1.
Greenwich
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Greenwich is an early-established district of todays London, England, centred 5.5 miles east south-east of Charing Cross. The town lends its name to the Royal Borough of Greenwich, Greenwich is generally described as being part of South-east London and sometimes as being part of East London. Greenwich is notable for its history and for giving its name to the Greenwich Meridian. The town became the site of a palace, the Palace of Placentia from the 15th century. The palace fell into disrepair during the English Civil War and was rebuilt as the Royal Naval Hospital for Sailors by Sir Christopher Wren and his assistant Nicholas Hawksmoor. These buildings became the Royal Naval College in 1873, and they remained an establishment for military education until 1998 when they passed into the hands of the Greenwich Foundation. The historic rooms within these buildings remain open to the public, other buildings are used by University of Greenwich and Trinity Laban Conservatoire of Music and Dance. The town became a resort in the 18th century and many grand houses were built there, such as Vanbrugh Castle established on Maze Hill. From the Georgian period estates of houses were constructed above the town centre, Greenwich formed part of Kent until 1889 when the County of London was created. The place-name Greenwich is first attested in a Saxon charter of 918 and it is recorded as Grenewic in 964, and as Grenawic in the Anglo-Saxon Chronicle for 1013. It is Grenviz in the Domesday Book of 1086, and Grenewych in the Taxatio Ecclesiastica of 1291, the name means green wic or settlement. An article in The Times of 13 October 1967 stated, East Greenwich, gateway to the Blackwall Tunnel, remains solidly working class, the manpower for one eighth of Londons heavy industry. West Greenwich is a hybrid, the spirit of Nelson, the Cutty Sark, the Maritime Museum, an industrial waterfront and a number of elegant houses, ripe for development. Royal charters granted to English colonists in North America, often used the name of the manor of East Greenwich for describing the tenure as that of free socage, New England charters provided that the grantees should hold their lands as of his Majesty’s manor of East Greenwich. Grants named the castle of Windsor, places in North America that have taken the name East Greenwich include a township in Gloucester County, New Jersey, a hamlet in Washington County, New York, and a town in Kent County, Rhode Island. Tumuli to the south-west of Flamsteed House, in Greenwich Park, are thought to be early Bronze Age barrows re-used by the Saxons in the 6th century as burial grounds, to the east between the Vanbrugh and Maze Hill Gates is the site of a Roman villa or temple. A small area of red paving tesserae protected by railings marks the spot and it was excavated in 1902 and 300 coins were found dating from the emperors Claudius and Honorius to the 5th century. This was excavated by the Channel 4 television programme Time Team in 1999, broadcast in 2000, the Roman road from London to Dover, Watling Street crossed the high ground to the south of Greenwich, through Blackheath
2.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
3.
Anne of Denmark
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Anne of Denmark was Queen consort of Scotland, England, and Ireland as the wife of King James VI and I. The second daughter of King Frederick II of Denmark, Anne married James in 1589 at age 15, Anne appears to have loved James at first, but the couple gradually drifted and eventually lived apart, though mutual respect and a degree of affection survived. In England, Anne shifted her energies from factional politics to patronage of the arts and constructed her own magnificent court, after 1612, she suffered sustained bouts of ill health and gradually withdrew from the centre of court life. Though she was reported to have been a Protestant at the time of her death, historians have traditionally dismissed Anne as a lightweight queen, frivolous and self-indulgent. However, recent reappraisals acknowledge Annes assertive independence and, in particular, Anne was born on 12 December 1574 at the castle of Skanderborg on the Jutland Peninsula in the Kingdom of Denmark. Her birth came as a blow to her father, King Frederick II of Denmark, but her mother, Sophie of Mecklenburg-Güstrow, was only 17, three years later she did bear Frederick a son, the future Christian IV of Denmark. With her older sister, Elizabeth, Anne was sent to be raised at Güstrow in Germany by her maternal grandparents, the Duke and Duchess of Mecklenburg. Christian was also sent to be brought up at Güstrow but two later, in 1579, the Rigsraad successfully requested his removal to Denmark, and Anne. Anne enjoyed a close, happy family upbringing in Denmark, thanks largely to Queen Sophie, James other serious possibility, though 8 years his senior, was Catherine, sister of the Huguenot King Henry III of Navarre, who was favoured by Elizabeth I of England. The constitutional position of Sophie, Annes mother, became difficult after Fredericks death in 1588, when she found herself in a power struggle with the Rigsraad for control of King Christian. As a matchmaker, however, Sophie proved more diligent than Frederick and, overcoming sticking points on the amount of the dowry, Anne herself seems to have been thrilled with the match. Whatever the truth of the rumours, James required a match to preserve the Stuart line. On 20 August 1589, Anne was married by proxy to James at Kronborg Castle, Anne set sail for Scotland within 10 days, but her fleet was beset by a series of misadventures. Finally being forced back to the coast of Norway, from where she travelled by land to Oslo for refuge, accompanied by the Earl Marischal and others of the Scottish and Danish embassies. According to a Scottish account, he presented himself to Anne, with boots and all, Anne and James were formally married at the Old Bishops Palace in Oslo on 23 November 1589, with all the splendour possible at that time and place. So that both bride and groom could understand, Leith minister David Lindsay conducted the ceremony in French and she giveth great contentment to his Majesty. The couple moved on to Copenhagen on 7 March and attended the wedding of Annes older sister Elizabeth to Henry Julius, Duke of Brunswick and they arrived in the Water of Leith on 1 May. Five days later, Anne made her entry into Edinburgh in a solid silver coach brought over from Denmark
4.
Inigo Jones
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Inigo Jones was the first significant English architect in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable architect in England, Jones was the first person who introduced the classical architecture of Rome and he made major contributions to stage design by his work as theatrical designer for several dozen masques, most by royal command and many in collaboration with Ben Jonson. Beyond the fact that he was born in Smithfield, London, the son of Inigo Jones, a Welsh cloth worker, at some point before 1603 a rich patron sent him to Italy to study drawing after being impressed by the quality of his sketches. From Italy he travelled to Denmark where he worked for King Christian on the design of the palaces of Rosenborg and Frederiksborg, Jones first became famous as a designer of costumes and stage settings, especially after he brought masques to the stage. Under Queen Annes patronage he is credited with introducing movable scenery and this development suggests a second visit to Italy, circa 1606, influenced by the ambassador Henry Wotton. Jones learned to speak Italian fluently and there is evidence that he owned an Italian copy of Andrea Palladios I quattro libri dellarchitettura with marginalia that refer to Wotton and his architectural work was particularly influenced by Palladio. To a lesser extent, he held to the architectural principles of the ancient Roman writer Vitruvius. Joness first recorded architectural design is for a monument to Lady Cotton, circa 1608 and he devised a masque for the Prince and was possibly involved in some alterations to St Jamess Palace. On this trip, Jones was exposed to the architecture of Rome, Padua, Florence, Vicenza, Genoa and his surviving sketchbook shows his preoccupation with such artists as Parmigianino and Schiavone. He is also known to have met Vincenzo Scamozzi at this time and he was probably the first Englishman to study these Roman remains first hand and this was key to the new architecture Jones introduced in England. In September 1615, Jones was appointed Surveyor-General of the Kings Works, fortunately, both James I and Charles I spent lavishly on their buildings, contrasting hugely with the economical court of Elizabeth I. As the Kings Surveyor, Jones built some of his key buildings in London, in 1616, work began on the Queens House, Greenwich, for James Is wife, Anne. With the foundations laid and the first storey built, work stopped suddenly when Anne died in 1619, work resumed in 1629, but this time for Charles Is Queen, Henrietta Maria. It was finished in 1635 as the first strictly classical building in England, employing ideas found in the architecture of Palladio and this is Joness earliest surviving work. The Banqueting House was one of several projects where Jones worked with his personal assistant, the Queens Chapel, St. Jamess Palace, was built between 1623 and 1627, for Charles Is Roman Catholic wife, Henrietta Maria. Parts of the design originate in the Pantheon of ancient Rome and these buildings show the realisation of a mature architect with a confident grasp of classical principles and an intellectual understanding of how to implement them. The other project in which Jones was involved is the design of Covent Garden square and he was commissioned by the Earl of Bedford to build a residential square, which he did along the lines of the Italian piazza of Livorno. It is the first regularly planned square in London, the Earl felt obliged to provide a church and he warned Jones that he wanted to economise
5.
Listed building
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A listed building or listed structure, in the United Kingdom, is one that has been placed on the Statutory List of Buildings of Special Architectural or Historic Interest. The statutory bodies maintaining the list are Historic England in England, Cadw in Wales, Historic Scotland in Scotland, however, the preferred term in Ireland is protected structure. In England and Wales, an amenity society must be notified of any work to a listed building which involves any element of demolition. Owners of listed buildings are, in circumstances, compelled to repair and maintain them. When alterations are permitted, or when listed buildings are repaired or maintained, slightly different systems operate in each area of the United Kingdom, though the basic principles of the listing remain the same. It was the damage to caused by German bombing during World War II that prompted the first listing of buildings that were deemed to be of particular architectural merit. The listings were used as a means of determining whether a building should be rebuilt if it was damaged by bombing. Listing was first introduced into Northern Ireland under the Planning Order 1972, the listing process has since developed slightly differently in each part of the UK. In the UK, the process of protecting the historic environment is called ‘designation’. A heritage asset is a part of the environment that is valued because of its historic. Only some of these are judged to be important enough to have legal protection through designation. However, buildings that are not formally listed but still judged as being of heritage interest are still regarded as being a consideration in the planning process. Almost anything can be listed – it does not have to be a building, Buildings and structures of special historic interest come in a wide variety of forms and types, ranging from telephone boxes and road signs, to castles. Historic England has created twenty broad categories of structures, and published selection guides for each one to aid with assessing buildings and these include historical overviews and describe the special considerations for listing each category. Both Historic Scotland and Cadw produce guidance for owners, in England, to have a building considered for listing or delisting, the process is to apply to the secretary of state, this can be done by submitting an application form online to Historic England. The applicant does not need to be the owner of the building to apply for it to be listed, full information including application form guidance notes are on the Historic England website. Historic England assesses buildings put forward for listing or delisting and provides advice to the Secretary of State on the architectural, the Secretary of State, who may seek additional advice from others, then decides whether or not to list or delist the building. In England and Wales the authority for listing is granted to the Secretary of State by the Planning Act 1990, Listed buildings in danger of decay are listed on the Historic England Heritage at Risk Register
6.
Scheduled monument
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In the United Kingdom, a scheduled monument is a nationally important archaeological site or historic building, given protection against unauthorised change. The various pieces of legislation used for protecting heritage assets from damage. The protection given to scheduled monuments is given under the Ancient Monuments and Archaeological Areas Act 1979, a heritage asset is a part of the historic environment that is valued because of its historic, archaeological, architectural or artistic interest. Only some of these are judged to be important enough to have legal protection through designation. There are about 20,000 scheduled monuments in England representing about 37,000 heritage assets, of the tens of thousands of scheduled monuments in the UK, most are inconspicuous archaeological sites, but some are large ruins. According to the 1979 Act, a monument cannot be a structure which is occupied as a dwelling, as a rule of thumb, a protected historic asset that is occupied would be designated as a listed building. Scheduled Monuments are defined in the Ancient Monuments and Archaeological Areas Act 1979, in England, Wales and Scotland they are often referred to as a scheduled ancient monument, although the Act defines only ancient monument and scheduled monument. A monument can be, A building or structure, cave or excavation which is above or below the surface of the land, a site comprising any vehicle, vessel, aircraft or other moveable structure. In Northern Ireland they are designated under separate legislation and are referred to as a historic monument or a monument in state care. The first Act to enshrine legal protection for ancient monuments was the Ancient Monuments Protection Act 1882 and this identified an initial list of 68 prehistoric sites, which were given a degree of legal protection. This was the result of strenuous representation by William Morris and the Society for the Protection of Ancient Buildings, which had been founded in 1877. Following various previous attempts, the 1882 legislation was guided through parliament by John Lubbock, the first Inspector of Ancient Monuments, as set up by the act, was Augustus Pitt Rivers. At this point, only the inspector, answering directly to the First Commissioner of Works, was involved in surveying the scheduled sites and persuading landowners to offer sites to the state. The act also established the concept of guardianship, in which a site might remain in private ownership, however the legislation could not compel landowners, as that level of state interference with private property was not politically possible. The Ancient Monuments Protection Act 1900 extended the scope of the legislation to include medieval monuments, in a speech in 1907, Robert Hunter, chairman of the National Trust, observed that only a further 18 sites had been added to the original list of 68. Charles Peers, an architect, was appointed as Inspector in 1910 in the Office of Works becoming Chief Inspector in 1913. The job title Inspector is still in use, scheduling offers protection because it makes it illegal to undertake a great range of works within a designated area, without first obtaining scheduled monument consent. However, it does not affect the owner’s freehold title or other interests in the land
7.
Architecture of the United Kingdom
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England has seen the most influential developments, though Ireland, Scotland, and Wales have each fostered unique styles and played leading roles in the international history of architecture. English Gothic architecture, which flourished between 1180 until around 1520, was imported from France, but quickly developed its own unique qualities. Beyond the United Kingdom, the influence of British architecture is particularly strong in India, Bangladesh, the cities of Lahore, Mumbai, Kolkata, Dhaka and Chittagong have courts, administrative buildings and railway stations designed in British architectural styles. In the United Kingdom, a monument is a nationally important archaeological site or historic building. Within the United Kingdom are the ruins of structures and ancient neolithic settlements. The architecture of ancient Rome penetrated Roman Britain with elegant villas, carefully planned towns, similarly, Anglo-Saxons brought a sophisticated building style of their own to Britain, but little physical evidence survives because the principal building material was wood. The Norman conquest of England, which began in 1066, marked the introduction of large-scale stone-block building techniques to Britain, the Norman penetration of the Scottish nobility resulted in Scoto-Norman and Romanesque architecture too, examples being Dunfermline Abbey, St. Margarets Chapel and St. Magnus Cathedral. Throughout Britain and Ireland, simplicity and functionality prevailed in building styles, Castles, such as Alnwick Castle, Caernarfon Castle and Stirling Castle served military purpose and their battlements and turrets were practical solutions to medieval warfare. Under the feudal system that dominated Britain, fitness for purpose characterised domestic structures, for many, houses were dark, primitive structures of one or two rooms, usually with crude timber frames, low walls and thatched roofs. In the Kingdom of England, Perpendicular style gained preference for civic, kings College Chapel in Cambridge, which started in 1446 and was completed in 1515, marks the period of transition between Perpendicular and Tudor style architecture. Between 1500 and 1660 Britain experienced a social, cultural and political change owing to the Union of the Crowns, although Britain became more unified and stable, it became more isolated from continental Europe. Catholic monasteries were closed, and their lands were redistributed, creating new rich, however, owing to troublesome relations with Catholic Europe, the free exchange of ideas was difficult meaning new Renaissance architecture was generally slow to arrive in Britain. Increasingly isolated from the continent, landowners relied on new books for inspiration. Medieval Gothic architectural forms were dropped, and mansions and other large domestic buildings became varied. For the majority of the people of Great Britain however, domestic buildings were of poor design and materials, most buildings remained tied to the locality, and local materials shaped buildings. Furthermore, the buildings of the 16th century were governed by fitness for purpose. However, more stable and sophisticated houses for those lower down the scale gradually appeared, replacing timber with stone and, later. The arrival of Flemish people in the 16th and 17th centuries introduced Protestant craftsmen, the 18th century has been described as a great period in British Architecture
8.
Classical architecture
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Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in all be said to draw on a common vocabulary of decorative and constructive elements. The term classical architecture also applies to any mode of architecture that has evolved to a highly refined state, such as classical Chinese architecture and it can also refer to any architecture that employs classical aesthetic philosophy. The term might be used differently from traditional or vernacular architecture, for contemporary buildings following authentic classical principles, the term New Classical Architecture may be used. Classical architecture is derived from the architecture of ancient Greece and ancient Rome, with the collapse of the western part of the Roman empire, the architectural traditions of the Roman empire ceased to be practised in large parts of western Europe. In the Byzantine Empire, the ancient ways of building lived on, the first conscious efforts to bring back the disused language of form of classical antiquity into Western architecture can be traced to the Carolingian Renaissance of the late 8th and 9th centuries. In general, therefore, they are not considered classical architectural styles in a strict sense, nonetheless, the classical architecture of the Renaissance from the outset represents a highly specific interpretation of the classical ideas. Most of the styles originating in post-renaissance Europe can be described as classical architecture and this broad use of the term is employed by Sir John Summerson in The Classical Language of Architecture. The elements of architecture have been applied in radically different architectural contexts than those for which they were developed. For example, Baroque or Rococo architecture are styles which, although classical at root, during these periods, architectural theory still referred to classical ideas but rather less sincerely than during the Renaissance. Neoclassical architecture held a strong position on the architectural scene c. With the advent of Modernism during the early 20th century, classical architecture arguably almost completely ceased to be practised, as noted above, classical styles of architecture dominated Western architecture for a very long time, roughly from the Renaissance until the advent of Modernism. That is to say, that classical antiquity at least in theory was considered the source of inspiration for architectural endeavours in the West for much of Modern history. Furthermore, it can even be argued that styles of architecture not typically considered classical, like Gothic, therefore, a simple delineation of the scope of classical architecture is difficult to make. The more or less defining characteristic can still be said to be a reference to ancient Greek or Roman architecture, and the architectural rules or theories that derived from that architecture. In the grammar of architecture, the word petrification is often used when discussing the development of sacred structures, such as temples, during the Archaic and early Classical periods, the architectural forms of the earliest temples had solidified and the Doric emerged as the predominant element. And not everyone within the reach of Mediterranean civilization made this transition. Nor was it the lack of knowledge of working on their part that prevented them from making the transition from timber to dressed stone
9.
Grand Tour
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The custom flourished from about 1660, until the advent of large-scale rail transport in the 1840s, and was associated with a standard itinerary. It served as a rite of passage. With nearly unlimited funds, aristocratic connections and months to roam, they commissioned paintings, perfected their language skills, in addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from months to several years. It was commonly undertaken in the company of a Cicerone, a guide or tutor. The legacy of the Grand Tour lives on to the day and is still evident in works of travel. In essence, the Grand Tour was neither a scholars pilgrimage nor a one, though a pleasurable stay in Venice. Catholic Grand Tourists followed the routes as Protestant Whigs. Pompeo Batoni made a career of painting English milordi posed with graceful ease among Roman antiquities, many continued on to Naples, where they viewed Herculaneum and Pompeii, but few ventured far into southern Italy or Malta, and fewer still to Greece, still under Turkish rule. Rome for many centuries had been the goal of pilgrims, especially during Jubilee when they visited the Seven Pilgrim Churches of Rome. This is partly because he asked Inigo Jones, not yet established as an architect but already known as a traveller and masque designer. Larger numbers of tourists began their tours after the Peace of Münster in 1648, lasselss introduction listed four areas in which travel furnished an accomplished, consummate Traveller, the intellectual, the social, the ethical, and the political. The idea of travelling for the sake of curiosity and learning was an idea in the 17th century. Thus, one could use up the environment, taking from it all it offers, travel, therefore, was necessary for one to develop the mind and expand knowledge of the world. Consciously adapted for intellectual self-improvement, Gibbon was revisiting the Continent on a larger and more liberal plan, the typical 18th-century sentiment was that of the studious observer travelling through foreign lands reporting his findings on human nature for those unfortunate enough to have stayed home. Recounting ones observations to society at large to increase its welfare was considered an obligation, the Grand Tour offered a liberal education, and the opportunity to acquire things otherwise unavailable at home, lending an air of accomplishment and prestige to the traveller. The trappings of the Grand Tour, especially portraits of the traveller painted in iconic continental settings, became the obligatory emblems of worldliness, gravitas, the less well-off could return with an album of Piranesi etchings. The perhaps in Gibbons opening remark cast a shadow over his resounding statement
10.
Renaissance architecture
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Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the style was carried to France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Italy of the 15th century, and the city of Florence in particular, was home to the Renaissance, the scholarly approach to the architecture of the ancient coincided with the general revival of learning. A number of factors were influential in bringing this about, Italian architects had always preferred forms that were clearly defined and structural members that expressed their purpose. Many Tuscan Romanesque buildings demonstrate these characteristics, as seen in the Florence Baptistery, Italy had never fully adopted the Gothic style of architecture. In the 15th century, Florence, Venice and Naples extended their power through much of the area that surrounded them and this enabled Florence to have significant artistic influence in Milan, and through Milan, France. Successive Popes, especially Julius II, 1503–13, sought to extend the Pope’s temporal power throughout Italy, in the early Renaissance, Venice controlled sea trade over goods from the East. Trade brought wool from England to Florence, ideally located on the river for the production of fine cloth, by dominating Pisa, Florence gained a seaport, and also maintained dominance of Genoa. In this commercial climate, one family in particular turned their attention from trade to the business of money-lending. The Medici became the chief bankers to the princes of Europe, becoming virtually princes themselves as they did so, along the trade routes, and thus offered some protection by commercial interest, moved not only goods but also artists, scientists and philosophers. This commenced in the mid 15th century and gained momentum in the 16th century, the construction of the Sistine Chapel with its uniquely important decorations and the entire rebuilding of St Peters, one of Christendoms most significant churches, were part of this process. In wealthy republican Florence, the impetus for church-building was more civic than spiritual, the unfinished state of the enormous cathedral dedicated to the Blessed Virgin Mary did no honour to the city under her patronage. The dome inspired further religious works in Florence, through Humanism, civic pride and the promotion of civil peace and order were seen as the marks of citizenship. Some major ecclesiastical building works were commissioned, not by the church. During the Renaissance, architecture became not only a question of practice, printing played a large role in the dissemination of ideas. The first treatise on architecture was De re aedificatoria by Leon Battista Alberti in 1450 and it was to some degree dependent on Vitruviuss De architectura, a manuscript of which was discovered in 1414 in a library in Switzerland. De re aedificatoria in 1485 became the first printed book on architecture, Sebastiano Serlio produced the next important text, the first volume of which appeared in Venice in 1537, it was entitled Regole generali darchitettura. It is known as Serlios Fourth Book since it was the fourth in Serlios original plan of a treatise in seven books, in all, five books were published
11.
Palladian architecture
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Palladian architecture is a European style of architecture derived from and inspired by the designs of the Venetian architect Andrea Palladio. That which is recognised as Palladian architecture today is an evolution of Palladios original concepts, Palladios work was strongly based on the symmetry, perspective and values of the formal classical temple architecture of the Ancient Greeks and Romans. From the 17th century Palladios interpretation of classical architecture was adapted as the style known as Palladianism. It continued to develop until the end of the 18th century, Palladianism became popular briefly in Britain during the mid-17th century, but its flowering was cut short by the onset of the Civil War and the imposition of austerity which followed. In the early 18th century it returned to fashion, not only in England but also, the style continued to be popular in Europe throughout the 19th and early 20th centuries, where it was frequently employed in the design of public and municipal buildings. However, as a style it has continued to be popular and to evolve, its pediments, symmetry. Buildings entirely designed by Palladio are all in Venice and the Veneto, with an especially rich grouping of palazzi in Vicenza and they include villas, and churches such as Redentore in Venice. Palladio always designed his villas with reference to their setting, if on a hill, such as Villa Capra, facades were frequently designed to be of equal value so that occupants could have fine views in all directions. Also, in cases, porticos were built on all sides so that occupants could fully appreciate the countryside while being protected from the sun. Palladio sometimes used a loggia as an alternative to the portico and this can most simply be described as a recessed portico, or an internal single storey room, with pierced walls that are open to the elements. Occasionally a loggia would be placed at floor level over the top of a loggia below. Loggias were sometimes given significance in a facade by being surmounted by a pediment, Villa Godi has as its focal point a loggia rather than a portico, plus loggias terminating each end of the main building. Palladio would often model his villa elevations on Roman temple facades, the temple influence, often in a cruciform design, later became a trademark of his work. Palladian villas are built with three floors, a rusticated basement or ground floor, containing the service and minor rooms. The proportions of each room within the villa were calculated on simple mathematical ratios like 3,4 and 4,5, earlier architects had used these formulas for balancing a single symmetrical facade, however, Palladios designs related to the whole, usually square, villa. Palladio deeply considered the purpose of his villas as both farmhouses and palatial weekend retreats for wealthy merchant owners. These symmetrical temple-like houses often have symmetrical, but low, wings sweeping away from them to accommodate horses, farm animals. The wings, sometimes detached and connected to the villa by colonnades, were designed not only to be functional but also to complement, the Palladian, Serlian, or Venetian window features largely in Palladios work and is almost a trademark of his early career
12.
Longleat
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Longleat is an English stately home and the seat of the Marquesses of Bath. It is a leading and early example of the Elizabethan prodigy house and it is adjacent to the village of Horningsham and near the towns of Warminster and Westbury in Wiltshire and Frome in Somerset. It is noted for its Elizabethan country house, maze, landscaped parkland and safari park. The house is set in 1,000 acres of parkland landscaped by Capability Brown, with 4,000 acres of let farmland and 4,000 acres of woodland, which includes a Center Parcs holiday village. It was the first stately home to open to the public, the house was built by Sir John Thynne and was designed mainly by Robert Smythson, after the original priory was destroyed by fire in 1567. It took 12 years to complete and is regarded as one of the finest examples of Elizabethan architecture in Britain. Longleat is occupied by Alexander Thynn, 7th Marquess of Bath, a descendant of the builder, however. Longleat was previously an Augustinian priory, the name comes from leat, an artificial waterway or channel such as that which supplies a watermill. Sir Charles Appleton purchased Longleat for Sir John Thynn in 1541 for £53, Appleton was a builder with experience gained from working on The Old School Baltonsborough, Bedwyn Broil and Somerset House. In April 1567 the original house caught fire and burnt down, a replacement house was effectively completed by 1580. Adrian Gaunt, Alan Maynard, Robert Smythson, the Earl of Hertford and Humpfrey Lovell all contributed to the new building, formal gardens, canals, fountains and parterres were created by George London with sculptures by Arnold Quellin and Chevalier David. The Best Gallery, Long Gallery, Old Library and Chapel were all added due to Wren. In 1707, Thomas Thynne founded a school for boys in the market town of Warminster, near to his family seat, to teach the boys of Warminster, Longbridge Deverill. Over time this became known as the Lord Weymouth School, in 1973 Lord Weymouths School merged with St. Monicas School for girls, Thomas Thynne, 2nd Viscount Weymouth married Louisa Carteret whose ghost is reputed to haunt the house as the Green Lady. Thomas Thynne, 1st Marquess of Bath employed Capability Brown who replaced the gardens with a landscaped park and dramatic drives. Thomas Thynne, 2nd Marquess of Bath employed Jeffry Wyatville to modernise the house, Wyatville demolished several parts of the house, including Wrens staircase, and replaced them with galleries and a grand staircase. He also constructed many outbuildings including the Orangery, Henry Thynne, 3rd Marquess of Bath John Thynne, 4th Marquess of Bath collected Italian fine arts. He employed John Crace, whose work included Brighton Pavilion, Woburn Abbey, Chatsworth House
