Pretoria is a city in the northern part of Gauteng province in South Africa. It straddles the Apies River and has spread eastwards into the foothills of the Magaliesberg mountains, it is one of the country's three capital cities, serving as the seat of the administrative branch of government, of foreign embassies to South Africa. Pretoria has a reputation for being an academic city with three universities, the Council for Scientific and Industrial Research and the Human Sciences Research Council; the city hosts the National Research Foundation and the South African Bureau of Standards making the city a hub for research. Pretoria is the central part of the Tshwane Metropolitan Municipality, formed by the amalgamation of several former local authorities including Centurion and Soshanguve. There have been proposals to change the name of Pretoria itself to Tshwane, the proposed name change has caused some public controversy. Pretoria is named after the Voortrekker leader Andries Pretorius, within South Africa sometimes called the "Jacaranda City" due to the thousands of jacaranda trees planted in its streets and gardens.
Pretoria was founded in 1855 by Marthinus Pretorius, a leader of the Voortrekkers, who named it after his father Andries Pretorius and chose a spot on the banks of the "Apies rivier" to be the new capital of the South African Republic. The elder Pretorius had become a national hero of the Voortrekkers after his victory over Dingane and the Zulus in the Battle of Blood River; the elder Pretorius negotiated the Sand River Convention, in which the UK acknowledged the independence of the Transvaal. It became the capital of the South African Republic on 1 May 1860; the founding of Pretoria as the capital of the South African Republic can be seen as marking the end of the Boers' settlement movements of the Great Trek. During the First Boer War, the city was besieged by Republican forces in December 1880 and March 1881; the peace treaty which ended the war was signed in Pretoria on 3 August 1881 at the Pretoria Convention. The Second Boer War resulted in the end of the Transvaal Republic and start of British hegemony in South Africa.
The city surrendered to British forces under Frederick Roberts on 5 June 1900 and the conflict was ended in Pretoria with the signing of the Peace of Vereeniging on 31 May 1902 at Melrose House. The Pretoria Forts were built for the defence of the city just prior to the Second Boer War. Though some of these forts are today in ruins, a number of them have been preserved as national monuments; the Boer Republics of the ZAR and the Orange River Colony were united with the Cape Colony and Natal Colony in 1910 to become the Union of South Africa. Pretoria became the administrative capital of the whole of South Africa, with Cape Town the legislative capital and Bloemfontein served as the judicial capital. Between 1910 and 1994, the city was the capital of the province of Transvaal. On 14 October 1931, Pretoria achieved official city status; when South Africa became a republic in 1961, Pretoria remained its administrative capital. Pretoria is situated 55 km north-northeast of Johannesburg in the northeast of South Africa, in a transitional belt between the plateau of the Highveld to the south and the lower-lying Bushveld to the north.
It lies at an altitude of about 1,339 m above sea level, in a warm, fertile valley, surrounded by the hills of the Magaliesberg range. Pretoria has a humid subtropical climate with long hot rainy summers and short cool to cold, dry winters; the city experiences the typical winters of South Africa with cold, clear nights and mild to moderately warm days. Although the average lows during winter are mild, it can get cold due to the clear skies, with nighttime low temperatures in recent years in the range of 2 to −5 °C; the average annual temperature is 18.7 °C. This is rather high, considering the city's high altitude of about 1,339 metres, is due to its sheltered valley position, which acts as a heat trap and cuts it off from cool southerly and south-easterly air masses for much of the year. Rain is chiefly concentrated in the summer months, with drought conditions prevailing over the winter months, when frosts may be sharp. Snowfall is an rare event. During a nationwide heatwave in November 2011, Pretoria experienced temperatures that reached 39 °C, unusual for that time of the year.
Similar record-breaking extreme heat events occurred in January 2013, when Pretoria experienced temperatures exceeding 37 °C on several days. The year 2014 was one of the wettest on record for the city. A total of 914 mm fell up with 220 mm recorded in this month alone. In 2015 Pretoria saw its worst drought since 1982. January 2016 saw Pretoria reach a new record high of 44 °C on 7 January 2016. Depending on the extent of the area understood to constitute "Pretoria", the population ranges from 700,000 to 2.95 million. The main languages spoken in Pretoria are Sepedi, Setswana, Xitsonga and English; the city of Pretoria has the largest white population in Sub-Saharan Africa. Since its founding it has been a major Afrikaner population centre
Earl Wild was an American pianist known for his transcriptions of jazz and classical music. Royland Earl Wild was born in Pittsburgh, Pennsylvania, in 1915. Wild was a musically precocious child and studied under Selmar Janson at the Carnegie Institute of Technology there, with Marguerite Long, Egon Petri, Helene Barere, among others; as a teenager, he started making transcriptions of romantic composition. In 1931 he was invited to play at the White House by President Herbert Hoover; the next five presidents invited him to play for them, Wild remains the only pianist to have played for six consecutive presidents. In 1937, Wild was hired as a staff pianist for the NBC Symphony Orchestra. In 1939, he became the first pianist to perform a recital on U. S. television. Wild recalled that the small studio became so hot under the bright lights that the ivory piano keys started to warp. In 1942, Arturo Toscanini invited him for a performance of Gershwin's Rhapsody in Blue, which was, for Wild, a resounding success, although Toscanini himself has been criticized for not understanding the jazz idiom in which Gershwin wrote.
During World War II, Wild served in the United States Navy as a musician. He travelled with Eleanor Roosevelt while she toured the United States supporting the war effort. Wild's duty was to perform the national anthem on the piano. A few years after the war he moved to the newly formed American Broadcasting Company as a staff pianist and composer until 1968, he performed for the Peabody Mason Concert series in Boston in 1952, 1968, 1971 and three concerts of Liszt in 1986. Wild was renowned for his virtuoso recitals and master classes held around the world, from Seoul and Tokyo to Argentina and throughout the United States. Wild created numerous virtuoso solo piano transcriptions: 14 pieces by Rachmaninoff, works on themes by Gershwin, his Grand Fantasy on Airs from Porgy and Bess, the first extended piano paraphrase on an American opera, was recorded in 1976 and had its concert premiere in Pasadena on December 17, 1977. He wrote Seven Virtuoso Études on Popular Songs, based on Gershwin songs such as "The Man I Love", "Fascinating Rhythm" and "I Got Rhythm", Theme and Variations on George Gershwin's "Someone to Watch Over Me".
He wrote a number of original works. These included a large-scale Easter oratorio, the choral work The Turquoise Horse, the Doo-Dah Variations, on a theme by Stephen Foster, for piano and orchestra, his Sonata 2000 had its first performance by Bradley Bolen in 2003 and was recorded by Wild for Ivory Classics. Wild recorded for several labels, including RCA Records, where he recorded an album of Liszt and a collection of music by George Gershwin, including Rhapsody in Blue, Cuban Overture, Concerto in F, "I Got Rhythm" Variations, all with the Boston Pops Orchestra and Arthur Fiedler. In his career, Wild recorded for Ivory Classics. Under his teacher Selmar Janson, Wild had learned Xaver Scharwenka's Piano Concerto No. 1 in B-flat minor, which Janson had studied directly with the composer, his own teacher. When, over 40 years Erich Leinsdorf asked Wild to record the concerto, he was able to say "I've been waiting by the phone for forty years for someone to ask me to play this". In 1997 he was the first pianist to stream a performance over the Internet.
Wild, gay, lived in Columbus and Palm Springs, with his domestic partner of 38 years, Michael Rolland Davis. He was an atheist, he died aged 94 of congestive heart disease at home in Palm Springs. Harold C. Schonberg called him a "super-virtuoso in the Horowitz class". Wild's memoirs A Walk on the Wild Side were published posthumously by Ivory Classics; the Virtuosity of Earl Wild Rachmaninoff: Piano Concertos Nos. 1–4.
Huguenots are an ethnoreligious group of French Protestants. The term has its origin in early 16th century France, it was used in reference to those of the Reformed Church of France from the time of the Protestant Reformation. Huguenots were French Protestants. By contrast, the Protestant populations of eastern France, in Alsace and Montbéliard were ethnic German Lutherans. In his Encyclopedia of Protestantism, Hans Hillerbrand said that, on the eve of the St. Bartholomew's Day massacre in 1572, the Huguenot community included as much as 10% of the French population. By 1600 it had declined to 7–8%, was reduced further after the return of severe persecution in 1685 under Louis XIV's Edict of Fontainebleau; the Huguenots were believed to be concentrated among the population in the southern and western parts of the Kingdom of France. As Huguenots gained influence and more displayed their faith, Catholic hostility grew. A series of religious conflicts followed, known as the French Wars of Religion, fought intermittently from 1562 to 1598.
The Huguenots were led by Jeanne d'Albret, her son, the future Henry IV, the princes of Condé. The wars ended with the Edict of Nantes, which granted the Huguenots substantial religious and military autonomy. Huguenot rebellions in the 1620s resulted in the abolition of their political and military privileges, they retained the religious provisions of the Edict of Nantes until the rule of Louis XIV, who increased persecution of Protestantism until he issued the Edict of Fontainebleau. This ended legal recognition of Protestantism in France and the Huguenots were forced either to convert to Catholicism or flee as refugees. Louis XIV claimed that the French Huguenot population was reduced from about 800,000-900,000 adherents to just 1,000-1,500, he exaggerated the decline, but the dragonnades were devastating for the French Protestant community. The remaining Huguenots faced continued persecution under Louis XV. By the time of his death in 1774, Calvinism had been nearly eliminated from France. Persecution of Protestants ended with the Edict of Versailles, signed by Louis XVI in 1787.
Two years with the Revolutionary Declaration of the Rights of Man and of the Citizen of 1789, Protestants gained equal rights as citizens. The bulk of Huguenot émigrés relocated to Protestant states such as the Dutch Republic and Wales, Protestant-controlled Ireland, the Channel Islands, Denmark, Switzerland, the Electorate of Brandenburg and Electorate of the Palatinate in the Holy Roman Empire, the Duchy of Prussia; some fled as refugees to the Dutch Cape Colony in South Africa, the Dutch East Indies, the Caribbean colonies, several of the Dutch and English colonies in North America. A few families went to Catholic Quebec. After centuries, most Huguenots have assimilated into the various societies and cultures where they settled. Remnant communities of Camisards in the Cévennes, most Reformed members of the United Protestant Church of France, French members of the German Protestant Reformed Church of Alsace and Lorraine, the Huguenot diaspora in England and Australia, all still retain their beliefs and Huguenot designation.
A term used in derision, Huguenot has unclear origins. Various hypotheses have been promoted; the term may have been a combined reference to the Swiss politician Besançon Hugues and the religiously conflicted nature of Swiss republicanism in his time. It used a derogatory pun on the name Hugues by way of the Dutch word Huisgenoten, referring to the connotations of a somewhat related word in German Eidgenosse. Geneva was the centre of the Calvinist movement. In Geneva, though Catholic, was a leader of the "Confederate Party", so called because it favoured independence from the Duke of Savoy, it sought an alliance between the city-state of the Swiss Confederation. The label Huguenot was purportedly first applied in France to those conspirators who were involved in the Amboise plot of 1560: a foiled attempt to wrest power in France from the influential and zealously Catholic House of Guise; this action would have fostered relations with the Swiss. O. I. A. Roche promoted this idea among historians, he wrote in his book, The Days of the Upright, A History of the Huguenots, that "Huguenot" is: "a combination of a Dutch and a German word.
In the Dutch-speaking North of France, Bible students who gathered in each other's houses to study secretly were called Huis Genooten while on the Swiss and German borders they were termed Eid Genossen, or'oath fellows,' that is, persons bound to each other by an oath. Gallicised into'Huguenot' used deprecatingly, the word became, during two and a half centuries of terror and triumph, a badge of enduring honour and courage." Some disagree with such triple non-French linguistic origins. Janet Gray argues that for the word to have spread into common use in France, it must have originated there in French; the "Hugues hypothesis" argues that the name was derived by association with Hugues Capet, king of France, who reigned long before the Reformation. He was regarded by the Gallicians as a noble man who lives. Janet Gray and other supporters of the hypothesis suggest that the name huguenote would be equivalent to little Hugos, or those who want Hugo. In t
Integrated Authority File
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used for documentation in libraries and also by archives and museums; the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero licence; the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, an approach to unambiguous identification of single elements. It comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format; the Integrated Authority File became operational in April 2012 and integrates the content of the following authority files, which have since been discontinued: Name Authority File Corporate Bodies Authority File Subject Headings Authority File Uniform Title File of the Deutsches Musikarchiv At the time of its introduction on 5 April 2012, the GND held 9,493,860 files, including 2,650,000 personalised names.
There are seven main types of GND entities: LIBRIS Virtual International Authority File Information pages about the GND from the German National Library Search via OGND Bereitstellung des ersten GND-Grundbestandes DNB, 19 April 2012 From Authority Control to Linked Authority Data Presentation given by Reinhold Heuvelmann to the ALA MARC Formats Interest Group, June 2012
Mozarteum University Salzburg
The Mozarteum University Salzburg known as Mozarteum Salzburg, is a university in Salzburg municipality, which specializes in music and the dramatic arts. It was named after Salzburg native Wolfgang Amadeus Mozart; the predecessor of the Mozarteum Orchestra of Salzburg was the "Cathedral Music Association and Mozarteum", founded in 1841 through the energies of Mozart's widow Constanze Weber Mozart. Its purpose was the "refinement of musical taste with regard to sacred music as well as concerts". Through the 19th century, the concerts of the orchestra named the "Mozarteum Orchestra" in 1908, became the center of Salzburg city's musical life. In Salzburg city, the Foundation built and maintains a building with two concert halls, called the Mozarteum, it was constructed 1910–14, designed by the Munich architect Richard Berndl. The Mozarteum University Salzburg is affiliated with the International Mozarteum Foundation; the rebuilt university main building is located at Mirabellplatz 1. The original 100-rank grand concert hall organ was built by the Austrian firm Rieger in 1914.
A new organ in neo-baroque style was installed in 1970 by E. F. Walcker & Cie; this organ was dismantled in 2008. In 2010, a new 50-stop tracker action organ was installed by Hermann Eule Orgelbau, Bautzen; the original 1914 façade was reconstructed. Stoplist of 2010 Eule Organ Opus 657 The pipe organ in the Wienersaal small concert hall, invisibly located in an organ chamber above the stage, was built in 1914 by Rieger with 25 stops and electro-pneumatic action, it was rebuilt in 1941, including a new console and some neobaroque modifications. The organ is in bad condition, but still playable. Barbara Bonney Marios Joannou Elia David Frühwirth Leopold Hager Christian T. Herbst Angelika Kirchschlager Herbert von Karajan Christiane Karg Genia Kühmeier Giorgi Latso Erich Leinsdorf Igor Levit Nils Mönkemeyer Camilla Nylund Carl Orff Wolfgang Rennert Alice Sara Ott Tabea Zimmermann Barbara Bonney Reinhard Febel Eliot Fisk Vittorio Ghielmi Michael Gielen Pavel Gililov Veronika Hagen-Di Ronza Thomas Riebl Leopold Hager Nikolaus Harnoncourt Adriana Hölszky Wolfgang Holzmair Johannes Kalitzke Karl-Heinz Kämmerling Angelika Kirchschlager Ludlow Hallman Wilma Lipp Tristan Murail Felix Petyrek Ildikó Raimondi Ruggiero Ricci Gerhard Röthler Jacques Rouvier Heinrich Schiff Otmar Suitner Laurence Traiger Gerhard Wimberger Official site Mozarteum Precollege Program The Mozarteum - Salzburg Guide Mozarteum Orchestra of Salzburg International Mozarteum Foundation website Institute for historical and modern-day Mozart Opera Interpretation
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings; the word piano is a shortened form of pianoforte, the Italian term for the early 1700s versions of the instrument, which in turn derives from gravicembalo col piano e forte and fortepiano. The Italian musical terms piano and forte indicate "soft" and "loud" in this context referring to the variations in volume produced in response to a pianist's touch or pressure on the keys: the greater the velocity of a key press, the greater the force of the hammer hitting the strings, the louder the sound of the note produced and the stronger the attack; the name was created as a contrast to harpsichord, a musical instrument that doesn't allow variation in volume. The first fortepianos in the 1700s had smaller dynamic range.
An acoustic piano has a protective wooden case surrounding the soundboard and metal strings, which are strung under great tension on a heavy metal frame. Pressing one or more keys on the piano's keyboard causes a padded hammer to strike the strings; the hammer rebounds from the strings, the strings continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air; when the key is released, a damper stops the strings' vibration, ending the sound. Notes can be sustained when the keys are released by the fingers and thumbs, by the use of pedals at the base of the instrument; the sustain pedal enables pianists to play musical passages that would otherwise be impossible, such as sounding a 10-note chord in the lower register and while this chord is being continued with the sustain pedal, shifting both hands to the treble range to play a melody and arpeggios over the top of this sustained chord.
Unlike the pipe organ and harpsichord, two major keyboard instruments used before the piano, the piano allows gradations of volume and tone according to how forcefully a performer presses or strikes the keys. Most modern pianos have a row of 88 black and white keys, 52 white keys for the notes of the C major scale and 36 shorter black keys, which are raised above the white keys, set further back on the keyboard; this means that the piano can play 88 different pitches, going from the deepest bass range to the highest treble. The black keys are for the "accidentals". More some pianos have additional keys. Most notes have three strings, except for the bass; the strings are sounded when keys are pressed or struck, silenced by dampers when the hands are lifted from the keyboard. Although an acoustic piano has strings, it is classified as a percussion instrument rather than as a stringed instrument, because the strings are struck rather than plucked. There are two main types of piano: the upright piano.
The grand piano is used for Classical solos, chamber music, art song, it is used in jazz and pop concerts. The upright piano, more compact, is the most popular type, as it is a better size for use in private homes for domestic music-making and practice. During the 1800s, influenced by the musical trends of the Romantic music era, innovations such as the cast iron frame and aliquot stringing gave grand pianos a more powerful sound, with a longer sustain and richer tone. In the nineteenth century, a family's piano played the same role that a radio or phonograph played in the twentieth century. During the nineteenth century, music publishers produced many musical works in arrangements for piano, so that music lovers could play and hear the popular pieces of the day in their home; the piano is employed in classical, jazz and popular music for solo and ensemble performances and for composing and rehearsals. Although the piano is heavy and thus not portable and is expensive, its musical versatility, the large number of musicians and amateurs trained in playing it, its wide availability in performance venues and rehearsal spaces have made it one of the Western world's most familiar musical instruments.
With technological advances, amplified electric pianos, electronic pianos, digital pianos have been developed. The electric piano became a popular instrument in the 1960s and 1970s genres of jazz fusion, funk music and rock music; the piano was founded on earlier technological innovations in keyboard instruments. Pipe organs have been used since Antiquity, as such, the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches; the first string instruments with struck strings were the hammered dul