1.
Sasanian Empire
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The Sasanian Empire was founded by Ardashir I, after the fall of the Parthian Empire and the defeat of the last Arsacid king, Artabanus V. According to a legend, the vexilloid of the Sasanian Empire was the Derafsh Kaviani, in many ways, the Sasanian period witnessed the peak of ancient Iranian civilization. Persia influenced Roman culture considerably during the Sasanian period, the Sasanians cultural influence extended far beyond the empires territorial borders, reaching as far as Western Europe, Africa, China and India. It played a prominent role in the formation of both European and Asian medieval art, much of what later became known as Islamic culture in art, architecture, music and other subject matter was transferred from the Sasanians throughout the Muslim world. Conflicting accounts shroud the details of the fall of the Parthian Empire, the Sassanid Empire was established in Estakhr by Ardashir I. Papak was originally the ruler of a region called Khir, however, by the year 200, he managed to overthrow Gochihr, and appoint himself as the new ruler of the Bazrangids. His mother, Rodhagh, was the daughter of the governor of Pars. Papak and his eldest son Shapur managed to expand their power all of Pars. The subsequent events are unclear, due to the nature of the sources. It is certain, however, that following the death of Papak, Ardashir, sources reveal that Shapur, leaving for a meeting with his brother, was killed when the roof of a building collapsed on him. By the year 208, over the protests of his brothers who were put to death. Once Ardashir was appointed shahanshah, he moved his capital further to the south of Pars, the city, well supported by high mountains and easily defendable through narrow passes, became the center of Ardashirs efforts to gain more power. The city was surrounded by a high, circular wall, probably copied from that of Darabgird, in a second attempt to destroy Ardashir, Artabanus V himself met Ardashir in battle at Hormozgan, where Artabanus V met his death. Following the death of the Parthian ruler, Ardashir I went on to invade the provinces of the now defunct Parthian Empire. Ardashir was aided by the geography of the province of Fars, in the next few years, local rebellions would form around the empire. Nonetheless, Ardashir I further expanded his new empire to the east and northwest, conquering the provinces of Sistan, Gorgan, Khorasan, Margiana, Balkh and he also added Bahrain and Mosul to Sassanids possessions. In the west, assaults against Hatra, Armenia and Adiabene met with less success, in 230, he raided deep into Roman territory, and a Roman counter-offensive two years later ended inconclusively, although the Roman emperor, Alexander Severus, celebrated a triumph in Rome. Ardashir Is son Shapur I continued the expansion of the empire, conquering Bactria, invading Roman Mesopotamia, Shapur I captured Carrhae and Nisibis, but in 243 the Roman general Timesitheus defeated the Persians at Rhesaina and regained the lost territories
2.
Iran
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Iran, also known as Persia, officially the Islamic Republic of Iran, is a sovereign state in Western Asia. Comprising a land area of 1,648,195 km2, it is the second-largest country in the Middle East, with 82.8 million inhabitants, Iran is the worlds 17th-most-populous country. It is the country with both a Caspian Sea and an Indian Ocean coastline. The countrys central location in Eurasia and Western Asia, and its proximity to the Strait of Hormuz, Tehran is the countrys capital and largest city, as well as its leading economic and cultural center. Iran is the site of to one of the worlds oldest civilizations, the area was first unified by the Iranian Medes in 625 BC, who became the dominant cultural and political power in the region. The empire collapsed in 330 BC following the conquests of Alexander the Great, under the Sassanid Dynasty, Iran again became one of the leading powers in the world for the next four centuries. Beginning in 633 AD, Arabs conquered Iran and largely displaced the indigenous faiths of Manichaeism and Zoroastrianism by Islam, Iran became a major contributor to the Islamic Golden Age that followed, producing many influential scientists, scholars, artists, and thinkers. During the 18th century, Iran reached its greatest territorial extent since the Sassanid Empire, through the late 18th and 19th centuries, a series of conflicts with Russia led to significant territorial losses and the erosion of sovereignty. Popular unrest culminated in the Persian Constitutional Revolution of 1906, which established a monarchy and the countrys first legislative body. Following a coup instigated by the U. K. Growing dissent against foreign influence and political repression led to the 1979 Revolution, Irans rich cultural legacy is reflected in part by its 21 UNESCO World Heritage Sites, the third-largest number in Asia and 11th-largest in the world. Iran is a member of the UN, ECO, NAM, OIC. Its political system is based on the 1979 Constitution which combines elements of a democracy with a theocracy governed by Islamic jurists under the concept of a Supreme Leadership. A multicultural country comprising numerous ethnic and linguistic groups, most inhabitants are Shia Muslims, the largest ethnic groups in Iran are the Persians, Azeris, Kurds and Lurs. Historically, Iran has been referred to as Persia by the West, due mainly to the writings of Greek historians who called Iran Persis, meaning land of the Persians. As the most extensive interactions the Ancient Greeks had with any outsider was with the Persians, however, Persis was originally referred to a region settled by Persians in the west shore of Lake Urmia, in the 9th century BC. The settlement was then shifted to the end of the Zagros Mountains. In 1935, Reza Shah requested the international community to refer to the country by its native name, opposition to the name change led to the reversal of the decision, and Professor Ehsan Yarshater, editor of Encyclopædia Iranica, propagated a move to use Persia and Iran interchangeably
3.
Sarvestan
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Sarvestan is a city in and the capital of Sarvestan County, Fars Province, Iran. At the 2006 census, its population was 16,846 and it is located 80 kilometres southeast of Shiraz, the capital of Fars province. The majority of people in Sarvestan are Persians, many tropical and sub-tropical plants are grown in Sarvestan. The yoghurt of Sarvestan is very famous, sarvestans history goes back some 2600 years when the Achaemenids established the Persian Empire. The monument was registered in Iran’s National Heritage list in 1956, Sarvestan is the birthplace of Sheikh Yusef Sarvestani, who was a moralist. More of the county have gramineous vegetation and two types including tree and shrub, based on public census in 2006, about 76% of Sarvestanis are literate and 10. 5% have academic educations. There are two universities in the city, Islamic Azad University of Sarvestan Payame Noor University of Sarvestan
4.
Shiraz
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Shiraz is the sixth-most-populous city of Iran and the capital of Fars Province. At the 2011 census, the population of the city was 1,700,665, Shiraz is located in the southwest of Iran on the Roodkhaneye Khoshk seasonal river. It has a climate and has been a regional trade center for over a thousand years. Shiraz is one of the oldest cities of ancient Persia, the earliest reference to the city, as Tiraziš, is on Elamite clay tablets dated to 2000 BC. In the 13th century, Shiraz became a center of the arts and letters, due to the encouragement of its ruler. It was the capital of Persia during the Zand dynasty from 1750 until 1800, two famous poets of Iran, Hafez and Saadi, are from Shiraz, whose tombs are on the north side of the current city boundaries. Shiraz is known as the city of poets, literature, wine and it is also considered by many Iranians to be the city of gardens, due to the many gardens and fruit trees that can be seen in the city, for example Eram Garden. Shiraz has had major Jewish and Christian communities, the crafts of Shiraz consist of inlaid mosaic work of triangular design, silver-ware, pile carpet-weaving and weaving of kilim, called gilim and jajim in the villages and among the tribes. In Shiraz industries such as cement production, sugar, fertilizers, textile products, wood products, metalwork, Shirāz also has a major oil refinery and is also a major center for Irans electronic industries, 53% of Irans electronic investment has been centered in Shiraz. Shiraz is home to Irans first solar power plant, recently the citys first wind turbine has been installed above Babakoohi mountain near the city. The earliest reference to the city is on Elamite clay tablets dated to 2000 BCE, found in June 1970, the tablets written in ancient Elamite name a city called Tiraziš. Phonetically, this is interpreted as /tiračis/ or /ćiračis/ and this name became Old Persian /širājiš/, through regular sound change comes the modern Persian name Shirāz. The name Shiraz also appears on clay sealings found at a 2nd-century CE Sassanid ruin, by some of the native writers, the name Shiraz has derived from a son of Tahmuras, the third Shāh of the world according to Ferdowsis Shāhnāma. Shiraz is most likely more than 4,000 years old, the name Shiraz is mentioned in cuneiform inscriptions from around 2000 BC found in southwestern corner of the city. According to some Iranian mythological traditions, it was erected by Tahmuras Diveband. The oldest sample of wine in the world, dating to approximately 7,000 years ago, was discovered on clay jars recovered outside of Shiraz, in the Achaemenian era, Shiraz was on the way from Susa to Persepolis and Pasargadae. In Ferdowsis Shāhnāma it has said that Artabanus V, the Parthian Emperor of Iran. Ghasre Abu-Nasr which is originally from Parthian era is situated in this area, during the Sassanid era, Shiraz was in between the way which was connecting Bishapur and Gur to Istakhr
5.
Zoroastrianism
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Ascribed to the teachings of the Iranian prophet Zoroaster, it exalts a deity of wisdom, Ahura Mazda, as its Supreme Being. Zoroastrianism was suppressed from the 7th century onwards following the Muslim conquest of Persia of 633-654, recent estimates place the current number of Zoroastrians at around 2.6 million, with most living in India and in Iran. Besides the Zoroastrian diaspora, the older Mithraic faith Yazdânism is still practised amongst Kurds, the religious philosophy of Zoroaster divided the early Iranian gods of Proto-Indo-Iranian tradition. The most important texts of the religion are those of the Avesta, in Zoroastrianism, the creator Ahura Mazda, through the Spenta Mainyu is an all-good father of Asha, in opposition to Druj and no evil originates from him. He and his works are evident to humanity through the six primary Amesha Spentas, Spenta Mainyu adjoined unto truth oppose the Spirits opposite, Angra Mainyu and its forces born of Akəm Manah. In Zoroastrianism, the purpose in life is to be among those who renew the world. to make the progress towards perfection. Its basic maxims include, Humata, Hukhta, Huvarshta, which mean, Good Thoughts, Good Words, there is only one path and that is the path of Truth. Do the right thing because it is the thing to do. The full name by which Zoroaster addressed the deity is, Ahura, The Lord Creator and he proclaimed that there is only one God, the singularly creative and sustaining force of the Universe. He also stated that human beings are given a right of choice, Zoroasters teachings focused on responsibility, and did not introduce a devil per se. The contesting force to Ahura Mazda was called Angra Mainyu, or angry spirit, post-Zoroastrian scripture introduced the concept of Ahriman, the Devil, which was effectively a personification of Angra Mainyu. The name Zoroaster is a Greek rendering of the name Zarathustra and he is known as Zartosht and Zardosht in Persian and Zaratosht in Gujarati. The Zoroastrian name of the religion is Mazdayasna, which combines Mazda- with the Avestan language word yasna, meaning worship, in English, an adherent of the faith is commonly called a Zoroastrian or a Zarathustrian. An older expression still used today is Behdin, meaning The best Religion | Beh < Middle Persian Weh + Din < Middle Persian dēn < Avestan Daēnā. In Zoroastrian liturgy the term is used as a title for an individual who has formally inducted into the religion in a Navjote ceremony. The term Mazdaism /ˈmæzdə. ɪzəm/ is a typical 19th century construct, taking Mazda- from the name Ahura Mazda, the March 2001 draft edition of the Oxford English Dictionary also records an alternate form, Mazdeism, perhaps derived from the French Mazdéisme, which first appeared in 1871. In older English sources, the terms Gheber and Gueber were used to refer to Zoroastrians, however, Zoroastrian philosophy is identified as having been known to Italian Renaissance Europe through an image of Zoroaster in Raphaels School of Athens by Giorgio Vasari in 1550. The Oxford English Dictionary records use of the term Zoroastrianism in 1874 in Archibald Sayces Principles of Comparative Philology, Zoroastrians believe that there is one universal, transcendent, supreme god, Ahura Mazda, or the Wise Lord
6.
Fire temple
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A fire temple in Zoroastrianism is the place of worship for Zoroastrians, often called dar-e mehr or agiyari. In the Zoroastrian religion, fire, together with water, are agents of ritual purity. For, one who sacrifices unto fire with fuel in his hand, as of 2010, there were 50 fire temples in Mumbai,100 in the rest of India, and 27 in the rest of the world. First evident in the 4th century BCE, the Zoroastrian cult of fire is much younger than Zoroastrianism itself and it appears at approximately the same time as the shrine cult and is roughly contemporaneous with the introduction of Atar as a divinity. There is no allusion to a cult of fire in the Avesta proper. That the cult of fire was a modification and absent from early Zoroastrianism is also evident in the later Atash Nyash. In the oldest passages of that liturgy, it is the fire that speaks to all those for whom it cooks the evening and morning meal. The temple cult is a later development, from Herodotus it is known that in the mid-5th century BCE the Zoroastrians worshipped to the open sky. The second, the atroshan, were the places of burning fire which became more and more prevalent as the movement gained support. Following the rise of the Sassanid dynasty, the shrines to the Yazatas continued to exist, also, as Schippman observed, there is no evidence even during the Sassanid era that the fires were categorized according to their sanctity. It seems probable that there were only two, namely the Atash-i Vahram, and the lesser Atash-i Adaran, or Fire of Fires. The faith was practiced largely by the aristocracy but large numbers of fire temples did not exist, some fire temples continued with their original purpose although many Zoroastrians fled. The oldest remains of what has been identified as a temple are those on Mount Khajeh. Only traces of the foundation and ground-plan survive and have been dated to the 3rd or 4th century BCE. The temple was rebuilt during the Parthian era, and enlarged during Sassanid times, the characteristic feature of the Sassanid fire temple was its domed sanctuary where the fire-altar stood. This sanctuary always had a ground plan with a pillar in each corner that then supported the dome. Archaeological remains and literary evidence from Zend commentaries on the Avesta suggest that the sanctuary was surrounded by a passageway on all four sides. On a number of sites the gombad, made usually of masonry with courses of stone, is all that survives
7.
Bahram V
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Bahram V was the fifteenth Sasanian King of Persia. Also called Bahram Gōr or Bahram Gūr, he was a son of Yazdegerd I, after his fathers assassination, Bahram V gained the crown against the opposition of the grandees by the help of Al-Mundhir I ibn al-Numan, the king of the Lakhmid dynasty. Bahram V began his reign with a persecution of the Christians. His chief mōbed Mihr-Shabūr ordered Christian tombs and gravesites exhumed, among those executed was James Intercisus, which led to a war with the Eastern Romans. In the year 421, the Romans sent their general Ardaburius with an extensive contingent into Armenia, Ardaburius defeated the Persian commander Narseh and proceeded to plunder the province of Arzanene and lay siege to Nisibis. Ardaburius abandoned the siege in the face of an army under Bahram. Peace was then concluded between the Persians and Romans with a return to status quo ante bellum, the situation in Armenia occupied Bahram immediately after the conclusion of peace with Rome. Armenia had been without a king since Bahrams brother Shapur had vacated the country in 418, Bahram now desired that a descendant of the royal line of kings, a scion of the Arshakunis, should be on the throne of Armenia. With this intention in mind, he selected an Arshakuni named Artaxias IV, a son of Vramshapuh, but the newly appointed king did not have a good character. The frustrated nobles petitioned Bahramgur to remove Artaxias IV and admit Armenia into the Persian Empire so that the province would be under the control of the Sassanian Empire. Despite his strong protests, however, Armenia was annexed by Bahram, during the later part of Bahram Vs reign, Persia was invaded from the northeast by Hephthalite hordes who ravaged northern Iran under the command of their leader. They crossed the Elburz into Khorasan and proceeded as far as the ancient town of Rey, unprepared, Bahram initially made an offer of peace and submission which was well received by the Khan of the Hephthalites. But crossing Tabaristan, Hyrcania and Nishapur by night, he took the Huns unawares and massacred them along with their Khan, the retreating Huns were pursued and slaughtered up to the Oxus. One of Bahrams generals followed the Huns deep into Hun territory and his portrait which survived for centuries on the coinage of Bukhara is considered to be an evidence of his victory over the Huns. Bahram V has left behind a rich and colorful legacy, with numerous legends and his fame has survived the downplay of Zoroastrianism and the anti-Iranian measures of the Umayyads and the Mongols, and many of the stories have been incorporated in contemporary Islamic lore. His legacy even survives outside Iran and he is the king who receives the Three Princes of Serendip in the tale that gave rise to the word Serendipity. He is believed to be the inspiration for the legend of Bahramgur prevalent in the Punjab and he is called Bahram Gur, Onager, on account of his love for hunting, and in particular, hunting onagers. The ruins of three of these towers are yet shown by the peasantry, as also the swamp in which Bahram sunk while pursuing his Gur, some have judged Bahram V to have been rather a weak monarch, after the heart of the grandees and the priests
8.
Iwan
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An iwan is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. Since the definition allows for some interpretation, the forms and characteristics can vary greatly in terms of scale, material. Iwans are most commonly associated with Islamic architecture, however, the form was invented much earlier and fully developed in Mesopotamia, the root for this term is Old Persian apadana where king Darius I declares in an inscription, I Darius. This is a given to this particular palace in modern literature, although the name simply implies a type of structure—the iwan. The term in Old Persian stand for unprotected, since the design allows for the structure to be open to the elements on one side, whence the term. At Persepolis, however, the apadana takes the form of a veranda, a comparable structure would be found 2000 years later in Isfahan at the Palace of Chehel Sotoun. This development reached its peak during the Seljuki era, when iwans became a unit in architecture. The form is not confined to any function, and is found in buildings for either secular or religious uses. Ivan is a form of the name, used in Iran. Many scholars including Edward Keall, André Godard, Roman Ghirshman, and Mary Boyce, discuss the invention of the iwan as developing in Mesopotamia, the area around todays Iraq. Although debate remains among scholars as to how the developed, there is a general consensus that the iwan evolved locally. The feature which most distinctly makes the iwan a landmark development in the history of Ancient Near Eastern architecture is the incorporation of a vaulted ceiling, a vault is defined as a ceiling made from arches, known as arcuated, usually constructed with stone, concrete, or bricks. Earlier buildings would normally be covered in a manner, with post. However, vaulted ceilings did exist in the ancient world before the invention of the iwan, outside Mesopotamia, a number of extant vaulted structures stand, including many examples from Ancient Egypt, Rome, and the Mycenaeans. For example, the Mycenaean Treasury of Atreus, constructed around 1250 BCE, egyptian architecture began to use vaulting in their structures after the Third Dynasty, after around 2600 BCE, constructing very early barrel vaults using mud brick. Although some scholars have asserted that the form may have developed under the Seleucids. One of the earliest Parthian iwans was found at Seleucia, located on the Tigris River, other early iwans have been suggested at Ashur, where two buildings containing iwan-like foundations were found. The first building, located near the ruins of a ziggurat, the proximity of the building to a ziggurat suggests that it may have been used for religious preparations or rituals
9.
Iranian architecture
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Iranian architecture or Persian architecture is the architecture of Iran and parts of the rest of West Asia, the Caucasus and Central Asia. Its history dates back to at least 5,000 BCE with characteristic examples distributed over a vast area from Turkey and Iraq to Uzbekistan and Tajikistan, and from the Caucasus to Zanzibar. Persian buildings vary from peasant huts to tea houses and garden, in addition to historic gates, palaces, and mosques, the rapid growth of cities such as the capital, Tehran has brought about a wave of demolition and new construction. Iranian architecture displays great variety, both structural and aesthetic, from a variety of traditions and experience, without sudden innovations, and despite the repeated trauma of invasions and cultural shocks, it has achieved an individuality distinct from that of other Muslim countries. Traditionally, the guiding formative motif of Iranian architecture has been its cosmic symbolism by which man is brought into communication and participation with the powers of heaven. This theme has not only given unity and continuity to the architecture of Persia, according to Persian historian and archaeologist Arthur Pope, the supreme Iranian art, in the proper meaning of the word, has always been its architecture. The supremacy of architecture applies to both pre- and post-Islamic periods, traditional Persian architecture has maintained a continuity that, although temporarily distracted by internal political conflicts or foreign invasion, nonetheless has achieved an unmistakable style. In this architecture, there are no buildings, even garden pavilions have nobility and dignity. In expressiveness and communicativity, most Persian buildings are lucid - even eloquent, the combination of intensity and simplicity of form provides immediacy, while ornament and, often, subtle proportions reward sustained observation. g. g. Anahita Temple, Khorheh, Parthian era e. g. Hatra, the compounds at Nysa, Sassanid era e. g. Ghaleh Dokhtar. Chehelsotoon, Ali Qapu, Agha Bozorg Mosque, Kashan, Shah Mosque, available building materials dictate major forms in traditional Iranian architecture. This technique, used in Iran from ancient times, has never completely abandoned. The abundance of heavy plastic earth, in conjunction with a lime mortar, also facilitated the development. Certain design elements of Persian architecture have persisted throughout the history of Iran, the most striking are a marked feeling for scale and a discerning use of simple and massive forms. The consistency of decorative preferences, the high-arched portal set within a recess, columns with bracket capitals, through the ages these elements have recurred in completely different types of buildings, constructed for various programs and under the patronage of a long succession of rulers. Similarly, the dome on four arches, so characteristic of Sassanid times, is a still to be found in many cemeteries, the pre-Islamic styles draw on 3000 to 4000 years of architectural development from various civilizations of the Iranian plateau. Iran is recognized by UNESCO as being one of the cradles of civilization, each of the periods of Elamites, Achaemenids, Parthians and Sassanids were creators of great architecture that, over the ages, spread far and wide far to other cultures. Although Iran has suffered its share of destruction, including Alexander The Greats decision to burn Persepolis, the Achaemenids built on a grand scale
10.
History of Persian domes
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Persian domes or Iranian domes have an ancient origin and a history extending to the modern era. Drums, after the Ilkanate era, tend to be similar and have an average height of 30 to 35 meters from the ground. They are where windows are located, inner shells are commonly semi-circular, semi-elliptical, pointed, or saucer shaped. The outer shell of a Persian dome reduces in thickness every 25 or 30 degrees from the base, outer shells can be semi-circular, semi-elliptical, pointed, conical, or bulbous, and this outer shape is used to categorize them. Pointed domes can be sub-categorized as having shallow, medium, and sharp profiles, double domes use internal stiffeners with wooden struts between the shells, with the exception of those with conical outer shells. Persian architecture likely inherited a tradition of dome-building dating back to the earliest Mesopotamian domes. Due to the scarcity of wood in many areas of the Iranian plateau, although they had palaces of brick and stone, the kings of Achaemenid Persia held audiences and festivals in domical tents derived from the nomadic traditions of central Asia. They were likely similar to the tents of the Mongol Khans. Called Heavens, these tents emphasized the significance of the divine ruler. They were adopted by Alexander the Great after his conquest of the empire, the remains of a large domed circular hall measuring 17 meters in diameter in the Parthian capital city of Nyssa has been dated to perhaps the first century AD. It likely had a wooden dome, the Sun Temple at Hatra appears to indicate a transition from columned halls with trabeated roofing to vaulted and domed construction in the first century AD, at least in Mesopotamia. The domed sanctuary hall of the temple was preceded by a vaulted iwan. An account of a Parthian domed palace hall from around 100 AD in the city of Babylon can be found in the Life of Apollonius of Tyana by Philostratus. The hall was used by the king for passing judgments and was decorated with a mosaic of blue stone to resemble the sky, with images of gods in gold. A bulbous Parthian dome can be seen in the sculpture of the Arch of Septimius Severus in Rome. Previous transitions to a dome from a square chamber existed but were makeshift in quality and only attempted on a small scale, the squinch enabled domes to be widely used and they moved to the forefront of Persian architecture as a result. The ruins of the Palace of Ardashir and Ghaleh Dokhtar in Fars Province, Iran, the three domes of the Palace of Ardashir are 45 feet in diameter and vertically elliptical, each with a central opening or oculus to admit light. They were built with stone and mortar and covered with plaster on the interior
11.
Achaemenid architecture
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Achaemenid architecture is academically classified under Parsian Architecture in terms of its style and design. With the advent of the second Persian Empire, the Sassanid dynasty, revived Achaemenid tradition by construction of dedicated to fire. Persepolis, would take 100 years to complete and would finally be ransacked, despite having ruled over much of the ancient world, Cyrus the Great would design a tomb that depicts extreme simplicity and modesty when compared to those of other ancient kings and rulers. After his death, Cyrus the Greats remains were interred in his city of Pasargadae. The roof of the edifice and indeed the structure, is an elongated limestone pediment, the inside of the edifice is occupied by a small chamber a few feet in width and height, and around ten feet deep. It was inside this chamber where the bed and coffin of Cyrus the Great would have been situated, the edifice has a pediment roof possessing the same length and width dimensions as the edifice itself. Around the tomb were a series of columns, the structure which they supported is no longer present. There was originally a golden coffin inside the mausoleum, resting on a table with golden supports, the magi were a group of on-site Zoroastrian observers, located in their separate but attached structure possibly a caravanserai, paid and cared for by the Achaemenid state. The magi were placed in charge of maintenance and also prevention of theft, when Alexander reached the tomb, he was horrified by the manner in which the tomb was treated, and questioned the Magi and put them to court. Regardless, Alexander the Great ordered Aristobulus of Cassandreia to improve the tombs condition, the tomb was originally ornamented with an inscription that, according to Strabo, stated, O man. I am Cyrus the Great, who gave the Persians an empire and was the king of Asia, grudge me not therefore this monument. The edifice has survived the test of time for some 2,500 years, the Persians renamed the tomb, and presented it to the invading army as the tomb of King Solomons mother. It is likely that the inscription was lost at this time, Mohammad Reza Pahlavi, the last official monarch of Persia, during his 2,500 year celebration of the Persian Empire paid significant homage to the Achaemenid kings and specially Cyrus the Great. Just as Alexander the Great before him, the Shah of Iran wanted to appeal to Cyruss legacy to legitimize his own rule by extension, Shah of Iran however was generally interested in protection of imperial historical artifacts. There are allegations of the tomb being in danger of damage from the construction of the Sivand Dam on river Polvar and water related damage, united Nations recognizes the tomb of Cyrus the Great and Pasargadae as a UNESCO World Heritage site. Persepolis is the Latinized version of the Old Persian name, Parsa literally meaning the city of Persians, another spectacular achievement of the Achaemenids, Persepolis became one of the four capitals of the empire. Initiated by Darius the Great around 518 B. C. E, persepoliss prestige and grand riches were well known in the ancient world, and it was best described by the Greek historian Diodorus Siculus as the richest city under the sun. Today the archaeological remnants of this opulent city are about 70 kilometers northeast of the modern Iranian city of Shiraz, in the Pars province
12.
Azeri style
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The Azerbaijani style or Azeri style is a style of architecture when categorizing Iranian architecture development in Iranian Azerbaijan history. Landmarks of this style of architecture span from the late 13th century to the appearance of the Safavid Dynasty in the 16th century CE, Iranian architecture Azerbaijani architecture Multiple Authors
