 1813, approved and confirmed by Grand Lodge in June 1816. This has formed the basis of Emulation Working since its inception in 1823.

It has been the policy of the committee of the Emulation Lodge of Improvement to preserve the ritual as nearly as possible in the form in which it was approved by Grand Lodge, allowing only those changes approved by Grand Lodge to become established practice. The ritual, takes its name from the Emulation Lodge of Improvement, not the other way around; the most notable changes were made in 1964, when an alternative form of reference to the ancient penalties was approved, again in 1986 when a resolution from UGLE decreed that the so-called ‘blood oaths’, or symbolic penalties, were to be removed from the obligations taken by candidates for the three degrees or installation as a master. When the regular demonstrations of the "Lectures of the Craft" by the Grand Stewards' Lodge ceased in the 1860s, the Emulation Lodge of Improvement became the leading body working these; the Emulation Lodge of Improvement has demonstrated the system of Lectures in question and answer form continuously since 1823, although rehearsal of the Emulation Ritual has always been its main work.

When a Brother acts as Master for any of the demonstrated ceremonies and delivers the work without need of prompt or correction, he is awarded an inscribed silver matchbox on the first occasion, with additional inscriptions added for each of the four Emulation ceremonies worked

Wagner Covered Bridge No. 19

The Wagner Covered Bridge No. 19 is a historic wooden covered bridge built in Locust Township in Columbia County, Pennsylvania. When built in 1856 it was a Queen Post Truss bridge with a tarred metal roof, it crossed the North Branch of Roaring Creek. It is one of 28 historic covered bridges in Montour Counties, it was listed on the National Register of Historic Places in 1979. The bridge was dismantled on March 23, 1981, the pieces stored at Knoebels Amusement Resort until it was rebuilt at the entrance to a housing development in Hemlock Township in 1994; the coordinates above refer to the bridge's original location, its new location is 40°59.93′N 76°28.96′W