Peter the Younger
Peter the Younger was the Voivode of Wallachia between 25 September 1559 and 8 June 1568. The eldest son of Mircea the Shepherd and Doamna Chiajna, his named "the Young" because, at the moment of crowning, he was only 13. After the death of his father on 21 September 1559, the Boyars of Wallachia attempted to take the throne from the family. Between 25 September and 24 October 1559, three battles took place between the Boyars and the remaining family of Mircea the Shepherd; the first battle, from the village Românești, was won by the boyars, only to lose the second battle, of Șerpătești. The decisive battle took place at Boiani where, helped by the Ottomans, won. On 24 October 1559, still a minor was confirmed by the Sublime Porte as the new ruler of Wallachia. Peter was different from his father, having a mild and religious nature; because he was too young, the country was led by his capable mother Lady Chiajna, able to neutralize the intrigues of the pretenders to the throne and the manoeuvres of King of Hungary.
Attempting to secure the wealth of both the family and the state, the Ottoman Empire, through a representative, managed to send the young prince in exile along with his mother, Lady Chiajna in 1568. Peter the Younger arrived in Constantinople on 31 May and was taken to the Seven Towers fortress, where he was stripped of his riches. On 19 August 1569, Peter the Younger died of poisoning in Konya in Asia Minor, he was only 21 years old, he was buried in the Church of the Transfiguration in the same locality. Peter established the Plumbuita Monastery in 1560 and continued his father's work on restoring the Curtea Veche church and the Snagov Monastery. Academia Romana. A History of Romanians. IV. București: Editura Enciclopedica. ISBN 978-973-45065-2-1. "Petru cel Tânăr", from Enciclopedia Romaniei
Legitimacy (family law)
Legitimacy, in traditional Western common law, is the status of a child born to parents who are married to each other, of a child conceived before the parents obtain a legal divorce. Conversely, illegitimacy has been the status of a child born outside marriage, such a child being known as a bastard, or love child, when such a distinction has been made from other children. In Scots law, the terminology of natural son or natural daughter has the same implications; the prefix "Fitz-" added to a surname sometimes denoted that the child's parents were not married at the time of birth. Depending on local legislation, legitimacy can affect a child's rights of inheritance to the putative father's estate and the child's right to bear the father's surname or hereditary title. Illegitimacy has had consequences for the mother's and child's right to support from the putative father; the importance of legitimacy has decreased in Western countries with the increasing economic independence of women, the sexual revolution of the 1960s and 1970s, the fall of totalitarian regimes, declining influence of Christian churches on family life.
Births outside marriage represent the majority in many countries in Western Europe and in former European colonies. In many Western-derived cultures, stigma based on parents' marital status, use of the word "bastard", are now considered offensive. England's Statute of Merton stated, regarding illegitimacy: "He is a bastard, born before the marriage of his parents." This definition applied to situations when a child's parents could not marry, as when one or both were married or when the relationship was incestuous. The Poor Law of 1576 formed the basis of English bastardy law, its purpose was to punish a bastard child's mother and putative father, to relieve the parish from the cost of supporting mother and child. "By an act of 1576, it was ordered that bastards should be supported by their putative fathers, though bastardy orders in the quarter sessions date from before this date. If the genitor could be found he was put under great pressure to accept responsibility and to maintain the child."Under English law, a bastard could not inherit real property and could not be legitimized by the subsequent marriage of father to mother.
There was one exception: when his father subsequently married his mother, an older illegitimate son took possession of his father's lands after his death, he would pass the land on to his own heirs on his death, as if his possession of the land had been retroactively converted into true ownership. A younger non-bastard brother would have no claim to the land. There were many "natural children" of Scotland's monarchy granted positions which founded prominent families. In the 14th century, Robert II of Scotland gifted one his illegitimate sons estates in Bute, founding the Stewarts of Bute, a natural son of Robert III of Scotland was ancestral to the Shaw Stewarts of Greenock. In Scots law an illegitimate child, a "natural son" or "natural daughter", would be legitimated by the subsequent marriage of his parents, provided they were free to marry at the date of the conception; the Legitimation Act 1968 extended legitimation by the subsequent marriage of the parents to children conceived when their parents were not free to marry, but this was repealed in 2006 by the amendment of section 1 of the Law Reform Act 1986 which abolished the status of illegitimacy stating that " No person whose status is governed by Scots law shall be illegitimate...".
The Legitimacy Act 1926 of England and Wales legitimized the birth of a child if the parents subsequently married each other, provided that they had not been married to someone else in the meantime. The Legitimacy Act 1959 extended the legitimization if the parents had married others in the meantime and applied it to putative marriages which the parents incorrectly believed were valid. Neither the 1926 nor 1959 Acts changed the laws of succession to the British throne and succession to peerage and baronetcy titles. In Scotland children legitimated by the subsequent marriage of their parents have always been entitled to succeed to peerages and baronetcies and The Legitimation Act 1968 extended this right to children conceived when their parents were not free to marry; the Family Law Reform Act 1969 allowed a bastard to inherit on the intestacy of his parents. In canon and in civil law, the offspring of putative marriages have been considered legitimate. Since 2003 in England and Wales, 2002 in Northern Ireland and 2006 in Scotland, an unmarried father has parental responsibility if he is listed on the birth certificate.
In the United States, in the early 1970s a series of Supreme Court decisions held that most common-law disabilities imposed upon illegitimacy were invalid as violations of the Equal Protection Clause of the Fourteenth Amendment to the United States Constitution. Still, children born out of wedlock may not be eligible for certain federal benefits unless the child has been legitimized in the appropriate jurisdiction. Many other countries have legislatively abolished any legal disabilities of a child born out of wedlock. In France, legal reforms regarding illegitimacy began in the 1970s, but it was only in the 21st century that the principle of equality was upheld. In 2001, France was forced by the European Court of Human Rights to change several laws that were deemed discriminato
Les Mignons was a term used by polemicists in the toxic atmosphere of the French Wars of Religion and taken up by the people of Paris, to designate the favourites of Henry III of France, from his return from Poland to reign in France in 1574, to his assassination in 1589, a disastrous end to which the perception of effeminate weakness contributed. The mignons were frivolous and fashionable young men, to whom public malignity attributed heterodox sexuality, rumors that some historians have found to be a factor in the disintegration of the late Valois monarchy. According to the contemporary chronicler Pierre de l'Estoile, they made themselves "exceedingly odious, as much by their foolish and haughty demeanour, as by their effeminate and immodest dress, but above all by the immense gifts the king made to them." The Joyeuse wedding in 1581 occasioned one of the most extravagant displays of the reign. The faction of the Malcontents, headed by François, duc d'Alençon, created duc d'Anjou in 1576— the presumed heir as long as Henry remained childless— appear to have stirred up the ill will of the Parisians against them.
From 1576 the mignons were attacked by popular opinion, some historians have credited without proof the scandalous stories of the time. Some fourteen favourites were singled out, including François d'Espinay, seigneur de Saint-Luc, who had accompanied Henry to his "exile" in Poland and was rewarded now with the château de Rozoy-en-Brie and the governorship of Brouage; the appearance of the mignons on Henry's visits in July 1576 to the parishes of Paris to raise money to pay for the provisions of the Edict of Beaulieu, occasioned a report by L'Éstoile: "The name Mignons began, at this time, to travel by word of mouth through the people, to whom they were odious, as much for their ways which were jesting and haughty as for their paint and effeminate and unchaste apparel... Their occupations are gambling, blaspheming... fornicating and following the King everywhere...seeking to please him in everything they do and say, caring little for God or virtue, contenting themselves to be in the good graces of their master, whom they fear and honor more than God."L'Éstoile added "they wear their hair long and recurled by artifice, with little bonnets of velvet on top of it like whores in the brothels, the ruffles on their linen shirts are of starched finery and one half foot long so that their heads look like St. John's on a platter."The figure of Ganymede was employed in scurrilous sonnetry, but the subtext of criticism within the court was most that the mignons were not drawn from the cream of noble families, as had been the court favourites of his late brother Francis II or their father Henry II, but from the secondary nobility, raised up to such a degree that the social fabric appeared to be unnaturally strained.
In April 1578, the rival court parties of Henry III and Henry, Duke of Guise decided to reenact the battle of the Horatii and the Curiatii. On 27 April, Jacques de Caylus, Louis de Maugiron and Jean d'Arcès engaged in a mock battle with Charles de Balzac, Ribérac, Georges de Schomberg. Maugiron and Schomberg were killed in the fighting, Ribérac died of wounds the following noon, d'Arcès was wounded in the head and convalesced in a hospital for six weeks, while Caylus sustained as many as 19 wounds and died after 33 days of agony. Only Balzac got off with a mere scratch on his arm; this meaningless loss of life impressed itself on the public imagination. Jean Passerat wrote an elegy, Plaintes de Cléophon, on the occasion. In the political treatise Le Theatre de France the duel was invoked as "the day of the pigs" who "killed each other in the precinct of Saint Paul, serving him in the Muscovite manner". Michel Montaigne decried the event as "an image de cowardice", Pierre Brantôme connected it with the deplorable spread of the Italian and Gascon manners at Henry's court.
The incident accelerated the estrangement between the two Henrys. This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed.. "Mignons, Les". Encyclopædia Britannica. 18. Cambridge University Press. P. 427
Catherine Salvaresso, or Ecaterina Salvaresso was a princess consort of Wallachia. She was the mother of Mihnea Turcitul, she was the regent of Wallachia during the minority of her son from 1577 until 1583. Salvaresso was from a Catholic Italian family and a resident of the Italian quarter in Constantinople, where she met Alexandru II Mircea during his pilgrimage, they married in Pera in 1558, she converted to the Orthodox faith. She founded the convent Slătioarele and imported to first printing press in Bucharest in 1573. In 1577, her spouse died and she became the regent of her son, at that time a hostage of the Ottomans. Ileana Cazan, Eugen Denize: Marile puteri și spațiul românesc în secolele XV-XVI, Editura Universității din București, 2001 Gh. T. Ionescu: Nou despre doamna Ecaterina Salvaresso a Țării Românești, în Istros, VII, Brăila, 1994, p.189-199
Henry III of France
Henry III was King of France from 1574 until his death and King of the Polish–Lithuanian Commonwealth from 1573 to 1575. Henry was the thirteenth king from the House of Valois, the sixth from the Valois-Orléans branch, the fifth from the Valois-Orléans-Angoulême branch, the last male of his dynasty; as the fourth son of King Henry II of France, he was not expected to inherit the French throne and thus was a good candidate for the vacant throne of the Polish–Lithuanian Commonwealth, where he was elected King/Grand Duke in 1573. During his brief rule, he signed the Henrician Articles into law, recognizing the Polish nobility's right to elect their monarch. Aged 22, Henry abandoned Poland-Lithuania upon inheriting the French throne when his brother, Charles IX, died without issue. France was at the time plagued by the Wars of Religion, Henry's authority was undermined by violent political parties funded by foreign powers: the Catholic League, the Protestant Huguenots and the Malcontents, led by Henry's own brother, the Duke of Alençon, a party of Catholic and Protestant aristocrats who jointly opposed the absolutist ambitions of the king.
Henry III was himself a politique, arguing that a strong and religiously tolerant monarchy would save France from collapse. After the death of Henry's younger brother Francis, Duke of Anjou, when it became apparent that Henry would not produce an heir, the Wars of Religion developed into a succession crisis, the War of the Three Henrys. Henry III's legitimate heir was King Henry III of Navarre, a Protestant; the Catholic League, led by Henry I, Duke of Guise, sought to exclude Protestants from the succession and championed the Catholic Charles, Cardinal of Bourbon, as Henry III's heir. In 1589, Jacques Clément, a Catholic fanatic, murdered Henry III, he was succeeded by the King of Navarre who, as Henry IV, assumed the throne of France after converting to Catholicism, as the first French king of the House of Bourbon. Henry was born at the royal Château de Fontainebleau, the fourth son of King Henry II and Catherine de' Medici and grandson of Francis I of France and Claude of France, his older brothers were Francis II of France, Charles IX of France, Louis of Valois.
He was made Duke of Angoulême and Duke of Orléans in 1560 Duke of Anjou in 1566. He was his mother's favourite, his elder brother, grew to detest him because he resented his better health. The royal children were raised under the supervision of Diane de Poitiers. In his youth, Henry was considered the best of the sons of Catherine de' Medici and Henry II. Unlike his father and elder brothers, he had little interest in the traditional Valois pastimes of hunting and physical exercise. Although he was both fond of fencing and skilled in it, he preferred to indulge his tastes for the arts and reading; these predilections were attributed to his Italian mother. At one point in his youth he showed a tendency towards Protestantism as a means of rebelling. At the age of nine, calling himself "a little Huguenot", he refused to attend Mass, sang Protestant psalms to his sister Margaret, bit the nose off a statue of Saint Paul, his mother cautioned her children against such behaviour, he would never again show any Protestant tendencies.
Instead, he became nominally Roman Catholic. Reports that Henry engaged in same-sex relations with his court favourites, known as the mignons, date back to his own time, he enjoyed intense relationships with them. The scholar Louis Crompton maintains; some modern historians dispute this. Jean-Francois Solnon, Nicolas Le Roux, Jacqueline Boucher have noted that Henry had many famous mistresses, that he was well known for his taste in beautiful women, that no male sex partners have been identified, they have concluded that the idea he was homosexual was promoted by his political opponents who used his dislike of war and hunting to depict him as effeminate and undermine his reputation with the French people. His religious enemies plumbed the depths of personal abuse in attributing vices to him, topping the mixture with accusations of what they regarded as the ultimate devilish vice, homosexuality, and the portrait of a self-indulgent sodomite, incapable of fathering an heir to the throne, proved useful in efforts by the Catholic League to secure the succession for Cardinal Charles de Bourbon after 1585.
Gary Ferguson found their interpretations unconvincing: "It is difficult to reconcile the king whose use of favourites is so logically strategic with the man who goes to pieces when one of them dies." Katherine Crawford, by contrast, emphasizes the problems Henry's reputation encountered because of his failure to produce an heir and the presence of his powerful mother at court, combined with his enemies' insistence on conflating patronage with favouritism and luxury with decadence. In 1570, discussions commenced arranging for Henry to court Queen Elizabeth I of England. Elizabeth 37, was expected by many parties in her country to marry and produce an heir. However, nothing came of these discussions. In initiating them, Elizabeth is viewed by historians as having intended only to arouse the concern of Spain, rather than contemplate marriage seriously; the chance of marriage was further blighted by differing religious views and his opini
Poetry is a form of literature that uses aesthetic and rhythmic qualities of language—such as phonaesthetics, sound symbolism, metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning. Poetry has a long history, dating back to prehistorical times with the creation of hunting poetry in Africa, panegyric and elegiac court poetry was developed extensively throughout the history of the empires of the Nile and Volta river valleys; some of the earliest written poetry in Africa can be found among the Pyramid Texts written during the 25th century BCE, while the Epic of Sundiata is one of the most well-known examples of griot court poetry. The earliest Western Asian epic poetry, the Epic of Gilgamesh, was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, the Homeric epics, the Iliad and the Odyssey. Ancient Greek attempts to define poetry, such as Aristotle's Poetics, focused on the uses of speech in rhetoric, drama and comedy.
Attempts concentrated on features such as repetition, verse form and rhyme, emphasized the aesthetics which distinguish poetry from more objectively informative, prosaic forms of writing. Poetry uses forms and conventions to suggest differential interpretation to words, or to evoke emotive responses. Devices such as assonance, alliteration and rhythm are sometimes used to achieve musical or incantatory effects; the use of ambiguity, symbolism and other stylistic elements of poetic diction leaves a poem open to multiple interpretations. Figures of speech such as metaphor and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections not perceived. Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm; some poetry types are specific to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe and Rumi may think of it as written in lines based on rhyme and regular meter.
Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, the principle of euphony itself, sometimes altogether forgoing rhyme or set rhythm. In today's globalized world, poets adapt forms and techniques from diverse cultures and languages; some scholars believe. Others, suggest that poetry did not predate writing; the oldest surviving epic poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer, was written in cuneiform script on clay tablets and on papyrus. A tablet dating to c. 2000 BCE describes an annual rite in which the king symbolically married and mated with the goddess Inanna to ensure fertility and prosperity. An example of Egyptian epic poetry is The Story of Sinuhe. Other ancient epic poetry includes the Iliad and the Odyssey. Epic poetry, including the Odyssey, the Gathas, the Indian Vedas, appears to have been composed in poetic form as an aid to memorization and oral transmission, in prehistoric and ancient societies.
Other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the Shijing, were lyrics; the efforts of ancient thinkers to determine what makes poetry distinctive as a form, what distinguishes good poetry from bad, resulted in "poetics"—the study of the aesthetics of poetry. Some ancient societies, such as China's through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance. More thinkers have struggled to find a definition that could encompass formal differences as great as those between Chaucer's Canterbury Tales and Matsuo Bashō's Oku no Hosomichi, as well as differences in content spanning Tanakh religious poetry, love poetry, rap. Classical thinkers employed classification as a way to assess the quality of poetry. Notably, the existing fragments of Aristotle's Poetics describe three genres of poetry—the epic, the comic, the tragic—and develop rules to distinguish the highest-quality poetry in each genre, based on the underlying purposes of the genre.
Aestheticians identified three major genres: epic poetry, lyric poetry, dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry. Aristotle's work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. Poets and aestheticians distinguished poetry from, defined it in opposition to prose, understood as writing with a proclivity to logical explication and a linear narrative structure; this does not imply that poetry is illogical or lacks narration, but rather that poetry is an attempt to render the beautiful or sublime without the burden of engaging the logical or narrative thought process. English Romantic poet John Keats termed this escape from logic "Negative Capability"; this "romantic" approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic. This approach remained influential into t
Bucharest is the capital and largest city of Romania, as well as its cultural and financial centre. It is located in the southeast of the country, at 44°25′57″N 26°06′14″E, on the banks of the Dâmbovița River, less than 60 km north of the Danube River and the Bulgarian border. Bucharest was first mentioned in documents in 1459, it became the capital of Romania in 1862 and is the centre of Romanian media and art. Its architecture is a mix of historical, communist era and modern. In the period between the two World Wars, the city's elegant architecture and the sophistication of its elite earned Bucharest the nickname of "Little Paris". Although buildings and districts in the historic city centre were damaged or destroyed by war and above all Nicolae Ceaușescu's program of systematization, many survived and have been renovated. In recent years, the city has been experiencing an cultural boom. In 2016, the historical city centre was listed as "endangered" by the World Monuments Watch. According to the 2011 census, 1,883,425 inhabitants live within the city limits, a decrease from the 2002 census.
Adding the satellite towns around the urban area, the proposed metropolitan area of Bucharest would have a population of 2.27 million people. According to Eurostat, Bucharest has a functional urban area of 2,412,530 residents. Bucharest is the sixth-largest city in the European Union by population within city limits, after London, Madrid and Paris. Economically, Bucharest is the most prosperous city in Romania and is one of the main industrial centres and transportation hubs of Eastern and Central Europe; the city has big convention facilities, educational institutes, cultural venues, traditional "shopping arcades", recreational areas. The city proper is administratively known as the "Municipality of Bucharest", has the same administrative level as that of a national county, being further subdivided into six sectors, each governed by a local mayor; the Romanian name București has an unverified origin. Tradition connects the founding of Bucharest with the name of Bucur, a prince, an outlaw, a fisherman, a shepherd or a hunter, according to different legends.
In Romanian, the word stem bucurie means "joy", it is believed to be of Dacian origin, hence the city Bucharest means "city of joy". Other etymologies are given by early scholars, including the one of an Ottoman traveller, Evliya Çelebi, who said that Bucharest was named after a certain "Abu-Kariș", from the tribe of "Bani-Kureiș". In 1781, Austrian historian Franz Sulzer claimed that it was related to bucurie, bucuros, or a se bucura, while an early 19th-century book published in Vienna assumed its name has been derived from "Bukovie", a beech forest. In English, the city's name was rendered as Bukarest. A native or resident of Bucharest is called a "Bucharester". Bucharest's history alternated periods of development and decline from the early settlements in antiquity until its consolidation as the national capital of Romania late in the 19th century. First mentioned as the "Citadel of București" in 1459, it became the residence of the famous Wallachian prince Vlad III the Impaler; the Ottomans appointed Greek administrators to run the town from the 18th century.
A short-lived revolt initiated by Tudor Vladimirescu in 1821 led to the end of the rule of Constantinople Greeks in Bucharest. The Old Princely Court was erected by Mircea Ciobanul in the mid-16th century. Under subsequent rulers, Bucharest was established as the summer residence of the royal court. During the years to come, it competed with Târgoviște on the status of capital city after an increase in the importance of southern Muntenia brought about by the demands of the suzerain power – the Ottoman Empire. Bucharest became the permanent location of the Wallachian court after 1698. Destroyed by natural disasters and rebuilt several times during the following 200 years, hit by Caragea's plague in 1813–14, the city was wrested from Ottoman control and occupied at several intervals by the Habsburg Monarchy and Imperial Russia, it was placed under Russian administration between 1828 and the Crimean War, with an interlude during the Bucharest-centred 1848 Wallachian revolution. An Austrian garrison took possession after the Russian departure.
On 23 March 1847, a fire consumed about 2,000 buildings. In 1862, after Wallachia and Moldavia were united to form the Principality of Romania, Bucharest became the new nation's capital city. In 1881, it became the political centre of the newly proclaimed Kingdom of Romania under King Carol I. During the second half of the 19th century, the city's population increased and a new period of urban development began. During this period, gas lighting, horse-drawn trams, limited electrification were introduced; the Dâmbovița River was massively channelled in 1883, thus putting a stop to endemic floods like the 1865 flooding of Bucharest. The Fortifications of Bucharest were built; the extravagant architecture and cosmopolitan high culture of this period won Bucharest the nickname of "Little Paris" of the east, with Calea Victoriei as its Champs-Élysées. Between 6 December 1916 and November 1918, the city was occupied by German forces as a result of the Battle of Bucharest, with the official capital temporarily moved to Iași, in