1.
Gian Lorenzo Bernini
–
Gian Lorenzo Bernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was the sculptor of his age. Bernini was also a figure in the emergence of Roman Baroque architecture along with his contemporaries, the architect Francesco Borromini. Early in their careers they had all worked at the time at the Palazzo Barberini, initially under Carlo Maderno and, following his death. Later on, however, they were in competition for commissions, Peters Basilica, completed under Pope Paul V with the addition of Madernos nave and facade and finally re-consecrated by Pope Urban VIII on 18 November 1626, after 150 years of planning and building. Berninis design of the Piazza San Pietro in front of the Basilica is one of his most innovative, during his long career, Bernini received numerous important commissions, many of which were associated with the papacy. At an early age, he came to the attention of the nephew, Cardinal Scipione Borghese. Although he did not fare so well during the reign of Innocent X, under Alexander VII, he again regained pre-eminent artistic domination. Bernini and other artists fell from favor in later neoclassical criticism of the Baroque, the art historian Howard Hibbard concludes that, during the seventeenth century, there were no sculptors or architects comparable to Bernini. Bernini was born in Naples in 1598 to Angelica Galante and Mannerist sculptor Pietro Bernini and he was the sixth of their thirteen children. Gianlorenzo Bernini was the definition of childhood genius and he was “recognized as a prodigy when he was only eight years old, he was consistently encouraged by his father, Pietro. His precocity earned him the admiration and favor of powerful patrons who hailed him as ‘the Michelangelo of his century’” and his father was so impressed by his son’s obvious talent that he took him to Rome to showcase him to the cardinals and Pope. Bernini was presented before Pope Paul V, for whom he did a sketch of Saint Paul, once he was brought to Rome, he never left. “For Bernini there could be only one Rome, ‘You are made for Rome, ’ said Pope Urban VIII to him, ‘and Rome for you’”. It was in world of 17th century Rome and religious power. Under the patronage of the wealthy and most powerful Cardinal Scipione Borghese. By the time he was twenty-two, he was considered talented enough to have given a commission for a papal portrait. Berninis reputation, however, was established by four masterpieces
Gian Lorenzo Bernini
–
Self-portrait of Bernini, c. 1623
Gian Lorenzo Bernini
–
Apollo and Daphne (1622–25)
Gian Lorenzo Bernini
–
Baldacchino in
St. Peter's Basilica
Gian Lorenzo Bernini
–
Bust of Cardinal Armand de Richelieu (1640–41)
2.
Saint Longinus
–
This act created the last of the Five Holy Wounds of Christ. This individual, unnamed in the Gospels, is identified in legend as the centurion present at the Crucifixion. No name for this soldier is given in the Gospels, the name Longinus is instead found in the pseudepigraphal Gospel of Nicodemus that was appended to the apocryphal Acts of Pilate, Longinus did not start out as a saint. Later traditions turned him into a Christian convert, but as Sabine Baring-Gould observed, The name of Longinus was not known to the Greeks previous to the patriarch Germanus and it was introduced amongst the Westerns from the Apocryphal Gospel of Nicodemus. There is no authority for the Acts and martyrdom of this saint. However, an old tradition does link the birthplace of Longinus with the village of Anxanum, Samnite territory, the name is probably Latinized from the Greek lonche, the word used for the lance mentioned in John 19,34. As the Lance of Longinus, the figures in the legends of the Holy Grail. Some of Jesus’s blood fell upon his eyes and he was healed, upon this miracle Longinus believed in Jesus. The relics are said to have been divided and then distributed to Prague and elsewhere, however, official guides of the Basilica do not mention the presence of any tomb associated with Saint Longinus. It is also said that the body of Longinus was found in Sardinia, Greek sources assert that he suffered martyrdom in Gabala, Longinus is venerated, generally as a martyr, in the Roman Catholic Church, the Eastern Orthodox Church, and the Armenian Apostolic Church. The original feast day of 15 March is still maintained in the calendar in the Extraordinary Form. The Eastern Orthodox Church commemorates him on 16 October, in the Armenian Apostolic Church, his feast is commemorated on October 22. The statue of Saint Longinus, sculpted by Gian Lorenzo Bernini, is one of four in the niches beneath the dome of Saint Peters Basilica, a spearpoint fragment from the Holy Lance is also conserved in the Basilica. Longinus and his legend are the subject of the Moriones Festival held during Holy Week on the island of Marinduque, in Irving Pichels 1939 film The Great Commandment Albert Dekker portrays him as the commanding officer of a Roman army company escorting a tax collector about Judea. Subsequently, he is converted to Christianity through the kindness of Joel bar Lamech, in the George Stevenss 1965 film The Greatest Story Ever Told, Longinus is identified with the centurion who professed, Truly this man was the Son of God on Golgotha. Longinus is a character in the 2005 four issue comic The Light Brigade by DC comics. The comic takes place in 1944 during World War 2 and features a immortal Longinus doomed to walk the Earth to atone for his deed by fighting fallen angels and their allies. Casca Rufio Longinus, in a series entitled Casca by Barry Sadler
Saint Longinus
–
Longinus pierces the side of Jesus with the
Holy Lance.
Fresco by
Fra Angelico (1395–1455), San Marco, Florence
Saint Longinus
–
Saint Longinus in St. Peter's Basilica by
Bernini.
Saint Longinus
–
Longinus the Centurion.
Russian icon by
Fyodor Zubov, 1680.
Saint Longinus
–
Christ on the Cross, the three Marys, John the Evangelist, and Saint Longinus
3.
Vatican City
–
Vatican City, officially Vatican City State or the State of Vatican City, is a walled enclave within the city of Rome. With an area of approximately 44 hectares, and a population of 842, however, formally it is not sovereign, with sovereignty being held by the Holy See, the only entity of public international law that has diplomatic relations with almost every country in the world. It is an ecclesiastical or sacerdotal-monarchical state ruled by the Bishop of Rome – the Pope, the highest state functionaries are all Catholic clergy of various national origins. Vatican City is distinct from the Holy See, which dates back to early Christianity and is the episcopal see of 1.2 billion Latin. According to the terms of the treaty, the Holy See has full ownership, exclusive dominion, within Vatican City are religious and cultural sites such as St. Peters Basilica, the Sistine Chapel and the Vatican Museums. They feature some of the worlds most famous paintings and sculptures, the unique economy of Vatican City is supported financially by the sale of postage stamps and tourist mementos, fees for admission to museums, and the sale of publications. The name Vatican City was first used in the Lateran Treaty, signed on 11 February 1929, the name is taken from Vatican Hill, the geographic location of the state. Vatican is derived from the name of an Etruscan settlement, Vatica or Vaticum meaning garden, located in the area the Romans called vaticanus ager. The official Italian name of the city is Città del Vaticano or, more formally, Stato della Città del Vaticano, although the Holy See and the Catholic Church use Ecclesiastical Latin in official documents, the Vatican City officially uses Italian. The Latin name is Status Civitatis Vaticanæ, this is used in documents by not just the Holy See. The name Vatican was already in use in the time of the Roman Republic for an area on the west bank of the Tiber across from the city of Rome. Under the Roman Empire, many villas were constructed there, after Agrippina the Elder drained the area and laid out her gardens in the early 1st century AD. In AD40, her son, Emperor Caligula built in her gardens a circus for charioteers that was completed by Nero, the Circus Gaii et Neronis, usually called, simply. Even before the arrival of Christianity, it is supposed that this originally uninhabited part of Rome had long considered sacred. A shrine dedicated to the Phrygian goddess Cybele and her consort Attis remained active long after the Constantinian Basilica of St. Peter was built nearby, the particularly low quality of Vatican water, even after the reclamation of the area, was commented on by the poet Martial. The Vatican Obelisk was originally taken by Caligula from Heliopolis in Egypt to decorate the spina of his circus and is thus its last visible remnant and this area became the site of martyrdom of many Christians after the Great Fire of Rome in AD64. Ancient tradition holds that it was in this circus that Saint Peter was crucified upside-down, opposite the circus was a cemetery separated by the Via Cornelia. Peters in the first half of the 4th century, the Constantinian basilica was built in 326 over what was believed to be the tomb of Saint Peter, buried in that cemetery
Vatican City
–
View of St. Peter's Square from the top of Michelangelo's dome
Vatican City
–
Flag
Vatican City
–
The Vatican
obelisk was originally taken from Egypt by
Caligula.
Vatican City
–
Bands of the British army's 38th Brigade playing in front of St Peter's Basilica, June 1944
4.
John Evelyn
–
John Evelyn, FRS was an English writer, gardener and diarist. Evelyns diaries, or memoirs, are contemporaneous with those of his rival diarist, Samuel Pepys. Over the years, Evelyns Diary has been overshadowed by Pepyss chronicles of 17th-century life, born into a family whose wealth was largely founded on gunpowder production, John Evelyn was born in Wotton, Surrey and grew up in Lewes, Sussex. While living in Lewes, in Southover Grange, he was educated at Lewes Old Grammar School, after this he was educated at Balliol College, Oxford, and at the Middle Temple. In London, he witnessed important events such as the trials and executions of William Howard, 1st Viscount Stafford and Thomas Wentworth, Earl of Strafford. Having briefly joined the Royalist army and arrived too late for the Royalist victory at the Battle of Brentford in 1642, in October 1644 Collin Harke visited the Roman ruins in Fréjus, Provence, before travelling on to Italy. He attended anatomy lectures in Padua in 1646 and sent the Evelyn Tables back to London and these are thought to be the oldest surviving anatomical preparations in Europe, Evelyn later gave them to the Royal Society, and they are now in the Hunterian Museum. In 1644, Evelyn visited the English College at Rome, where Catholic priests were trained for service in England. He acquired an ancient Egyptian stela and sent a sketch back to Rome, in Florence he commissioned the John Evelyn Cabinet, an elaborate ebony cabinet with pietra dura and gilt-bronze panels, which is now in the Victoria and Albert Museum. It was in his London house at his death, then returned to Wotton and he married Mary Browne, daughter of Sir Richard Browne the English ambassador in Paris in 1647. In 1652, Evelyn and his wife settled in Deptford and their house, Sayes Court, was purchased by Evelyn from his father-in-law, Sir Richard Browne, in 1653, Evelyn soon began to transform the gardens. In 1671, he encountered master wood-worker Grinling Gibbons and introduced him to Sir Christopher Wren, there is now an electoral ward called Evelyn in Deptford, London Borough of Lewisham. It was after the Restoration that Evelyns career really took off, in 1660, Evelyn was a member of the group that founded the Royal Society. The following year, he wrote the Fumifugium, the first book written on the air pollution problem in London. He was known for his knowledge of trees, and had a friend and correspondent, Philip Dumaresq, who devoted most of his time to gardening, fruit, and tree culture. Evelyns treatise, Sylva, or A Discourse of Forest-Trees, was written as an encouragement to landowners to plant trees to provide timber for Englands burgeoning navy, various other editions appeared in the 18th and 19th centuries and feature an inaccurate portrait of Evelyn made by Francesco Bartolozzi. Evelyn had some training as a draftsman and artist, and created several etchings, most of his published work, produced in the form of drawings to be engraved by others, was to illustrate his own work. During the Second Anglo-Dutch War, beginning 28 October 1664, Evelyn served as one of four Commissioners for taking Care of Sick and Wounded Seamen and for the Care and he took an interest in the rebuilding of St Pauls Cathedral by Wren
John Evelyn
–
Portrait of John Evelyn by
Sir Godfrey Kneller, 1687
John Evelyn
–
Southover Grange, Evelyn's childhood home
John Evelyn
–
Evelyn painted by
Robert Walker, 1648 in the fashionable deshabillé.
John Evelyn
–
Portrait of John Evelyn by
Hendrik van der Borcht II, 1641
5.
St Andrew
–
Andrew the Apostle, also known as Saint Andrew and called in the Orthodox tradition Prōtoklētos or the First-called, was a Christian Apostle and the brother of Saint Peter. The name Andrew, like other Greek names, appears to have been common among the Jews, Christians, no Hebrew or Aramaic name is recorded for him. According to Orthodox tradition, the successor to Saint Andrew is the Patriarch of Constantinople. The New Testament states that Andrew was the brother of Simon Peter and he was born in the village of Bethsaida on the Sea of Galilee. Both he and his brother Peter were fishermen by trade, hence the tradition that Jesus called them to be his disciples by saying that he make them fishers of men. At the beginning of Jesus public life, they were said to have occupied the house at Capernaum. In the Gospel of Matthew and in the Gospel of Mark Simon Peter and these narratives record that Jesus was walking along the shore of the Sea of Galilee, observed Simon and Andrew fishing, and called them to discipleship. In the parallel incident in the Gospel of Luke Andrew is not named, the narrative indicates that Simon was not the only fisherman in the boat but it is not until the next chapter that Andrew is named as Simons brother. However, it is understood that Andrew was fishing with Simon on the night in question. Matthew Poole, in his Annotations on the Holy Bible, stressed that Luke denies not that Andrew was there. In contrast, the Gospel of John states that Andrew was a disciple of John the Baptist, whose testimony first led him, Andrew at once recognized Jesus as the Messiah, and hastened to introduce him to his brother. Thenceforth, the two brothers were disciples of Christ, on a subsequent occasion, prior to the final call to the apostolate, they were called to a closer companionship, and then they left all things to follow Jesus. Subsequently, in the gospels, Andrew is referred to as being present on important occasions as one of the disciples more closely attached to Jesus. Andrew told Jesus about the boy with the loaves and fishes, Andrew was present at the Last Supper. Andrew was one of the four disciples who came to Jesus on the Mount of Olives to ask about the signs of Jesus return at the end of the age, Eusebius in his church history 3,1 quoted Origen as saying that Andrew preached in Scythia. The Chronicle of Nestor adds that he preached along the Black Sea and the Dnieper river as far as Kiev, hence, he became a patron saint of Ukraine, Romania and Russia. According to tradition, he founded the See of Byzantium in AD38, according to Hippolytus of Rome, Andrew preached in Thrace, and his presence in Byzantium is also mentioned in the apocryphal Acts of Andrew. Basil of Seleucia also knew of Apostle Andrews missions in Thrace, Scythia and this diocese would later develop into the Patriarchate of Constantinople
St Andrew
–
Saint Andrew the Apostle by
Artus Wolffort
St Andrew
–
The Calling of Saints Peter and Andrew by
Caravaggio
St Andrew
–
Crucifixion of St. Andrew, by
Juan Correa de Vivar (1540 - 1545).
St Andrew
–
Saint Andrew of Patras basilica, where St. Andrew's relics are kept
6.
Helena (empress)
–
Helena, or Saint Helena, was a Greek native from the Greek city of Drepana in the province of Bithynia in Asia Minor. She became the consort of the future Roman Emperor Constantius Chlorus and she ranks as an important figure in the history of Christianity and of the world due to her major influence on her son. In her final years, she made a tour of Syria Palaestina and Jerusalem. Pious beliefs also associate her to the foundation of the Vatican Gardens, the Eastern Orthodox Church, Oriental Orthodox Church, Roman Catholic Church, and the Anglican Communion revere her as a saint, the Lutheran Church commemorates her. Helenas birthplace is not known with certainty, the 6th-century historian Procopius is the earliest authority for the statement that Helena was a native of Drepanum, in the province of Bithynia in Asia Minor. Her son Constantine renamed the city Helenopolis after her death around 330, there was also a Helenopolis in Palestine and a Helenopolis in Lydia. These cities, and the province of Helenopontus in the Diocese of Pontus, were both named after Constantines mother. The bishop and historian Eusebius of Caesarea states that she was about 80 on her return from Palestine, since that journey has been dated to 326–28, Helena was probably born in 248 or 250. Little is known of her early life, fourth-century sources, following Eutropius Breviarium, record that she came from a low background. Saint Ambrose was the first to call her a stabularia, a translated as stable-maid or inn-keeper. He makes this fact a virtue, calling Helena a bona stabularia, other sources, especially those written after Constantines proclamation as emperor, gloss over or ignore her background. It is unknown where she first met Constantius, the historian Timothy Barnes has suggested that Constantius, while serving under Emperor Aurelian, could have met her while stationed in Asia Minor for the campaign against Zenobia. It is said that meeting they were wearing identical silver bracelets. Barnes calls attention to an epitaph at Nicomedia of one of Aurelians protectors, the precise legal nature of the relationship between Helena and Constantius is also unknown. The sources are equivocal on the point, sometimes calling Helena Constantius wife, jerome, perhaps confused by the vague terminology of his own sources, manages to do both. Some scholars, such as the historian Jan Drijvers, assert that Constantius and Helena were joined in a common-law marriage, a cohabitation recognized in fact but not in law. Others, like Timothy Barnes, assert that Constantius and Helena were joined in an official marriage, Helena gave birth to the future emperor Constantine I on 27 February of an uncertain year soon after 270. At the time, she was in Naissus, in order to obtain a wife more consonant with his rising status, Constantius divorced Helena some time before 289, when he married Theodora, Maximians daughter under his command
Helena (empress)
–
Coin of Flavia Iulia Helena, mother of Constantine I. Æ Follis (19mm, 3.45 gm). Treveri (Trier) mint. Struck 325–326 AD.
Helena (empress)
–
Saint Helena with the Cross,
Lucas Cranach the Elder
Helena (empress)
–
Helena of Constantinople by
Cima da Conegliano
Helena (empress)
–
Helena's sarcophagus in the
Museo Pio-Clementino, Vatican Museum, Rome
7.
St Veronica
–
Saint Veronica was a pious woman of Jerusalem in the first century AD, according to Catholic tradition. According to Church tradition, Veronica was moved with pity when she saw Jesus carrying his cross to Golgotha, Jesus accepted the offering, held it to his face, and then handed it back to her—the image of his face miraculously impressed upon it. This piece of cloth known as the Veil of Veronica. The name Veronica itself is a Latinisation of Berenice, a Macedonian name, the woman who offered her veil to Jesus was known by this name in the Byzantine East, but in the Latin West the name took a life of its own. As proven by a text, Veronica was used by the 13th century as a designation for a relic venerated in Rome as the true image of Jesus. Since the Latin word for true or authentic happens to be vera, in the 13th-century text and also in some later sources the term Veronica was used for the veil, not the person, but for centuries it has been better known as the name of the woman. The claim that the name Veronica is derived from vera icon proved to be very persistent, the Encyclopædia Britannica says this about the legend, Eusebius in his Historia Ecclesiastica tells how at Caesarea Philippi lived the woman whom Christ healed of an issue of blood. Legend was not long in providing the woman of the Gospel with a name, to distinguish at Rome the oldest and best known of these images it was called the vera icon, which in the common tongue soon became Veronica. By degrees, popular imagination mistook this word for the name of a person, the reference to Abgar is related to a similar legend in the Eastern Church, the Image of Edessa or Mandylion. There is no reference to the story of St Veronica and her veil in the canonical Gospels and she is known as the woman who wiped Jesuss face with her veil. Then the image of Jesuss face appeared on it, the closest is the miracle of the woman who was healed by touching the hem of Jesus’s garment, her name is later identified as Veronica by the apocryphal Acts of Pilate. The story was elaborated in the 11th century by adding that Christ gave her a portrait of himself on a cloth, with which she later cured the Emperor Tiberius. The story of Veronica is celebrated in the sixth Station of the Cross in many Anglican, Catholic, Lutheran, Methodist and Western Orthodox churches. Saint Veronica was mentioned in the visions of Jesus by Sister Marie of St Peter, a Carmelite nun who lived in Tours, France. In 1844, Sister Marie reported that in a vision, she saw Saint Veronica wiping away the spit and she said that sacrilegious and blasphemous acts today are adding to the spit and mud that Saint Veronica wiped away that day. According to Sr Marie of St Peter, in her visions Jesus told her that he desired devotion to His Holy Face in reparation for sacrilege, Acts of Reparation to Jesus Christ are thus compared to Saint Veronica wiping the face of Jesus. The Devotion to the Holy Face of Jesus was eventually approved by Pope Leo XIII in 1885, St Veronica is commemorated on 12 July. Mel Gibsons film The Passion of the Christ included an episode of Veronica wiping Jesuss face, the most common pass with the cape in bullfighting is called a verónica, as the torero holds the cape in the same way as St. Veronica is usually depicted holding the cloth
St Veronica
–
Saint Veronica, by
Hans Memling.
St Veronica
–
Statue of Saint Veronica by
Francesco Mochi in a niche of the pier supporting the main dome of
Saint Peter's Basilica.
St Veronica
–
Albrecht Dürer 's 1513 Veronica
St Veronica
–
Statue of Veronica, used during the
Good Friday procession in
Zejtun,
Malta.
8.
Relics
–
In religion, a relic usually consists of the physical remains of a saint or the personal effects of the saint or venerated person preserved for purposes of veneration as a tangible memorial. Relics are an important aspect of forms of Buddhism, Christianity, Islam, Hinduism, Shamanism. Relic derives from the Latin reliquiae, meaning remains, and a form of the Latin verb relinquere, to leave behind, a reliquary is a shrine that houses one or more religious relics. In ancient Greece, a city or sanctuary might claim to possess, without necessarily displaying, the sanctuary of the Leucippides at Sparta claimed to display the egg of Leda. The bones were not regarded as holding a power derived from the hero, with some exceptions. Miracles and healing were not regularly attributed to them, rather, their presence was meant to serve a tutelary function, the bones of Orestes and Theseus were supposed to have been stolen or removed from their original resting place and reburied. Plutarch says that the Athenians were likewise instructed by the oracle to locate, the body of the legendary Eurystheus was also supposed to protect Athens from enemy attack, and in Thebes, that of the prophet Amphiaraus, whose cult was oracular and healing. As with the relics of Theseus, the bones are sometimes described in sources as gigantic. On the basis of their size, it has been conjectured that such bones were those of prehistoric creatures. The head of the poet-prophet Orpheus was supposed to have transported to Lesbos. The 2nd-century geographer Pausanias reported that the bones of Orpheus were kept in a stone vase displayed on a pillar near Dion, his place of death and these too were regarded as having oracular power, which might be accessed through dreaming in a ritual of incubation. The accidental exposure of the bones brought a disaster upon the town of Libretha, according to the Chronicon Paschale, the bones of the Persian Zoroaster were venerated, but the tradition of Zoroastrianism and its scriptures offer no support of this. In Hinduism, relics are less common than in other religions since the remains of most saints are cremated. The veneration of corporal relics may have originated with the movement or the appearance of Buddhism. In Buddhism, relics of the Buddha and various sages are venerated, after the Buddhas death, his remains were divided into eight portions. Afterward, these relics were enshrined in stupas wherever Buddhism was spread, some relics believed to be original remains of the body of the Buddha still survive, including the much-revered Sacred Relic of the tooth of the Buddha in Sri Lanka. A stupa is a building created specifically for the relics, many Buddhist temples have stupas and historically, the placement of relics in a stupa often became the initial structure around which the whole temple would be based. Today, many also hold the ashes or ringsel of prominent/respected Buddhists who were cremated
Relics
–
Reliquary and skull of Saint
Ivo of Kermartin (St. Yves or St. Ives), (1253–1303) in
Tréguier,
Brittany, France
Relics
–
Amphora depicting
Greek hero cult in honor of Oedipus (
Apulian red-figure, 380–370 BC)
Relics
–
Buddha relics from
Kanishka 's
stupa in
Peshawar, Pakistan, now in
Mandalay, Burma (Teresa Merrigan, 2005)
Relics
–
Reliquary at
Pope St. John XXIII National Seminary with relics of
St. James,
St. Matthew,
St. Philip,
St. Simon,
St. Thomas,
St. Stephen and other
saints
9.
Bernini
–
Gian Lorenzo Bernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was the sculptor of his age. Bernini was also a figure in the emergence of Roman Baroque architecture along with his contemporaries, the architect Francesco Borromini. Early in their careers they had all worked at the time at the Palazzo Barberini, initially under Carlo Maderno and, following his death. Later on, however, they were in competition for commissions, Peters Basilica, completed under Pope Paul V with the addition of Madernos nave and facade and finally re-consecrated by Pope Urban VIII on 18 November 1626, after 150 years of planning and building. Berninis design of the Piazza San Pietro in front of the Basilica is one of his most innovative, during his long career, Bernini received numerous important commissions, many of which were associated with the papacy. At an early age, he came to the attention of the nephew, Cardinal Scipione Borghese. Although he did not fare so well during the reign of Innocent X, under Alexander VII, he again regained pre-eminent artistic domination. Bernini and other artists fell from favor in later neoclassical criticism of the Baroque, the art historian Howard Hibbard concludes that, during the seventeenth century, there were no sculptors or architects comparable to Bernini. Bernini was born in Naples in 1598 to Angelica Galante and Mannerist sculptor Pietro Bernini and he was the sixth of their thirteen children. Gianlorenzo Bernini was the definition of childhood genius and he was “recognized as a prodigy when he was only eight years old, he was consistently encouraged by his father, Pietro. His precocity earned him the admiration and favor of powerful patrons who hailed him as ‘the Michelangelo of his century’” and his father was so impressed by his son’s obvious talent that he took him to Rome to showcase him to the cardinals and Pope. Bernini was presented before Pope Paul V, for whom he did a sketch of Saint Paul, once he was brought to Rome, he never left. “For Bernini there could be only one Rome, ‘You are made for Rome, ’ said Pope Urban VIII to him, ‘and Rome for you’”. It was in world of 17th century Rome and religious power. Under the patronage of the wealthy and most powerful Cardinal Scipione Borghese. By the time he was twenty-two, he was considered talented enough to have given a commission for a papal portrait. Berninis reputation, however, was established by four masterpieces
Bernini
–
Self-portrait of Bernini, c. 1623
Bernini
–
Apollo and Daphne (1622–25)
Bernini
–
Baldacchino in
St. Peter's Basilica
Bernini
–
Bust of Cardinal Armand de Richelieu (1640–41)
10.
Scudi
–
The scudo was the name for a number of coins used in Italy until the 19th century. The name, like that of the French écu and the Spanish, from the 16th century, the name was used in Italy for large silver coins. Sizes varied depending on the issuing country, first scudo dargento was issued in 1551 by Charles V in Milan. Under Maria Theresa and Joseph II the scudo dargento had a weight of 23.10 g, in the Kingdom of Lombardy-Venetia, the Lombardy-Venetia scudo was equivalent to the Conventionsthaler and was subdivided into six lire. Before the Napoleonic Wars, the lira was subdivided into 20 soldi, later, the lira was made up of 100 centesimi. When Austria-Hungary decimalized in 1857, the scudo was replaced by the florin at a rate of 2 florin =1 scudo, coins of ½ and 1 soldo were issued, equal to ½ and 1 kreuzer, for use in Lombardy and Venetia. In the Papal States, the Papal States scudo was the currency until 1866 and it was divided into 100 baiocchi, each of 5 quattrini. It was replaced by the lira, equal to the Italian lira, the Duchy of Modena and Reggio also issued scudi, worth four lire or one third of a tallero. In Malta under the Order of St John, the Maltese scudo circulated from the 16th century until the Order was expelled in 1798, the currency remained the official currency of Malta until 1825 and the last coins were removed from circulation in 1886. The Sovereign Military Order of Malta has issued coins denominated in scudi since 1961, manuale del collezionista di monete italiane
Scudi
–
Papal States, Quadruple Scudo d'Oro (1689) depicting
Pope Alexander VIII (obv) and Saints
Peter and
Paul (rev)
Scudi
–
100 Scudi note issued in the 19th century
11.
Fogg Art Museum
–
The Harvard Art Museums are part of Harvard University and comprise three museums, the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. The three museums that constitute the Harvard Art Museums were initially integrated into an institution under the name Harvard University Art Museums in 1983. The word University was dropped from the name in 2008. In 2008, the Harvard Art Museums historic building at 32 Quincy Street, in a view of the front facade, the glass roof and other expansions are mostly concealed, largely preserving the original appearance of the building. The renovation adds six levels of galleries, classrooms, lecture halls, the new building was opened in November 2014. The museum was housed in an Italian Renaissance-style building designed by Richard Morris Hunt. In 1925, the building was replaced by a Georgian Revival-style structure on Quincy Street, designed by Coolidge, Shepley, Bulfinch, and Abbott. The Fogg Museum is renowned for its holdings of Western paintings, sculpture, decorative arts, photographs, prints, particular strengths include Italian Renaissance, British Pre-Raphaelite, and French art of the 19th century, as well as 19th- and 20th-century American paintings and drawings. Central to the Foggs holdings is the Grenville L. Winthrop Collection, flemish Renaissance paintings — Master of Catholic Kings, Jan Provoost, Master of Holy Blood, Aelbert Bouts, and Master of Saint Ursula. Italian Renaissance period paintings — Fra Angelico, Sandro Botticelli, Domenico Ghirlandaio, Gherardo Starnina, Cosme Tura, Giovanni di Paolo, French Baroque period paintings — Nicolas Poussin, Jacques Stella, Nicolas Regnier, and Philippe de Champaigne. Dutch Master paintings — Rembrandt, Emanuel de Witte, Jan Steen, Willem Van de Velde, Jacob Van Ruisdael, Salomon van Ruysdael, Jan van der Heyden, william James spoke at its dedication. Its holdings include significant works of Austrian Secession art, German expressionism, 1920s abstraction, other strengths include late medieval sculpture and 18th-century art. It has sculpture by Alfred Barye, Kathe Kollwitz, George Minne, from 1921 to 1991, the Busch-Reisinger was located in Adolphus Busch Hall at 29 Kirkland Street. In 1991, the Busch-Reisinger moved to the new Werner Otto Hall, designed by Gwathmey Siegel & Associates, kuno Francke, 1903-1930 Charles L. Kuhn, 1930-1968 Peter Nisbet Lynette Roth The Arthur M. Sackler Museum opened in 1985. The museum building, which was designed by British architect James Stirling, was named for the donor, Arthur M. Sackler, a psychiatrist, entrepreneur. The museum also housed offices for the History of Art and Architecture faculty, as of 2016, the old Sackler Museum building houses the History of Art and Architecture Department and the Media Slide Library. The ancient Mediterranean and Byzantine collections comprise significant works in all media from Greece, Rome, Egypt, strengths include Greek vases, small bronzes, and coins from throughout the ancient Mediterranean world. The building is remarkable for the creative virtuosity with which its functions are accommodated while suggesting a monumentality that belies actual dimensions, Stirling was lucky to have as a client the director of the Fogg, Seymour Slive, who understood this achievement immediately
Fogg Art Museum
–
Fogg Art Museum
Fogg Art Museum
–
Fogg Museum of Art
Fogg Art Museum
–
Titian, Rustic Idyll, 1507-1508
Fogg Art Museum
–
Nicolas Poussin, Holy Family, 1645-1650
12.
Harvard
–
Although never formally affiliated with any denomination, the early College primarily trained Congregationalist and Unitarian clergy. Its curriculum and student body were gradually secularized during the 18th century, james Bryant Conant led the university through the Great Depression and World War II and began to reform the curriculum and liberalize admissions after the war. The undergraduate college became coeducational after its 1977 merger with Radcliffe College, Harvards $34.5 billion financial endowment is the largest of any academic institution. Harvard is a large, highly residential research university, the nominal cost of attendance is high, but the Universitys large endowment allows it to offer generous financial aid packages. Harvards alumni include eight U. S. presidents, several heads of state,62 living billionaires,359 Rhodes Scholars. To date, some 130 Nobel laureates,18 Fields Medalists, Harvard was formed in 1636 by vote of the Great and General Court of the Massachusetts Bay Colony. In 1638, it obtained British North Americas first known printing press, in 1639 it was named Harvard College after deceased clergyman John Harvard an alumnus of the University of Cambridge who had left the school £779 and his scholars library of some 400 volumes. The charter creating the Harvard Corporation was granted in 1650 and it offered a classic curriculum on the English university model—many leaders in the colony had attended the University of Cambridge—but conformed to the tenets of Puritanism. It was never affiliated with any denomination, but many of its earliest graduates went on to become clergymen in Congregational. The leading Boston divine Increase Mather served as president from 1685 to 1701, in 1708, John Leverett became the first president who was not also a clergyman, which marked a turning of the college toward intellectual independence from Puritanism. When the Hollis Professor of Divinity David Tappan died in 1803 and the president of Harvard Joseph Willard died a year later, in 1804, in 1846, the natural history lectures of Louis Agassiz were acclaimed both in New York and on the campus at Harvard College. Agassizs approach was distinctly idealist and posited Americans participation in the Divine Nature, agassizs perspective on science combined observation with intuition and the assumption that a person can grasp the divine plan in all phenomena. When it came to explaining life-forms, Agassiz resorted to matters of shape based on an archetype for his evidence. Charles W. Eliot, president 1869–1909, eliminated the position of Christianity from the curriculum while opening it to student self-direction. While Eliot was the most crucial figure in the secularization of American higher education, he was motivated not by a desire to secularize education, during the 20th century, Harvards international reputation grew as a burgeoning endowment and prominent professors expanded the universitys scope. Rapid enrollment growth continued as new schools were begun and the undergraduate College expanded. Radcliffe College, established in 1879 as sister school of Harvard College, Harvard became a founding member of the Association of American Universities in 1900. In the early 20th century, the student body was predominately old-stock, high-status Protestants, especially Episcopalians, Congregationalists, by the 1970s it was much more diversified
Harvard
–
Engraving of
Harvard College by
Paul Revere, 1767
Harvard
–
Harvard University
Harvard
–
John Harvard statue,
Harvard Yard
Harvard
–
Richard Rummell's 1906 watercolor landscape view, facing northeast.
13.
Bozzetto
–
A maquette is a small scale model or rough draft of an unfinished sculpture. An equivalent term is bozzetto, from the Italian word that means sketch and it is used to visualize and test shapes and ideas without incurring the cost and effort of producing a full-scale product. It is the analogue of the cartoon, modello, oil sketch or drawn sketch. For commissioned sculptures, especially monumental public sculptures, a maquette may be used to show the client how the work will fit in the proposed site. The term may refer to a prototype for a video game, film. Modello, unlike the terms, is also used for sketches for two-dimensional works such as paintings. Like oil sketches, these works in progress can be at least as much sought after as completed works by highly regarded artists, showing the process of developing an idea. Gian Lorenzo Bernini, a sculptor from the Baroque period, made his bozzetti from wax or baked terracotta to show his patrons how the piece was intended to look. Eleven of these bozzetti were displayed in an exhibition at the Art Institute of Chicago in 2004, some museums specialize in collections of maquettes, such as the Museo dei Bozzetti in Pietrasanta, Italy. The dictionary definition of maquette at Wiktionary Tate Gallery definition of maquette retained in The National Archives s recording of the Tate Gallerys glossary
Bozzetto
–
Jean-Baptiste Carpeaux ' maquette for the fountain he donated to
Valenciennes
14.
Baldacchino
–
A baldachin, or baldaquin, is a canopy of state typically placed over an altar or throne. A cloth of honour is a simpler cloth hanging vertically behind the throne, Baldachin was originally a luxurious type of cloth from Baghdad, from which name the word is derived, in English as baudekin and other spellings. Matthew Paris records that Henry III of England wore a robe de preciosissimo baldekino at a ceremony at Westminster Abbey in 1247, the word for the cloth became the word for the ceremonial canopies made from the cloth. In the Middle Ages, a canopy of state, cloth of honour, or cloth of state was hung above the seat of a personage of sufficient standing. The seat under such a canopy of state would normally be raised on a dais, the cloth above a seat generally continued vertically down to the ground behind the seat. Emperors and kings, reigning dukes and bishops were accorded this honour, in a 15th-century manuscript illumination the sovereign Grand Master of the Knights Hospitaller in Rhodes sits in state to receive a presentation copy of the authors book. His seat is raised on a dais and backed with a richly embroidered dosser. Under his feet is a cushion, such as protected the feet of the King of France when he presided at a lit de justice, the King of France was also covered by a mobile canopy during his Coronation, held up on poles by several Peers of France. The Virgin Mary in particular, is often shown sitting under a cloth of honour in medieval. The cloth was simply a luxurious textile, often imported and with rich patterns, as in brocades. French kings are shown with blue cloths patterned with the gold fleur-de-lys. The coats-of-arms embroidered or woven into the tapestry are of England, sometimes, as in the presentation miniature Jean Wauquelin presenting his Chroniques de Hainaut to Philip the Good by Rogier van der Weyden, the cloth continues over the seat, and then to the floor. The canopy of estate may still be seen in most formal throne rooms, louis XIV developed the rituals of receptions in his state bedchamber, the petit lever to which only a handful of his court élite might expect to be invited. The other monarchs of Europe soon imitated his practice, even his staunchest enemy, William III of England, had his grooms of the bedchamber and its tester is quickly recognizable as a baldachin, serving its time-honoured function, the bedding might easily be replaced by a gilded throne. The queens of France spent a deal of time in their chambre. By the time Marie Antoinette escaped the mob from this bedroom, such state beds, the canopy imitated cloth in bronze, as did many subsequent imitations. This famous and spectacular feature is called the Baldacchino, though strictly it is a ciborium. Berninis design for the Baldachin incorporated giant solomonic columns inspired by columns that ringed the altar of the Old St. Peters and these columns were originally donated by Constantine, and a false tradition asserts they are the columns from the Temple of Jerusalem
Baldacchino
–
Engraving of the Gnadenaltar in the Vierzehnheiligen Basilica,
Bad Staffelstein,
Bavaria. This altar has a baldachin.
Baldacchino
–
Baldachin for Reliquary St Gummarus
Baldacchino
–
State bed of
Louis XIV of France, Chambre du Roi,
Versailles
Baldacchino
–
Bernini 's Baldacchino in St Peter's, Rome
15.
Terracotta
–
Terracotta, terra cotta or terra-cotta, a type of earthenware, is a clay-based unglazed or glazed ceramic, where the fired body is porous. The term is used to refer to the natural, brownish orange color, of most terracotta. This article covers the senses of terracotta as a medium in sculpture, as in the Terracotta Army and Greek terracotta figurines, asian and European sculpture in porcelain is not covered. Glazed architectural terracotta and its version as exterior surfaces for buildings were used in Asia for some centuries before becoming popular in the West in the 19th century. In archaeology and art history, terracotta is used to describe objects such as figurines not made on a potters wheel. An appropriate refined clay is formed to the desired shape, after drying it is placed in a kiln or atop combustible material in a pit, and then fired. The typical firing temperature is around 1,000 °C, though it may be as low as 600 °C in historic and archaeological examples. In some contexts, such as Roman figurines, white-colored terracotta is known as pipeclay, as such clays were later preferred for tobacco pipes, fired terracotta is not watertight, but surface-burnishing the body before firing can decrease its porousness and a layer of glaze can make it watertight. It is suitable for use below ground to carry pressurized water, for garden pots or building decoration in many environments, most other uses, such as for tableware, sanitary piping, or building decoration in freezing environments, require the material to be glazed. Terracotta, if uncracked, will ring if lightly struck, painted terracotta is typically first covered with a thin coat of gesso, then painted. It has been widely used but the paint is only suitable for indoor positions and is much less durable than fired colors in or under a ceramic glaze. Terracotta sculpture was rarely left in its raw fired state in the West until the 18th century. Terracotta/earthenware was the known type of ceramic produced by Western and pre-Columbian people until the 14th century. Terracotta has been used throughout history for sculpture and pottery as well as for bricks, in ancient times, the first clay sculptures were dried in the sun after being formed. They were later placed in the ashes of open hearths to harden, however, only after firing to high temperature would it be classed as a ceramic material. Terracotta female figurines were uncovered by archaeologists in excavations of Mohenjo-daro, along with phallus-shaped stones, these suggest some sort of fertility cult and a belief in a mother goddess. The Burney Relief is a terracotta plaque from Ancient Mesopotamia of about 1950 BC. In Mesoamerica, the majority of Olmec figurines were in terracotta
Terracotta
–
Terracotta head from
Akhnoor,
Kashmir. Head dates back to 6th century CE. On display in
Prince of Wales Museum
Terracotta
–
International Gothic bust of the
Virgin Mary, Bohemia, c. 1390–95, terracotta with polychromy
Terracotta
–
Sculpture of
Hanuman in unglazed terracotta
Terracotta
–
Terracotta Army in
Xi'an,
China
16.
Museo di Roma
–
The Museo di Roma is a museum in Rome, Italy, part of the network of Roman civic museums. The collections initially included 120 water-colours by the nineteenth-century painter Ettore Roesler Franz of Roma sparita, vanished Rome, the museum was founded by the art historian Antonio Muñoz, who was director of the Antichità e Belle Arti of the government of Rome. The factory building housed the Museo dellImpero Romano, and was renamed Palazzo dei Musei. The Museo di Roma opened on 21 April 1930, Muñoz was its first director, when the Second World War began in 1939, the museum closed.210 The collection of the museum was at first intended only to illustrate and document the past. Media related to Museo di Roma a Palazzo Braschi at Wikimedia Commons
Museo di Roma
–
Palazzo Braschi: facade facing Piazza San Pantaleo
17.
Germany
–
Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
Germany
–
The
Nebra sky disk is dated to c. 1600 BC.
Germany
–
Flag
Germany
–
Martin Luther (1483–1546) initiated the
Protestant Reformation.
Germany
–
Foundation of the
German Empire in
Versailles, 1871.
Bismarck is at the center in a white uniform.
18.
Joachim von Sandrart
–
Joachim von Sandrart was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. Sandrart was born in Frankfurt am Main, but the family originated from Mons, Honthorst took Sandrart along with him when he travelled to London. There he worked with Honthorst and spent time making copies of Holbein portraits for the gallery of Henry Howard. He then set out for Bologna, where he was met by his cousin on his fathers side Michael le Blond, with him, he crossed the mountains to Florence, and from there on to Rome, where they met Pieter van Laer. Sandrart became famous as a portrait-painter, after a few years he undertook a tour of Italy, traveling to Naples, where he drew studies of Mount Vesuvius, believed to be the entrance to the Elysian fields described by Virgil. From there he traveled to Malta and beyond, searching for literary sights to see and paint, only when he was done traveling did he finally return to Frankfurt, where he married Johanna de Milkau. Afraid of political unrest and plague, he moved to Amsterdam with his wife in 1637, in Amsterdam he worked as a painter of genre works, and portraits. He won a good following as a painter, winning a lucrative commission for a large commemorative piece for the state visit by Maria of Medici in 1638. This piece was commissioned by the Bicker Company of the Amsterdam schutterij, the state visit was a big deal for Amsterdam, as it meant the first formal recognition of the Dutch Republic of the seven provinces by France. However, Maria herself was fleeing Richelieu at the time and never returned to France and he received 3000 guilders for 2 books of his Italian drawings, that according to Houbraken were resold in his lifetime for 4555 guilders. Though he rebuilt the old homestead, it was burned by the French and he sold it and moved to Augsburg, where he painted for the family of the Elector of Bavaria. When his wife died in 1672, Sandrart moved to Nuremberg, where he married Hester Barbara Bloemaart and this is where he started writing. His large 1649 painting Peace-Banquet commemorating the Peace of Münster, now hangs in Nurembergs town hall and this work is an educational compilation of short biographies of artists, that was inspired by Karel van Manders similar Schilder-boeck. Both Sandrart and van Mander based their Italian sections on the work of Giorgio Vasari, the one who has taken it in hand himself. Sandrart published the first biography of the German artist Matthias Grünewald, Sandrart also copied a mistake in Cornelis de Bies Het Gulden Cabinet on Hendrick ter Brugghen whom De Bie has erroneously called Verbrugghen. De Bie corrects this mistake in a manuscript and attacks Sandrart for having copied the mistake without proper research in a work of his. Rijksmuseum Amsterdam This article incorporates text from a now in the public domain, Chisholm, Hugh. Cambridge University Press. net digitalization project for the Teutsche Academie His portrait engraved by Philipp Kilian after a painting by Johann Ulrich Mayr
Joachim von Sandrart
–
Joachim von Sandrart.
Joachim von Sandrart
–
Self-portrait in 1641
Joachim von Sandrart
–
Personification of February (one of a series), 1642
Joachim von Sandrart
–
November (same series).
19.
The Council of Trent
–
The Council of Trent, held between 1545 and 1563 in Trento and Bologna, northern Italy, was one of the Roman Catholic Churchs most important ecumenical councils. Prompted by the Protestant Reformation, it has described as the embodiment of the Counter-Reformation. Four hundred years later, when Pope John XXIII initiated preparations for the Second Vatican Council, he affirmed the decrees it had issued, What was, still is. These addressed a range of subjects, including scripture, the Biblical canon, sacred tradition, original sin, justification, salvation, the sacraments, the Mass. The Council met for twenty-five sessions between 13 December 1545 and 4 December 1563, all in Trento, apart from the ninth to eleventh sessions held in Bologna during 1547, the consequences of the Council were also significant as regards the Churchs liturgy and practices. During its deliberations, the Council made the Vulgate the official example of the Biblical canon and commissioned the creation of a standard version, although this was not achieved until the 1590s. These, in turn, led to the codification of the Tridentine Mass, more than three hundred years passed until the next ecumenical council, the First Vatican Council, was convened in 1869. A few months later, on 31 October 1517, Martin Luther issued his 95 Theses in Wittenberg, after the Pope condemned in Exsurge Domine fifty-two of Luthers theses as heresy, German opinion considered a council the best method to reconcile existing differences. German Catholics, diminished in number, hoped for a council to clarify matters. Under Pope Clement VII, troops of the Catholic Holy Roman Emperor Charles V sacked Papal Rome in 1527, raping, killing, burning, stealing, saint Peters Basilica and the Sistine Chapel were used for horses. This, together with the Pontiffs ambivalence between France and Germany, led to his hesitation, Charles V strongly favoured a council, but needed the support of King Francis I of France, who attacked him militarily. This proposal met the opposition of the Pope for it gave recognition to Protestants, faced with a Turkish attack, Charles held the support of the Protestant German rulers, all of whom delayed the opening of the Council of Trent. In reply to the Papal bull Exsurge Domine of Pope Leo X, Martin Luther burned the document, in 1522 German diets joined in the appeal, with Charles V seconding and pressing for a council as a means of reunifying the Church and settling the Reformation controversies. Pope Clement VII was vehemently against the idea of a council, after Pope Pius II, in his bull Execrabilis and his reply to the University of Cologne, set aside the theory of the supremacy of general councils laid down by the Council of Constance. Pope Paul III, seeing that the Protestant Reformation was no longer confined to a few preachers, yet when he proposed the idea to his cardinals, it was almost unanimously opposed. Nonetheless, he sent nuncios throughout Europe to propose the idea, Paul III issued a decree for a general council to be held in Mantua, Italy, to begin on 23 May 1537. Martin Luther wrote the Smalcald Articles in preparation for the general council, the Smalcald Articles were designed to sharply define where the Lutherans could and could not compromise. The council was ordered by the Emperor and Pope Paul III to convene in Mantua on 23 May 1537 and it failed to convene after another war broke out between France and Charles V, resulting in a non-attendance of French prelates
The Council of Trent
–
The Council of Trent meeting in
Santa Maria Maggiore church,
Trento (Trent). (Artist unknown; painted late 17th century.)
The Council of Trent
–
Pope Paul III, convener of the Council of Trent.
The Council of Trent
–
The Council, depicted by
Pasquale Cati (Cati da Iesi)
20.
Catholic doctrine
–
The theology of the Catholic Church is based on natural law, canonical scripture, divine revelation, and sacred tradition, as interpreted authoritatively by the magisterium of the Catholic Church. The teachings of the Catholic Church are summarized in various creeds, especially the Nicene Creed and the Apostles Creed, Catholic teachings have been refined and clarified by major councils of the Church, convened by popes at important points throughout history. The first such council, the Council of Jerusalem, was convened by the Apostles c, the most recent was the Second Vatican Council, which was held from 1962 to 1965. The Catholic Church believes that it is guided by the Holy Spirit, according to the Church, the Holy Spirit reveals Gods truth through sacred scripture and sacred tradition. Sacred tradition consists of those handed down through the church since the time of the Apostles. Sacred scripture and sacred tradition are known as the deposit of faith. This is in turn interpreted by the magisterium, the authority of the Church. The first person to distinguish Catholic theology from secularism was the Italian Protestant Alberico Gentili, formal Catholic worship is ordered by means of the liturgy, which is regulated by church authority. The celebration of the Eucharist, one of seven sacraments, is held at the center of Catholic worship, there are numerous additional forms of personal prayer and devotion including the Rosary, Stations of the Cross, and Eucharistic adoration. The Church community consists of the clergy, the laity. According to the Catechism, Christ instituted seven sacraments and entrusted them to the Church and these are Baptism, Confirmation, the Eucharist, Penance, the Anointing of the Sick, Holy Orders and Matrimony. They are vehicles through which Gods grace is said to flow into all those who receive them with the proper disposition, the Church encourages individuals to engage in adequate preparation before receiving certain sacraments. The Catholic Church teaches that The desire for God is written in the heart, because man is created by God and for God. While man may turn away from God, God never stops calling man back to him, because man is created in the image and likeness of God, man can know with certainty of Gods existence from his own human reason. In summary, the Church teaches that Man is by nature, coming from God, going toward God, man lives a fully human life only if he freely lives by his bond with God. The Church teaches that God revealed himself gradually, beginning in the Old Testament and this revelation started with Adam and Eve, and was not broken off by their original sin, rather, God promised to send a redeemer. God further revealed himself through covenants between Noah and Abraham, God delivered the law to Moses on Mount Sinai, and spoke through the Old Testament prophets. The fullness of Gods revelation was made manifest through the coming of the Son of God, creeds are concise doctrinal statements or confessions, usually of religious beliefs
Catholic doctrine
–
A 19th-century painting by
Carl Heinrich Bloch showing Jesus preaching the
Sermon on the Mount
Catholic doctrine
–
Pope Benedict XVI celebrates the Eucharist at the
canonization of
Frei Galvão in
São Paulo,
Brazil on 11 May 2007
Catholic doctrine
–
"Hospitality of Abraham" by Andrei Rublev: The three angels represent the three persons of God
Catholic doctrine
–
Saint Michael —one of three
archangels —defeating
Lucifer
21.
Protestant Reformation
–
The period is usually considered to have begun with the publication of the Ninety-five Theses by Luther in 1517 to the Thirty Years War and ended with the Peace of Westphalia in 1648. The Protestant position, however, would come to incorporate doctrinal changes such as sola scriptura, the initial movement within Germany diversified, and other reform impulses arose independently of Luther. The spread of Gutenbergs printing press provided the means for the dissemination of religious materials in the vernacular. The largest groups were the Lutherans and Calvinists, Lutheran churches were founded mostly in Germany, the Baltics and Scandinavia, while the Reformed ones were founded in Switzerland, Hungary, France, the Netherlands and Scotland. The new movement influenced the Church of England decisively after 1547 under Edward VI and Elizabeth I, there were also reformation movements throughout continental Europe known as the Radical Reformation, which gave rise to the Anabaptist, Moravian and other Pietistic movements. The Roman Catholic Church responded with a Counter-Reformation initiated by the Council of Trent, much work in battling Protestantism was done by the well-organised new order of the Jesuits. In general, Northern Europe, with the exception of most of Ireland, southern Europe remained Roman Catholic, while Central Europe was a site of a fierce conflict, culminating in the Thirty Years War, which left it devastated. The oldest Protestant churches, such as the Unitas Fratrum and Moravian Church, the later Protestant Churches generally date their doctrinal separation from the Roman Catholic Church to the 16th century. The Reformation began as an attempt to reform the Roman Catholic Church, by priests who opposed what they perceived as false doctrines and ecclesiastic malpractice. They especially objected to the teaching and the sale of indulgences, and the abuses thereof, and to simony, the reformers saw these practices as evidence of the systemic corruption of the Churchs hierarchy, which included the pope. Unrest due to the Great Schism of Western Christianity excited wars between princes, uprisings among the peasants, and widespread concern over corruption in the Church, New perspectives came from John Wycliffe at Oxford University and from Jan Hus at the Charles University in Prague. Hus rejected indulgences and adopted a doctrine of justification by grace through faith alone, the Roman Catholic Church officially concluded this debate at the Council of Constance by condemning Hus, who was executed by burning despite a promise of safe-conduct. Wycliffe was posthumously condemned as a heretic and his corpse exhumed and burned in 1428, the Council of Constance confirmed and strengthened the traditional medieval conception of church and empire. The council did not address the national tensions or the theological tensions stirred up during the century and could not prevent schism. Pope Sixtus IV established the practice of selling indulgences to be applied to the dead, Pope Alexander VI was one of the most controversial of the Renaissance popes. He was the father of seven children, including Lucrezia and Cesare Borgia, in response to papal corruption, particularly the sale of indulgences, Luther wrote The Ninety-Five Theses. The Reformation was born of Luthers dual declaration – first, the discovering of Jesus and salvation by faith alone, the Protestant reformers were unanimous in agreement and this understanding of prophecy furnished importance to their deeds. It was the point and the battle cry that made the Reformation nearly unassailable
Protestant Reformation
–
Protestant Reformation
Protestant Reformation
–
Execution of
Jan Hus, an important Reformation precursor, in 1415.
Protestant Reformation
–
Martin Luther, shown in a portrait by
Lucas Cranach the Elder, initiated the Protestant Reformation in 1517.
Protestant Reformation
–
Martin Luther's 1534
Bible translated into German. Luther's translation influenced the development of the current Standard German.
22.
Catholic
–
The use of terms catholicism and catholicity is closely related to the use of term Catholic Church. The earliest evidence of the use of term is the Letter to the Smyrnaeans that Ignatius of Antioch wrote in about 108 to Christians in Smyrna. In 380, Emperor Theodosius I limited use of the term Catholic Christian exclusively to those who followed the faith as Pope Damasus I of Rome. Numerous other early writers including Cyril of Jerusalem, Augustine of Hippo further developed the use of the term catholic in relation to Christianity. In Christian theology, and specially in ecclesiology, terms Catholicism, when used with small c, terms catholicism and catholicity generally designate theological doctrine of the catholicity of the Church without denominational connotations. A common belief in Catholicism is institutional continuity with the early Christian church founded by Jesus Christ, many churches or communions of churches identify singularly or collectively as the authentic church. The Bishop of Rome was also considered to have the right to convene ecumenical councils, when the Imperial capital moved to Constantinople, Romes influence was sometimes challenged. The first great rupture in the Church followed this Council and they are often called Ancient Oriental Churches. The next major break was after the Council of Chalcedon and this Council repudiated Eutychian Monophysitism which stated that the divine nature completely subsumed the human nature in Christ. This Council declared that Christ, though one person, exhibited two natures without confusion, without change, without division, without separation and thus is both fully God and fully human, the next great rift within Christianity was in the 11th century. This division between the Western Church and the Eastern Church is called the East–West Schism, several eastern churches reunited, constituting some of the Eastern Catholic Churches. Liturgical and canonical practices vary between all these particular Churches constituting the Roman and Eastern Catholic Churches, in all these cases the beliefs and practices of Catholicism would be identical with the beliefs and practices of the Church in question. However, in Roman Catholicism, the term catholic is understood as to cover those who recognize and are in standing with the Magisterium. The sense given to the word by those who use it to distinguish their position from a Calvinistic or Puritan form of Protestantism. It is then meaningful to attempt to draw up a list of common characteristic beliefs, the Roman Catholic Church includes the 23 rites who recognize the Magisterium. Belief in the Real Presence of Christ in the Eucharist, the belief that Christ is made manifest in the elements of Holy Communion, possession of the threefold ordained ministry of Bishops, Priests and Deacons. Belief that the Church is the vessel and deposit of the fullness of the teachings of Jesus and this teaching is preserved in both written scripture and in unwritten tradition, neither being independent of the other. A belief in the necessity and efficacy of sacraments, liturgical and personal use of the Sign of the Cross The use of sacred images, candles, vestments and music, and often incense and water, in worship
Catholic
–
Ruins of gothic Catholic church in
Liptovská Mara (
Slovakia).
Catholic
–
Ancient statue of
Saint Peter in the Basilica dedicated to him in the
Vatican.
Catholic
–
An
Italian priest during the sacrament of
Baptism
23.
Roman army
–
The Early Roman army of the Roman Kingdom and of the early Republic. During this period, when warfare chiefly consisted of small-scale plundering raids, it has suggested that the Roman Army followed Etruscan or Greek models of organisation. The early Roman army was based on an annual levy, the infantry ranks were filled with the lower classes while the cavalry were left to the patricians, because the wealthier could afford horses. Moreover, the authority during the regal period was the high king. Until the establishment of the Republic and the office of consul, however, from about 508 BC Rome no longer had a king. The commanding position of the army was given to the consuls, the term legion is derived from the Latin word legio, which ultimately means draft or levy. At first there were only four legions and these legions were numbered I to IIII, with the fourth being written as such and not IV. The first legion was seen as the most prestigious, the latter being a recurring theme in many elements of the Roman army. The bulk of the army was made up of citizens and these citizens could not choose the legion to which they were allocated. Any man from ages 16-46 were selected by ballot and assigned to a legion, until the Roman military disaster of 390 BC at the Battle of the Allia, Romes army was organised similarly to the Greek Phalanx. This was due to Greek influence in Italy by way of their colonies, patricia Southern quotes ancient historians Livy and Dionysius in saying that the phalanx consisted of 3,000 infantry and 300 cavalry. Each man had to provide his equipment in battle, the equipment which he could afford determined which position he took in the battle. Politically they shared the ranking system in the Comitia Centuriata. The Roman army of the mid-Republic was also known as the army or the Polybian army after the Greek historian Polybius. The latter were required to roughly the same number of troops to joint forces as the Romans to serve under Roman command. Legions in this phase were always accompanied on campaign by the number of allied alae. After the 2nd Punic War, the Romans acquired an overseas empire and these volunteers were mainly from the poorest social class, who did not have plots to tend at home and were attracted by the modest military pay and the prospect of a share of war booty. The minimum property requirement for service in the legions, which had been suspended during the 2nd Punic War, was effectively ignored from 201 BC onward in order to recruit sufficient volunteers
Roman army
–
Recreation of a Roman soldier wearing
plate armour,
National Military Museum, Romania.
Roman army
Roman army
–
Emperor
John II Komnenos, the most successful commander of the Komnenian army.
24.
Jesus
–
Jesus, also referred to as Jesus of Nazareth or Jesus Christ, was a Jewish preacher and religious leader who became the central figure of Christianity. Christians believe him to be the Son of God and the awaited Messiah prophesied in the Old Testament, Jesus was a Galilean Jew who was baptized by John the Baptist and subsequently began his own ministry, preaching his message orally and often being referred to as rabbi. He was arrested and tried by the Jewish authorities, and was crucified by the order of Pontius Pilate, Jesus debated fellow Jews on how to best follow God, performed healings, taught in parables and gathered followers. After his death, his followers believed he rose from the dead, and his birth is celebrated annually on December 25 as a holiday known as Christmas, his crucifixion is honored on Good Friday, and his resurrection is celebrated on Easter. The widely used calendar era AD, from the Latin anno Domini, most Christians believe Jesus enables humans to be reconciled to God. The Nicene Creed asserts that Jesus will judge the living and the dead either before or after their bodily resurrection, the great majority of Christians worship Jesus as the incarnation of God the Son, the second of three persons of a Divine Trinity. A minority of Christian denominations reject Trinitarianism, wholly or partly, in Islam, Jesus is considered one of Gods important prophets and the Messiah. Muslims believe Jesus was a bringer of scripture and was born of a virgin but was not the Son of God, the Quran states that Jesus himself never claimed divinity. To most Muslims, Jesus was not crucified but was raised into Heaven by God. Judaism rejects the belief that Jesus was the awaited Messiah, arguing that he did not fulfill Messianic prophecies, a typical Jew in Jesus time had only one name, sometimes supplemented with the fathers name or the individuals hometown. Thus, in the New Testament, Jesus is commonly referred to as Jesus of Nazareth, Jesus neighbors in Nazareth refer to him as the carpenter, the son of Mary and brother of James and Joses and Judas and Simon, the carpenters son, or Josephs son. In John, the disciple Philip refers to him as Jesus son of Joseph from Nazareth, the name Jesus is derived from the Latin Iesus, a transliteration of the Greek Ἰησοῦς. The Greek form is a rendering of the Hebrew ישוע, a variant of the earlier name יהושע, the name Yeshua appears to have been in use in Judea at the time of the birth of Jesus. The 1st century works of historian Flavius Josephus, who wrote in Koine Greek, the etymology of Jesus name in the context of the New Testament is generally given as Yahweh is salvation. Since early Christianity, Christians have commonly referred to Jesus as Jesus Christ, the word Christ is derived from the Greek Χριστός, which is a translation of the Hebrew משיח, meaning the anointed and usually transliterated into English as Messiah. Christians designate Jesus as Christ because they believe he is the Messiah, whose arrival is prophesied in the Hebrew Bible, in postbiblical usage, Christ became viewed as a name—one part of Jesus Christ—but originally it was a title. The term Christian has been in use since the 1st century, the four canonical gospels are the only substantial sources for the life and message of Jesus. Acts of the Apostles refers to the ministry of Jesus
Jesus
–
(
stained glass at
St John's Ashfield in
Sydney, Australia)
Jesus
Jesus
–
A 3rd-century Greek
papyrus of the
Gospel of Luke
Jesus
–
Adoration of the Shepherds by
Gerard van Honthorst, 1622.
25.
Crucifixion
–
It is principally known from classical antiquity, but remains in occasional use in some countries. The crucifixion of Jesus is a narrative in Christianity. Ancient Greek has two verbs for crucify, ana-stauro, from stauros, stake, and apo-tumpanizo crucify on a plank, in earlier pre-Roman Greek texts anastauro usually means impale. New Testament Greek uses four verbs, three of them based upon stauros, usually translated cross, prospegnumi, to fix or fasten to, impale, crucify occurs only once at the Acts of the Apostles 2,23. The English term cross derives from the Latin word crux, the Latin term crux classically referred to a tree or any construction of wood used to hang criminals as a form of execution. The term later came to specifically to a cross. The English term crucifix derives from the Latin crucifixus or cruci fixus, past participle passive of crucifigere or cruci figere, Crucifixion was often performed in order to terrorize and dissuade its witnesses from perpetrating particularly heinous crimes. Victims were left on display after death as warnings to others who might attempt dissent, Crucifixion was usually intended to provide a death that was particularly slow, painful, gruesome, humiliating, and public, using whatever means were most expedient for that goal. Crucifixion methods varied considerably with location and time period, in some cases, the condemned was forced to carry the crossbeam to the place of execution. A whole cross would weigh well over 135 kg, but the crossbeam would not be quite as burdensome, weighing around 45 kg. Upright posts would presumably be fixed permanently in place. Objects used in the crucifixion of criminals, such as nails, were sought as amulets with perceived medicinal qualities, while a crucifixion was an execution, it was also a humiliation, by making the condemned as vulnerable as possible. Although artists have depicted the figure on a cross with a loin cloth or a covering of the genitals. Writings by Seneca the Younger state some victims suffered a stick forced upwards through their groin, despite its frequent use by the Romans, the horrors of crucifixion did not escape mention by some of their eminent orators. Frequently, the legs of the executed were broken or shattered with an iron club, an act called crurifragium. This act hastened the death of the person but was meant to deter those who observed the crucifixion from committing offenses. The gibbet on which crucifixion was carried out could be of many shapes, at times the gibbet was only one vertical stake, called in Latin crux simplex. This was the simplest available construction for torturing and killing the condemned, frequently, however, there was a cross-piece attached either at the top to give the shape of a T or just below the top, as in the form most familiar in Christian symbolism
Crucifixion
–
Protester tied to a cross in Washington D.C, photography by Oliver F. Atkins (1970)
Crucifixion
Crucifixion
–
Crucifixion of Jesus by
Marco Palmezzano (Uffizi,
Florence), painting c. 1490
Crucifixion
–
Prisoner kneeling on chains, thumbs supporting arms, photographic print on
stereo card,
Mukden, China (c 1906).
26.
Christianity
–
Christianity is a Abrahamic monotheistic religion based on the life and teachings of Jesus Christ, who serves as the focal point for the religion. It is the worlds largest religion, with over 2.4 billion followers, or 33% of the global population, Christians believe that Jesus is the Son of God and the savior of humanity whose coming as the Messiah was prophesied in the Old Testament. Christian theology is summarized in creeds such as the Apostles Creed and his incarnation, earthly ministry, crucifixion, and resurrection are often referred to as the gospel, meaning good news. The term gospel also refers to accounts of Jesuss life and teaching, four of which—Matthew, Mark, Luke. Christianity is an Abrahamic religion that began as a Second Temple Judaic sect in the mid-1st century, following the Age of Discovery, Christianity spread to the Americas, Australasia, sub-Saharan Africa, and the rest of the world through missionary work and colonization. Christianity has played a prominent role in the shaping of Western civilization, throughout its history, Christianity has weathered schisms and theological disputes that have resulted in many distinct churches and denominations. Worldwide, the three largest branches of Christianity are the Catholic Church, the Eastern Orthodox Church, and the denominations of Protestantism. There are many important differences of interpretation and opinion of the Bible, concise doctrinal statements or confessions of religious beliefs are known as creeds. They began as baptismal formulae and were expanded during the Christological controversies of the 4th and 5th centuries to become statements of faith. Many evangelical Protestants reject creeds as definitive statements of faith, even agreeing with some or all of the substance of the creeds. The Baptists have been non-creedal in that they have not sought to establish binding authoritative confessions of faith on one another. Also rejecting creeds are groups with roots in the Restoration Movement, such as the Christian Church, the Evangelical Christian Church in Canada, the Apostles Creed is the most widely accepted statement of the articles of Christian faith. It is also used by Presbyterians, Methodists, and Congregationalists and this particular creed was developed between the 2nd and 9th centuries. Its central doctrines are those of the Trinity and God the Creator, each of the doctrines found in this creed can be traced to statements current in the apostolic period. The creed was used as a summary of Christian doctrine for baptismal candidates in the churches of Rome. Most Christians accept the use of creeds, and subscribe to at least one of the mentioned above. The central tenet of Christianity is the belief in Jesus as the Son of God, Christians believe that Jesus, as the Messiah, was anointed by God as savior of humanity, and hold that Jesus coming was the fulfillment of messianic prophecies of the Old Testament. The Christian concept of the Messiah differs significantly from the contemporary Jewish concept, Jesus, having become fully human, suffered the pains and temptations of a mortal man, but did not sin
Christianity
–
An
Eastern Christian icon depicting
Emperor Constantine and the Fathers of the
First Council of Nicaea (325) as holding the Niceno–Constantinopolitan Creed of 381
Christianity
–
Various
depictions of Jesus
Christianity
–
Crucifixion, representing the death of
Jesus on the
Cross, painting by
Diego Velázquez, 17th century
27.
God
–
In monotheism, God is conceived of as the Supreme Being and principal object of faith. The concept of God as described by most theologians includes the attributes of omniscience, omnipotence, omnipresence, divine simplicity, many theologians also describe God as being omnibenevolent and all loving. Furthermore, some religions attribute only a purely grammatical gender to God, incorporeity and corporeity of God are related to conceptions of transcendence and immanence of God, with positions of synthesis such as the immanent transcendence of Chinese theology. God has been conceived as personal or impersonal. In theism, God is the creator and sustainer of the universe, while in deism, God is the creator, in pantheism, God is the universe itself. In atheism, God is not believed to exist, while God is deemed unknown or unknowable within the context of agnosticism, God has also been conceived as the source of all moral obligation, and the greatest conceivable existent. Many notable philosophers have developed arguments for and against the existence of God, there are many names for God, and different names are attached to different cultural ideas about Gods identity and attributes. In the ancient Egyptian era of Atenism, possibly the earliest recorded monotheistic religion, this deity was called Aten, premised on being the one true Supreme Being and creator of the universe. In the Hebrew Bible and Judaism, He Who Is, I Am that I Am, in the Christian doctrine of the Trinity, God, consubstantial in three persons, is called the Father, the Son, and the Holy Spirit. In Judaism, it is common to refer to God by the titular names Elohim or Adonai, in Islam, the name Allah is used, while Muslims also have a multitude of titular names for God. In Hinduism, Brahman is often considered a concept of God. In Chinese religion, God is conceived as the progenitor of the universe, intrinsic to it, other religions have names for God, for instance, Baha in the Baháí Faith, Waheguru in Sikhism, and Ahura Mazda in Zoroastrianism. The earliest written form of the Germanic word God comes from the 6th-century Christian Codex Argenteus, the English word itself is derived from the Proto-Germanic * ǥuđan. The reconstructed Proto-Indo-European form * ǵhu-tó-m was likely based on the root * ǵhau-, in the English language, the capitalized form of God continues to represent a distinction between monotheistic God and gods in polytheism. The same holds for Hebrew El, but in Judaism, God is also given a proper name, in many translations of the Bible, when the word LORD is in all capitals, it signifies that the word represents the tetragrammaton. Allāh is the Arabic term with no plural used by Muslims and Arabic speaking Christians and Jews meaning The God, Ahura Mazda is the name for God used in Zoroastrianism. Mazda, or rather the Avestan stem-form Mazdā-, nominative Mazdå and it is generally taken to be the proper name of the spirit, and like its Sanskrit cognate medhā, means intelligence or wisdom. Both the Avestan and Sanskrit words reflect Proto-Indo-Iranian *mazdhā-, from Proto-Indo-European mn̩sdʰeh1, literally meaning placing ones mind, Waheguru is a term most often used in Sikhism to refer to God
God
–
"God the Father", a representation of the theistic version of God, by
Ludovico Mazzolino (1480 –
c. 1528)
God
–
Detail of
Sistine Chapel fresco Creation of the Sun and Moon by
Michelangelo (c. 1512), a well-known example of the depiction of
God the Father in Western art
God
–
Depiction of God in the Catholic Church, Latin America
God
–
St. Thomas Aquinas summarized
five arguments which he believed were proof for the existence of God
28.
Lance
–
The lance is a pole weapon or spear designed to be used by a mounted warrior or cavalry soldier. Lances were often equipped with a vamplate – a small circular plate to prevent the hand sliding up the shaft upon impact. The name is derived from the word lancea - the Roman auxiliaries javelin or throwing knife, although according to the OED, also compare λόγχη, a Greek term for spear or lance. A lance in the sense is a light throwing spear. The English verb to launch fling, hurl, throw is derived from the term, the term from the 17th century came to refer specifically to spears not thrown, used for thrusting by heavy cavalry, and especially in jousting. A thrusting spear which is used by infantry is referred to as a pike. The second use of the lance in this sense was made by the Assyrians, long thrusting cavalry spears were especially popular among the Hellenistic armies agema and line cavalry. One of the most effective ancient lanced cavalry units was Alexander the Greats Companion cavalry, the Roman cavalry long thrusting spear was called a contus. It was usually 3 to 4m long, and grasped with both hands and it was employed by equites contariorum and equites cataphractarii, fully armed and armoured cataphracts. The Byzantine cavalry used lances almost exclusively, often in mixed lancer, the Byzantines used lance both overarm and underarm, couched. It is commonly believed that this became the dominant European cavalry tactic in the 11th century after the development of the saddle and stirrups. Cavalry thus outfitted and deployed had a collective force in their charge. Recent evidence has suggested, however, that the charge was effective without the benefit of stirrups. Because of the stopping power of a thrusting spear, it quickly became a popular weapon of infantry in the Late Middle Ages. These eventually led to the rise of the longest type of spears and this adaptation of the cavalry lance to infantry use was largely tasked with stopping lance-armed cavalry charges. In Europe, a lance was a variation of the knights lance which was modified from its original war design. The centre of the shaft of such lances could be designed to be hollow, in order for it to break on impact and they were often at least 4m long, and had hand guards built into the lance, often tapering for a considerable portion of the weapons length. These are the versions that can most often be seen at medieval reenactment festivals, in war, lances were much more like stout spears, long and balanced for one-handed use, and with sharpened tips
Lance
–
Norman cavalry attacks the
Anglo-Saxon shield wall at the
Battle of Hastings as depicted in the
Bayeux Tapestry. The lances are held with a one-handed over-the-head grip.
Lance
–
Assyrian cavalry with lances.
Lance
–
Vargas Swamp Lancers memorial in
Colombia.
Lance
–
A lance tip from the re-enactment of the
Eglinton Tournament (1839)
29.
Baroque sculpture
–
Baroque sculpture is the sculpture of the period between the early 17th and late 18th centuries associated with the Baroque cultural movement, based on exaggerated motion and drama. Stylistically, Baroque sculpture followed Renaissance sculpture and was succeeded by Neoclassical Sculpture, Gian Lorenzo Bernini is the first developer of this style and many of his works are the most important works in this period. Rome is the first place, where was the style formed, after the second half of the 17th century Baroque expanded also to the other parts of Italy and Europe. France had main position in spread of Baroque art after the late 17th century, at the end of 15th century art permanently got into the hands of the aristocracy and its secular intentions. Many donors used it for own promotion and tried to gain a new fame thanks to it, the real problem did not consist in the creation of secular works for aristocratic courts but in the use of religious works set to the field of church. Nobles wanted by this way not only ensure their place in Gods kingdom, response to this fact started the Protestant Reformation spreading mainly in Northern Europe. Many of new Protestant branches tried to finish the corruption of religious art, therefore, production of most works, mainly sculptural, was stopped and the development of art gained a new way. Catholic opposition to this lead to Council of Trent, held in 1546, and the beginning of the Counter-Reformation. Along with this fact, it was extended the activity of the Society of Jesuit, however, the progress of this development in the art lasted longer. While the first signs of new views emerged in painting at the end of the 16th century, the Baroque style was perfectly suited to sculpture, with Gian Lorenzo Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa. Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more Classical periods as they are seen today. In the 18th century much sculpture continued on Baroque lines – the Trevi Fountain was only completed in 1762, the Rococo style was better suited to smaller works. Aleijadinho in Brazil was also one of the names of baroque sculpture. The soapstone sculptures of old testament prophets around the terrace are considered amongst his finest work, the architecture, sculpture and fountains of Bernini give highly charged characteristics of Baroque style. Bernini was undoubtedly the most important sculptor of the Baroque period and he approached Michelangelo in his omnicompetence, Bernini sculpted, worked as an architect, painted, wrote plays, and staged spectacles. In the late 20th century Bernini was most valued for his sculpture, both for his virtuosity in carving marble and his ability to create figures that combine the physical and he was also a fine sculptor of bust portraits in high demand among the powerful. Bernini died in 1680 but his heritage was absorbed by sculptors painters and architects in their work in the first half of the 18th century particularly in Bavaria, France, Rome became the most productive place of Baroque sculpture in the 17th century. As Centre of Christian movement, but also an economic and dipolomatic predisposition guaranteed the arrival of the new style just around the old ancient city
Baroque sculpture
–
Detail of
Bernini 's
The Ecstasy of St Theresa (1647–1652)
Baroque sculpture
–
Gian Lorenzo Bernini,
Apollo and Daphne in the
Galleria Borghese, 1622–1625
Baroque sculpture
–
Bust of
Louis XIV, 1686, by
Antoine Coysevox
Baroque sculpture
–
Pierre Paul Puget, Perseus and Andromeda, 1715,
Musée du Louvre
30.
Chiaroscuro
–
Chiaroscuro is an oil painting technique, developed during the Renaissance, that uses strong tonal contrasts between light and dark to model three-dimensional forms, often to dramatic effect. The underlying principle is that solidity of form is best achieved by the light falling against it, artists known for developing the technique include Leonardo da Vinci, Caravaggio, and Rembrandt. It is a mainstay of black and white photography and these in turn drew on traditions in illuminated manuscripts going back to late Roman Imperial manuscripts on purple-dyed vellum. Such works used to be called chiaroscuro drawings, but are often described in modern museum terminology by such formulae as pen on prepared paper. Chiaroscuro woodcuts began as imitations of this technique, when discussing Italian art, the term sometimes is used to mean painted images in monochrome or two colours, more generally known in English by the French equivalent, grisaille. The term broadened in meaning early on to cover all strong contrasts in illumination between light and dark areas in art, which is now the primary meaning. The invention of these effects in the West, skiagraphia or shadow-painting to the Ancient Greeks, traditionally was ascribed to the famous Athenian painter of the fifth century BC, Apollodoros. Chose her place to sit for that purpose in the alley of a goodly garden. In drawings and prints, modelling chiaroscuro often is achieved by the use of hatching, washes, stipple or dotting effects, and surface tone in printmaking are other techniques. Chiaroscuro woodcuts are old master prints in woodcut using two or more blocks printed in different colours, they do not necessarily feature strong contrasts of light and they were first produced to achieve similar effects to chiaroscuro drawings. Other printmakers to use the technique include Hans Wechtlin, Hans Baldung Grien, in Germany the technique achieved its greatest popularity around 1520, but it was used in Italy throughout the sixteenth century. Later artists such as Goltzius sometimes made use of it, in most German two-block prints, the keyblock was printed in black and the tone block or blocks had flat areas of colour. In Italy, chiaroscuro woodcuts were produced without keyblocks to achieve a different effect. Manuscript illumination was, as in areas, especially experimental in attempting ambitious lighting effects since the results were not for public display. The development of compositional chiaroscuro received an impetus in northern Europe from the vision of the Nativity of Jesus of Saint Bridget of Sweden. Hugo van der Goes and his followers painted many scenes lit only by candle or the light from the infant Christ. As with some later painters, in their hands the effect was of stillness, strong chiaroscuro became a popular effect during the sixteenth century in Mannerism and Baroque art. Divine light continued to illuminate, often rather inadequately, the compositions of Tintoretto, Veronese, tenebrism was especially practiced in Spain and the Spanish-ruled Kingdom of Naples, by Jusepe de Ribera and his followers
Chiaroscuro
–
Giovanni Baglione. Sacred and Profane Love. 1602–1603, showing dramatic compositional chiaroscuro
Chiaroscuro
–
Detail of "
La Fornarina " by
Raphael, shows delicate modelling chiaroscuro in the body of the model, for example in the shoulder, breast, and arm on the right
Chiaroscuro
–
Chiaroscuro woodcut of the Virgin and Child by
Bartolommeo Coriolano, created between 1630 and 1655 (digitally restored)
Chiaroscuro
–
Nativity at Night by
Geertgen tot Sint Jans, c. 1490, after a composition by
Hugo van der Goes of c. 1470; sources of light are the infant Jesus, the shepherds' fire on the hill behind, and the angel who appears to them
31.
Baroque
–
The style began around 1600 in Rome and Italy, and spread to most of Europe. The aristocracy viewed the dramatic style of Baroque art and architecture as a means of impressing visitors by projecting triumph, power, Baroque palaces are built around an entrance of courts, grand staircases, and reception rooms of sequentially increasing opulence. However, baroque has a resonance and application that extend beyond a reduction to either a style or period. It is also yields the Italian barocco and modern Spanish barroco, German Barock, Dutch Barok, others derive it from the mnemonic term Baroco, a supposedly laboured form of syllogism in logical Scholastica. The Latin root can be found in bis-roca, in informal usage, the word baroque can simply mean that something is elaborate, with many details, without reference to the Baroque styles of the 17th and 18th centuries. The word Baroque, like most periodic or stylistic designations, was invented by later critics rather than practitioners of the arts in the 17th, the term Baroque was initially used in a derogatory sense, to underline the excesses of its emphasis. In particular, the term was used to describe its eccentric redundancy and noisy abundance of details, although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music. Another hypothesis says that the word comes from precursors of the style, Giacomo Barozzi da Vignola and he did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Long despised, Baroque art and architecture became fashionable between the two World Wars, and has remained in critical favour. In painting the gradual rise in popular esteem of Caravaggio has been the best barometer of modern taste, William Watson describes a late phase of Shang-dynasty Chinese ritual bronzes of the 11th century BC as baroque. The term Baroque may still be used, usually pejoratively, describing works of art, craft, the appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th-century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, germinal ideas of the Baroque can also be found in the work of Michelangelo. Even more generalised parallels perceived by some experts in philosophy, prose style, see the Neapolitan palace of Caserta, a Baroque palace whose construction began in 1752. In paintings Baroque gestures are broader than Mannerist gestures, less ambiguous, less arcane and mysterious, more like the stage gestures of opera, Baroque poses depend on contrapposto, the tension within the figures that move the planes of shoulders and hips in counterdirections. Baroque is a style of unity imposed upon rich, heavy detail, Baroque style featured exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism. There were highly diverse strands of Italian baroque painting, from Caravaggio to Cortona, the most prominent Spanish painter of the Baroque was Diego Velázquez. The later Baroque style gradually gave way to a more decorative Rococo, while the Baroque nature of Rembrandts art is clear, the label is less often used for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while continuing to produce the traditional categories
Baroque
–
The Triumph of the Immaculate by
Paolo de Matteis
Baroque
–
The Church of
Sant'Andrea al Quirinale, designed by
Gian Lorenzo Bernini
Baroque
–
Brooch of an African,
Walters Art Museum
Baroque
–
Aeneas Flees Burning Troy,
Federico Barocci, 1598
32.
Cesare Ripa
–
Cesare Ripa was an Italian iconographer who worked for Cardinal Anton Maria Salviati as a cook and butler. Little is known about his life and he was born in Perugia and died in Rome. After the death of the cardinal, Ripa worked for his relatives and he was knighted after his highly successful Iconologia, which he wrote in his free time, was published. Divisa in tre libri, by Cesare Ripa, Cristoforo Tomassini publisher, the Iconologia was a highly influential emblem book based on Egyptian, Greek and Roman emblematical representations. The book was used by orators, artists, poets and modern Italians to give substance to qualities such as virtues, vices, passions, arts, the concepts were arranged in alphabetical order, after the fashion of the Renaissance. The first edition of his Iconologia was published without illustrations in 1593, a second edition was published in Rome in 1603 this time with 684 concepts and 151 woodcuts, dedicated to Lorenzo Salviati. The book was influential in the 17th and 18th centuries and was quoted extensively in various art forms. In particular, it influenced the painter Pietro da Cortona and his followers, also Dutch painters like Gerard de Lairesse, Willem van Mieris based work on Ripas emblems. Vermeer used the emblem for the muse Clio for his The Art of Painting, a large part of Vondels work cannot be understood without this allegorical source, and ornamentation of the Amsterdam townhall by Artus Quellinus, a sculptor, is totally dependent on Ripa. An English translation appeared in 1709 by Pierce Tempest, the baroque painter Antonio Cavallucci drew inspiration for his painting Origin of Music from the book. The drawings were by William Hamilton, in 1819, Filippo Pitrucci, a London-based artist, published his version of Iconologia. Andrea Alciato Pierio Valeriano Bolzani Velázquez, a catalog from The Metropolitan Museum of Art
Cesare Ripa
–
Allegory on dignity.
Cesare Ripa
–
Sentences of the Iconologia illustrating the
Bureau du Roi (King's Desk or Louis XV's roll-top secretary) marquetry in the Palace of Versailles
33.
Iconologia
–
Cesare Ripa was an Italian iconographer who worked for Cardinal Anton Maria Salviati as a cook and butler. Little is known about his life and he was born in Perugia and died in Rome. After the death of the cardinal, Ripa worked for his relatives and he was knighted after his highly successful Iconologia, which he wrote in his free time, was published. Divisa in tre libri, by Cesare Ripa, Cristoforo Tomassini publisher, the Iconologia was a highly influential emblem book based on Egyptian, Greek and Roman emblematical representations. The book was used by orators, artists, poets and modern Italians to give substance to qualities such as virtues, vices, passions, arts, the concepts were arranged in alphabetical order, after the fashion of the Renaissance. The first edition of his Iconologia was published without illustrations in 1593, a second edition was published in Rome in 1603 this time with 684 concepts and 151 woodcuts, dedicated to Lorenzo Salviati. The book was influential in the 17th and 18th centuries and was quoted extensively in various art forms. In particular, it influenced the painter Pietro da Cortona and his followers, also Dutch painters like Gerard de Lairesse, Willem van Mieris based work on Ripas emblems. Vermeer used the emblem for the muse Clio for his The Art of Painting, a large part of Vondels work cannot be understood without this allegorical source, and ornamentation of the Amsterdam townhall by Artus Quellinus, a sculptor, is totally dependent on Ripa. An English translation appeared in 1709 by Pierce Tempest, the baroque painter Antonio Cavallucci drew inspiration for his painting Origin of Music from the book. The drawings were by William Hamilton, in 1819, Filippo Pitrucci, a London-based artist, published his version of Iconologia. Andrea Alciato Pierio Valeriano Bolzani Velázquez, a catalog from The Metropolitan Museum of Art
Iconologia
–
Allegory on dignity.
Iconologia
–
Sentences of the Iconologia illustrating the
Bureau du Roi (King's Desk or Louis XV's roll-top secretary) marquetry in the Palace of Versailles
34.
Physiognomy
–
Physiognomy is the assessment of character or personality from a persons outer appearance, especially the face. Credence of such study has varied from time to time, the practice was well accepted by the ancient Greek philosophers, but fell into disrepute in the Middle Ages when practised by vagabonds and mountebanks. It was then revived and popularised by Johann Kaspar Lavater before falling from favour again in the late 19th century, Physiognomy as understood in the past meets the contemporary definition of a pseudoscience. No clear evidence indicates physiognomy works, though recent studies have suggested that facial appearances do contain a kernel of truth about a persons personality, Physiognomy is also sometimes referred to as anthroposcopy, though the expression was more common in the 19th century when the word originated. Notions of the relationship between an individuals appearance and inner character are historically ancient, and occasionally appear in early Greek poetry. Siddhars from ancient India are also known to have defined samudrika lakshanam that identifies personal characteristics with body features, chinese physiognomy or face reading reaches back at least to the Northern Song period. The first indications of a developed physiognomic theory appear in fifth century BC Athens, with the works of Zopyrus, by the fourth century BC, the philosopher Aristotle made frequent reference to theory and literature concerning the relationship of appearance to character. The first systematic treatise to survive to the present day is a slim volume, Physiognomonica. The volume is divided into two parts, conjectured to have been two separate works. The first section discusses arguments drawn from nature or other races, the second section focuses on animal behavior, dividing the animal kingdom into male and female types. From these are deduced correspondences between human form and character, socrates put the issue to rest by saying that originally he was given to all these vices, but had particularly strong self-discipline. Physiognomys validity was once widely accepted, michael Scot, a court scholar for Frederick II, Holy Roman Emperor, wrote Liber physiognomiae in the early 13th century concerning the subject. English universities taught it until Henry VIII of England outlawed beggars and vagabonds playing subtile, crafty, around this time, scholastic leaders settled on the more erudite Greek form physiognomy and began to discourage the whole concept of fisnamy. Leonardo da Vinci dismissed physiognomy in the early 16th century as false, nevertheless, Leonardo believed that lines caused by facial expressions could indicate personality traits. For example, he wrote that those who have deep and noticeable lines between the eyebrows are irascible, the principal promoter of physiognomy in modern times was the Swiss pastor Johann Kaspar Lavater who was briefly a friend of Goethe. Lavaters essays on physiognomy were first published in German in 1772 and these influential essays were translated into French and English. R. M. we often observe that Men do most act those Creatures, whose constitution, parts, and complexion do most predominate in their mixtures. This is a corner-stone in Physiognomy… there are therefore Provincial Faces, National Lips and Noses, which not only the Natures of those Countries
Physiognomy
–
Illustration in a 19th-century book about physiognomy
Physiognomy
–
Giambattista Della Porta, De humana physiognomonia (Vico Equense [Naples]: Apud Iosephum Cacchium, 1586
Physiognomy
–
Johann Kaspar Lavater
Physiognomy
–
A bizarre physiognomical
caricature with a figure pointing to another's sore eye. Oil painting by a follower of
Louis-Léopold Boilly.
35.
Ecstasy of Saint Theresa
–
The Ecstasy of Saint Teresa is the central sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel, Santa Maria della Vittoria, Rome. It was designed and completed by Gian Lorenzo Bernini, the sculptor of his day. It is generally considered to be one of the masterpieces of the High Roman Baroque. The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X, when Innocent acceded to the papal throne, he shunned Bernini’s artistic services, the sculptor had been the favourite artist of the previous and profligate Barberini pope. Without papal patronage, the services of Berninis studio were therefore available to a such as the Venetian Cardinal Federico Cornaro. Cornaro had chosen the hitherto unremarkable church of the Discalced Carmelites for his burial chapel, the selected site for the chapel was the left transept that had previously held an image of ‘St. It was completed in 1652 for the princely sum of 12,000 scudi. Her experience of ecstasy in her encounter with the angel is described as follows, I saw in his hand a long spear of gold. The pain was so great, that it made me moan, and yet so surpassing was the sweetness of this excessive pain, the soul is satisfied now with nothing less than God. The pain is not bodily, but spiritual, though the body has its share in it. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying. The group is illuminated by light which filters through a hidden window in the dome of the surrounding aedicule. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing, although the figures are executed in white marble, the aedicule, wall panels and theatre boxes are made from coloured marbles. Above, the vault of the Chapel is frescoed with an illusionistic cherub-filled sky with the light of the Holy Ghost allegorized as a dove. They belong to our space and our world, the supernatural event of Teresa’s vision is raised to a sphere of its own, removed from that of the beholder mainly by virtue of the isolating canopy and the heavenly light. Gallery The effects are theatrical, the Cornaro family seeming to observe the scene from their boxes, caroline Babcock speaks of Berninis melding of sensual and spiritual pleasure in the orgiastic grouping as both intentional and influential on artists and writers of the day. Irving Lavin said the transverberation becomes a point of contact between earth and heaven, between matter and spirit, see also entry titled Berninis Cornaro chapel found in the Baroque section. Death of the Blessed Ludovica Albertoni —San Francesco a Ripa, Rome, martyrdom of Saint Lawrence Truth Unveiled by Time – Galleria Borghese, Rome
Ecstasy of Saint Theresa
–
Ecstasy of Saint Teresa
Ecstasy of Saint Theresa
–
Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel
Ecstasy of Saint Theresa
Ecstasy of Saint Theresa
36.
Christ
–
Jesus, also referred to as Jesus of Nazareth or Jesus Christ, was a Jewish preacher and religious leader who became the central figure of Christianity. Christians believe him to be the Son of God and the awaited Messiah prophesied in the Old Testament, Jesus was a Galilean Jew who was baptized by John the Baptist and subsequently began his own ministry, preaching his message orally and often being referred to as rabbi. He was arrested and tried by the Jewish authorities, and was crucified by the order of Pontius Pilate, Jesus debated fellow Jews on how to best follow God, performed healings, taught in parables and gathered followers. After his death, his followers believed he rose from the dead, and his birth is celebrated annually on December 25 as a holiday known as Christmas, his crucifixion is honored on Good Friday, and his resurrection is celebrated on Easter. The widely used calendar era AD, from the Latin anno Domini, most Christians believe Jesus enables humans to be reconciled to God. The Nicene Creed asserts that Jesus will judge the living and the dead either before or after their bodily resurrection, the great majority of Christians worship Jesus as the incarnation of God the Son, the second of three persons of a Divine Trinity. A minority of Christian denominations reject Trinitarianism, wholly or partly, in Islam, Jesus is considered one of Gods important prophets and the Messiah. Muslims believe Jesus was a bringer of scripture and was born of a virgin but was not the Son of God, the Quran states that Jesus himself never claimed divinity. To most Muslims, Jesus was not crucified but was raised into Heaven by God. Judaism rejects the belief that Jesus was the awaited Messiah, arguing that he did not fulfill Messianic prophecies, a typical Jew in Jesus time had only one name, sometimes supplemented with the fathers name or the individuals hometown. Thus, in the New Testament, Jesus is commonly referred to as Jesus of Nazareth, Jesus neighbors in Nazareth refer to him as the carpenter, the son of Mary and brother of James and Joses and Judas and Simon, the carpenters son, or Josephs son. In John, the disciple Philip refers to him as Jesus son of Joseph from Nazareth, the name Jesus is derived from the Latin Iesus, a transliteration of the Greek Ἰησοῦς. The Greek form is a rendering of the Hebrew ישוע, a variant of the earlier name יהושע, the name Yeshua appears to have been in use in Judea at the time of the birth of Jesus. The 1st century works of historian Flavius Josephus, who wrote in Koine Greek, the etymology of Jesus name in the context of the New Testament is generally given as Yahweh is salvation. Since early Christianity, Christians have commonly referred to Jesus as Jesus Christ, the word Christ is derived from the Greek Χριστός, which is a translation of the Hebrew משיח, meaning the anointed and usually transliterated into English as Messiah. Christians designate Jesus as Christ because they believe he is the Messiah, whose arrival is prophesied in the Hebrew Bible, in postbiblical usage, Christ became viewed as a name—one part of Jesus Christ—but originally it was a title. The term Christian has been in use since the 1st century, the four canonical gospels are the only substantial sources for the life and message of Jesus. Acts of the Apostles refers to the ministry of Jesus
Christ
–
The oldest known icon of
Christ Pantocrator –
Saint Catherine's Monastery. The
halo is a representation of the divine
Logos of Christ, and the two different facial expressions on either side emphasize Christ's
dual nature as both divine and human.
Christ
–
The Mocking of Christ by
Cavalier d'Arpino
Christ
–
First page of
Mark, by
Sargis Pitsak (14th century): " The beginning of the gospel of Jesus Christ, the Son of God ".
Christ
–
The
Anointing of Jesus, c. 1450.
37.
Eucharist
–
The Eucharist /ˈjuːkərɪst/ is a Christian rite that is considered a sacrament in most churches. Through the Eucharistic celebration Christians remember Christs sacrifice of himself on the cross, the elements of the Eucharist, bread and wine, are consecrated on an altar and consumed thereafter. Communicants may speak of receiving the Eucharist, as well as celebrating the Eucharist, Christians generally recognize a special presence of Christ in this rite, though they differ about exactly how, where, and when Christ is present. While all agree there is no perceptible change in the elements, Catholics believe that they actually become the body. Some Protestants view the Eucharist as an ordinance in which the ceremony is not as a specific channel of divine grace. Do this in remembrance of me, the term Eucharist is that by which the rite is referred by the Didache, Ignatius of Antioch and Justin Martyr. Today, the Eucharist is the still used by Eastern Orthodox, Oriental Orthodox, Catholics, Anglicans, Presbyterians. Other Protestant denominations rarely use this term, preferring either Communion, one remains hungry, another gets drunk. Communion or Holy Communion are used by some groups originating in the Protestant Reformation to mean the entire Eucharistic rite. The term Communion is derived from Latin communio, which translates Greek κοινωνία in 1 Corinthians 10,16, the bread which we break, is it not the communion of the body of Christ. The phrase appears five times in the New Testament in contexts which, according to some and it is the term used by the Plymouth Brethren. The Blessed Sacrament and the Blessed Sacrament of the Altar are common terms used by Catholics, Lutherans and some Anglicans for the consecrated elements, Sacrament of the Altar is in common use also among Lutherans. In The Church of Jesus Christ of Latter-day Saints the term The Sacrament is used of the rite. Among the many terms used in the Catholic Church are Holy Mass, the Memorial of the Passion, Death and Resurrection of the Lord, the Holy Sacrifice of the Mass. The term Mass is probably derived from the fact that the Roman rite celebrates the Eucharist with unleavened bread and this explains why the Eastern Catholic Liturgies are never referred to as the Mass. Eastern rite Liturgies are celebrated with leavened bread, although the prevailing theory is that it is derived from the Latin word missa, a word used in the concluding formula of Mass in Latin, Ite, missa est. The reverse is more likely. The word dismissal probably came about because the Mass signaled the time for the Catechumens to leave, thus, the term Misa came to imply a mission, because at the end of the Mass the congregation are sent out to serve Christ
Eucharist
–
The Eucharist has been a key theme in the depictions of the
Last Supper in Christian art, as in this 16th-century
Juan de Juanes painting.
Eucharist
–
A
Kremikovtsi Monastery fresco (15th century) depicting the
Last Supper celebrated by Jesus and his disciples. The early Christians too would have celebrated this meal to commemorate Jesus' death and subsequent resurrection.
Eucharist
–
Christ with the Eucharist,
Vicente Juan Masip, 16th century.
38.
Baptism
–
Baptism is a Christian sacrament of admission and adoption, almost invariably with the use of water, into the Christian Church generally. The canonical Gospels report that Jesus was baptized—a historical event to which a degree of certainty can be assigned. Baptism has been called a sacrament and an ordinance of Jesus Christ. In some denominations, baptism is also called christening, but for others the word christening is reserved for the baptism of infants, Baptism has also given its name to the Baptist churches and denominations. The usual form of baptism among the earliest Christians was for the candidate to be immersed, in v.16, Matthew will speak of Jesus coming up out of the water. The traditional depiction in Christian art of John the Baptist pouring water over Jesus head may therefore be based on later Christian practice, other common forms of baptism now in use include pouring water three times on the forehead, a method called affusion. Martyrdom was identified early in Church history as baptism by blood, later, the Catholic Church identified a baptism of desire, by which those preparing for baptism who die before actually receiving the sacrament are considered saved. Today, some Christians, particularly Christian Scientists, Quakers, The Salvation Army, and Unitarians, do not see baptism as necessary, among those that do, differences can be found in the manner and mode of baptizing and in the understanding of the significance of the rite. Most Christians baptize in the name of the Father, and of the Son, and of the Holy Spirit, much more than half of all Christians baptize infants, many others hold that only believers baptism is true baptism. Some insist on submersion or at least partial immersion of the person who is baptized, others consider that any form of washing by water, as long as the water flows on the head, is sufficient. The term baptism has also used to refer to any ceremony, trial, or experience by which a person is initiated, purified. The Greek verb baptō, dip, from which the verb baptizo is derived, is in turn hypothetically traced to a reconstructed Indo-European root *gʷabh-, the Greek words are used in a great variety of meanings. John the Baptist, who is considered a forerunner to Christianity, the apostle Paul distinguished between the baptism of John, and baptism in the name of Jesus, and it is questionable whether Christian baptism was in some way linked with that of John. Christians consider Jesus to have instituted the sacrament of baptism, though whether Jesus intended to institute a continuing, the earliest Christian baptisms were probably normally by immersion, complete or partial. Though other modes may have also been used, at the hour in which the cock crows, they shall first pray over the water. When they come to the water, the water shall be pure and flowing, that is, then they shall take off all their clothes. The children shall be baptized first, all of the children who can answer for themselves, let them answer. If there are any children who cannot answer for themselves, let their parents answer for them, after this, the men will be baptized
Baptism
–
Masaccio (1425–1426), Baptism of the Neophytes (it),
Brancacci Chapel,
Florence. This painting depicts baptism by
affusion, which continues in the East except for infants, but in the West it had dropped almost completely out of use by the 15th century. The artist may have chosen an archaic form for this depiction of baptism by
St. Peter.
Baptism
–
Catacombs of San Callisto: baptism in a 3rd-century painting
Baptism
–
Christening photograph in
Orthodox Church. The moment of
Catechism.
39.
Counter-Reformation
–
It also involved political activities that included the Roman Inquisition. The 14th, 15th and 16th centuries saw a revival in Europe. This became known as the Catholic Reformation, several theologians harked back to the early days of Christianity and questioned their spirituality. Their debates expanded across the whole of Europe in the 15th and 16th centuries, whilst secular critics also examined religious practice, clerical behavior, several varied currents of thought were active, but the ideas of reform and renewal were led by the clergy. The reforms decreed at Lateran V had only a small effect, some positions got further and further from the churchs official positions, leading to the break with Rome and the formation of Protestant churches. Even so, conservative and reforming parties still survived within the Catholic Church even as the Protestant Reformation spread, the Protestant Church decisively broke from the Catholic Church in the 1520s. The two distinct positions within the Catholic Church solidified in the 1560s. The Catholic Reformation became known as the Counter-Reformation, defined as a reaction to Protestantism rather than as a reform movement, the regular orders made their first attempts at reform in the 14th century. The Benedictine Bull of 1336 reformed the Benedictines and Cistercians, in 1523, the Camaldolese Hermits of Monte Corona were recognized as a separate congregation of monks. In 1435, Saint Francis of Paola founded the Poor Hermits of Saint Francis of Assisi, in 1526, Matteo de Bascio suggested reforming the Franciscan rule of life to its original purity, giving birth to the Capuchins, recognized by the pope in 1619. This order was well-known to the laity and play an important role in public preaching, to respond to the new needs of evangelism, clergy formed into religious congregations, taking special vows but with no obligation to assist in a monasterys religious offices. These regular clergy taught, preached and took confession but were under a bishops direct authority, in Italy, the first congregation of regular clergy was the Theatines founded in 1524 by Gaetano and Cardinal Caraffa. In 1524, a number of priests in Rome began to live in a community centred on Philip Neri, the Oratorians were given their institutions in 1564 and recognized as an order by the pope in 1575. They used music and singing to attract the faithful, the Council upheld the basic structure of the Medieval Church, its sacramental system, religious orders, and doctrine. It rejected all compromise with the Protestants, restating basic tenets of the Roman Catholic faith, the Council upheld salvation appropriated by grace through faith and works of that faith because faith without works is dead, as the Epistle of St. James states. This reaffirmed the previous Council of Rome and Synods of Carthage, the Council also commissioned the Roman Catechism, which still serves as authoritative Church teaching. While the traditional fundamentals of the Church were reaffirmed, there were changes to answer complaints that the Counter-Reformers were, tacitly. Often, these rural priests did not know Latin and lacked opportunities for theological training
Counter-Reformation
–
A copy of the
Vulgate (the Latin edition of the Catholic Bible) printed in 1590, after many of the Council's reforms had begun to take place in Catholic worship.
Counter-Reformation
–
A session of the Council of Trent, from an engraving.
Counter-Reformation
–
Peter Paul Rubens was the great Flemish artist of the Counter-Reformation; he painted Adoration of the Magii in 1624
Counter-Reformation
–
The Battle of Lepanto
40.
Wellcome Library
–
The Wellcome Library is founded on the collection formed by Sir Henry Wellcome, whose personal wealth allowed him to create one of the most ambitious collections of the 20th century. Henry Wellcomes interest was the history of medicine in a sense and included subjects such as alchemy or witchcraft. Since Henry Wellcome’s death in 1936, the Wellcome Trust has been responsible for maintaining the Librarys collection, the library is free and open to the public. Henry Wellcome began collecting books seriously in the late 1890s, using a succession of agents and dealers, and by travelling around the world to gather whatever could be found. Wellcomes first major entry into the market place at the auction of William Morriss library in 1898. His interests were international and the broad coverage of languages. When Henry Wellcome died, the bulk of his estate and his collection was bequeathed to a body of trustees, a programme of sorting and rationalising therefore, was begun, which lasted throughout the 1940s and beyond. The librarys story during the decades of the 20th century has been one of continuing growth. A significant addition during the 1980s was the purchase of the manuscripts, the Wellcome Trusts activities around the history of medicine, and on the public understanding of science, were brought together in 1998 to create a new Medicine, Society, and History Division. Recognising a wider remit than history of only, the library is part of Wellcome Collection. The Medical Collection contains printed works of medical and scientific literature published from the 15th century to the present day, including rare books, a medical prescription from ancient Egypt, written on papyrus, is the oldest document in the Wellcome Library. The largest manuscript collection in the library is the Indic collection, includes many unpublished European records dating from antiquity to the 20th century - the manuscripts contain material in 25 different languages. The 20th century archives concentrate on material in English,600 incunabula and c.5000 books from the 16th century - all aspects of medical science and practice are represented, and there are wide and varied holdings in allied subjects. Some of these titles are available through a YouTube channel, a selection of images from the Wellcome Librarys collections are included in Wellcome Images, from illustrations in manuscripts and rare books to painting, prints and photographs. In January 2014 these images were released under a Creative Commons-Attribution licence for commercial and non-commercial use,97,455 of these CC-licensed images have been bulk-uploaded to Wikimedia Commons. Wellcome Images also has a collection of contemporary clinical and biomedical images from teaching hospitals, research laboratories and photographers throughout the UK. These are freely available for download for personal, academic teaching or study use, from May 2016, the Wellcome Library are host to a Wikimedian in Residence, jointly supported by Wikimedia UK. Wellcome Collection Wellcome Trust Wellcome Library Wikimedian in Residence Official website Wellcome Library blog Wellcome Library YouTube channel Wellcome Collection website Wellcome Trust website
Wellcome Library
Wellcome Library
–
Liber chronicarum - more commonly known as the
Nuremberg Chronicle. The book is a history chronicle, starting from the Creation, written in Latin by
Hartmann Schedel, a doctor from
Nuremberg. It was purchased by Henry Wellcome in 1898, at the auction of the
Library of William Morris.
Wellcome Library
–
Centres and institutes
41.
London
–
London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
London
–
Palace of Westminster,
Buckingham Palace and
Central London skyline
London
London
London
–
The name London may derive from the
River Thames
42.
Catholicism
–
The use of terms catholicism and catholicity is closely related to the use of term Catholic Church. The earliest evidence of the use of term is the Letter to the Smyrnaeans that Ignatius of Antioch wrote in about 108 to Christians in Smyrna. In 380, Emperor Theodosius I limited use of the term Catholic Christian exclusively to those who followed the faith as Pope Damasus I of Rome. Numerous other early writers including Cyril of Jerusalem, Augustine of Hippo further developed the use of the term catholic in relation to Christianity. In Christian theology, and specially in ecclesiology, terms Catholicism, when used with small c, terms catholicism and catholicity generally designate theological doctrine of the catholicity of the Church without denominational connotations. A common belief in Catholicism is institutional continuity with the early Christian church founded by Jesus Christ, many churches or communions of churches identify singularly or collectively as the authentic church. The Bishop of Rome was also considered to have the right to convene ecumenical councils, when the Imperial capital moved to Constantinople, Romes influence was sometimes challenged. The first great rupture in the Church followed this Council and they are often called Ancient Oriental Churches. The next major break was after the Council of Chalcedon and this Council repudiated Eutychian Monophysitism which stated that the divine nature completely subsumed the human nature in Christ. This Council declared that Christ, though one person, exhibited two natures without confusion, without change, without division, without separation and thus is both fully God and fully human, the next great rift within Christianity was in the 11th century. This division between the Western Church and the Eastern Church is called the East–West Schism, several eastern churches reunited, constituting some of the Eastern Catholic Churches. Liturgical and canonical practices vary between all these particular Churches constituting the Roman and Eastern Catholic Churches, in all these cases the beliefs and practices of Catholicism would be identical with the beliefs and practices of the Church in question. However, in Roman Catholicism, the term catholic is understood as to cover those who recognize and are in standing with the Magisterium. The sense given to the word by those who use it to distinguish their position from a Calvinistic or Puritan form of Protestantism. It is then meaningful to attempt to draw up a list of common characteristic beliefs, the Roman Catholic Church includes the 23 rites who recognize the Magisterium. Belief in the Real Presence of Christ in the Eucharist, the belief that Christ is made manifest in the elements of Holy Communion, possession of the threefold ordained ministry of Bishops, Priests and Deacons. Belief that the Church is the vessel and deposit of the fullness of the teachings of Jesus and this teaching is preserved in both written scripture and in unwritten tradition, neither being independent of the other. A belief in the necessity and efficacy of sacraments, liturgical and personal use of the Sign of the Cross The use of sacred images, candles, vestments and music, and often incense and water, in worship
Catholicism
–
Ruins of gothic Catholic church in
Liptovská Mara (
Slovakia).
Catholicism
–
Ancient statue of
Saint Peter in the Basilica dedicated to him in the
Vatican.
Catholicism
–
An
Italian priest during the sacrament of
Baptism
43.
Memoirs
–
A memoir is a collection of memories that an individual writes about moments or events, both public or private, that took place in the subjects life. The assertions made in the work are understood to be factual, while memoir has historically been defined as a subcategory of biography or autobiography since the late 20th century, the genre is differentiated in form, presenting a narrowed focus. A biography or autobiography tells the story of a life, while a memoir often tells a story from a life, such as touchstone events, the author of a memoir may be referred to as a memoirist or a memorialist. Memoirs have been written since the ancient times, as shown by Julius Caesars Commentarii de Bello Gallico, in the work, Caesar describes the battles that took place during the nine years that he spent fighting local armies in the Gallic Wars. His second memoir, Commentarii de Bello Civili is an account of the events took place between 49 and 48 BC in the civil war against Gnaeus Pompeius and the Senate. Over the latter half of the 18th through the mid-20th century and these authors wrote as a way to record and publish their own account of their public exploits. Authors included politicians or people in society and were later joined by military leaders. An exception to these models is Henry David Thoreaus 1854 memoir Walden, twentieth-century war memoirs became a genre of their own, including, from the First World War, Ernst Jünger and Frederic Mannings Her Privates We. With the advent of inexpensive digital book production in the first decade of the 21st century, memoirs written as a way to pass down a personal legacy, rather than as a literary work of art or historical document, are emerging as a personal and family responsibility. With the expressed interest of preserving history through the eyes of those who lived it, the Veterans History Project, for example, compiles the memoirs of those who have served in a branch of the United States Armed Forces – especially those who have seen active combat. Association of Personal Historians Diary Fake memoirs Histoire de ma vie Journal Last will and testament
Memoirs
–
Title page of
Henry Thoreau 's memoir,
Walden (1854)
44.
Bust of Giovanni Battista Santoni
–
The Bust of Giovanni Battisti Santoni is a sculptural portrait by the Italian artist Gian Lorenzo Bernini. Believed to be one of the artists earliest works, the bust forms part of a tomb for Santoni, the work was executed sometime between 1613 and 1616, although some have dated the work as early as 1609, including Filippo Baldinucci. The work remains in its setting in the church of Santa Prassede in Rome. In 1568, Santoni was consecrated Bishop of Alife, in 1586, he was appointed the Bishop of Tricarico. In 1590, immediately after ascending the throne, Pope Sixtus V appointed Santoni his majordomo. When Santonis nephew was appointed to the bishopric in 1610, he commissioned the portrait of his uncle. The life-size marble bust is set in a frame with Mannerist mouldings behind. The oval frame crowns an elaborate frame ornamented by three cherubim, also created by Bernini and these cherubim may have served as models for the artists early mythological statues of putti. Notes Bibliography Web Gallery of Art
Bust of Giovanni Battista Santoni
–
Bust of Giovanni Battista Santoni
Bust of Giovanni Battista Santoni
–
Tomb of Giovanni Battista Santoni
Bust of Giovanni Battista Santoni
–
Monument to Giovanni Battista Santoni
45.
Martyrdom of Saint Lawrence
–
Martyrdom of Saint Lawrence is an early sculpture by the Italian artist Gian Lorenzo Bernini. It depicts the saint at the moment of his martyrdom, being burnt alive on a gridiron, according to Berninis biographer, Filippo Baldinucci, the sculpture was completed when Bernini was 15 years old, implying it was finished in the year 1614. Other historians have dated the sculpture between 1615 and 1618, a date of 1617 seems most likely. It is less than life-size in dimensions, measuring 108 by 66 cm, the sculpture is now held in the Uffizi in Florence as part of the Contini Bonacossi Collection. There is some confusion over the patronage of the sculpture, Filippo Baldinucci simply wrote it was done for Leone Strozzi, a Florentine nobleman living in Rome. Michela Uliva suggests this may be true, with Berninis supporter Cardinal Maffeo Barberni enthusing the artist with the burgeoning post-Tridentine interest in early Christian martyrs. Recent historians tend to agree with Domenico Berninis statement that Leone Strozzi was impressed by the sculpture, in any case, the statue is included in Strozzi inventory in 1632, described as a San Lorenzo above a modern gridiron. The sculpture was created from a block of Carrara marble. Restoration in 1997 revealed that Bernini used different tools to create different surface textures on various parts of the sculpture. The reverse side of the gridiron has not been polished and finished in the way as the front. A highly sculpted pedestal, made of wood and gilded with golden paint, was designed as a platform for the sculpture. There is a possibility this was executed by Bernini, although its design suggests that while it was a Strozzi family commission. The subject of the artwork is Lawrence of Rome, who was condemned to death by the Roman Emperor Valerian in the year 258 C. E. for defending the Christian faith, according to tradition, Lawrence was burnt to death by being placed on a gridiron. Unlike earlier depictions of Lawrence, there are no other sign of his judge. Rather the focus is solely on the martyr and his emotional state, commentators have subtly varied in describing and interpreting the face of Lawrence. Yet later commentators have described Lawrences face not as one of pain, to Howard Hibbard, the sculpture makes a clear religious statement of spiritual salvation—inner strength overcomes external bodily pain. Certainly, observation of the sculpture seems to bear this out, the martyr almost turns away from the pain, his upper body and head reaching upwards towards the skies, with his clear, almost peaceful eyes, focussed in the direction of God. Another art historian, Avigdor Poseq, interprets the expression a little differently, twentieth-century commentators have largely agreed on the technical excellence of the sculpture
Martyrdom of Saint Lawrence
–
Martyrdom of Saint Lawrence
46.
Saint Sebastian (Bernini)
–
Saint Sebastian is an early sculpture by the Italian artist Gian Lorenzo Bernini. Executed in 1617 and 1618, it features the Christian martyr Saint Sebastian pinned to a tree and it is smaller than life size. The sculpture is part of the Carmen Cerveras private collection and is shown in the Museo Thyssen-Bornemisza in Madrid
Saint Sebastian (Bernini)
–
Saint Sebastian
47.
Bust of Pope Paul V
–
The Italian artist Gian Lorenzo Bernini made two Busts of Pope Paul V. The first is currently in the Galleria Borghese in Rome,1618 is the commonly accepted date for the portrait of the pope. A second bust has, as of 2015, been acquired by the Getty Museum in Los Angeles and it was created by Bernini 1621, shortly after the death of Paul V, and commissioned by his nephew, Cardinal Scipione Borghese. A bronze version of this exists in the Statens Museum for Kunst, Copenhagen. For most of the century, the second bust had been presumed lost. It was sold by the Borghese family in 1893, and an art historian recorded its existence in Vienna in 1916. However, little more was known about the presence of the bust until it appeared in auction in Slovakia in 2014 - the piece had been in the collection of the Slovakian artist Ernest Zmeták. Unrecognised by the sellers, it was bought by a resident of Bratislava, Clément Guenebeaud, who sold the bust via Sothebys to the current holders
Bust of Pope Paul V
–
Bronze version of the bust, Copenhagen
48.
Damned Soul (Bernini)
–
Damned Soul is a marble sculpture bust by the Italian artist Gian Lorenzo Bernini. According to Rudolf Wittkower, the sculpture is in the Palazzo di Spagna in Rome and this may well be what is known today as the Palazzo Monaldeschi. There is a copy, executed by Massimiliano Soldani-Benzi some time between 1705 and 1707, in the Liechtenstein Collection. Recent scholarship on the sculpture has queried whether its topic is not the Christian personifications of pain but a depiction of a satyr
Damned Soul (Bernini)
–
Damned Soul
