Ravanahatha

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Man playing Ravanahatha in Jaisalmer, India

A ravanahatha (variant names: ravanhatta, rawanhattha, ravanastron, ravana hasta veena) is an ancient bowed, stringed instrument, used in India, Sri Lanka and surrounding areas. It has been suggested as an ancestor of the violin.[1]

Construction[edit]

The ravanahatha's sound box may be a gourd, a halved coconut shell or hollowed-out cylinder of wood, with a membrane of stretched goat or other hide. A neck of wood or bamboo is attached, carrying between one and four or more peg-tuned strings of gut, hair or steel, strung over a bridge, some examples may have several sympathetic strings. The bow is usually of horsehair; examples vary in length.

History[edit]

In Indian and Sri Lankan tradition, the ravanahatha is believed to have originated among the Hela people of Lanka during the time of the legendary king Ravana, after whom the instrument is supposedly named. According to legend, Ravana used the ravanahatha in his devotions to the Hindu God Shiva;[2] in the Hindu Ramayana epic, after the war between Rama and Ravana, Hanuman returned to North India with a ravanahatha. The ravanahatha is particularly popular among street musicians in Rajasthan, North India.

Throughout the history of Medieval India, the kings were patrons of music; this helped in increased popularity of the ravanhatha among royal families. In Rajasthan and Gujarat, it was the first musical instrument to be learned by princes, the Sangit tradition of Rajasthan further helped in popularizing ravanhatta among women.[citation needed]

Some sources claim that between the seventh and tenth centuries AD, Arab traders brought the ravanastron from India to the Near East, where it provided the basic model for the Arab rebab, and other early ancestors of the violin family.[3][4]

Modern use[edit]

Dinesh Subasinghe showing his new version of the ravanahatha to Mahinda Rajapaksa

In modern times, the instrument has been revived by Sri Lankan composer and violinist Dinesh Subasinghe and used in several of his compositions, including Rawan Nada and the Buddhist oratorio Karuna Nadee.[5][6]

References[edit]

  1. ^ Heron-Allen, Edward, Violin-making : as it was and is, being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional, Ward, Lock, and Co., 1885, pp. 37-42 Archive.org facsimile of Cornell University Press copy (accessed 29 June 2017)
  2. ^ The Island (9 March 2008). "Sri Lankan revives Ravana’s musical instrument".
  3. ^ Heron-Allen, Edward, Violin-making : as it was and is, being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional, Ward, Lock, and Co., 1885, pp. 37-42 Archive.org facsimile of Cornell University Press copy (accessed 29 June 2017)
  4. ^ Choudhary, S.Dhar (2010). The Origin and Evolution of Violin as a Musical Instrument and Its Contribution to the Progressive Flow of Indian Classical Music: In search of the historical roots of violin. Ramakrisna Vedanta Math. ISBN 9380568061. Retrieved 5 September 2015. 
  5. ^ Balachandran, PK (7 February 2011). "A musical instrument played by Ravana Himself!". New Indian Express. Retrieved 1 May 2013.
  6. ^ The Sunday Times (Sri Lanka) (8 March 2015). "Dinesh records highest sale for an instrumental". Retrieved 16 July 2015.

External links[edit]