We Were Exploding Anyway
We Were Exploding Anyway is the fourth studio album by 65daysofstatic. It was recorded in Sheffield, while mastering took place in New York, it was released on 26 April 2010 in Europe and the United States, on 19 May in Japan. It was their first album to be released on Hassle Records; the two singles, "Weak4" and "Crash Tactics", were released on 30 March respectively. To promote the release of their album, the band organized a headlining European tour with the bands Nedry and Loops Haunt. S. tour. The album was made available as a live stream on the band's Myspace page on the 19 April, one week ahead of its release; the album debuted at number 99 in the UK Albums Chart and number 7 in the UK independent albums chart. Musically, We Were Exploding Anyway has a stronger electronic sound, featuring more dance beats, electronic bass and drum tracks, less complex guitar-driven patterns that distances the album from the band's earlier math rock/post-rock elements. In a review by The Line of Best Fit, "... sees them desperate to rid themselves of their characterless post-rock moniker as they delve well and into the more rhythmic qualities of dance music.".
The song "Debutante" was used for the E3 2014 trailer for the video game No Man's Sky. "Mountainhead" – 5:33 "Crash Tactics" – 3:47 "Dance Dance Dance" – 4:02 "Piano Fights" – 3:51 "Weak4" – 3:54 "Come to Me" – 8:00 "Go Complex" – 4:04 "Debutante" – 7:21 "Tiger Girl" – 10:37 "Sawtooth Rising" - 4:58 We Were Exploding Anyway at MusicBrainz
The Fall of Math
The Fall of Math is the debut album by the instrumental post-rock band 65daysofstatic, released on September 20, 2004 through Monotreme. It contains what is arguably their most famous track, "Retreat! Retreat!". The album spawned two singles. While "Retreat! Retreat!" was a standard CD single release featuring two b-sides, "Hole" was released as a 7-track EP with a length of thirty minutes. Both tracks were accompanied by promotional videos; the song "Aren't We All Running?" appeared in the initial trailer for the video game Binary Domain
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords or riffs. Post-rock artists are instrumental combining rock guitars and drums with electronic instruments; the genre emerged within the indie and underground music scene of early 1990s. However, due to its abandonment of rock conventions, it bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient music and minimalist classical; the individual styles of bands that have been described as post-rock differ making the term controversial among listeners and artists alike. The concept of "post-rock" was coined by critic Simon Reynolds in his review of Bark Psychosis' album Hex, published in the March 1994 issue of Mojo magazine. Reynolds expanded upon the idea in the May 1994 issue of The Wire. Writing about artists like Seefeel, Disco Inferno, Techno Animal, Robert Hampson, Insides, Reynolds used the term to describe music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbre and textures rather than riffs and power chords".
He further expounded on the term, Perhaps the provocative area for future development lies... in cyborg rock. Reynolds, in a July 2005 entry in his blog, claimed he had used the concept of "post-rock" before using it in Mojo referencing it in a feature on Insides for music newspaper Melody Maker, he said he found the term itself not to be of his own coinage, saying in his blog, "I discovered many years it had been floating around for over a decade." The term was used by American journalist James Wolcott in a 1975 article about musician Todd Rundgren, although with a different meaning. It was used in the Rolling Stone Album Guide to name a style corresponding to "avant-rock" or "out-rock"; the earliest use of the term dates back as far as September 1967. In a Time cover story feature on the Beatles, writer Christopher Porterfield hails the band and producer George Martin's creative use of the recording studio, declaring that this is "leading an evolution in which the best of current post-rock sounds are becoming something that pop music has never been before: an art form."
Another pre-1994 example of the term in use can be found in an April 1992 review of 1990s noise-pop band The Earthmen by Steven Walker in Melbourne music publication Juke, where he describes a "post-rock noisefest". The post-rock sound incorporates characteristics from a variety of musical genres, including krautrock, psychedelia, prog rock, space rock, math rock, tape music, minimalist classical, British IDM, dub reggae, as well as post-punk, free jazz, contemporary classical, avant-garde electronica, it bears similarities to drone music. Early post-rock groups often exhibited strong influence from the krautrock of the 1970s borrowing elements of "motorik", the characteristic krautrock rhythm. Post-rock compositions make use of repetition of musical motifs and subtle changes with an wide range of dynamics. In some respects, this is similar to the music of Steve Reich, Philip Glass and Brian Eno, pioneers of minimalism. Post-rock pieces are lengthy and instrumental, containing repetitive build-ups of timbre and texture.
Vocals are omitted from post-rock. When vocals are included, the use is non-traditional: some post-rock bands employ vocals as purely instrumental efforts and incidental to the sound, rather than a more traditional use where "clean" interpretable vocals are important for poetic and lyrical meaning; when present, post-rock vocals are soft or droning and are infrequent or present in irregular intervals. Sigur Rós, a band known for their distinctive vocals, fabricated a language they called "Hopelandic", which they described as "a form of gibberish vocals that fits to the music and acts as another instrument."In lieu of typical rock structures like the verse-chorus form, post-rock groups make greater use of soundscapes. Simon Reynolds states in his "Post-Rock" from Audio Culture that "A band's journey through rock to post-rock involves a trajectory from narrative lyrics to stream-of-consciousness to voice-as-texture to purely instrumental music". Reynolds' conclusion defines the sporadic progression from rock, with its field of sound and lyrics to post-rock, where samples are stretched and looped.
Wider experimentation and blending of other genres have taken hold in the post-rock scene. Cult of Luna, Russian Circles, Palms and Pelican have fused metal with post-rock styles; the resulting sound has been termed post-metal. More sludge metal has grown and evolved to include some elements of post-rock; this second wave of sludge metal has been pioneered by bands such as Giant Battle of Mice. This new sound is seen on the label of Neurot Recordings. Bands such as Altar of Plagues, Lantlôs and Agalloch blend between post-rock and black metal, incorporating elements of the former while using the latter. In some cases, this sort of experimentation and blending has gone beyond the fusion of post-rock with a single genre, as in the case of post-metal, in favor of an wider embrace of disparate musical influences as it can be heard in bands like Deafheaven. Post-rock appears to take a heavy influence from late 1960s
Hassle Records is an independent record label, created by Chris Baker in 2005. CurrentPetrol Girls Under the Influence Lonely the Brave August Burns Red Cancer Bats The James Cleaver Quintet The Get Up Kids Senses Fail Thousand Foot Krutch Turbowolf Casey Brutus Swedish Death Candy FormerAlexisonfire Attack! Attack! Blitz Kids Canterbury Four Year Strong Juliette Lewis Rolo Tomassi Trash Talk We Are the Ocean 65daysofstatic Fact Official website Hassle Records on Facebook
England is a country, part of the United Kingdom. It shares land borders with Wales to Scotland to the north-northwest; the Irish Sea lies west of England and the Celtic Sea lies to the southwest. England is separated from continental Europe by the North Sea to the east and the English Channel to the south; the country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Palaeolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century, since the Age of Discovery, which began during the 15th century, has had a significant cultural and legal impact on the wider world; the English language, the Anglican Church, English law – the basis for the common law legal systems of many other countries around the world – developed in England, the country's parliamentary system of government has been adopted by other nations.
The Industrial Revolution began in 18th-century England, transforming its society into the world's first industrialised nation. England's terrain is chiefly low hills and plains in central and southern England. However, there is upland and mountainous terrain in the west; the capital is London, which has the largest metropolitan area in both the United Kingdom and the European Union. England's population of over 55 million comprises 84% of the population of the United Kingdom concentrated around London, the South East, conurbations in the Midlands, the North West, the North East, Yorkshire, which each developed as major industrial regions during the 19th century; the Kingdom of England – which after 1535 included Wales – ceased being a separate sovereign state on 1 May 1707, when the Acts of Union put into effect the terms agreed in the Treaty of Union the previous year, resulting in a political union with the Kingdom of Scotland to create the Kingdom of Great Britain. In 1801, Great Britain was united with the Kingdom of Ireland to become the United Kingdom of Great Britain and Ireland.
In 1922 the Irish Free State seceded from the United Kingdom, leading to the latter being renamed the United Kingdom of Great Britain and Northern Ireland. The name "England" is derived from the Old English name Englaland, which means "land of the Angles"; the Angles were one of the Germanic tribes that settled in Great Britain during the Early Middle Ages. The Angles came from the Anglia peninsula in the Bay of Kiel area of the Baltic Sea; the earliest recorded use of the term, as "Engla londe", is in the late-ninth-century translation into Old English of Bede's Ecclesiastical History of the English People. The term was used in a different sense to the modern one, meaning "the land inhabited by the English", it included English people in what is now south-east Scotland but was part of the English kingdom of Northumbria; the Anglo-Saxon Chronicle recorded that the Domesday Book of 1086 covered the whole of England, meaning the English kingdom, but a few years the Chronicle stated that King Malcolm III went "out of Scotlande into Lothian in Englaland", thus using it in the more ancient sense.
According to the Oxford English Dictionary, its modern spelling was first used in 1538. The earliest attested reference to the Angles occurs in the 1st-century work by Tacitus, Germania, in which the Latin word Anglii is used; the etymology of the tribal name itself is disputed by scholars. How and why a term derived from the name of a tribe, less significant than others, such as the Saxons, came to be used for the entire country and its people is not known, but it seems this is related to the custom of calling the Germanic people in Britain Angli Saxones or English Saxons to distinguish them from continental Saxons of Old Saxony between the Weser and Eider rivers in Northern Germany. In Scottish Gaelic, another language which developed on the island of Great Britain, the Saxon tribe gave their name to the word for England. An alternative name for England is Albion; the name Albion referred to the entire island of Great Britain. The nominally earliest record of the name appears in the Aristotelian Corpus the 4th-century BC De Mundo: "Beyond the Pillars of Hercules is the ocean that flows round the earth.
In it are two large islands called Britannia. But modern scholarly consensus ascribes De Mundo not to Aristotle but to Pseudo-Aristotle, i.e. it was written in the Graeco-Roman period or afterwards. The word Albion or insula Albionum has two possible origins, it either derives from a cognate of the Latin albus meaning white, a reference to the white cliffs of Dover or from the phrase the "island of the Albiones" in the now lost Massaliote Periplus, attested through Avienus' Ora Maritima to which the former served as a source. Albion is now applied to England in a more poetic capacity. Another romantic name for England is Loegria, related to the Welsh word for England and made popular by its use in Arthurian legend; the earliest known evidence of human presence in the area now known as England was that of Homo antecessor, dating to approximate
MusicBrainz is a project that aims to create an open data music database, similar to the freedb project. MusicBrainz was founded in response to the restrictions placed on the Compact Disc Database, a database for software applications to look up audio CD information on the Internet. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become a structured open online database for music. MusicBrainz captures information about artists, their recorded works, the relationships between them. Recorded works entries capture at a minimum the album title, track titles, the length of each track; these entries are maintained by volunteer editors. Recorded works can store information about the release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text and other metadata; as of 21 September 2018, MusicBrainz contained information about 1.4 million artists, 2 million releases, 19 million recordings. End-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as FLAC, MP3, Ogg Vorbis or AAC.
MusicBrainz allows contributors to upload cover art images of releases to the database. Internet Archive provides the bandwidth and legal protection for hosting the images, while MusicBrainz stores metadata and provides public access through the web and via an API for third parties to use; as with other contributions, the MusicBrainz community is in charge of maintaining and reviewing the data. Cover art is provided for items on sale at Amazon.com and some other online resources, but CAA is now preferred because it gives the community more control and flexibility for managing the images. Besides collecting metadata about music, MusicBrainz allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this. In 2000, MusicBrainz started using Relatable's patented TRM for acoustic fingerprint matching; this feature allowed the database to grow quickly. However, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions.
This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, replacing TRM with MusicDNS. TRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND; some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free identification service was uncertain, a replacement for it was sought; the Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský. While AcoustID and Chromaprint are not MusicBrainz projects, they are tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second. Additional post-processing is applied to compress this fingerprint while retaining patterns; the AcoustID search server searches from the database of fingerprints by similarity and returns the AcoustID identifier along with MusicBrainz recording identifiers if known.
Since 2003, MusicBrainz's core data are in the public domain, additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL; the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, which allows use of the code by proprietary software products. In December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye. On 20 January 2006, the first commercial venture to use MusicBrainz data was the Barcelona, Spain-based Linkara in their Linkara Música service. On 28 June 2007, BBC announced that it has licensed MusicBrainz's live data feed to augment their music Web pages; the BBC online music editors will join the MusicBrainz community to contribute their knowledge to the database. On 28 July 2008, the beta of the new BBC Music site was launched, which publishes a page for each MusicBrainz artist.
Amarok – KDE audio player Banshee – multi-platform audio player Beets – automatic CLI music tagger/organiser for Unix-like systems Clementine – multi-platform audio player CDex – Microsoft Windows CD ripper Demlo – a dynamic and extensible music manager using a CLI iEatBrainz – Mac OS X deprecated foo_musicbrainz component for foobar2000 – Music Library/Audio Player Jaikoz – Java mass tag editor Max – Mac OS X CD ripper and audio transcoder Mp3tag – Windows metadata editor and music organizer MusicBrainz Picard – cross-platform album-oriented tag editor MusicBrainz Tagger – deprecated Microsoft Windows tag editor puddletag – a tag editor for PyQt under the GPLv3 Rhythmbox music player – an audio player for Unix-like systems Sound Juicer – GNOME CD ripper Zortam Mp3 Media Studio – Windows music organizer and ID3 Tag Editor. Freedb clients can access MusicBrainz data through the freedb protocol by using the MusicBrainz to FreeDB gateway service, mb2freedb. List of online music databases Making Metadata: The Case of Mus
Sheffield is a city and metropolitan borough in South Yorkshire, England. Part of the West Riding of Yorkshire, its name derives from the River Sheaf, which runs through the city. With some of its southern suburbs annexed from Derbyshire, the city has grown from its industrial roots to encompass a wider economic base; the population of the City of Sheffield is 577,800 and it is one of the eight largest regional English cities that make up the Core Cities Group. Sheffield is the third-largest English district by population; the metropolitan population of Sheffield is 1,569,000. The city is in the eastern foothills of the Pennines, the valleys of the River Don and its four tributaries, the Loxley, the Porter Brook, the Rivelin and the Sheaf. Sixty-one per cent of Sheffield's entire area is green space, a third of the city lies within the Peak District national park. There are more than 250 parks and gardens in the city, estimated to contain around 4.5 million trees. Sheffield played a crucial role in the Industrial Revolution, with many significant inventions and technologies developed in the city.
In the 19th century, the city saw a huge expansion of its traditional cutlery trade, when stainless steel and crucible steel were developed locally, fuelling an tenfold increase in the population. Sheffield received its municipal charter in 1843, becoming the City of Sheffield in 1893. International competition in iron and steel caused a decline in these industries in the 1970s and 1980s, coinciding with the collapse of coal mining in the area; the 21st century has seen extensive redevelopment in Sheffield, along with other British cities. Sheffield's gross value added has increased by 60% since 1997, standing at £9.2 billion in 2007. The economy has experienced steady growth averaging around 5% annually, greater than that of the broader region of Yorkshire and the Humber; the city has a long sporting heritage, is home to the world's oldest football club, Sheffield F. C. Games between the two professional clubs, Sheffield United and Sheffield Wednesday, are known as the Steel City derby; the city is home to the World Snooker Championship and the Sheffield Steelers, the UK's first professional ice hockey team.
The area now occupied by the City of Sheffield is believed to have been inhabited since at least the late Upper Paleolithic, about 12,800 years ago. The earliest evidence of human occupation in the Sheffield area was found at Creswell Crags to the east of the city. In the Iron Age the area became the southernmost territory of the Pennine tribe called the Brigantes, it is this tribe who are thought to have constructed several hill forts around Sheffield. Following the departure of the Romans, the Sheffield area may have been the southern part of the Brittonic kingdom of Elmet, with the rivers Sheaf and Don forming part of the boundary between this kingdom and the kingdom of Mercia. Anglian settlers pushed west from the kingdom of Deira. A Britonnic presence within the Sheffield area is evidenced by two settlements called Wales and Waleswood close to Sheffield; the settlements that grew and merged to form Sheffield, date from the second half of the first millennium, are of Anglo-Saxon and Danish origin.
In Anglo-Saxon times, the Sheffield area straddled the border between the kingdoms of Mercia and Northumbria. The Anglo-Saxon Chronicle reports that Eanred of Northumbria submitted to Egbert of Wessex at the hamlet of Dore in 829, a key event in the unification of the kingdom of England under the House of Wessex. After the Norman conquest of England, Sheffield Castle was built to protect the local settlements, a small town developed, the nucleus of the modern city. By 1296, a market had been established at what is now known as Castle Square, Sheffield subsequently grew into a small market town. In the 14th century, Sheffield was noted for the production of knives, as mentioned in Geoffrey Chaucer's The Canterbury Tales, by the early 1600s it had become the main centre of cutlery manufacture in England outside London, overseen by the Company of Cutlers in Hallamshire. From 1570 to 1584, Queen of Scots, was imprisoned in Sheffield Castle and Sheffield Manor. During the 1740s, a form of the crucible steel process was discovered that allowed the manufacture of a better quality of steel than had been possible.
In about the same period, a technique was developed for fusing a thin sheet of silver onto a copper ingot to produce silver plating, which became known as Sheffield plate. These innovations spurred Sheffield's growth as an industrial town, but the loss of some important export markets led to a recession in the late 18th and early 19th century; the resulting poor conditions culminated in a cholera epidemic that killed 402 people in 1832. The population of the town grew throughout the 19th century; the Sheffield and Rotherham railway was constructed in 1838. The town was incorporated as a borough in 1842, was granted a city charter in 1893; the influx of people led to demand for better water supplies, a number of new reservoirs were constructed on the outskirts of the town. The collapse of the dam wall of one of these reservoirs in 1864 resulted in the Great Sheffield Flood, which killed 270 people and devastated large parts of the town; the growing population led to the construction of many back-to-back dwellings that, along with severe pollution from the factories, inspired George Orwell in 1937 to write: "Sheffield, I suppose, could justly claim to be called the ugliest town in the Old World".
The Great Depression hit the city in the 1930s, but as international tensions increased and the Second