Nigel Glockler is an English musician, best known as the longtime drummer for the heavy metal band Saxon, which he first joined in 1981. His surname is sometimes misspelled as "Glockner", he began his musical career in 1980 as the drummer for the British band Krakatoa. In 1981 he worked as a session musician with the singer Toyah. At the end of that year, he joined Saxon. Glockler has been with Saxon since except for two temporary absences. Glockler first left Saxon in 1987 when he was invited by Steve Howe to join a reformed lineup of the supergroup GTR; that lineup did not release any albums though some songs appeared on albums by other GTR members. Glockler returned to Saxon in 1988. In the early-to-mid 1990s he contributed to the albums Turbulence by Steve Howe and Aqua by Asia, plus two albums by The Original Iron Men. Glockler stayed with Saxon until 1998 when he was forced to temporarily retire due to neck injuries that impeded his drumming. After receiving medical treatment, Glockler was able to play drums again, first contributing to the album Mad Men and English Dogs with Saxon guitarist Doug Scarratt in 2001.
Glockler again rejoined Saxon in 2005 upon the departure of drummer Jörg Michael, remains with the band as of 2018. In late 2014 he survived several surgeries. 1982: The Eagle Has Landed 1983: Power & the Glory 1984: Crusader 1985: Innocence Is No Excuse 1986: Rock the Nations 1989: Rock'n' Roll Gypsies 1990: Greatest Hits Live! 1991: Solid Ball of Rock 1992: Forever Free 1995: Dogs of War 1997: Unleash the Beast 2006: The Eagle Has Landed – part 3 2007: The Inner Sanctum 2009: Into the Labyrinth 2011: Call to Arms 2012: Heavy Metal Thunder – Live: Eagles Over Wacken 2013: Sacrifice 2015: Battering Ram 2016: Let Me Feel Your Power 2018: Thunderbolt 1992: Aqua 1996: Archiva 1 1996: Archiva 2 1981: Anthem 1991: Turbulence https://www.discogs.com/es/artist/285446-Nigel-Glockler https://www.allmusic.com/artist/saxon-mn0000259800 http://dedica.la/artist/Nigel+Glockler/biography#. UUYxxj6mmFE
The guitar is a fretted musical instrument that has six strings. It is played with both hands by strumming or plucking the strings with either a guitar pick or the finger/fingernails of one hand, while fretting with the fingers of the other hand; the sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker. The guitar is a type of chordophone, traditionally constructed from wood and strung with either gut, nylon or steel strings and distinguished from other chordophones by its construction and tuning; the modern guitar was preceded by the gittern, the vihuela, the four-course Renaissance guitar, the five-course baroque guitar, all of which contributed to the development of the modern six-string instrument. There are three main types of modern acoustic guitar: the classical guitar, the steel-string acoustic guitar, the archtop guitar, sometimes called a "jazz guitar"; the tone of an acoustic guitar is produced by the strings' vibration, amplified by the hollow body of the guitar, which acts as a resonating chamber.
The classical guitar is played as a solo instrument using a comprehensive finger-picking technique where each string is plucked individually by the player's fingers, as opposed to being strummed. The term "finger-picking" can refer to a specific tradition of folk, blues and country guitar playing in the United States; the acoustic bass guitar is a low-pitched instrument, one octave below a regular guitar. Electric guitars, introduced in the 1930s, use an amplifier and a loudspeaker that both makes the sound of the instrument loud enough for the performers and audience to hear, given that it produces an electric signal when played, that can electronically manipulate and shape the tone using an equalizer and a huge variety of electronic effects units, the most used ones being distortion and reverb. Early amplified guitars employed a hollow body, but solid wood guitars began to dominate during the 1960s and 1970s, as they are less prone to unwanted acoustic feedback "howls"; as with acoustic guitars, there are a number of types of electric guitars, including hollowbody guitars, archtop guitars and solid-body guitars, which are used in rock music.
The loud, amplified sound and sonic power of the electric guitar played through a guitar amp has played a key role in the development of blues and rock music, both as an accompaniment instrument and performing guitar solos, in many rock subgenres, notably heavy metal music and punk rock. The electric guitar has had a major influence on popular culture; the guitar is used in a wide variety of musical genres worldwide. It is recognized as a primary instrument in genres such as blues, country, folk, jota, metal, reggae, rock and many forms of pop. Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, a flat back, most with incurved sides." The term is used to refer to a number of chordophones that were developed and used across Europe, beginning in the 12th century and in the Americas. A 3,300-year-old stone carving of a Hittite bard playing a stringed instrument is the oldest iconographic representation of a chordophone and clay plaques from Babylonia show people playing an instrument that has a strong resemblance to the guitar, indicating a possible Babylonian origin for the guitar.
The modern word guitar, its antecedents, has been applied to a wide variety of chordophones since classical times and as such causes confusion. The English word guitar, the German Gitarre, the French guitare were all adopted from the Spanish guitarra, which comes from the Andalusian Arabic قيثارة and the Latin cithara, which in turn came from the Ancient Greek κιθάρα. Which comes from the Persian word "sihtar"; this pattern of naming is visible in setar and sitar. The word "tar" at the end of all of these words is a Persian word that means "string". Many influences are cited as antecedents to the modern guitar. Although the development of the earliest "guitars" is lost in the history of medieval Spain, two instruments are cited as their most influential predecessors, the European lute and its cousin, the four-string oud. At least two instruments called "guitars" were in use in Spain by 1200: the guitarra latina and the so-called guitarra morisca; the guitarra morisca had a rounded back, wide fingerboard, several sound holes.
The guitarra Latina had a narrower neck. By the 14th century the qualifiers "moresca" or "morisca" and "latina" had been dropped, these two cordophones were referred to as guitars; the Spanish vihuela, called in Italian the "viola da mano", a guitar-like instrument of the 15th and 16th centuries, is considered to have been the single most important influence in the development of the baroque guitar. It had six courses, lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a cut waist, it was larger than the contemporary four-course guitars. By the 16th century, the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, more like a larger version of the contemporary four-course guita
Peter Rodney "Biff" Byford is an English singer best known as the lead singer of the heavy metal band Saxon. Byford sang and played bass with a band called Coast from around 1973 to 1976 along with drummer Al Dodd and future Saxon guitarist Paul Quinn, when he formed Saxon with guitarists Graham Oliver and Paul Quinn, bassist Steve Dawson and drummer Pete Gill; the band was called Son of a Bitch, but changed to Saxon in 1978. They released their self-titled debut album in 1979, became part of what was known as the new wave of British heavy metal, which included bands like Iron Maiden and Judas Priest; the band had commercial success as well, charting eight UK Top 40 albums and five Top 40 singles between 1980 and 1986. At the end of the 1980s, the band declined in popularity, Oliver and Dawson formed a new band with the same name, though they were forced to change it to Oliver/Dawson Saxon. Saxon maintained a recording and touring career centred on Germany for much of the 1990s, before coming back into broader attention with 2007's The Inner Sanctum.
In April 2007, Byford released his autobiography, entitled Never Surrender after the Saxon song of the same name. Gigwise.com reported on 18 January 2010 that Byford was launching a campaign to have Britons declare heavy metal as their religion in the United Kingdom Census 2011, inspired by the Jedi census phenomenon. With Saxon with Air PavilionKaizoku – vocals on "She's Hot Stuff"with FastwayBad Bad Girls with Freedom CallTaragon – narration on "Tears of Taragon"with DestructionInventor of Evil – vocals on "The Alliance of Hellhoundz"with HelloweenGambling with the Devil – spoken word on "Crack the Riddle" 7 Sinners – spoken word on'Who is Mr. Madman?'with DoroCelebrate – The Night of the Warlock – vocals on "Celebrate" with AvantasiaThe Mystery of Time with The Scintilla ProjectThe Hybrid Never Surrender, 2007 Official Biff Byford Facebook Page Never Surrender Google Books entry Biff Byford at imdb.com
Saxon are an English heavy metal band formed in 1977, in Barnsley. As one of the leaders of the new wave of British heavy metal, they had eight UK Top 40 albums in the 1980s including four UK Top 10 albums and two Top 5 albums; the band had numerous singles in the UK Singles Chart and chart success all over Europe and Japan, as well as success in the United States. During the 1980s, Saxon established themselves as one of Europe's greatest metal acts; the band tour and have sold more than 23 million albums worldwide. They are considered one of the classic metal acts, have influenced a number of bands such as Metallica, Slayer, Testament, Overkill, Mötley Crüe, Helloween, Running Wild, Metal Church, Armored Saint, Dream Theater, Skid Row, Celtic Frost, King Diamond and Death Angel. Saxon began with a lineup formed by former Coast members Peter "Biff" Byford on vocals, Paul Quinn and former Sob member Graham Oliver on guitars, Steve "Dobby" Dawson on bass; the band changed their name to Saxon shortly afterwards.
They started out by gaining support slots on tour with more established bands such as Motörhead. In 1979, the band signed to the French record label Carrere run by Freddy Cannon in the UK and released their eponymous debut album. In 1980, the band's follow-up album Wheels of Steel, was released and charted at #5 in the UK, it spawned two hit singles: the title track, the crowd favourite "747". The album provided the band with success and they began a series of long-lasting tours across the UK. On 16 August, Saxon appeared at the first Monsters of Rock Festival where they received a positive reception from the crowd; the band's set was recorded but was not released until 2000. In April, Saxon made the first of many appearances on Top of the Pops, where they performed the hit single "Wheels of Steel". Strong Arm of the Law was released in the year, charting at #11 in the UK, it is considered by many fans to be their best album, it helped to keep the band's popularity increasing. Two singles were released from this album: the title track and Dallas 1PM, the latter written about the assassination of U.
S. President John F. Kennedy. Sold out tours of Europe and the UK followed as the album charted in several European countries; the band had gained great success in Japan where the single Motorcycle Man had stayed in the charts for 6 months. In 1981, the band released their fourth album Denim And Leather which they dedicated to their fan base; the album is still popular today and the title track "Denim And Leather" is regarded as a metal anthem. The album featured many other fan favourites such as "Princess of the Night", "Never Surrender" and "And the Bands Played On" which were all UK Top 20 hits. Denim And Leather followed its predecessor's success and went Gold in several European countries including the UK. By this time the band was seen as the leaders of the NWOBHM movement with future greats Iron Maiden and Def Leppard following close behind. Just as the band was about to embark on a long tour to follow the success of Denim And Leather, drummer Pete Gill left the band after injuring his hand.
The band had to replace him with Nigel Glockler of Toyah, who had to learn the entire set within a day and a half just before the tour was about to begin. Glockler is still with the band today. A series of headlining tours around the UK and a sold out tour in Europe with support act Ozzy Osbourne, resulted in The Eagle Has Landed. Planned as a double live album, the record company decided to release it as a single live album despite protests from the band; the Eagle Has Landed is still regarded. Saxon played the 1982 Monsters Of Rock Festival again and became the first band to appear there twice; as the NWOBHM movement began to fade, 1983's Power & the Glory, their highest selling album to date, saw Saxon cement themselves as the leading metal act in Europe along with Iron Maiden and Judas Priest. The "Power and Glory Tour" was an arena tour that began in Europe, was a huge success; the US leg of the tour with support act Accept proved to be successful and Saxon found themselves becoming a major act in the US as the album, in its first week of release, sold more than 15,000 copies in Los Angeles alone.
The emerging glam metal scene in America would however prevent the band's conquest of the American market, as the genre was increasing in mainstream popularity. The cover art of the album was produced by Hollywood film director Ridley Scott. In late 1983 Saxon left Carrere. Saxon signed with EMI Records with their first release on the label being Crusader. Though still heavy, critics felt the album had a more commercial sound, fans began to wonder what direction the band was taking. Despite its commercial sound, the title track became a fan favourite; the album sold over 2 million copies and the 1984 world tour "The World Crusade" was a success both in Europe and America. In the US they had Mötley Crüe and Krokus as support for many shows of the tour as the band spent one year on the road. By this time the band was considered as headliners for 1984's Monsters of Rock at Donington, but scheduling issues and record label disputes kept the band from participating. With the release of Innocence Is No Excuse in 1985, the band continued to take a more commercial direction and this created a division amongst fans as the band's once raw, heavy sound had been watered down to gain more attraction to the large US market.
The album has, gained more appreciation both from fans and critics as time has passed since its initial release. A huge sold out world tour in support of the album followed, but tensions
Solid Ball of Rock
Solid Ball of Rock is the tenth studio album by heavy metal band Saxon released in 1991. Five of its 11 tracks were written by new bassist Nibbs Carter. "For our audience – and without an audience there is no band – our focus returned on Solid Ball of Rock…" noted singer Biff Byford. "Since we've been right on it." SaxonBiff Byford – vocals, engineer Graham Oliver – guitar Paul Quinn – guitar Nibbs Carter – bass guitar Nigel Glockler – drumsProductionKalle Trapp — producer, engineer
Forever Free (Saxon album)
Forever Free is the eleventh studio album by heavy metal band Saxon released in 1992. A UK version of the album features a cover of a biker Space Marine from the Warhammer 40,000 tabletop wargame. In 2013, Demon Music Group reissued the album digitally and on CD in the UK; this version included two bonus tracks taken from their 1996 double live album, The Eagle Has Landed – Part II. SaxonBiff Byford - vocals Paul Quinn - guitar Graham Oliver - guitar Nibbs Carter - bass guitar Nigel Glockler - drumsAdditional musiciansGigi Skokan, Nasco - programming, keyboardsProductionBiff Byford - producer Herwig Ursin - producer Rainer Hänsel - audio engineer Hey You Studios, Vienna - recording location Gems Studios Boston, England - recording location Mastered at Hey You Production, L. A. Studio City, Blairwoodroad - mastering location
Greatest Hits Live! (Saxon album)
Greatest Hits Live is the third live album by the band Saxon. It was released in 1990 just one year after their previous live album Rock'n' Roll Gypsies to celebrate the tenth anniversary years of the band's activity, together with a VHS of the concert. This'10 Years Of Denim And Leather' concert was released on DVD as Saxon'Live Legends' with the extra track Strong Arm of the Law. Biff Byford - vocals Paul Quinn - guitar Graham Oliver - guitar Tim "Nibbs" Carter - bass guitar Nigel Glockler - drumsProductionBiff Byford - producer Ian Taylor - audio engineer East Midlands Television Centre, Nottingham - recording location OUTSIDE Studio, Manor - mixing location