1.
Conducting
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Conducting is the art of directing a musical performance, such as an orchestral or choral concert. A conductors directions will almost invariably be supplemented or reinforced by verbal instructions or suggestions to their musicians in rehearsal prior to a performance. The conductor typically stands on a podium with a large music stand for the full score. Conducting while playing a piano or synthesizer may also be done with musical theatre pit orchestras, communication is typically non-verbal during a performance. However, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be played or sung, Conductors act as guides to the orchestras or choirs they conduct. They choose the works to be performed and study their scores, to which they may make adjustments, work out their interpretation. They may also attend to matters, such as scheduling rehearsals, planning a concert season, hearing auditions and selecting members. Orchestras, choirs, concert bands and other musical ensembles such as big bands are usually led by conductors. The principal conductor of an orchestra or opera company is referred to as a music director or chief conductor, or by the German words Kapellmeister or Dirigent. Conductors of choirs or choruses are sometimes referred to as director, chorus master, or choirmaster. Conductors of concert bands, military bands, marching bands and other bands may hold the title of director, bandmaster. Respected senior conductors are sometimes referred to by the Italian word, an early form of conducting is cheironomy, the use of hand gestures to indicate melodic shape. This has been practiced at least as far back as the Middle Ages, in the 17th century, other devices to indicate the passing of time came into use. Rolled up sheets of paper, smaller sticks and unadorned hands are all shown in pictures from this period, the large staff was responsible for the death of Jean-Baptiste Lully, who injured his foot with one while conducting a Te Deum for the Kings recovery from illness. The wound became gangrenous and Lully refused amputation, whereupon the gangrene spread to his leg, in instrumental music throughout the 18th century, a member of the ensemble usually acted as the conductor. This was sometimes the concertmaster, who could use his bow as a baton and it was common to conduct from the harpsichord in pieces that had a basso continuo part. In opera performances, there were sometimes two conductors – the keyboard player was in charge of the singers, and the principal violinist or leader was in charge of the orchestra. By the early 19th century, it became the norm to have a dedicated conductor, the size of the usual orchestra expanded during this period, and the use of a baton became more common, as it was easier to see than bare hands or rolled-up paper
2.
Pomona College
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Pomona College is a private, nonsectarian, coeducational, liberal arts college located in Claremont, California, United States. Established in 1887, it is the member of the Claremont Colleges consortium. Pomona is a selective, four-year undergraduate institution, and enrolled approximately 1,660 students representing 49 states and 63 countries in Fall 2016. The college maintains 48 majors and 600 courses, though students have access to nearly 2000 additional courses at the other Claremont Colleges, the colleges 140-acre main campus is located in a residential community near the foothills of the San Gabriel Mountains. The campus is located adjacent to the Village, an area of Claremont that has grown around the college. Pomona College is currently ranked seventh among all institutions in the United States by Forbes. And seventh among all liberal arts colleges by U. S. News & World Report, 70% of enrolled students hail from out of state, 56% receive need-based financial aid, and 57% self-identify as domestic students of color or international students. Pomona College was established as an institution on October 14,1887. The group’s goal was to create a college in the mold as small New England institutions. The College was originally formed in Pomona, California, classes first began in a house on September 12,1888. The next year, the moved to Claremont, at the site of an unfinished hotel. This building would eventually become Sumner Hall, current location of the Admissions, the name Pomona College remained after the relocation. The College’s first graduating class had ten members in 1894 and its founders’ values led to the College’s belief in educational equity. Like other Congregationalist-founded colleges such as Harvard, Dartmouth, Middlebury, Bowdoin, Pomona received its own governing board, ensuring its independence. The board of trustees was composed of graduates of Williams, Dartmouth, Bates and Yale, among others. This would allow Pomona to retain its small, liberal arts-focused teaching while gaining the resources of a larger university, on October 14,1925, Pomona College’s 38th anniversary, the Claremont Colleges were incorporated. By 1997, the consortium reached its present membership of five undergraduate, Pomona ranks eighth in the country for graduates receiving the most competitive graduate fellowships per capita. In 2013, Pomona students received the most Goldwater Scholarships of any liberal arts college, nearly 85% of recent alumni attend graduate or professional school within ten years
3.
Ludwig van Beethoven
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Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he one of the most famous. His best-known compositions include 9 symphonies,5 piano concertos,1 violin concerto,32 piano sonatas,16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. At the age of 21 he moved to Vienna, where he began studying composition with Joseph Haydn and he lived in Vienna until his death. By his late 20s his hearing began to deteriorate, and by the last decade of his life he was almost completely deaf. In 1811 he gave up conducting and performing in public but continued to compose, many of his most admired works come from these last 15 years of his life. Beethoven was the grandson of Ludwig van Beethoven, a musician from the town of Mechelen in the Duchy of Brabant in the Flemish region of what is now Belgium, who at the age of twenty moved to Bonn. Ludwig was employed as a singer at the court of the Elector of Cologne, eventually rising to become, in 1761. The portrait he commissioned of himself towards the end of his life remained proudly displayed in his grandsons rooms as a talisman of his musical heritage. Ludwig had one son, Johann, who worked as a tenor in the musical establishment and gave keyboard. Johann married Maria Magdalena Keverich in 1767, she was the daughter of Johann Heinrich Keverich, Beethoven was born of this marriage in Bonn. There is no record of the date of his birth, however. Of the seven children born to Johann van Beethoven, only Ludwig, the second-born, caspar Anton Carl was born on 8 April 1774, and Nikolaus Johann, the youngest, was born on 2 October 1776. Beethovens first music teacher was his father and he later had other local teachers, the court organist Gilles van den Eeden, Tobias Friedrich Pfeiffer, and Franz Rovantini. Beethovens musical talent was obvious at a young age, some time after 1779, Beethoven began his studies with his most important teacher in Bonn, Christian Gottlob Neefe, who was appointed the Courts Organist in that year. Neefe taught Beethoven composition, and by March 1783 had helped him write his first published composition, Beethoven soon began working with Neefe as assistant organist, at first unpaid, and then as a paid employee of the court chapel conducted by the Kapellmeister Andrea Luchesi. His first three piano sonatas, named Kurfürst for their dedication to the Elector Maximilian Friedrich, were published in 1783, Maximilian Frederick noticed Beethovens talent early, and subsidised and encouraged the young mans musical studies. Maximilian Fredericks successor as the Elector of Bonn was Maximilian Francis, the youngest son of Empress Maria Theresa of Austria, echoing changes made in Vienna by his brother Joseph, he introduced reforms based on Enlightenment philosophy, with increased support for education and the arts
4.
Arturo Toscanini
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Arturo Toscanini was an Italian conductor. He was one of the most acclaimed musicians of the late 19th and of the 20th century, renowned for his intensity, his perfectionism, his ear for detail and sonority. He was at times the music director of La Scala in Milan, the Metropolitan Opera in New York. Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the music conservatory. Living conditions at the conservatory were harsh, for example, his diet consisted almost completely of fish. When he became successful, he never ate anything that came from the sea and he joined the orchestra of an opera company, with which he toured South America in 1886. Carlo Superti and Aristide Venturi tried unsuccessfully to finish the work, in desperation, the singers suggested the name of their assistant Chorus Master, who knew the whole opera from memory. The public was taken by surprise, at first by the youth and sheer aplomb of this unknown conductor, for the rest of that season, Toscanini conducted eighteen operas, all with absolute success. Thus began his career as a conductor, at age 19, upon returning to Italy, Toscanini set out on a dual path for some time. He continued to conduct, his first appearance in Italy being at the Teatro Carignano in Turin, on November 4,1886, in the world premiere of the revised version of Alfredo Catalanis Edmea. This was the beginning of Toscaninis lifelong friendship and championing of Catalani, however, he also returned to his chair in the cello section, and participated as cellist in the world premiere of Verdis Otello under the composers supervision. The composer was impressed when Toscanini consulted him personally about Verdis Te Deum. Verdi said that he had left it out for fear that certain interpreters would have exaggerated the marking, gradually, Toscaninis reputation as an operatic conductor of unusual authority and skill supplanted his cello career. In the following decade, he consolidated his career in Italy, entrusted with the premieres of Puccinis La bohème. In 1896, Toscanini conducted his first symphonic concert and he exhibited a considerable capacity for hard work, conducting 43 concerts in Turin in 1898. By 1898, Toscanini was Principal Conductor at La Scala, where he remained until 1908, returning as Music Director and he brought the La Scala Orchestra to the United States on a concert tour in 1920/21, during which he made his first recordings. Outside Europe, Toscanini conducted at the Metropolitan Opera in New York as well as the New York Philharmonic Orchestra and he toured Europe with the New York Philharmonic in 1930. At each performance, he and the orchestra were acclaimed by critics, Toscanini was the first non-German conductor to appear at Bayreuth, and the New York Philharmonic was the first non-German orchestra to play there
5.
Giuseppe Verdi
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Giuseppe Fortunino Francesco Verdi was an Italian opera composer. Verdi was born near Busseto to a family of moderate means. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works influenced him. In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy and he also participated briefly as an elected politician. He surprised the world by returning, after his success with the opera Aida. The baptismal register, prepared on 11 October 1813, lists his parents Carlo, additionally, it lists Verdi as being born yesterday, but since days were often considered to begin at sunset, this could have meant either 9 or 10 October. Verdi himself, following his mother, always celebrated his birthday on 9 October, Verdi had a younger sister, Giuseppa, who died aged 17 in 1833. From the age of four, Verdi was given lessons in Latin and Italian by the village schoolmaster, Baistrocchi. After learning to play the organ, he showed so much interest in music that his parents provided him with a spinet. Verdis gift for music was apparent by 1820–21 when he began his association with the local church, serving in the choir, acting as an altar boy for a while. After Baistrocchis death, Verdi, at the age of eight, Carlo Verdi was energetic in furthering his sons education. something which Verdi tended to hide in later life. He picture emerges of youthful precocity eagerly nurtured by a father and of a sustained, sophisticated. Verdi returned to Busseto regularly to play the organ on Sundays, at age 11, Verdi received schooling in Italian, Latin, the humanities, and rhetoric. By the time he was 12, he began lessons with Ferdinando Provesi, maestro di cappella at San Bartolomeo, director of the music school. This information comes from the Autobiographical Sketch which Verdi dictated to the publisher Giulio Ricordi late in life, in 1879, written, understandably, with the benefit of hindsight, it is not always reliable when dealing with issues more contentious than those of his childhood. The other director of the Philharmonic Society was Antonio Barezzi, a grocer and distiller. The young Verdi did not immediately become involved with the Philharmonic, by June 1827, he had graduated with honours from the Ginnasio and was able to focus solely on music under Provesi. By 1829–30, Verdi had established himself as a leader of the Philharmonic, none of us could rival him reported the secretary of the organisation, Giuseppe Demaldè
6.
Falstaff (opera)
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Falstaff is an opera in three acts by the Italian composer Giuseppe Verdi. The libretto was adapted by Arrigo Boito from Shakespeares The Merry Wives of Windsor and scenes from Henry IV, the work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote Falstaff, which was the last of his 28 operas, as he was approaching the age of 80 and it was his second comedy, and his third work based on a Shakespeare play, following Macbeth and Otello. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight, Sir John Falstaff, Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boitos draft libretto. It took the three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused immense interest in Italy and around the world, some felt that the piece suffered from a lack of the full-blooded melodies of the best of Verdis previous operas, a view strongly contradicted by Toscanini. Conductors of the generation after Toscanini to champion the work included Herbert von Karajan, Georg Solti, the work is now part of the regular operatic repertory. Verdi made numerous changes to the music after the first performance, the work was first recorded in 1932 and has subsequently received many studio and live recordings. Singers closely associated with the role have included Victor Maurel, Mariano Stabile, Giuseppe Valdengo, Tito Gobbi, Geraint Evans. By 1889 Verdi had been a composer for more than fifty years. He had written 27 operas, of only one was a comedy, his second work, Un giorno di regno. His fellow composer Rossini commented that he admired Verdi greatly, Verdi disagreed and said that he longed to write another light-hearted opera, but nobody would give him the chance. He had included moments of even in his tragic operas, for example in Un ballo in maschera. For a comic subject Verdi considered Cervantess Don Quixote and plays by Goldoni, Molière and Labiche, the singer Victor Maurel sent him a French libretto based on Shakespeares The Taming of the Shrew. Verdi liked it, but replied that to deal with it properly you need a Rossini or a Donizetti, following the success of Otello in 1887 he commented, After having relentlessly massacred so many heroes and heroines, I have at last the right to laugh a little. He confided his ambition to the librettist of Otello, Arrigo Boito, Boito said nothing at the time, but he secretly began work on a libretto based on The Merry Wives of Windsor with additional material taken from Henry IV, parts 1 and 2. Many composers had set the play to music, with success, among them Carl Ditters von Dittersdorf, Antonio Salieri, Michael William Balfe. The first version to secure a place in the repertoire was Otto Nicolais The Merry Wives of Windsor in 1849
7.
Un ballo in maschera
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Un ballo in maschera is an opera in three acts by Giuseppe Verdi with text by Antonio Somma. However, Sommas libretto was based on the five act libretto which playwright Eugène Scribe had written for Daniel Aubers 1833 opera, Gustave III. Scribe wrote about the assassination in 1792 of King Gustav III of Sweden who was killed as the result of a conspiracy against him. He was shot while attending a masked dance and died 13 days later of his wounds. It was to take two years between the time of the commission from Naples and planned for a production there and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In order to become the Un ballo in maschera which we know today, Verdis opera was forced to undergo a significant series of transformations and title changes. These changes were caused by a combination of censorship regulations in both Naples and Rome, as well as by the situation in France in January 1858. It became one of the most frustrating experiences of Verdis career, from the mid-20th century, it has become more common for the setting to revert to its original 18th-century Stockholm location. A re-creation of the original Gustavo III has been staged in Sweden, when this proved to be impracticable, Verdi turned to the subject of King Gustav IIIs assassination as portrayed in Scribe and Aubers opera, albeit not an historically accurate narrative. That subject was known and had been used by other composers. Sommas new libretto, known as Gustavo III, was presented to the censors in Naples by late 1857, as had happened with Rigoletto, changes in characters names and titles were proposed and the location was moved from Stockholm to Stettin. Working together with Somma over Christmas, Verdi accommodated these changes, Somma was asked to change the names of the characters on the Gustave libretto while Verdi worked on completing sketches of the music. The name of the opera became Una vendetta in dominò, by 9 January 1858, prior to setting out for Naples, Verdi wrote from his home the San Carlo that the opera is done and even here I am working on the full score. The imposition of further, more stringent requirements by the censor incurred Verdis wrath. He broke his contract, returned to SantAgata in April, and was sued by the management of the San Carlo house and this provoked him to lodge a counter-claim against the theatre for damages and, eventually, the legal fight ended. When the legal issues were resolved within a few months, Verdi was free to present the libretto, there, the censors demanded further changes. Removing the action from Europe, the location became Boston during the British colonial period and the character became Riccardo. At this point, the opera became Un ballo in maschera set in North America, Un ballo in maschera received its premiere performance at the Teatro Apollo in Rome on 17 February 1859 and was immediately successful
8.
RCA Records
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RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. It is one of SMEs three flagship labels, alongside Columbia Records and Epic Records. The label has released multiple genres of music, including pop, rock, hip hop, R&B, blues, jazz, the companys name is derived from the initials of the labels former parent company, the Radio Corporation of America. It is the second oldest recording company in US history, after sister label Columbia Records, RCAs Canadian unit is Sonys oldest label in Canada. It was one of only two Canadian record companies to survive the Great Depression, kelly, Enrique Iglesias, Foo Fighters, Kings of Leon, Kesha, Miley Cyrus, Giorgio Moroder, Jennifer Hudson, DAngelo, Pink, Tinashe, G-Eazy, Pitbull, Zayn and Wizkid. In 1929, the Radio Corporation of America purchased the Victor Talking Machine Company, then the worlds largest manufacturer of phonographs and phonograph records. The company then became RCA Victor but retained use of the Victor Records name on their labels until the beginning of 1946 when the labels were finally switched over to RCA Victor. With Victor, RCA acquired New World rights to the famous Nipper His Masters Voice trademark, in Shanghai, China, in 1931, RCA Victors British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI. This gave RCA head David Sarnoff a seat on the EMI board, in September 1931, RCA Victor introduced the first 33⅓ rpm records sold to the public, calling them Program Transcriptions. In the depths of the Great Depression, the format was a commercial failure, during the early part of the depression, RCA made a number of attempts to produce a successful cheap label to compete with the dime store labels. The first was the short-lived Timely Tunes label in 1931 sold at Montgomery Ward, in 1932, Bluebird Records was created as a sub-label of RCA Victor. It was originally an 8-inch record with a blue label. In 1933, RCA reintroduced Bluebird and Electradisk as a standard 10-inch label, another cheap label, Sunrise, was produced. The same musical couplings were issued on all three labels and Bluebird Records still survives eight decades after Electradisk and Sunrise were discontinued, RCA also produced records for Montgomery Ward label during the 1930s. Besides manufacturing records for themselves, RCA Victor operated RCA Custom which was the leading record manufacturer for independent record labels, RCA Custom also pressed record compilations for The Readers Digest Association. RCA sold its interest in EMI in 1935, but EMI continued to distribute RCA recordings in the UK, RCA also manufactured and distributed HMV classical recordings on the RCA and HMV labels in North America. During World War II, ties between RCA and its Japanese affiliate JVC were severed, the Japanese record company is today called Victor Entertainment and is still a JVC subsidiary. From 1942 to 1944, RCA Victor was seriously impacted by the American Federation of Musicians recording ban, virtually all union musicians could not make recordings during that period
9.
Lincoln Center for the Performing Arts
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Lincoln Center for the Performing Arts is a 16. 3-acre complex of buildings in the Lincoln Square neighborhood of the borough of Manhattan in New York City. It hosts many notable performing arts organizations, which are nationally and internationally renowned, including the New York Philharmonic, the Metropolitan Opera, and the New York City Ballet. Respected architects were contracted to design the buildings on the site. Rockefeller was Lincoln Centers inaugural president from 1956 and became its chairman in 1961, the centers three buildings, David Geffen Hall, David H. Koch Theater and the Metropolitan Opera House were opened in 1962,1964 and 1966, respectively. While the center may have been named because it was located in the Lincoln Square neighborhood, the name was bestowed on the area in 1906 by the New York City Board of Aldermen, but records give no reason for choosing that name. There has long been speculation that the name came from a local landowner, City records from the time show only the names Johannes van Bruch, Thomas Hall, Stephan de Lancey, James de Lancey, James de Lancey, Jr. and John Somerindyck as area property owners. One speculation is that references to President Lincoln were omitted from the records because the mayor in 1906 was George B, mcClellan, Jr. son of General George B. McClellan, who was general-in-chief of the Union Army early in the American Civil War, Architects who designed buildings at the center include, Max Abramovitz, David Geffen Hall Pietro Belluschi, The Juilliard School. Koch Theater Eero Saarinen, Vivian Beaumont Theater Davis, Brody and Associates, The Samuel B. the centers cultural institutions also make use of facilities located away from the main campus. In 2004, the center was expanded through the addition of Jazz at Lincoln Centers newly built facilities, in March 2006, the center launched construction on a major redevelopment plan that modernized, renovated, and opened up its campus. Redevelopment was completed in 2012 with the completion of the Presidents Bridge over West 65th Street, when it was first announced in 1999, Lincoln Centers campuswide redevelopment was to cost $1.5 billion over 10 years and radically transform the campus. Among the architects that have been involved were Frank Gehry, Cooper, Robertson & Partners, Skidmore, Owings & Merrill, Beyer Blinder Belle, Fox & Fowle, Olin Partnership, and Diller & Scofidio. Additionally, Alice Tully Hall was modernized and reopened to critical and popular acclaim in 2009, topped by a sloping lawn roof, the film center is part of a new pavilion that also houses a destination restaurant named Lincoln, as well as offices. Subsequent projects were added which addressed improvements to the main plazas, under the direction of the Lincoln Center Development Project, Diller Scofidio + Renfro in association with FXFOWLE Architects and Beyer Blinder Belle Architects provided the design services. Additionally, Turner Construction Company and RCDolner, LLC were the managers for the projects. April 21,1955, Lincoln Square designated for urban renewal, june 22,1956, Lincoln Center for the Performing Arts, Inc. incorporated. May 14,1959, Ground-breaking ceremony with U. S. President Dwight D. Eisenhower September 23,1962, a two-hour live CBS special, Opening Night at Lincoln Center, preserved the event on videotape. April 6,1964, Lincoln Center Fountain opened, renamed the Revson Fountain April 23,1964, New York State Theater opened
10.
Watergate scandal
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When the conspiracy was discovered and investigated by the U. S. Congress, the Nixon administrations resistance to its probes led to a constitutional crisis. The term Watergate, by metonymy, has come to encompass an array of clandestine and those activities included such dirty tricks as bugging the offices of political opponents and people of whom Nixon or his officials were suspicious. The scandal also resulted in the indictment of 69 people, with trials or pleas resulting in 48 being found guilty, the affair began with the arrest of five men for breaking and entering into the DNC headquarters at the Watergate complex on Saturday, June 17,1972. In July 1973, evidence mounted against the Presidents staff, including testimony provided by staff members in an investigation conducted by the Senate Watergate Committee. The investigation revealed that President Nixon had a system in his offices. After a protracted series of court battles, the U. S. Supreme Court unanimously ruled that the president was obliged to release the tapes to government investigators. The tapes revealed that Nixon had attempted to cover up activities that took place after the break-in, facing virtually certain impeachment in the House of Representatives and equally certain conviction by the Senate, Nixon resigned the presidency on August 9,1974. On September 8,1974, his successor, Gerald Ford, the name Watergate and the suffix -gate have since become synonymous with political and non-political scandals in the United States. According to Dean, this marked the scene of the worst political scandal of the twentieth century. Mitchell viewed the plan as unrealistic, Liddy was nominally in charge of the operation, but has since insisted that he was duped by Dean and at least two of his subordinates. These included former CIA officers E. Howard Hunt and James McCord, in May, McCord assigned former FBI agent Alfred C. Baldwin III to carry out the wiretapping and monitor the telephone conversations afterward. McCord testified that he selected Baldwins name from a registry published by the Society of Former Special Agents of the FBI to work for the Committee to Re-elect the President, Baldwin first served as bodyguard to Martha Mitchell, the wife of John Mitchell, who was living in Washington. Baldwin accompanied Martha Mitchell to Chicago, Martha did not like Baldwin and described him as the gauchest character Ive ever met. The Committee replaced Baldwin with another security man, the room 419 was booked in the name of McCord’s company. At behest of G. Gordon Liddy and E. Howard Hunt, McCord and his team of burglars prepared for their first Watergate break-in, two phones inside the offices of the DNC headquarters were said to have been wiretapped. The FBI found no evidence that OBriens phone was bugged, however, it was determined that an effective listening device had been installed in Olivers phone. Despite the success in installing the devices, the Committee agents soon determined that they needed to be repaired. They planned a burglary in order to take care of this
11.
First Lady of the United States
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First Lady of the United States is the informal but accepted title held by the wife of the President of the United States, concurrent with the presidents term of office. Although the first lady’s role has never been codified or officially defined, melania Trump is the current First Lady. While the title was not in use until much later, Martha Washington, the wife of George Washington. During her lifetime she was referred to as Lady Washington. Since the 1790s the role of first lady has changed considerably and it has come to include involvement in political campaigns, management of the White House, championship of social causes, and representation of the president at official and ceremonial occasions. Additionally, over the individual first ladies have held influence in a range of sectors. Historically, should a president be unmarried, or a widower, the use of the title First Lady to describe the spouse or hostess of an executive began in the United States. In the early days of the republic, there was not a generally accepted title for the wife of the president. Indulging in no indolence, she left the pillow at dawn, sometime after 1849, the title began being used in Washington, D. C. social circles. The title first gained recognition in 1877, when newspaper journalist Mary C. Ames referred to Lucy Webb Hayes as the First Lady of the Land while reporting on the inauguration of Rutherford B, the frequent reporting on Lucy Hayes activities helped spread use of the title outside Washington. A popular 1911 comedic play about Dolley Madison by playwright Charles Nirdlinger, titled The First Lady in the Land, by the 1930s, it was in wide use. Use of the later spread from the United States to other nations. The wife of the Vice President of the United States is sometimes referred to as the Second Lady of the United States, the position of the First Lady is not an elected one and carries only ceremonial duties. Nonetheless, first ladies have held a highly visible position in American society, the role of the First Lady has evolved over the centuries. She is, first and foremost, the hostess of the White House and she organizes and attends official ceremonies and functions of state either along with, or in place of, the president. Lisa Burns identifies four main themes of the first ladyship, as public woman, as political celebrity, as political activist. Martha Washington created the role and hosted many affairs of state at the national capital and this socializing became known as the Republican Court and provided elite women with an opportunity to play backstage political role
12.
Pat Nixon
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Thelma Catherine Pat Nixon was the wife of Richard Nixon, 37th President of the United States, and First Lady of the United States from 1969 to 1974. Born in Ely, Nevada, she grew up with her two brothers in what is now Cerritos, California, graduating high school in 1929. She attended Fullerton Junior College and later the University of Southern California and she paid for her schooling by working multiple jobs, including pharmacy manager, typist, radiographer, and retail clerk. In 1940, she married lawyer Richard Nixon and they had two daughters, Nixon campaigned for her husband in his successful congressional campaigns of 1946 and 1948. Richard Nixon was elected Vice President in the Eisenhower administration, whereupon Pat undertook many missions of goodwill with her husband and she assisted her husband in both his unsuccessful 1960 presidential campaign and later in his successful 1968 presidential campaign. As First Lady, Pat Nixon promoted a number of charitable causes and she oversaw the collection of more than 600 pieces of historic art and furnishings for the White House, an acquisition larger than that of any other administration. She was the most traveled First Lady in U. S. history and these trips gained her favorable reception in the media and the host countries. Her tenure ended when, after being re-elected in a victory in 1972. Her public appearances became increasingly rare later in life and she and her husband returned to California, and later moved to New Jersey. She suffered two strokes, one in 1976 and another in 1983, then was diagnosed with cancer in 1992. She died in 1993, aged 81, thelma Catherine Ryan was born in the small mining town of Ely, Nevada, the day before Saint Patricks Day. Her father, William M. Ryan Sr. was a sailor, gold miner, Pat was a nickname given to her by her father, referring to her birthdate and Irish ancestry. After her birth, the Ryan family moved to California, thelma Ryans high-school yearbook page gives her nickname as Buddy and her ambition to run a boarding house. During this time she worked on the farm, and also at a local bank as a janitor. Her mother died of cancer in 1924, Pat, who was 12 at the time, assumed all the household duties for her father, who died in 1929 of silicosis, and two older brothers, William Jr. and Thomas. She also had a half-sister, Neva Bender, and a half-brother, Matthew Bender, from her mothers first marriage and it has been said that few, if any, First Ladies worked as consistently before their marriage as did Pat Nixon. As she told the writer Gloria Steinem during the 1968 presidential campaign, I never had time to think things like that—who I wanted to be, or who I admired. I never had time to dream about being anyone else, after graduating from Excelsior High School in 1929, she attended Fullerton Junior College
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