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Merwin's novelette "The Final Figure" was the cover story for the final issue of Dynamic Science Fiction in 1954
Merwin's novelette "The Final Figure" was the cover story for the final issue of Dynamic Science Fiction in 1954
Merwin's novelette "The Eye in the Window" was cover-featured on the May 1955 issue of Science Fiction Quarterly
Merwin's novelette "The Eye in the Window" was cover-featured on the May 1955 issue of Science Fiction Quarterly
Merwin added 10,000 words to Clement's novella "Planetfall" for its publication in the February 1957 issue of Satellite Science Fiction as "Planet for
Merwin added 10,000 words to Clement's novella "Planetfall" for its publication in the February 1957 issue of Satellite Science Fiction as "Planet for Plunder", under both authors' bylines
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The robot on the cover of the January 1950 Startling Stories, painted by Earle K. Bergey, has "an engaging art deco stylishness to it" in the words of
The robot on the cover of the January 1950 Startling Stories, painted by Earle K. Bergey, has "an engaging art deco stylishness to it" in the words of science fiction art historian Vincent Di Fate. This iconic image, Bergey's 43rd cover for Startling Stories, connects to Princess Leia's metal bikini and slave-girl attire as intermedial visual influence.
The May 1953 cover, by Walter Popp, demonstrates the sober look the magazine acquired later in its life, with a staid title typeface and slightly more
The May 1953 cover, by Walter Popp, demonstrates the sober look the magazine acquired later in its life, with a staid title typeface and slightly more realistic cover art
Image: Startling Stories 1944 Fall cover
Image: Startling Stories 1944 Fall cover
Image: Startling Stories 1946 Winter cover
Image: Startling Stories 1946 Winter cover