Anschluss refers to the annexation of Austria into Nazi Germany on 12 March 1938. The word's German spelling, until the German orthography reform of 1996, was Anschluß and it was known as the Anschluss Österreichs. Prior to the Anschluss, there had been strong support from people of all backgrounds – not just Nazis – in both Austria and Germany for a union of the two countries; the desire for a union formed an integral part of the Nazi "Heim ins Reich" movement to bring ethnic Germans outside Nazi Germany into Greater Germany. Earlier, Nazi Germany had provided support for the Austrian National Socialist Party in its bid to seize power from Austria's Fatherland Front government; the idea of an Anschluss began after the unification of Germany excluded Austria and the German Austrians from the Prussian-dominated German Empire in 1871. Following the end of World War I with the fall of the Austro-Hungarian Empire, in 1918, the newly formed Republic of German-Austria attempted to form a union with Germany, but the Treaty of Saint Germain and the Treaty of Versailles forbade both the union and the continued use of the name "German-Austria".
The idea of grouping all Germans into one nation-state had been the subject of debate in the 19th century from the dissolution of the Holy Roman Empire in 1806 until the break-up of the German Confederation in 1866. Austria had wanted a Großdeutsche Lösung, whereby the German states would unite under the leadership of the German Austrians; this solution would have included all the German states, but Prussia would have had to take second place. This controversy, called dualism, dominated Prusso-Austrian diplomacy and the politics of the German states in the mid-nineteenth century. In 1866 the feud came to an end during the German war in which the Prussians defeated the Austrians and thereby excluded Austria and the German Austrians from Germany; the Prussian statesman Otto von Bismarck formed the North German Confederation, which included the remaining German states and further expanded the power of Prussia. Bismarck used the Franco-Prussian war as a way to convince other German states, including the Kingdom of Bavaria, to side with Prussia against the Second French Empire.
Due to Prussia's quick victory, the debate was settled and in 1871 the "Kleindeutsch" German Empire based on the leadership of Bismarck and the Kingdom of Prussia formed - this excluded Austria. The Austro-Hungarian Compromise of 1867, the Ausgleich, provided for a dual sovereignty, the Austrian Empire and the Kingdom of Hungary, under Franz Joseph I; the Austrian-Hungarian rule of this diverse empire included various different ethnic groups including Hungarians, Slavic ethnic groups such as Croats, Poles, Serbs, Slovaks and Ukrainians, as well as Italians and Romanians ruled by a German minority. The empire caused tensions between the various ethnic groups. Many Austrian pan-Germans showed loyalty to Bismarck and only to Germany, wore symbols that were temporarily banned in Austrian schools and advocated the dissolution of the empire to allow an annexation of Austria to Germany. Although many Austrians agreed with pan-Germanism ideas, a lot of them still showed allegiance to the Habsburg Monarchy and wished for Austria to remain an independent country.
After the Nazis gained power in Germany in 1933, they used propaganda to try to coerce Austrians into advocating for an Anschluss to the German Reich by using slogans such as Ein Volk, ein Reich, ein Führer. By the end of World War I, Austria had been excluded from internal German affairs for more than fifty years since the Peace of Prague that concluded the Austro-Prussian War of 1866. Elite and popular opinion in Austria after 1918 favored some sort of union with Germany, but it was explicitly forbidden by the peace treaties; the Austro-Hungarian Empire broke up in 1918, on 12 November that year German Austria was declared a republic. The provisional national assembly drafted a provisional constitution that stated that "German Austria is a democratic republic" and "German Austria is a component of the German Republic". Plebiscites in the German border provinces of Tyrol and Salzburg yielded majorities of 98% and 99% in favor of a unification with the German Republic. In the aftermath of a prohibition of an Anschluss, the Germans in both Austria and Germany pointed to a contradiction in the national self-determination principle because it failed to grant it to the ethnic Germans outside of the German Reich.
The Treaty of Versailles and the Treaty of Saint-Germain explicitly prohibited the political inclusion of Austria in the German state. This measure was criticized by Hugo Preuss, the drafter of the German Weimar Constitution, who saw the prohibition as a contradiction of the Wilsonian principle of self-determination of peoples, intended to help bring peace to Europe. Following the destruction of World War I, however and Britain feared the power of a larger Germany and had begun to disempower the current one. Austrian particularism among the nobility played a role in the decisions; the constitutions of the Weimar Republic and the First Austrian Republic inclu
Ludwig van Beethoven
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in classical music, he remains one of the most recognised and influential of all composers, his best-known compositions include 9 symphonies. His career as a composer is conventionally divided into early and late periods. Beethoven was born in Bonn the capital of the Electorate of Cologne and part of the Holy Roman Empire, he displayed his musical talents at an early age and was taught by his father Johann van Beethoven and composer and conductor Christian Gottlob Neefe. At the age of 21 he moved to Vienna, where he began studying composition with Joseph Haydn and gained a reputation as a virtuoso pianist, he lived in Vienna until his death. By his late 20s his hearing began to deteriorate and by the last decade of his life he was completely deaf. In 1811 he continued to compose. Beethoven was the grandson of Ludwig van Beethoven, a musician from the town of Mechelen in the Austrian Duchy of Brabant who had moved to Bonn at the age of 21.
Ludwig was employed as a bass singer at the court of the Elector of Cologne rising to become, in 1761, Kapellmeister and thereafter the pre-eminent musician in Bonn. The portrait he commissioned of himself towards the end of his life remained displayed in his grandson's rooms as a talisman of his musical heritage. Ludwig had one son, who worked as a tenor in the same musical establishment and gave keyboard and violin lessons to supplement his income. Johann married Maria Magdalena Keverich in 1767. Beethoven was born of this marriage in Bonn. There is no authentic record of the date of his birth; as children of that era were traditionally baptised the day after birth in the Catholic Rhine country, it is known that Beethoven's family and his teacher Johann Albrechtsberger celebrated his birthday on 16 December, most scholars accept 16 December 1770 as his date of birth. Of the seven children born to Johann van Beethoven, only Ludwig, the second-born, two younger brothers survived infancy. Kaspar Anton Karl was born on 8 April 1774, Nikolaus Johann, the youngest, was born on 2 October 1776.
Beethoven's first music teacher was his father. He had other local teachers: the court organist Gilles van den Eeden, Tobias Friedrich Pfeiffer, Franz Rovantini. From the outset his tuition regime, which began in his fifth year, was harsh and intensive reducing him to tears, his musical talent was obvious at a young age. Johann, aware of Leopold Mozart's successes in this area, attempted to promote his son as a child prodigy, claiming that Beethoven was six on the posters for his first public performance in March 1778; some time after 1779, Beethoven began his studies with his most important teacher in Bonn, Christian Gottlob Neefe, appointed the Court's Organist in that year. Neefe taught him composition, by March 1783 had helped him write his first published composition: a set of keyboard variations. Beethoven soon began working with Neefe as assistant organist, at first unpaid, as a paid employee of the court chapel conducted by the Kapellmeister Andrea Luchesi, his first three piano sonatas, named "Kurfürst" for their dedication to the Elector Maximilian Friedrich, were published in 1783.
Maximilian Frederick noticed his talent early, subsidised and encouraged the young man's musical studies. Maximilian Frederick's successor as the Elector of Bonn was Maximilian Francis, the youngest son of Empress Maria Theresa of Austria, he brought notable changes to Bonn. Echoing changes made in Vienna by his brother Joseph, he introduced reforms based on Enlightenment philosophy, with increased support for education and the arts; the teenage Beethoven was certainly influenced by these changes. He may have been influenced at this time by ideas prominent in freemasonry, as Neefe and others around Beethoven were members of the local chapter of the Order of the Illuminati. In December 1786, Beethoven travelled to Vienna, at his employer's expense, for the first time in the hope of studying with Mozart; the details of their relationship are uncertain, including whether they met. Having learned that his mother was ill, Beethoven returned to Bonn in May 1787, his mother died shortly thereafter, his father lapsed deeper into alcoholism.
As a result, he became responsible for the care of his two younger brothers, spent the next five years in Bonn. He was introduced in these years to several people. Franz Wegeler, a young medical student, intro
Musicology is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although music research is more scientific in focus. A scholar who participates in musical research is a musicologist. Historical musicology and systematic musicology are equal in size. Ethnomusicology is the study of music in its cultural context. Systematic musicology includes music acoustics, the science and technology of acoustical musical instruments, the musical implications of physiology, sociology and computing. Cognitive musicology is the set of phenomena surrounding the computational modeling of music; when musicologists carry out research using computers, their research falls under the field of computational musicology. In some countries, music education is a prominent sub-field of musicology, while in others it is regarded as a distinct academic field, or one more affiliated with teacher education, educational research, related fields. Like music education, music therapy is a specialized form of applied musicology, sometimes considered more affiliated with health fields, other times regarded as part of musicology proper.
The parent disciplines of musicology include: General history Cultural studies Philosophy Ethnology and cultural anthropology Archeology and prehistory Psychology and sociology Physiology and neuroscience Acoustics and psychoacoustics Computer/information sciences and mathematicsMusicology has two central oriented sub-disciplines with no parent discipline: performance practice and research, the theory and composition of music. The disciplinary neighbors of musicology address other forms of art, performance and communication, including the history and theory of the visual and plastic arts and of architecture. Musical knowledge is applied in medicine and music therapy—which are parent disciplines of applied musicology. Music history or historical musicology is concerned with the composition, performance and criticism of music over time. Historical studies of music are for example concerned with a composer's life and works, the developments of styles and genres, e.g. baroque concertos, the social function of music for a particular group of people, e.g. court music, or modes of performance at a particular place and time, e.g. Johann Sebastian Bach's choir in Leipzig.
Like the comparable field of art history, different branches and schools of historical musicology emphasize different types of musical works and approaches to music. There are national differences in various definitions of historical musicology. In theory, "music history" could refer to the study of the history of any type or genre of music, e.g. the history of Indian music or the history of rock. In practice, these research topics are more considered within ethnomusicology and "historical musicology" is assumed to imply Western Art music of the European tradition; the methods of historical musicology include source studies, philology, style criticism, musical analysis, iconography. The application of musical analysis to further these goals is a part of music history, though pure analysis or the development of new tools of music analysis is more to be seen in the field of music theory. Music historians create a number of written products, ranging from journal articles describing their current research, new editions of musical works, biographies of composers and other musicians, book-length studies or university textbook chapters or entire textbooks.
Music historians may examine issues in a close focus, as in the case of scholars who examine the relationship between words and music for a given composer's art songs. On the other hand, some scholars take a broader view, assess the place of a given type of music, such as the symphony in society using techniques drawn from other fields, such as economics, sociology, or philosophy. New musicology is a term applied since the late 1980s to a wide body of work emphasizing cultural study and criticism of music; such work may be based on feminist, gender studies, queer theory, or postcolonial theory, or the work of Theodor W. Adorno. Although New Musicology emerged from within historical musicology, the emphasis on cultural study within the Western art music tradition places New Musicology at the junction between historical and sociological research in music. New musicology was a reaction against traditional historical musicology, which according to Susan McClary, "fastidiously declares issues of musical signification off-limits to those engaged in legitimate scholarship."
Charles Rosen, retorts that McClary, "sets up, like so many of the'new musicologists', a straw man to knock down, the dogma that music has no meaning, no political or social significance." Today, many musicologists no longer distinguish between musicology and new musicology, since many of the scholarly concerns once associated with new musicology have now become mainstream, they feel the term "new" no longer applies. Ethnomusicology comparative musicology, is the study of music in its cultural context, it is considered the anthropology or ethnography of music. Jeff Todd T
Integrated Authority File
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used for documentation in libraries and also by archives and museums; the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero licence; the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, an approach to unambiguous identification of single elements. It comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format; the Integrated Authority File became operational in April 2012 and integrates the content of the following authority files, which have since been discontinued: Name Authority File Corporate Bodies Authority File Subject Headings Authority File Uniform Title File of the Deutsches Musikarchiv At the time of its introduction on 5 April 2012, the GND held 9,493,860 files, including 2,650,000 personalised names.
There are seven main types of GND entities: LIBRIS Virtual International Authority File Information pages about the GND from the German National Library Search via OGND Bereitstellung des ersten GND-Grundbestandes DNB, 19 April 2012 From Authority Control to Linked Authority Data Presentation given by Reinhold Heuvelmann to the ALA MARC Formats Interest Group, June 2012
The Daily Telegraph
The Daily Telegraph referred to as The Telegraph, is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as Daily Telegraph & Courier; the Telegraph is regarded as a national "newspaper of record" and it maintains an international reputation for quality, having been described by the BBC as "one of the world's great titles". The paper's motto, "Was, is, will be", appears in the editorial pages and has featured in every edition of the newspaper since 19 April 1858; the paper had a circulation of 363,183 in December 2018, having declined following industry trends from 1.4 million in 1980. Its sister paper, The Sunday Telegraph, which started in 1961, had a circulation of 281,025 as of December 2018; the Daily Telegraph has the largest circulation for a broadsheet newspaper in the UK and the sixth largest circulation of any UK newspaper as of 2016. The two sister newspapers are run separately, with different editorial staff, but there is cross-usage of stories.
Articles published in either may be published on the Telegraph Media Group's www.telegraph.co.uk website, under the title of The Telegraph. Editorially, the paper is considered conservative; the Telegraph has been the first newspaper to report on a number of notable news scoops, including the 2009 MP expenses scandal, which led to a number of high-profile political resignations and for which it was named 2009 British Newspaper of the Year, its 2016 undercover investigation on the England football manager Sam Allardyce. However, including the paper's former chief political commentator Peter Oborne, accuse it of being unduly influenced by advertisers HSBC; the Daily Telegraph and Courier was founded by Colonel Arthur B. Sleigh in June 1855 to air a personal grievance against the future commander-in-chief of the British Army, Prince George, Duke of Cambridge. Joseph Moses Levy, the owner of The Sunday Times, agreed to print the newspaper, the first edition was published on 29 June 1855; the paper was four pages long.
The first edition stressed the quality and independence of its articles and journalists: We shall be guided by a high tone of independent action. However, the paper was not a success, Sleigh was unable to pay Levy the printing bill. Levy took over the newspaper, his aim being to produce a cheaper newspaper than his main competitors in London, the Daily News and The Morning Post, to expand the size of the overall market. Levy appointed his son, Edward Levy-Lawson, Lord Burnham, Thornton Leigh Hunt to edit the newspaper. Lord Burnham relaunched the paper as The Daily Telegraph, with the slogan "the largest and cheapest newspaper in the world". Hunt laid out the newspaper's principles in a memorandum sent to Levy: "We should report all striking events in science, so told that the intelligent public can understand what has happened and can see its bearing on our daily life and our future; the same principle should apply to all other events—to fashion, to new inventions, to new methods of conducting business".
In 1876, Jules Verne published his novel Michael Strogoff, whose plot takes place during a fictional uprising and war in Siberia. Verne included among the book's characters a war correspondent of The Daily Telegraph, named Harry Blount—who is depicted as an exceptionally dedicated and brave journalist, taking great personal risks to follow the ongoing war and bring accurate news of it to The Telegraph's readership, ahead of competing papers. In 1908, Kaiser Wilhelm II of Germany gave a controversial interview to The Daily Telegraph that damaged Anglo-German relations and added to international tensions in the build-up to World War I. In 1928 the son of Baron Burnham, Harry Lawson Webster Levy-Lawson, 2nd Baron Burnham, sold the paper to William Berry, 1st Viscount Camrose, in partnership with his brother Gomer Berry, 1st Viscount Kemsley and Edward Iliffe, 1st Baron Iliffe. In 1937, the newspaper absorbed The Morning Post, which traditionally espoused a conservative position and sold predominantly amongst the retired officer class.
William Ewart Berry, 1st Viscount Camrose, bought The Morning Post with the intention of publishing it alongside The Daily Telegraph, but poor sales of the former led him to merge the two. For some years the paper was retitled The Daily Telegraph and Morning Post before it reverted to just The Daily Telegraph. In the late 1930s Victor Gordon Lennox, The Telegraph's diplomatic editor, published an anti-appeasement private newspaper The Whitehall Letter that received much of its information from leaks from Sir Robert Vansittart, the Permanent Under-Secretary of the Foreign Office, Rex Leeper, the Foreign Office's Press Secretary; as a result, Gordon Lennox was monitored by MI5. In 1939, The Telegraph published Clare Hollingworth's scoop. In November 1940, with Fleet Street subjected to daily bombing raids by the Luftwaffe, The Telegraph started printing in Manchester at Kemsley House, run by Camrose's brother Kemsley. Manchester quite printed the entire run of The Telegraph when its Fleet Street offices were under threat.
The name Kemsley House was changed to Thomson House in 1959. In 1986 printing of Northern editions of the Daily and Sunday Telegraph moved to Trafford Park and in 2008 to Newsprinters at Knowsley, Liverpool. During the Second World War, The Daily Telegraph covertly helped in the recruitment of code-breakers for Bletchley Park; the ability to solve The Telegraph's crossword in under 12 minutes was considered to be a recruitment test. The newspaper was asked to organise a crossword competition, after wh
Virtual International Authority File
The Virtual International Authority File is an international authority file. It is a joint project of several national libraries and operated by the Online Computer Library Center. Discussion about having a common international authority started in the late 1990s. After a series of failed attempts to come up with a unique common authority file, the new idea was to link existing national authorities; this would present all the benefits of a common file without requiring a large investment of time and expense in the process. The project was initiated by the US Library of Congress, the German National Library and the OCLC on August 6, 2003; the Bibliothèque nationale de France joined the project on October 5, 2007. The project transitioned to being a service of the OCLC on April 4, 2012; the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together. A VIAF record receives a standard data number, contains the primary "see" and "see also" records from the original records, refers to the original authority records.
The data are available for research and data exchange and sharing. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol; the file numbers are being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAF's clustering algorithm is run every month; as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records. Authority control Faceted Application of Subject Terminology Integrated Authority File International Standard Authority Data Number International Standard Name Identifier Wikipedia's authority control template for articles Official website VIAF at OCLC