Samuel Kimball Merwin Jr. was an American mystery fiction writer, editor and science fiction author. His pseudonyms included Elizabeth Deare Bennett, Matt Lee, Jacques Jean Ferrat and Carter Sprague.
Merwin's novelette "The Final Figure" was the cover story for the final issue of Dynamic Science Fiction in 1954
Merwin's novelette "The Eye in the Window" was cover-featured on the May 1955 issue of Science Fiction Quarterly
Merwin added 10,000 words to Clement's novella "Planetfall" for its publication in the February 1957 issue of Satellite Science Fiction as "Planet for Plunder", under both authors' bylines
Startling Stories was an American pulp science fiction magazine, published from 1939 to 1955 by publisher Ned Pines' Standard Magazines. It was initially edited by Mort Weisinger, who was also the editor of Thrilling Wonder Stories, Standard's other science fiction title. Startling ran a lead novel in every issue; the first was The Black Flame by Stanley G. Weinbaum. When Standard Magazines acquired Thrilling Wonder in 1936, it also gained the rights to stories published in that magazine's predecessor, Wonder Stories, and selections from this early material were reprinted in Startling as "Hall of Fame" stories. Under Weisinger the magazine focused on younger readers and, when Weisinger was replaced by Oscar J. Friend in 1941, the magazine became even more juvenile in focus, with clichéd cover art and letters answered by a "Sergeant Saturn". Friend was replaced by Sam Merwin Jr. in 1945, and Merwin was able to improve the quality of the fiction substantially, publishing Arthur C. Clarke's Against the Fall of Night, and several other well-received stories.
The robot on the cover of the January 1950 Startling Stories, painted by Earle K. Bergey, has "an engaging art deco stylishness to it" in the words of science fiction art historian Vincent Di Fate. This iconic image, Bergey's 43rd cover for Startling Stories, connects to Princess Leia's metal bikini and slave-girl attire as intermedial visual influence.
The May 1953 cover, by Walter Popp, demonstrates the sober look the magazine acquired later in its life, with a staid title typeface and slightly more realistic cover art
Image: Startling Stories 1944 Fall cover
Image: Startling Stories 1946 Winter cover