1.
Ancient Egypt
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Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
2.
Brooch
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A brooch /ˈbroʊtʃ/ is a decorative jewelry item designed to be attached to garments, often to hold them closed. It is usually made of metal, often silver or gold, brooches are frequently decorated with enamel or with gemstones and may be solely for ornament or sometimes serve a practical function as a fastening, perhaps for a cloak. The earliest known brooches are from the Bronze Age, as fashions in brooches changed rather quickly, they are important chronological indicators. Many sorts of European brooches found in archaeology are usually referred to by the Latin term fibula, the fibula is an ornamental clasp used by Romans, Greeks, Germanic peoples and also by Celts and migratory tribes in Europe from the Early Bronze Age. They may have replaced fibulae made of more perishable Neolithic materials, fibulae are useful type-objects, carefully catalogued local typologies, dating and distribution of fibulae can help date finds where neither numismatic nor ceramic materials provide a secure date. Fibulae were shaped somewhat like a safety pin and were used to hold clothing together. They came in varieties and held prominent significance for the identity of the wearer, indicating ethnicity. Elaborately designed fibulae were an important part of Late Antique dress, the same types of fibulae can often be found on either side of the Roman limites, both among Roman and barbarian populations. The cultural interplay of elite objects designed to show status can be quite complex and it is likely that this type originated among Celtic groups and came to be adopted as an exotic fashion by Roman aristocrats, becoming naturalized as an important Roman emblem, and then exported. From the eighteenth century through the Victorian era it was fashionable to incorporate hair, the practice began as an expression of mourning, then expanded to keepsakes of loved ones who were living. Human hair was encased within the brooch or braided and woven into a band to which clasps were affixed and it was not uncommon for miniature brooch portraits to incorporate ground human hair as pigment. Two sided swivel brooches would display a portrait on one side and a lock of hair on the other, hellenic Ministry of Culture, Katie Demakopoulou, Bronze Age Jewellry in Greece Brooch. Metropolitan jewelry, a catalog from The Metropolitan Museum of Art Libraries
3.
Old Kingdom of Egypt
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The term itself was coined by eighteenth-century historians and the distinction between the Old Kingdom and the Early Dynastic Period is not one which would have been recognized by Ancient Egyptians. The Old Kingdom is most commonly regarded as the period from the Third Dynasty through to the Sixth Dynasty, many Egyptologists also include the Memphite Seventh and Eighth Dynasties in the Old Kingdom as a continuation of the administration centralized at Memphis. During the Old Kingdom, the king of Egypt became a god who ruled absolutely and could demand the services. Under King Djoser, the first king of the Third Dynasty of the Old Kingdom, the capital of Egypt was moved to Memphis. A new era of building was initiated at Saqqara under his reign, King Djosers architect, Imhotep is credited with the development of building with stone and with the conception of the new architectural form—the Step Pyramid. Indeed, the Old Kingdom is perhaps best known for the number of pyramids constructed at this time as burial places for Egypts kings. For this reason, the Old Kingdom is frequently referred to as the Age of the Pyramids, the first king of the Old Kingdom was Djoser of the third dynasty, who ordered the construction of a pyramid in Memphis necropolis, Saqqara. An important person during the reign of Djoser was his vizier and it was in this era that formerly independent ancient Egyptian states became known as nomes, under the rule of the king. The former rulers were forced to assume the role of governors or otherwise work in tax collection, Egyptians in this era worshipped their king as a god, believing that he ensured the annual flooding of the Nile that was necessary for their crops. Egyptian views on the nature of time during this period held that the worked in cycles. They also perceived themselves as a specially selected people, the Old Kingdom and its royal power reached a zenith under the Fourth Dynasty, which began with Sneferu. Using more stones than any king, he built three pyramids, a now collapsed pyramid in Meidum, the Bent Pyramid at Dahshur. However, the development of the pyramid style of building was reached not at Saqqara. Sneferu was succeeded by his son, Khufu who built the Great Pyramid of Giza, after Khufus death, his sons Djedefra and Khafra may have quarrelled. The latter built the pyramid and the Sphinx in Giza. Recent reexamination of evidence has led Egyptologist Vassil Dobrev to propose that the Sphinx had been built by Djedefra as a monument to his father Khufu, alternatively, the Sphinx has been proposed to be the work of Khafra and Khufu himself. There were military expeditions into Canaan and Nubia, with Egyptian influence reaching up the Nile into what is today the Sudan, the later kings of the Fourth Dynasty were king Menkaure, who built the smallest pyramid in Giza, Shepseskaf and, perhaps, Djedefptah. The Fifth Dynasty began with Userkaf and was marked by the importance of the cult of sun god Ra
4.
Iconography
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The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may also mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can also be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates. The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Eventually the Church would succeed in weeding most of these out, after the period of Byzantine iconoclasm iconographical innovation was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins, the Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism
5.
Jewellery
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Jewellery or jewelry consists of small decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, and bracelets. Jewellery may be attached to the body or the clothes, for many centuries metal, often combined with gemstones, has been the normal material for jewellery, but other materials such as shells and other plant materials may be used. It is one of the oldest type of archaeological artefact – with 100, historically, the most widespread influence on jewellery in terms of design and style have come from Asia. Jewellery may be made from a range of materials. Gemstones and similar such as amber and coral, precious metals, beads, and shells have been widely used. In most cultures jewellery can be understood as a symbol, for its material properties, its patterns. Jewellery has been made to nearly every body part, from hairpins to toe rings. The word jewellery itself is derived from the jewel, which was anglicised from the Old French jouel. In British English, Indian English, New Zealand English, Hiberno-English, Australian English, both are used in Canadian English, though jewelry prevails by a two to one margin. Numerous cultures store wedding dowries in the form of jewellery or make jewellery as a means to store or display coins, alternatively, jewellery has been used as a currency or trade good, an example being the use of slave beads. Many items of jewellery, such as brooches and buckles, originated as functional items. Jewellery can also symbolise group membership or status, wearing of amulets and devotional medals to provide protection or ward off evil is common in some cultures. These may take the form of symbols, stones, plants, animals, body parts, in creating jewellery, gemstones, coins, or other precious items are often used, and they are typically set into precious metals. Alloys of nearly every metal known have been encountered in jewellery, bronze, for example, was common in Roman times. Modern fine jewellery usually includes gold, white gold, platinum, palladium, titanium, most contemporary gold jewellery is made of an alloy of gold, the purity of which is stated in karats, indicated by a number followed by the letter K. American gold jewellery must be of at least 10K purity, many whimsical fashions were introduced in the extravagant eighteenth century. Cameos that were used in connection with jewellery were the attractive trinkets along with many of the objects such as brooches, ear-rings. Some of the necklets were made of pieces joined with the gold chains were in and bracelets were also made sometimes to match the necklet
6.
Inlay
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A great range of materials have been used both for the base or matrix and for the inlays inserted into it. In a wood matrix, inlays commonly use wood veneers, but other materials like shells, mother-of-pearl, pietre dure, or coloured stones inlaid in white or black marbles, and inlays of precious metals in a base metal matrix are other forms of inlay. Inlay is commonly used in production of furniture, where pieces of coloured wood or metal are inserted into the surface of the carcass. Lutherie inlays are used as decoration and marking on musical instruments. The similar private study made for him at Gubbio is now in the Metropolitan Museum of Art, the history of inlay is very old. After learning the skill of smithing from the Navaho in 1872, the French cabinet maker Andre-Charles Boulle specialized in furniture using inlays or metal and either wood or tortoiseshell together, the latter acting as the background. Pietra dura is the term in Europe for detailed inlays in contrasting colours of stones, including many semi-precious types. Pietra dura developed from the Roman Opus sectile, which was used on a larger scale. Cosmatesque work on walls and floors, and smaller objects, was an intermediate stage
7.
Gemstone
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A gemstone is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments. However, certain rocks or organic materials that are not minerals are used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other properties that have aesthetic value. Rarity is another characteristic that lends value to a gemstone, apart from jewelry, from earliest antiquity engraved gems and hardstone carvings, such as cups, were major luxury art forms. A gem maker is called a lapidary or gemcutter, a worker is a diamantaire. The carvings of Carl Fabergé are significant works in this tradition, the traditional classification in the West, which goes back to the ancient Greeks, begins with a distinction between precious and semi-precious, similar distinctions are made in other cultures. In modern usage the precious stones are diamond, ruby, sapphire, other stones are classified by their color, translucency and hardness. Another unscientific term for semi-precious gemstones used in art history and archaeology is hardstone, in modern times gemstones are identified by gemologists, who describe gems and their characteristics using technical terminology specific to the field of gemology. The first characteristic a gemologist uses to identify a gemstone is its chemical composition, for example, diamonds are made of carbon and rubies of aluminium oxide. Next, many gems are crystals which are classified by their crystal system such as cubic or trigonal or monoclinic, another term used is habit, the form the gem is usually found in. For example, diamonds, which have a crystal system, are often found as octahedrons. Gemstones are classified into different groups, species, and varieties, for example, ruby is the red variety of the species corundum, while any other color of corundum is considered sapphire. Other examples are the Emerald, aquamarine, red beryl, goshenite, heliodor, and morganite, gems are characterized in terms of refractive index, dispersion, specific gravity, hardness, cleavage, fracture, and luster. They may exhibit pleochroism or double refraction and they may have luminescence and a distinctive absorption spectrum. Material or flaws within a stone may be present as inclusions, gemstones may also be classified in terms of their water. This is a grading of the gems luster, transparency. Very transparent gems are considered first water, while second or third water gems are those of a lesser transparency, there is no universally accepted grading system for gemstones. Diamonds are graded using a system developed by the Gemological Institute of America in the early 1950s, historically, all gemstones were graded using the naked eye
8.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
9.
Amenemhat III
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See Amenemhat, for other individuals with this name. Amenemhat III, also spelled Amenemhet III, was a pharaoh of the Twelfth Dynasty of Egypt. He ruled from c.1860 BC to c.1814 BC and his reign is regarded as the golden age of the Middle Kingdom. He may have had a coregency with his father, Senusret III. His daughter, Sobekneferu, later succeeded Amenemhat IV, as the last ruler of the twelfth dynasty, Amenemhat IIIs throne name, Nimaatre, means Belonging to the Justice of Re. He built his first pyramid at Dahshur, but there were construction problems, around Year 15 of his reign the king decided to build a new pyramid at Hawara, near the Faiyum. The pyramid at Dahshur was used as ground for several royal women. The mortuary temple attached to the Hawara pyramid may have known to Herodotus and Diodorus Siculus as the Labyrinth. Strabo praised it as a wonder of the world, nevertheless, the kings burial was robbed in antiquity. His daughter or sister, Neferuptah, was buried in a separate pyramid 2 km southwest of the kings, the pyramidion of Amenemhet IIIs pyramid tomb was found toppled from the peak of its structure and preserved relatively intact, it is today located in the Cairo Egyptian Museum. There is very little evidence for military expeditions in the reign of the king, there is only one record for a small mission in year nine of the king. The evidence for that was found in an inscription in Nubia. The short text reports that a mission was guided by the mouth of Nekhen Zamonth who reports that he went north with a small troop. Many expeditions to mining areas are recorded under the king, there are two expeditions known to the Wadi el-Hudi at the southern border of Egypt, where Amethyst was collected. One of the dates to year 11, of the king. Two further to year 20 and to year 28, there were further mining expeditions to the Wadi Hammamat. These are dated to year 2,3,19,20 and 33 of the kings reign, the inscriptions of year 19 and 20 might be related to the building start of the pyramid complex at Hawara. They report the breaking of stone for statues, at the Red Sea coast, at Mersa was discovered a stela mentioning an expedition to Punt under Amenemhat III
10.
Upper and Lower Egypt
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Upper and Lower Egypt also referred to as The Two Lands is a name used for Ancient Egypt. The concept appears in titles of Egyptian Kings and Queens and appears in scenes in temple, tombs, the concept also refers to an innate sense of duality in the Ancient Egyptian culture. The Egyptian expression sema-tawy is usually translated as The Uniter of the Two Lands and was depicted as a human trachea entwined with the papyrus, the trachea stood for unification, while the papyrus and lily plant represent Lower and Upper Egypt. Standard titles of a King of Egypt was King of Upper and Lower Egypt, similarly a Queen might use titles such as Lady of The Two Lands, Mistress of the Entire Two Lands, and Mistress of the Two Lands. Ancient Egypt was divided into two regions, namely Upper Egypt and Lower Egypt, to the north was Lower Egypt, where the Nile stretched out with its several branches to form the Nile Delta. To the south was Upper Egypt, stretching to Syene, Lower Egypt mostly consists of the Nile Delta. The two kingdoms of Upper and Lower Egypt were united c.3000 BC, but each maintained its own regalia, the hedjet or White Crown for Upper Egypt and the deshret or Red Crown for Lower Egypt. Thus, the pharaohs were known as the rulers of the Two Lands, and wore the pschent, Ancient Egyptian tradition credited Menes, now believed to be the same as Narmer, as the king who united Upper and Lower Egypt. On the Narmer Palette the king is depicted wearing the Red Crown in one scene and the White crown in another, the union of Upper and Lower Egypt is depicted by knotted papyrus and reed plants. The binding motif represents both harmony through linkage and domination through containment, the duality is an important part of royal iconography. Sometimes the duality is further extended by having the knotted plants extend and bind foreign foes as well, during the first dynasty dualistic royal titles emerge, including the King of Upper and Lower Egypt title which combines the plant representing Upper Egypt and a bee representing Lower Egypt. The other dualistic title is the Two Ladies name or Nebty name, the two ladies as Nekhbet, the vulture goddess associated with Hierakonpolis in Upper Egypt, and Wadjet, the cobra goddess associated with Buto in Lower Egypt. There are many depictions of the ritual unifications of the Two Lands and it is not known if this was perhaps a rite that would have been enacted at the beginning of a reign, or merely a symbolic representation. Many of the depictions of the show two gods binding the plants. Often the gods are Horus and Set, or on occasion Horus, there are several examples of Barque stands from the reigns of Amenhotep III, Taharqa, and Atlanersa that show two river gods performing the rite. This matches a scene from the Temple at Abu Simbel from the time of Ramesses II, there are only a handful of scenes that show the King himself performing the ritual. All of these are from barque stands and date to the reigns of Amenhotep III, Sety I, the latter two may be copies of the first one. Upper Egypt Lower Egypt Narmer History of ancient Egypt
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