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Bologna
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Bologna is the largest city of the Emilia-Romagna Region in Northern Italy. It is the seventh most populous city in Italy, located in the heart of an area of about one million. The first settlements back to at least 1000 BC. The city has been a centre, first under the Etruscans. Home to the oldest university in the world, University of Bologna, founded in 1088, Bologna is also an important transportation crossroad for the roads and trains of Northern Italy, where many important mechanical, electronic and nutritional industries have their headquarters. According to the most recent data gathered by the European Regional Economic Growth Index of 2009, Bologna is the first Italian city, Bologna is home to numerous prestigious cultural, economic and political institutions as well as one of the most impressive trade fair districts in Europe. In 2000 it was declared European capital of culture and in 2006, the city of Bologna was selected to participate in the Universal Exposition of Shanghai 2010 together with 45 other cities from around the world. Bologna is also one of the wealthiest cities in Italy, often ranking as one of the top cities in terms of quality of life in the country, after a long decline, Bologna was reborn in the 5th century under Bishop Petronius. According to legend, St. Petronius built the church of S. Stefano. After the fall of Rome, Bologna was a stronghold of the Exarchate of Ravenna in the Po plain. In 728, the city was captured by the Lombard king Liutprand, the Germanic conquerors formed a district called addizione longobarda near the complex of S. Stefano. Charlemagne stayed in this district in 786, traditionally said to be founded in 1088, the University of Bologna is widely considered to be the first university. The university originated as a centre of study of medieval Roman law under major glossators. It numbered Dante, Boccaccio and Petrarca among its students, the medical school is especially famous. In the 12th century, the families engaged in continual internecine fighting. Troops of Pope Julius II besieged Bologna and sacked the artistic treasures of his palace, in 1530, in front of Saint Petronio Church, Charles V was crowned Holy Roman Emperor by Pope Clement VII. Then a plague at the end of the 16th century reduced the population from 72,000 to 59,000, the population later recovered to a stable 60, 000–65,000. However, there was also great progress during this era, in 1564, the Piazza del Nettuno and the Palazzo dei Banchi were built, along with the Archiginnasio, the centre of the University
2.
Emilia-Romagna
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Emilia-Romagna is an administrative Region of Northeast Italy, comprising the historical regions of Emilia and Romagna. It has an area of 22,446 km2, and about 4.4 million inhabitants, Emilia-Romagna is one of the wealthiest and most developed regions in Europe, with the third highest GDP per capita in Italy. Bologna, its capital, has one of Italys highest quality of life indices, the name Emilia-Romagna is a legacy of Ancient Rome. Emilia derives from the via Aemilia, the Roman road connecting Rome to northern Italy, completed in 187 B. C. and named after the consul Marcus Aemilius Lepidus. Romagna derives from Romània, the name of the Eastern Roman Empire applied to Ravenna by the Lombards when the western Empire had ceased to exist, before the Romans took control of present-day Emilia-Romagna, it had been part of the Etruscan world and then that of the Gauls. During the first thousand years of Christianity trade flourished, as did culture and religion, afterwards the University of Bologna—arguably the oldest university in Europe—and its bustling towns kept trade and intellectual life alive. After the referendum of 2006, seven municipalities of Montefeltro were detached from the Province of Pesaro, the municipalities are Casteldelci, Maiolo, Novafeltria, Pennabilli, San Leo, SantAgata Feltria and Talamello. On 20 and 29 May 2012 two powerful earthquakes hit the area and they killed at least 27 people and caused churches and factories to collapse. The 5.8 magnitude quake left 14,000 people homeless, the region of Emilia-Romagna consists of nine provinces and covers an area of 22,446 km2, ranking sixth in Italy. Nearly half of the consists of plains while 27% is hilly. The regions section of the Apennines is marked by areas of flisch, badland erosion, the mountains stretch for more than 300 km from the north to the south-east, with only three peaks above 2,000 m – Monte Cimone, Monte Cusna and Alpe di Succiso. The plain was formed by the retreat of the sea from the Po basin. Almost entirely marshland in ancient times, its history is characterised by the work of its people to reclaim. All the rivers rise locally in the Apennines except for the Po, the northern border of Emilia-Romagna follows the path of the river for 263 km. Emilia Romagna has been a populated area since ancient times. Inhabitants over the centuries have radically altered the landscape, building cities, reclaiming wetlands, all these transformations in past centuries changed the aspect of the region, converting large natural areas to cultivation, up until the 1960s. The trend then changed, and agricultural lands began giving way to residential and industrial areas, the increase of urban-industrial areas continued at very high rates until the end of the 2010s. In the same period, hilly and mountainous areas saw an increase in the registration of semi-natural areas, land use changes can have strong effects on ecological functions
3.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
4.
Petronius of Bologna
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Saint Petronius was bishop of Bologna during the fifth century. He is a saint of the city. Born of a noble Roman family, he became a convert to Christianity, as bishop of Bologna, he built the Church of Santo Stefano. The only certain historical information we possess concerning him is derived from a written by Bishop Eucherius of Lyon to Valerianus and from Gennadius De viris illustribus. Eucherius writes that the holy Bishop Petronius was then renowned in Italy for his virtues and his father was probably prœfectus prœtorio, since a Petronius filled this office in Gaul in 402-408. Eucherius seems to suggest that the bishop also held an important secular position. Even in his youth Petronius devoted himself to the practices of asceticism, the buildings belong approximately to the period when Pope Leo I had basilicas erected in Rome and Galla Placidia in Ravenna. Petronius is believed to have written a work on the life of the Egyptian monks, the treatise De ordinatione episcopi, bearing the name of Petronius as author, is by the elder Petronius, who was a man of eloquence and wide acquaintance with the secular sciences. According to Gennadius, Petronius died during the reign of Emperor Theodosius II and Valentinian III, in the twelfth century appeared a legendary life of the saint, whose relics were discovered in 1141. Shortly afterwards a church was erected in his honour at Bologna, the feast of St. Petronius is celebrated on 4 October. In iconography, he is depicted as a holding a model of Bologna in his hand. George Ferguson, Signs and Symbols in Christian Art,139 and this article incorporates text from a publication now in the public domain, Herbermann, Charles, ed. article name needed
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Santo Stefano, Bologna
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The basilica of Santo Stefano encompasses a complex of religious edifices in the city of Bologna, Italy. Located on Piazza Santo Stefano, it is known as Sette Chiese. According to tradition Saint Petronius, a bishop of the city during the 5th century, the saint wished to have a building that recalled the Church of the Holy Sepulchre in Jerusalem. Pilates Courtyard recalls the lithostrotos, where Jesus was condemned, it leads to the Church of the Holy Sepulchre, unfortunately the archaeological evidence from Bologna dates primarily to the 11th and 12th centuries, leaving the question about an earlier date still unanswered. History of Medieval Arabic and Western European domes
6.
Jacopo della Quercia
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Jacopo della Quercia was an Italian sculptor of the Italian Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo, Jacopo della Quercia takes his name from Quercia Grossa, a place near Siena, where he was born in 1374. He received his training from his father, Piero dAngelo. Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and his first work may have been at the age of sixteen, an equestrian wooden statue for the funeral of Azzo Ubaldini. He left with his father to Lucca, owing to party strife, in Pisa, della Quercia likely studied the huge collection of Roman sculptures and sarcophagi in the Camposanto. These and later made him a transitional figure in the history of European art. As in the case of Ghiberti, this development probably results from exposure to his contemporary, Della Quercias earliest work appears in the Lucca cathedral, Man of Sorrows and a relief on the tomb of St. Aniello. In 1401 he entered a competition to design the bronze doors for Florences Baptistery, the unsuccessful entrys whereabouts are unknown. In 1403 he sculpted the marble Virgin and Child for the Ferrara cathedral, another work from his period in Ferrara is the statuette of St. Maurelius. Back again in Lucca in 1406, he received the commission from the ruler, Paolo Guinigi. The richly dressed woman rests on top of the sarcophagus, delicately portrayed in a Gothic fashion, with her dog, symbol of conjugate fidelity, but his use of several nude putti at the flanks of the tomb clearly shows the classical influence of the Roman sarcophagi at Camposanto. This is a first, a harbinger of the incipient Renaissance, in 1406 he was asked to build a new fountain in the Piazza del Campo in Siena. It had to replace the original fountain with a statue of the goddess Venus and this pagan statue was blamed for an outbreak of the Black Plague. The statue was destroyed and buried outside the city walls to avert its evil influence and this prestigious commission shows that he was already being recognized as Sienas most prominent sculptor. The rectangular fountain, built in marble, was dedicated to the Virgin. Because he accepted also other commissions at the time, progress was slow. He started in 1414 and the fountain was finished in 1419. He carved the panels in the workshop for sculptors, next to the cathedral and this workshop is now converted into the Cathedral Museum
7.
Gothic architecture
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Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
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St. Peter's Basilica
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The Papal Basilica of St. Peter in the Vatican, or simply St. Peters Basilica, is an Italian Renaissance church in Vatican City, the papal enclave within the city of Rome. While it is neither the church of the Catholic Church nor the cathedral of the Diocese of Rome. It has been described as holding a position in the Christian world. Catholic tradition holds that the Basilica is the site of Saint Peter, one of Christs Apostles. Saint Peters tomb is supposedly directly below the altar of the Basilica. For this reason, many Popes have been interred at St. Peters since the Early Christian period, construction of the present basilica, which would replace Old St. Peters Basilica from the 4th century AD, began on 18 April 1506 and was completed on 18 November 1626. St. Peters is famous as a place of pilgrimage and for its liturgical functions. The Pope presides at a number of liturgies throughout the year, drawing audiences of 15,000 to over 80,000 people, either within the Basilica or the adjoining St. Peters Square. St. Peters has many associations, with the Early Christian Church, the Papacy. As a work of architecture, it is regarded as the greatest building of its age, St. Peters is one of the four churches in the world that hold the rank of Major Basilica, all four of which are in Rome. Contrary to popular misconception, it is not a cathedral because it is not the seat of a bishop, St. Peters is a church built in the Renaissance style located in the Vatican City west of the River Tiber and near the Janiculum Hill and Hadrians Mausoleum. Its central dome dominates the skyline of Rome, the basilica is approached via St. Peters Square, a forecourt in two sections, both surrounded by tall colonnades. The first space is oval and the second trapezoid, the basilica is cruciform in shape, with an elongated nave in the Latin cross form but the early designs were for a centrally planned structure and this is still in evidence in the architecture. The central space is dominated both externally and internally by one of the largest domes in the world, the entrance is through a narthex, or entrance hall, which stretches across the building. One of the bronze doors leading from the narthex is the Holy Door. The interior is of vast dimensions when compared with other churches and this in its turn overwhelms us. The nave which leads to the dome is in three bays, with piers supporting a barrel-vault, the highest of any church. The nave is framed by wide aisles which have a number of chapels off them, there are also chapels surrounding the dome
9.
Old St. Peter's Basilica
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Old St. Peters Basilica was the building that stood, from the 4th to 16th centuries, on the spot where the new St. Peters Basilica stands today in Vatican City. Construction of the basilica, built over the site of the Circus of Nero. The name old St. Peters Basilica has been used since the construction of the current basilica to distinguish the two buildings, construction began by orders of the Roman Emperor Constantine I between 318 and 322, and took about 30 years to complete. Over the next centuries, the church gradually gained importance. Papal coronations were held at the basilica, and in 800, in 846, Saracens sacked and damaged the basilica. The raiders seem to have known about Romes extraordinary treasures, some holy – and impressive – basilicas, such as St. Peters Basilica, were outside the Aurelian walls, and thus easy targets. They were filled to overflowing with rich liturgical vessels and with jeweled reliquaries housing all of the relics recently amassed, as a result, the raiders pillaged the holy shrine. In response Pope Leo IV built the Leonine wall and rebuilt the parts of St. Peters that had been damaged, in 1099, Urban II convened a council including St Anselm. Among other topics, it repeated the bans on lay investiture, by the 15th century the church was falling into ruin. Discussions on repairing parts of the structure commenced upon the return from Avignon. The whole stretch of wall has been pierced by too many openings, as a result, the continual force of the wind has already displaced the wall more than six feet from the vertical, I have no doubt that eventually some. Slight movement will make it collapse, at first Pope Julius II had every intention of preserving the old building, but his attention soon turned toward tearing it down and building a new structure. Many people of the time were shocked by the proposal, as the building represented papal continuity going back to Peter, the original altar was to be preserved in the new structure that housed it. Constantine went to pains to build the basilica on the site of Saint Peters grave. The Vatican Hill, on the west bank of the Tiber River, was leveled. Notably, since the site was outside the boundaries of the ancient city, the exterior however, unlike earlier pagan temples, was not lavishly decorated. The church was capable of housing from 3,000 to 4,000 worshipers at one time and it consisted of five aisles, a wide central nave and two smaller aisles to each side, which were each divided by 21 marble columns, taken from earlier pagan buildings. It was over 350 feet long, built in the shape of a Latin cross, and had a roof which was timbered on the interior
10.
Giacomo Barozzi da Vignola
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Giacomo Barozzi da Vignola was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits Church of the Gesù in Rome, the three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. Giacomo Barozzi was born at Vignola, near Modena and he began his career as architect in Bologna, supporting himself by painting and making perspective templates for inlay craftsmen. He made a first trip to Rome in 1536 to make measured drawings of Roman temples, then François I called him to Fontainebleau, where he spent the years 1541–1543. Here he probably met his fellow Bolognese, the architect Sebastiano Serlio, after his return to Italy, he designed the Palazzo Bocchi in Bologna. Here he worked for Pope Julius III and, after the death, he was taken up by the papal family of the Farnese and worked with Michelangelo. In 1558, he was in Piacenza to revise the designs of Palazzo Farnese, commissioned by Margaret of Austria, wife of the Duke Ottavio Farnese, from 1564 Vignola carried on Michelangelos work at St Peters Basilica, and constructed the two subordinate domes according to Michelangelos plans. Giacomo Barozzi died in Rome in 1573, in 1973 his remains were reburied in the Pantheon, Rome. Vignolas main works include, Villa Giulia for Pope Julius III, here Vignola was working with Ammanati, who designed the nymphaeum and other garden features under the general direction of Vasari, with guidance from the knowledgeable pope and Michelangelo. A medal of 1553 shows Vignolas main villa substantially as it was completed, Palazzo dei Banchi, Bologna Palazzo Farnese, Piacenza. This was a project of a vast palace on a scale paralleled only by the Vatican Palace in Italy. Ten arches on the sides and seven on the short are sustained by pilasters with Tuscan style ornamentation that rise from high plinths. A simple frieze with triglyphs and metopes separates the lower from the upper levels. Like many other architects, Vignola submitted his plans for completing the facade of San Petronio, the clarity and ease of use of Vignolas treatise caused it to become in succeeding centuries the most published book in architectural history. Vignolas second treatise, the posthumously-published Due regole della prospettiva pratica, Vignola presented— without theoretical obscurities— practical applications which could be understood by a prospective patron. Egnatio Danti, Les deux règles de la pratique de Vignole,1583, Pascal Dubourg Glatigny, Paris,2003. Website Architectura, Centre détudes supérieures de la Renaissance, Tours Brief biographical sketch Paolo Zauli on Vignola from a Bolognese perspective Vignolas effect on garden design
