1.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
2.
Ares
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Ares is the Greek god of war. He is one of the Twelve Olympians, and the son of Zeus and his sons Phobos and Deimos and his lover, or sister, Enyo accompanied him on his war chariot. In the Iliad, his father Zeus tells him that he is the god most hateful to him, an association with Ares endows places and objects with a savage, dangerous, or militarized quality. His value as a war god is placed in doubt, during the Trojan War, Ares was on the side, while Athena, often depicted in Greek art as holding Nike in her hand. Ares plays a limited role in Greek mythology as represented in literary narratives, though his numerous love affairs. When Ares does appear in myths, he typically faces humiliation and he is well known as the lover of Aphrodite, the goddess of love, who was married to Hephaestus, god of craftsmanship. The most famous story related to Ares and Aphrodite shows them exposed to ridicule through the wronged husbands device. The counterpart of Ares among the Roman gods is Mars, who as a father of the Roman people was given a more important, during the Hellenization of Latin literature, the myths of Ares were reinterpreted by Roman writers under the name of Mars. Greek writers under Roman rule also recorded cult practices and beliefs pertaining to Mars under the name of Ares, thus in the classical tradition of later Western art and literature, the mythology of the two figures becomes virtually indistinguishable. The etymology of the name Ares is traditionally connected with the Greek word ἀρή, there may also be a connection with the Roman god of war Mars, via hypothetical Proto-Indo-European *M̥rēs, compare Ancient Greek μάρναμαι, I fight, I battle. Walter Burkert notes that Ares is apparently an ancient abstract noun meaning throng of battle, R. S. P. Beekes has suggested a Pre-Greek origin of the name. The earliest attested form of the name is the Mycenaean Greek
3.
Medea
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In Greek mythology, Medea was the daughter of King Aeëtes of Colchis, niece of Circe, granddaughter of the sun god Helios, and later wife to the hero Jason. In Euripides play Medea, Jason abandons Medea when Creon, king of Corinth, the play tells of Medea avenging her husbands betrayal by killing their children. Medea figures in the myth of Jason and the Argonauts, a known best from a late literary version worked up by Apollonius of Rhodes in the 3rd century BC. Medea is known in most stories as an enchantress, and is depicted as a priestess of the goddess Hecate or a witch. The myth of Jason and Medea is very old, originally written around the time Hesiod wrote the Theogony, Medeas role began after Jason came from Iolcus to Colchis, to claim his inheritance and throne by retrieving the Golden Fleece. In a familiar mythic motif, Aeëtes promised to him the fleece. Next, Jason had to sow the teeth of a dragon in the field, and the teeth sprouted into an army of warriors, Jason was forewarned by Medea, however. Unable to determine where the rock had come from, the attacked and killed each other. Finally, Aeëtes made Jason fight and kill the dragon that guarded the fleece. Jason then took the fleece and sailed away with Medea, as he had promised, Apollonius says that Medea only helped Jason in the first place because Hera had convinced Aphrodite or Eros to cause Medea to fall in love with him. Medea distracted her father as they fled by killing her brother Absyrtus, during the fight, Atalanta, a member of the group helping Jason in his quest for the fleece, was seriously wounded, but Medea healed her. According to some versions, Medea and Jason stopped on her aunt Circes island so that she could be cleansed after murdering her brother, relieving her of blame for the deed. On the way back to Thessaly, Medea prophesied that Euphemus, the helmsman of Jasons ship and this came true through Battus, a descendant of Euphemus. The Argo then reached the island of Crete, guarded by the bronze man, Talos had one vein which went from his neck to his ankle, bound shut by a single bronze nail. According to Apollodorus, Talos was slain either when Medea drove him mad with drugs, deceived him that she would make him immortal by removing the nail, or was killed by Poeass arrow. In the Argonautica, Medea hypnotized him from the Argo, driving him mad so that he dislodged the nail, ichor flowed from the wound, after Talos died, the Argo landed. Jason, celebrating his return with the Golden Fleece, noted that his father Aeson was too aged, Medea withdrew the blood from Aesons body, infused it with certain herbs, and returned it to his veins, invigorating him. The daughters of king Pelias saw this and wanted the same service for their father, while Jason searched for the Golden Fleece, Hera, who was still angry at Pelias, conspired to make Jason fall in love with Medea, whom Hera hoped would kill Pelias
4.
Achilles
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In Greek mythology, Achilles was a Greek hero of the Trojan War and the central character and greatest warrior of Homers Iliad. His mother was the immortal nymph Thetis, and his father, Achilles’ most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, later legends state that Achilles was invulnerable in all of his body except for his heel. Alluding to these legends, the term Achilles heel has come to mean a point of weakness, Achilles name can be analyzed as a combination of ἄχος grief and λαός a people, tribe, nation. In other words, Achilles is an embodiment of the grief of the people, Achilles role as the hero of grief forms an ironic juxtaposition with the conventional view of Achilles as the hero of κλέος kleos. Laos has been construed by Gregory Nagy, following Leonard Palmer, to mean a corps of soldiers, a muster. With this derivation, the name would have a meaning in the poem, when the hero is functioning rightly, his men bring grief to the enemy. The poem is in part about the misdirection of anger on the part of leadership, R. S. P. Beekes has suggested a Pre-Greek origin of the name. The name Achilleus was a common and attested name among the Greeks soon after the 7th century BC. It was also turned into the female form Ἀχιλλεία attested in Attica in the 4th century BC and, in the form Achillia, Achilles was the son of the Nereid Thetis and Peleus, the king of the Myrmidons. Zeus and Poseidon had been rivals for the hand of Thetis until Prometheus, for this reason, the two gods withdrew their pursuit, and had her wed Peleus. Thetis, although a daughter of the sea-god Nereus, was brought up by Hera. According to the Achilleid, written by Statius in the 1st century AD, and to no surviving previous sources, however, he was left vulnerable at the part of the body by which she held him, his heel. It is not clear if this version of events was known earlier, in another version of this story, Thetis anointed the boy in ambrosia and put him on top of a fire, to burn away the mortal parts of his body. She was interrupted by Peleus and abandoned both father and son in a rage, however, none of the sources before Statius makes any reference to this general invulnerability. To the contrary, in the Iliad Homer mentions Achilles being wounded, in Book 21 the Paeonian hero Asteropaeus, son of Pelagon and he cast two spears at once, one grazed Achilles elbow, drawing a spurt of blood. Peleus entrusted Achilles to Chiron the Centaur, on Mt. Pelion, Achilles consuming rage is at times wavering, but at other times he cannot be cooled. Thetis foretold that her sons fate was either to gain glory and die young, or to live a long, Achilles chose the former, and decided to take part in the Trojan war
5.
Hesiod
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Hesiod was a Greek poet generally thought by scholars to have been active between 750 and 650 BC, around the same time as Homer. He is generally regarded as the first written poet in the Western tradition to regard himself as a persona with an active role to play in his subject. Ancient authors credited Hesiod and Homer with establishing Greek religious customs, modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought, archaic Greek astronomy and ancient time-keeping. The dating of his life is an issue in scholarly circles. Epic narrative allowed poets like Homer no opportunity for personal revelations, however, Hesiods extant work comprises didactic poems in which he went out of his way to let his audience in on a few details of his life. There are three references in Works and Days, as well as some passages in his Theogony that support inferences made by scholars. Some scholars have seen Perses as a creation, a foil for the moralizing that Hesiod develops in Works and Days. Gregory Nagy, on the hand, sees both Persēs and Hēsiodos as fictitious names for poetical personae. The family association with Cyme might explain his familiarity with eastern myths, evident in his poems, however, while his poetry features some Aeolisms there are no words that are certainly Boeotian—he composed in the main literary dialect of the time, Ionian. Pausanias asserted that Boeotians showed him an old tablet made of lead on which the Works were engraved. If he did write or dictate, it was perhaps as an aid to memory or because he lacked confidence in his ability to produce poems extempore and it certainly wasnt in a quest for immortal fame since poets in his era had no such notions. However, some suspect the presence of large-scale changes in the text. Possibly he composed his verses during idle times on the farm and he was in fact a misogynist of the same calibre as the later poet, Semonides. He resembles Solon in his preoccupation with issues of good versus evil and how a just and he resembles Aristophanes in his rejection of the idealised hero of epic literature in favour of an idealised view of the farmer. Yet the fact that he could eulogise kings in Theogony and denounce them as corrupt in Works, two different—yet early—traditions record the site of Hesiods grave. This tradition follows a familiar ironic convention, the oracle that predicts accurately after all, the other tradition, first mentioned in an epigram by Chersias of Orchomenus written in the 7th century BC claims that Hesiod lies buried at Orchomenus, a town in Boeotia. Eventually they came to regard Hesiod too as their hearth-founder, later writers attempted to harmonize these two accounts. Greeks in the fifth and early 4th centuries BC considered their oldest poets to be Orpheus, Musaeus, Hesiod
6.
Catalogue of Women
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The Catalogue of Women — also known as the Ehoiai — is a fragmentary Greek epic poem that was attributed to Hesiod during Archaic Greece. The women of the title were in fact heroines, many of whom lay with gods, in contrast with the focus upon narrative in the Homeric Iliad and Odyssey, the Catalogue was structured around a vast system of genealogies stemming from these unions and, in M. L. Wests appraisal, covered the whole of the heroic age, still, the Catalogue is much better attested than most lost works, with some 1,300 whole or partial lines surviving, between a third and a quarter of the original poem, by one estimate. Ancient authors most commonly referred to the poem as the Catalogue of Women, or simply the Catalogue and this nickname also provided the standard title for a similar Hesiodic work, the Megalai Ehoiai or Great Ehoiai. As is reflected by its use as a title, the ē hoiē-formula was one of the poems most recognizable features. A characteristic example is found in the introduction of the daughters of Porthaon at Cat. fr. 26. 5–9, The preceding section of the poem had dealt at length with the extended family of Porthaons sister Demodice. Here ē hoiai is used to jump backwards in order to complete the account of the descendants of Porthaon, elsewhere the formula is used in transitions to more distant branches. The Ehoie of Mestra, for example, ultimately serves to reintroduce the family of Sisyphus, although that marriage does not take place, the descendants of Sisyphus are soon presented. According to the Suda, the Catalogue was five books long, the length of each is unknown, but it is likely that the entire poem consisted of anywhere from 4000 to over 5000 lines. One papyrus includes line numbers which, taken together with the system of overlaps among the other sources, immortals who slept with mortal men, bearing children like gods. The first allowed for the liaisons that are the ostensible subject, gods. A further significant detail about the condition is offered next in one of the most puzzling passages of the Catalogue. The differing fates of the heroes are described, some appear to have lived a long life characterized by perpetual youth. The papyrus is damaged at this point, and the implications of these comparisons are unknown. The Muses are next addressed again, asked to sing of however many lay with, siring the race of glorious kings. the repeated use of the introductory phrase or such as. And it is likely that this first woman treated was Pyrrha, Zeus unsurprisingly had first pick from the catalogue of women, and sired Hellen by Pyrrha. Pyrrha also had three daughters by Deucalion, Thyia, Protogeneia and Pandora, who was named for her maternal grandmother, like their mother, these three lay with Zeus, bearing sons from whom several early Greek tribes were said to descend
7.
Homer
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Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
8.
Odyssey
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The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature, the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the poem mainly focuses on the Greek hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of suitors, the Mnesteres or Proci. The Odyssey continues to be read in the Homeric Greek and translated into languages around the world. Many scholars believe the poem was composed in an oral tradition by an aoidos, perhaps a rhapsode. The details of the ancient oral performance and the conversion to a written work inspire continual debate among scholars. The Odyssey was written in a dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek. Among the most noteworthy elements of the text are its non-linear plot, in the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer and it was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have stolen from Musaeus by either Eugamon or Eugammon of Cyrene. The Odyssey begins ten years after the end of the ten-year Trojan War, and Odysseus has still not returned home from the war. Odysseus protectress, the goddess Athena, requests to Zeus, king of the gods, to finally allow Odysseus to return home when Odysseus enemy, then, disguised as a Taphian chieftain named Mentes, she visits Telemachus to urge him to search for news of his father. He offers her hospitality, they observe the suitors dining rowdily while the bard Phemius performs a poem for them. Penelope objects to Phemius theme, the Return from Troy, because it reminds her of her missing husband and that night Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena, he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos
9.
Agamemnon
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Mythical legends make him the king of Mycenae or Argos, thought to be different names for the same area. When Helen, the wife of Menelaus, was taken to Troy by Paris, upon Agamemnons return from Troy, he was murdered by Aegisthus, the lover of his wife, Clytemnestra. In some later versions Clytemnestra herself does the killing, or they act together as accomplices, Atreus, Agamemnons father, murdered the children of his twin brother Thyestes and fed them to Thyestes after discovering Thyestes adultery with his wife Aerope. Thyestes fathered Aegisthus with his own daughter, Pelopia, and this son vowed gruesome revenge on Atreus children, Aegisthus successfully murdered Atreus and restored his father to the throne. Aegisthus took possession of the throne of Mycenae and jointly ruled with Thyestes, during this period Agamemnon and his brother, Menelaus, took refuge with Tyndareus, King of Sparta. There they respectively married Tyndareus daughters Clytemnestra and Helen, Agamemnon and Clytemnestra had four children, one son, Orestes, and three daughters, Iphigenia, Electra and Chrysothemis. Menelaus succeeded Tyndareus in Sparta, while Agamemnon, with his brothers assistance, drove out Aegisthus and he extended his dominion by conquest and became the most powerful prince in Greece. Thus misfortune hounded successive generations of the House of Atreus, until atoned by Orestes in a court of justice held jointly by humans, Agamemnon gathered the reluctant Greek forces to sail for Troy. Preparing to depart from Aulis, which was a port in Boeotia, misfortunes, including a plague and a lack of wind, prevented the army from sailing. Finally, the prophet Calchas announced that the wrath of the goddess could only be propitiated by the sacrifice of Agamemnons daughter Iphigenia and her death appeased Artemis, and the Greek army set out for Troy. Several alternatives to the human sacrifice have been presented in Greek mythology, hesiod said she became the goddess Hecate. Agamemnon was the commander-in-chief of the Greeks during the Trojan War, during the fighting, Agamemnon killed Antiphus and fifteen other Trojan soldiers. The Iliad tells the story about the quarrel between Agamemnon and Achilles in the year of the war. Following one of the Achaean Armys raids, Chryseis, daughter of Chryses, Chryses pleaded with Agamemnon to free his daughter but was met with little success. Chryses then prayed to Apollo for the return of his daughter. After learning from the Prophet Calchas that the plague could be dispelled by returning Chryseis to her father, Agamemnon reluctantly agreed, however, as compensation for his lost prize, Agamemnon demanded a new prize. As a result, Agamemnon stole an attractive slave called Briseis, one of the spoils of war, Achilles, the greatest warrior of the age, withdrew from battle in response to Agamemnons supposedly evil deed and allegedly put the Greek armies at risk of losing the war. Although not the equal of Achilles in bravery, Agamemnon was a representative of kingly authority, as commander-in-chief, he summoned the princes to the council and led the army in battle
10.
Ancient Greek
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Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a historical stage of its own, although in its earliest form it closely resembled Attic Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects, Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language, Ancient Greek was a pluricentric language, divided into many dialects. The main dialect groups are Attic and Ionic, Aeolic, Arcadocypriot, some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are also several historical forms, homeric Greek is a literary form of Archaic Greek used in the epic poems, the Iliad and Odyssey, and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic, the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period and they have the same general outline, but differ in some of the detail. The invasion would not be Dorian unless the invaders had some relationship to the historical Dorians. The invasion is known to have displaced population to the later Attic-Ionic regions, the Greeks of this period believed there were three major divisions of all Greek people—Dorians, Aeolians, and Ionians, each with their own defining and distinctive dialects. Often non-west is called East Greek, Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, and Northern Peloponnesus Doric. The Lesbian dialect was Aeolic Greek and this dialect slowly replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek, by about the 6th century AD, the Koine had slowly metamorphosized into Medieval Greek
11.
Pelias
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Pelias was king of Iolcus in Greek mythology, the son of Tyro and Poseidon. His wife is recorded as either Anaxibia, daughter of Bias, or Phylomache and he was the father of Acastus, Pisidice, Alcestis, Pelopia, Hippothoe, Amphinome, Evadne, Asteropeia, and Antinoe. Tyro was married to Cretheus, with whom she had three sons, Aeson, Pherês, and Amythaon, but she loved Enipeus, a river god and she pursued Enipeus, who refused her advances. One day, Poseidon, filled with lust for Tyro, disguised himself as Enipeus and from their union were born Pelias and Neleus, twin boys. Tyro exposed her sons on a mountain to die, but they were found by a herdsman who raised them as his own, as one story goes, when they reached adulthood, Pelias and Neleus found Tyro and killed her stepmother Sidero, for having mistreated her. Pelias was power-hungry and he wished to gain dominion over all of Thessaly, to this end, he banished Neleus and Pherês, and locked Aeson in the dungeons in Iolcus. While in the dungeons, Aeson married and had children, most famously. Aeson sent Jason away from Iolcus in fear that Pelias would kill him as an heir to the throne. Jason grew in the care of Chiron the centaur, on Mount Pelium, to be educated while Pelias, many years later, Pelias offered a sacrifice by the sea in honor of Poseidon. Jason, who was summoned with many others to take part in the sacrifice, in Virgils Aeneid, Hera had disguised herself as an old woman, whom Jason was helping across the river when he lost his sandal. When Jason entered Iolcus, he was announced as a man wearing one sandal, paranoid, Pelias asked Jason what he would do if confronted with the man who would be his downfall. Jason responded that he would send that man after the Golden Fleece, Pelias took Jasons advice and sent him to retrieve the Golden Fleece. It would be found at Colchis, in a sacred to Ares. Though the Golden Fleece simply hung on an oak tree, this was an impossible task. Jason made preparations by commanding the shipwright Argus to build a large enough for fifty men. These heroes who would join his quest were known as the Argonauts, upon their arrival Jason requested the Golden Fleece from the King of Colchis, Aeëtes. Aeëtes demanded that Jason must first yoke a pair of fire-breathing bulls to a plough, Medea, daughter of Aeëtes, fell in love with Jason, and being endowed with magical powers, aided him in his completion of the difficult task. She cast a spell to put the dragon to sleep, enabling Jason to obtain the Golden Fleece from the oak tree, Jason, Medea, and the Argonauts fled Colchis and began their return journey to Thessaly
